Search results for ""author jeffrey c. alexander""

In this book Jeffrey C. Alexander develops an original social theory of trauma and uses it to carry out a series of empirical investigations into social suffering around the globe. Alexander argues that traumas are not merely psychological but collective experiences, and that trauma work plays a key role in defining the origins and outcomes of critical social conflicts. He outlines a model of trauma work that relates interests of carrier groups, competing narrative identifications of victim and perpetrator, utopian and dystopian proposals for trauma resolution, the performative power of constructed events, and the distribution of organizational resources. Alexander explores these processes in richly textured case studies of cultural-trauma origins and effects, from the universalism of the Holocaust to the particularism of the Israeli right, from postcolonial battles over the Partition of India and Pakistan to the invisibility of the Rape of Nanjing in Maoist China. In a particularly controversial chapter, Alexander describes the idealizing discourse of globalization as a trauma-response to the Cold War. Contemporary societies have often been described as more concerned with the past than the future, more with tragedy than progress. In Trauma: A Social Theory, Alexander explains why.

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Performativity has emerged as a critical new idea across the humanities and social sciences, from literary and cultural studies to the study of gender and the philosophy of action. In this volume, Jeffrey Alexander demonstrates how performance can reorient our study of politics and society. Alexander develops a cultural pragmatics that shifts cultural sociology from texts to gestural meanings. Positioning social performance between ritual and strategy, he lays out the elements of social performance - from scripts to mise-en-scène, from critical mediation to audience reception - and systematically describes their tense interrelation. This is followed by a series of empirically oriented studies that demonstrate how cultural pragmatics transforms our approach to power. Alexander brings his new theory of social performance to bear on case studies that range from political to cultural power: Barack Obama's electoral campaign, American failure in the Iraqi war, the triumph of the Civil Rights Movement, terrorist violence on September 11th, public intellectuals, material icons, and social science itself. This path-breaking work by one of the world's leading social theorists will command a wide interdisciplinary readership.

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In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to Alexander’s approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. He uses this model to shed new light on a wide range of social actors, movements, and events, demonstrating through striking empirical examples the drama of social life. Producing successful dramas determines the outcome of social movements and provides the keys to political power. Modernity has neither eliminated aura nor suppressed authenticity; on the contrary, they are available to social actors who can perform them in compelling ways. This volume further consolidates Alexander’s reputation as one of the most original social thinkers of our time. It will be of great interest to students and scholars in sociology and cultural studies as well as throughout the social sciences and humanities.

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In this book Jeffrey C. Alexander develops an original social theory of trauma and uses it to carry out a series of empirical investigations into social suffering around the globe. Alexander argues that traumas are not merely psychological but collective experiences, and that trauma work plays a key role in defining the origins and outcomes of critical social conflicts. He outlines a model of trauma work that relates interests of carrier groups, competing narrative identifications of victim and perpetrator, utopian and dystopian proposals for trauma resolution, the performative power of constructed events, and the distribution of organizational resources. Alexander explores these processes in richly textured case studies of cultural-trauma origins and effects, from the universalism of the Holocaust to the particularism of the Israeli right, from postcolonial battles over the Partition of India and Pakistan to the invisibility of the Rape of Nanjing in Maoist China. In a particularly controversial chapter, Alexander describes the idealizing discourse of globalization as a trauma-response to the Cold War. Contemporary societies have often been described as more concerned with the past than the future, more with tragedy than progress. In Trauma: A Social Theory, Alexander explains why.

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In this book Jeffrey Alexander develops a new sociological theory of social crisis and applies it to a wide range of cases, from the church paedophilia crisis to the #MeToo movement. He argues that crises are triggered not by objective social strains but by the discourse and institutions of the civil sphere. When strains become subject to the utopian aspirations of the civil sphere, there emerges widespread anguish about social justice and the future of democratic life. Once admired institutional elites come to be represented as perpetrators and the civil sphere becomes legally and organizationally intrusive, demanding repairs in the name of civil purification. Resisting such repair, institutional elites foment backlash, and a war of the spheres ensues. This major new work by one of the world’s leading social theorists will be of great interest to students and scholars in sociology, politics, and the social sciences generally.

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In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to Alexander’s approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. He uses this model to shed new light on a wide range of social actors, movements, and events, demonstrating through striking empirical examples the drama of social life. Producing successful dramas determines the outcome of social movements and provides the keys to political power. Modernity has neither eliminated aura nor suppressed authenticity; on the contrary, they are available to social actors who can perform them in compelling ways. This volume further consolidates Alexander’s reputation as one of the most original social thinkers of our time. It will be of great interest to students and scholars in sociology and cultural studies as well as throughout the social sciences and humanities.

