Search results for ""author jesse ball""

The Village on Horseback features mesmerizing new work from the author of Samedi the Deafness and The Way Through Doors, one of the New Yorker's Best Books of 2009. This collection of new pieces by experimental writer Jesse Ball is a philosophical recasting of myth and legend. Unearthing parables from the compost heap of oral tradition, folklore, literature, and popular culture, The Village on Horseback can be read as a sort of fabulist's compendium by an author who has been called charming, lyrical, fanciful, and "disturbingly original."

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A pair of girls, Lethe and Lois, navigates the perimeters of a segregated city, armed with canisters of killing gas. Another child, Lessen, is at the centre of a bizarre cultural ritual that could be the subject of a Goya painting. Centring on the garish festivals of an allegorical nation, The Divers' Game moves through worlds in which kindness is no longer meaningful. A scathing indictment of the inequalities of Western society, it makes visible the violence that has threaded its way into every aspect of our lives, and the radical empathy we need to combat it.

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March Book is a wonder and a revelation. A shockingly assured first collection from young poet Jesse Ball, its elegant lines and penetrating voice present a poetic symphony instead of a simple succession of individual, barely-linked poems. Craftsmanship defines this collection; it is full of perfect line-breaks, tenderly selected words, and inventive pairings. Just as impressive is the breadth and ingenuity of its recurring themes, which crescendo as Ball leads us through his fantastic world, quietly opening doors. In five separate sections we meet beekeepers and parsons, a young woman named Anna in a thin, linen dress and an old scribe transferring the eponymous March Book. We witness a Willy Loman-esque worker who "ran out in the noon street / shirt sleeves rolled, and hurried after / that which might have passed" only to be told that there's nothing between him and "the suddenness of age." While these images achingly inform us of our delicate place in the physical world, others remind us why we still yearn to awake in it every day and "make pillows with the down / of stolen geese," "build / rooms in terms of the hours of the day." Like a patient Virgil, insistent and confident, Ball escorts us through his mind, and we're lucky to follow.

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Sleep, Death’s Brother is an instruction manual on dreaming for children or incarcerated persons, teaching such individuals to lucid dream and thus use their dreams to somewhat escape their situations. While it is often the case that dream life is passively experienced, acclaimed novelist Jesse Ball (born 1978) reminds us that dreaming life is also a place where a sense of agency can grow. Even in the midst of physical or emotional environments that do not support such development in waking life, dreams are a place where one can take control. Ball calls for bravery in the exploration of this practice, and provides the dreamer with useful habits and techniques. Full of affirmation and wisdom, Sleep, Death’s Brother is a guidebook “for all oneironauts young and old.”

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'CENSUS is a vital testament to selfless love; a psalm to commonplace miracles; and a mysterious evolving metaphor. So kind, it aches.' David Mitchell, author of Cloud Atlas A father and son who are census takers journey across a nameless country from the town of A to the town of Z in the wake of the father's fatal diagnosis. Knowing that his time is menacingly short, the father takes his son, who requires close and constant adult guidance, on this trip of indefinite length. Their feelings for each other are challenged and bolstered as they move in and out of a variety of homes, meeting a variety of different people. Census is about the ways in which people react to the son's condition, to the son as a person in the world. It is about discrimination and acceptance, kindness and art, education and love. It is a profoundly moving novel, glowing with wisdom and grace, roaring with a desire to change the world.

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In an age of national divisiveness, artists are creating moments of political resistance while also trying to forge paths towards reconciliation. This exciting and provocative collection shows how fifteen US-based multi-disciplinary artists are addressing the complexity of the 21st century. Jeffrey Gibson weaves together European and Native American cultures; Performance artist Cassils constructs images of resistance in the Trans community; Hayv Kahraman examines diasporic culture and the effect of being a refugee in America. Together these artists create a national collective portrait of a country at odds. This book examines the human condition from all sides and strives to show how acting together against suffering can lead to a new version of realness.

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In The Deaths of Henry King, the hapless Henry King, as advertised, dies. Not just once or even twice, but seven dozen times, each death making way for a new demise, moving from the comic to the grim to the absurd to the transcendent and back again. With text by Jesse Ball and Brian Evenson complimented by Lilli Carré’s macabre, gravestone-rubbing-style art, Henry King’s ends are brought to a vividly absurd life. Brian Evenson is the author of a dozen books of fiction, most recently the story collection Windeye and the novel Immobility (both finalists for a Shirley Jackson Award). His novel Last Days won the ALA’s RUSA award for Best Horror Novel of 2009. His novel The Open Curtain was a finalist for an Edgar Award and an International Horror Guild Award. He lives in Providence, RI, where he teaches in Brown University’s literary arts department. Jesse Ball is the author of five novels, including the forthcoming A Cure for Suicide (Pantheon, 2015), Silence Once Begun, and several others. He has received numerous awards, including a 2014 NEA Creative Writing Fellowship and the 2008 The Paris Review’s Plimpton Prize. He gives classes on lucid dreaming and lying in the SAIC’s MFA Writing program. Lilli Carré is an artist living in Chicago. She has created several books of comics, including Heads or Tails (Fantagraphics), and her first children’s book, Tippy and the Night Parade (Toon Books). Her work has appeared in The New Yorker, The New York Times, and Best American Comics.

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