Search results for ""author john belchem""

Long before the arrival of the ‘Empire Windrush’ after the Second World War, Liverpool was widely known for its polyglot population, its boisterous ‘sailortown’ and cosmopolitan profile of transients, sojourners and settlers. Regarding Britain as the mother country, ‘coloured’ colonials arrived in Liverpool for what they thought to be internal migration into a common British world. What they encountered, however, was very different. Their legal status as British subjects notwithstanding, ‘coloured’ colonials in Liverpool were the first to discover: ‘There Ain’t No Black in the Union Jack’. Despite the absence of significant new immigration, despite the high levels of mixed dating, marriages and parentage, and despite pioneer initiatives in race and community relations, black Liverpudlians encountered racial discrimination, were left marginalized and disadvantaged and, in the aftermath of the Toxteth riots of 1981, the once proud ‘cosmopolitan’ Liverpool stood condemned for its ‘uniquely horrific’ racism. ‘Before the Windrush’ is a fascinating study that enriches our understanding of how the empire ‘came home’. By drawing attention to Liverpool’s mixed population in the first half of the twentieth century and its approach to race relations, this book seeks to provide historical context and perspective to debates about Britain’s experience of empire in the twentieth century.

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Bluecoat is a unique and much-loved Liverpool institution, its oldest city centre building. This book tells the fascinating story of its transformation from charity school to contemporary arts centre, the UK’s first. Its early 18th century origins shed light on the religious and maritime mercantile environment of the growing port, whose merchants supported the school. Echoes from then are revealed in themes explored by artists in the 20th century, including slavery and colonial legacies. The predominant focus is on an inclusive building for the arts, starting with colourful bohemian society, the Sandon, who established an artistic colony in 1907, hosting significant exhibitions by the Post-Impressionists and many leading modern British artists. Bluecoat Society of Arts emerged as the building’s custodians, paving the way for the arts centre which, despite financial struggles and wartime bomb damage, survived and continues to play a prominent role in Liverpool’s and the UK’s culture. Bluecoat is described as where ‘village hall meets the avant-garde’. In its rich story, Picasso, Stravinsky, Yoko Ono, Captain Beefheart, Simon Rattle and the inspirational Fanny Calder are just some of the names encountered, as key strands, including music, visual art, performance and the building’s tenants, are traced.

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