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In this book, one of the world’s leading social theorists presents a critical, alarmed, but also nuanced understanding of the post-traditional world we inhabit today. Jeffrey Alexander writes about modernity as historical time and social condition, but also as ideology and utopia. The idea of modernity embodies the Enlightenment’s noble hopes for progress and rationality, but its reality brings great suffering and exposes the destructive impulses that continue to motivate humankind. Alexander examines how twentieth-century theorists struggled to comprehend the Janus-faced character of modernity, which looks backward and forward at the same time. Weber linked the triumph of worldly asceticism to liberating autonomy but also ruthless domination, describing flights from rationalization as systemic and dangerous. Simmel pointed to the otherness haunting modernity, even as he normalized the stranger. Eisenstadt celebrated Axial Age transcendence, but acknowledged its increasing capacity for barbarity. Parsons heralded American community, but ignored modernity’s fragmentations. Rather than seeking to resolve modernity’s contradictions, Alexander argues that social theory should accept its Janus-faced character. It is a dangerous delusion to think that modernity can eliminate evil. Civil inclusion and anti-civil exclusion are intertwined. Alexander enumerates dangerous frictions endemic to modernity, but he also suggests new lines of social amelioration and emotional repair.

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This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Jeffrey C. Alexander examines what was new about Egypt's Spring revolution. Why was it so compelling to watch, and what made it so effective and does it have implications for democratic movements internationally. Using international news reports and translations of the social media pages that brought Egyptians flocking onto Tahrir Square, Alexander uncovers the narrative of a revolution that was scripted by its organizers, as both a moral statement and a media and digital statement. He sees it as a theatrical performance, designed to reveal to the key protagonists what a civil, egalitarian society might look like, by showing it in microcosm on the Square. Ultimately, he argues, it was the sight of the protestor's behaviour that swayed the army, and brought about regime change. From the author of the widely acclaimed 2010 book: The Performance of Politics: Obama's Victory and the Democratic Struggle for Power, this powerful intervention into the debate on the Arab Spring is a must-read for those curious about how social media are fundamentally changing global politics.

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In this book Jeffrey Alexander develops a new sociological theory of social crisis and applies it to a wide range of cases, from the church paedophilia crisis to the #MeToo movement. He argues that crises are triggered not by objective social strains but by the discourse and institutions of the civil sphere. When strains become subject to the utopian aspirations of the civil sphere, there emerges widespread anguish about social justice and the future of democratic life. Once admired institutional elites come to be represented as perpetrators and the civil sphere becomes legally and organizationally intrusive, demanding repairs in the name of civil purification. Resisting such repair, institutional elites foment backlash, and a war of the spheres ensues. This major new work by one of the world’s leading social theorists will be of great interest to students and scholars in sociology, politics, and the social sciences generally.

Read more less

In this book, one of the world’s leading social theorists presents a critical, alarmed, but also nuanced understanding of the post-traditional world we inhabit today. Jeffrey Alexander writes about modernity as historical time and social condition, but also as ideology and utopia. The idea of modernity embodies the Enlightenment’s noble hopes for progress and rationality, but its reality brings great suffering and exposes the destructive impulses that continue to motivate humankind. Alexander examines how twentieth-century theorists struggled to comprehend the Janus-faced character of modernity, which looks backward and forward at the same time. Weber linked the triumph of worldly asceticism to liberating autonomy but also ruthless domination, describing flights from rationalization as systemic and dangerous. Simmel pointed to the otherness haunting modernity, even as he normalized the stranger. Eisenstadt celebrated Axial Age transcendence, but acknowledged its increasing capacity for barbarity. Parsons heralded American community, but ignored modernity’s fragmentations. Rather than seeking to resolve modernity’s contradictions, Alexander argues that social theory should accept its Janus-faced character. It is a dangerous delusion to think that modernity can eliminate evil. Civil inclusion and anti-civil exclusion are intertwined. Alexander enumerates dangerous frictions endemic to modernity, but he also suggests new lines of social amelioration and emotional repair.

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Abbott helps social science students discover what questions to ask. This exciting book is not about habits and the mechanics of doing social science research, but about habits of thinking that enable students to use those mechanics in new ways, by coming up with new ideas and combining them more effectively with old ones. Abbott organizes his book around general methodological moves, and uses examples from throughout the social sciences to show how these moves can open new lines of thinking. In each chapter, he covers several moves and their reverses (if these exist), discussing particular examples of the move as well as its logical and theoretical structure. Often he goes on to propose applications of the move in a wide variety of empirical settings. The basic aim of Methods of Discovery is to offer readers a new way of thinking about directions for their research and new ways to imagine information relevant to their research problems. Methods of Discovery is part of the Contemporary Societies series.

