Search results for ""author lucas blalock""
Zolo Press Figures
£31.50
Distributed Art Publishers Lucas Blalock: Oar Or Ore
A new form of still life: the first full survey of Lucas Blalock’s humorous and mesmerizing manipulated photographs The acclaimed New York-based photographer Lucas Blalock (born 1978) creates surreal still lifes, often digitally manipulated. From bundles of raw hot dogs to watermelons smothered by plastic wrap to cactus leaves duplicated many times over, Blalock’s eye-catching tableaux reveal more bizarre details the longer one looks. The intentionally ham-fisted photographic manipulations are created in Photoshop after Blalock shoots with a large-format camera on film and then scans the images. The result is a layered network of colorful visual references, careening from the tragicomic to the absurd as they depict everyday objects in unfamiliar contexts. Underlying all of his work is Blalock’s eagerness to revel in the inherent failure connected to any attempt to revive the avant-garde. The artist’s first full survey, this publication accompanies a solo exhibition at the Museum Kurhaus Kleve in Germany. The exhibit’s curator, Susanne Figner, provides commentary alongside essays by professor Russell Ferguson, Institute of Contemporary Art LA curator Jamillah James and Museum of Modern Art curatorial assistant Phil Taylor. The book is available in three different colors.
£45.00
Aperture The Lives of Images, Vol. II: Analogy, Attunement, and Attention
The Lives of Images, edited by Stanley Wolukau-Wanambwa, is a set of contemporary thematic readers designed for educators, students, practicing photographers, and others interested in the ways images function within a wider set of cultural practices. The series tracks the many movements and “lives” of images—their tendency to accumulate, circulate, and transform through different geographies, cultures, processes, institutions, states, uses, and times. Volume 2 in this series, Analogy, Attunement, and Attention, addresses the complex relationships that the reproducible image creates with its viewers, their bodies, their minds, and their sense of the physical and metaphysical world. The selection addresses the image’s role in the social constitution of individual and collective identity, in social practices of resistance to the structural violences of racism, or in relation to state exercises of power. Of particular importance in this volume are questions of our changing relationship to space and to selfhood as mediated by the image and by the many networked technologies and norms built around it. Essays in the volume ask: what modes of attention are required of us as viewers and agents of image circulation? The question of how image technologies provide us with an array of freedoms is here combined with and read against the many ways images are deployed to reorient, repress, or reduce our field of vision—thus affecting our capacity to see and to act in social space. Contributions by Victor Burgin, Judith Butler, Tina Campt, Sarah Jane Cervenak, Harun Farocki, Tom Holert, Thomas Keenan, Rabih Mroué, Vivian Sobchack, and Tiziana Terranova
£19.95