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What is the source of Obama’s power? How is it that, after suffering a humiliating defeat in the 2010 mid-term elections, Obama was able to turn the situation around, deftly outmaneuvering his opponent and achieving a decisive victory in the November 2012 presidential election? In this short and brilliant book, Jeffrey Alexander and Bernadette Jaworsky argue that neither money nor demography can explain this dramatic turnaround. What made it possible, they show, was cultural reconstruction. Realizing he had failed to provide a compelling narrative of his power, the President began forging a new salvation story. It portrayed the Republican austerity budget as a sop to the wealthy, and Obama as a courageous hero fighting for plain folks against the rich. The reinvigorated cultural performance pushed the Tea Party off the political stage in 2011, and Mitt Romney became fodder for the script in 2012. Democrats painted their Republican opponent as a backward-looking elitist, a “Bain-capitalist” whose election would threaten the civil solidarity upon which democracy depends. Real world events can spoil even the most effective script. Obama faced monthly unemployment numbers, the daunting Bin Laden raid, three live debates, and Hurricane Sandy. The clumsiness of his opponent and his own good fortune helped the President, but it was the poise and felicity of his improvisations that allowed him to succeed a second time. Converting events into plot points, the President demonstrated the flair for the dramatic that has made him one of the most effective politicians of modern times.While persuasively explaining Obama’s success, this book also demonstrates a fundamental but rarely appreciated truth about political power in modern democratic societies namely, that winning power and holding on to it have as much to do with the ability to use symbols effectively and tell good stories as anything else.

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What is the source of Obama’s power? How is it that, after suffering a humiliating defeat in the 2010 mid-term elections, Obama was able to turn the situation around, deftly outmaneuvering his opponent and achieving a decisive victory in the November 2012 presidential election? In this short and brilliant book, Jeffrey Alexander and Bernadette Jaworsky argue that neither money nor demography can explain this dramatic turnaround. What made it possible, they show, was cultural reconstruction. Realizing he had failed to provide a compelling narrative of his power, the President began forging a new salvation story. It portrayed the Republican austerity budget as a sop to the wealthy, and Obama as a courageous hero fighting for plain folks against the rich. The reinvigorated cultural performance pushed the Tea Party off the political stage in 2011, and Mitt Romney became fodder for the script in 2012. Democrats painted their Republican opponent as a backward-looking elitist, a “Bain-capitalist” whose election would threaten the civil solidarity upon which democracy depends. Real world events can spoil even the most effective script. Obama faced monthly unemployment numbers, the daunting Bin Laden raid, three live debates, and Hurricane Sandy. The clumsiness of his opponent and his own good fortune helped the President, but it was the poise and felicity of his improvisations that allowed him to succeed a second time. Converting events into plot points, the President demonstrated the flair for the dramatic that has made him one of the most effective politicians of modern times.While persuasively explaining Obama’s success, this book also demonstrates a fundamental but rarely appreciated truth about political power in modern democratic societies namely, that winning power and holding on to it have as much to do with the ability to use symbols effectively and tell good stories as anything else.

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Even as the specter of populism haunts contemporary societies, scholars have not been able to agree about what it is. Except for one thing: a deviation from democracy, the source, it seems, of the precarious position in which so many societies find themselves today. This volume aims to break the Gordian knot of “populism” by bringing a new social theory to bear and, in so doing so, suggesting that normative judgments about this misunderstood phenomenon need to be reconsidered as well. Populism is not a democratic deviation but a naturally occurring dimension of civil sphere dynamics, fatal to democracy only at the extremes. Because populism is highly polarizing, it has the effect of inducing anxiety that civil solidarity is breaking apart. Left populists feel as if civil solidarity is an illusion, that democratic discourse is a fig leaf for private interests, and that the social and cultural differentiation that vouchsafes the independence of the civil sphere merely reflects the hegemony of narrow professional interests or those of a ruling class. Right populists share the same distrust, even repulsion, for the civil sphere. What seems civil to the center and left, like affirmative action or open immigration, they call out as particularistic; honored civil icons, such as Holocaust memorials, they trash. How can the sense of a vital civil center survive such censure from populism on the left and the right? Populism in the Civil Sphere provides compelling answers to these fundamental questions. Its contributions are both sophisticated theoretical interventions and deeply researched empirical studies, and it will be of great interest to anyone concerned about the most important political developments of our time.

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Even as the specter of populism haunts contemporary societies, scholars have not been able to agree about what it is. Except for one thing: a deviation from democracy, the source, it seems, of the precarious position in which so many societies find themselves today. This volume aims to break the Gordian knot of “populism” by bringing a new social theory to bear and, in so doing so, suggesting that normative judgments about this misunderstood phenomenon need to be reconsidered as well. Populism is not a democratic deviation but a naturally occurring dimension of civil sphere dynamics, fatal to democracy only at the extremes. Because populism is highly polarizing, it has the effect of inducing anxiety that civil solidarity is breaking apart. Left populists feel as if civil solidarity is an illusion, that democratic discourse is a fig leaf for private interests, and that the social and cultural differentiation that vouchsafes the independence of the civil sphere merely reflects the hegemony of narrow professional interests or those of a ruling class. Right populists share the same distrust, even repulsion, for the civil sphere. What seems civil to the center and left, like affirmative action or open immigration, they call out as particularistic; honored civil icons, such as Holocaust memorials, they trash. How can the sense of a vital civil center survive such censure from populism on the left and the right? Populism in the Civil Sphere provides compelling answers to these fundamental questions. Its contributions are both sophisticated theoretical interventions and deeply researched empirical studies, and it will be of great interest to anyone concerned about the most important political developments of our time.

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The civil sphere is a distinctively democratic field in modern societies, one that sustains universalizing cultural aspirations and organizational structures and that has tense and uncertain boundaries with other spheres of social life, like the economy, religion, family, and state. Unlike the latter, which are more particularistic and hierarchical in character, the civil sphere defines itself in terms of solidarity – the feeling of being connected with every other person in the collectivity. The utopian ideals of democratic solidarity shape every modern society, even if they are often compromised by the messy realities of social life. This volume uses the theory of the civil sphere to shed new light on Nordic societies, while at the same time drawing on the distinctive experiences of the Nordic nations to reflect on and advance the theory of the civil sphere. Nordic societies have long been admired for creating a distinctive form of social democracy, but this admirable achievement has not been well conceptualized theoretically. Most attempts to explain Nordic social democracy focus on material and organizational factors. This volume, by contrast, emphasizes the cultural foundations and characteristics of social democracy, demonstrating how civil sensibilities are necessary for the creation of an egalitarian and democratic state. Nordic civil spheres, however, are not only pro-civil but also white in color, European in ethnicity, secular in character and gender-equal in a subtly restrictive manner. Such primordialization of state civility is vividly on display in the sometime tense relationships that develop among natives and “foreigners” in Nordic countries, relationships that expose the primordial undersides of the social democratic codes and civil values that constitute the Nordic civil sphere. A major contribution to the theory of the civil sphere and to our understanding of the cultural and normative underpinnings of social and political life, this volume will be of particular interest to students and scholars of sociology and politics.

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The civil sphere is a distinctively democratic field in modern societies, one that sustains universalizing cultural aspirations and organizational structures and that has tense and uncertain boundaries with other spheres of social life, like the economy, religion, family, and state. Unlike the latter, which are more particularistic and hierarchical in character, the civil sphere defines itself in terms of solidarity – the feeling of being connected with every other person in the collectivity. The utopian ideals of democratic solidarity shape every modern society, even if they are often compromised by the messy realities of social life. This volume uses the theory of the civil sphere to shed new light on Nordic societies, while at the same time drawing on the distinctive experiences of the Nordic nations to reflect on and advance the theory of the civil sphere. Nordic societies have long been admired for creating a distinctive form of social democracy, but this admirable achievement has not been well conceptualized theoretically. Most attempts to explain Nordic social democracy focus on material and organizational factors. This volume, by contrast, emphasizes the cultural foundations and characteristics of social democracy, demonstrating how civil sensibilities are necessary for the creation of an egalitarian and democratic state. Nordic civil spheres, however, are not only pro-civil but also white in color, European in ethnicity, secular in character and gender-equal in a subtly restrictive manner. Such primordialization of state civility is vividly on display in the sometime tense relationships that develop among natives and “foreigners” in Nordic countries, relationships that expose the primordial undersides of the social democratic codes and civil values that constitute the Nordic civil sphere. A major contribution to the theory of the civil sphere and to our understanding of the cultural and normative underpinnings of social and political life, this volume will be of particular interest to students and scholars of sociology and politics.

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In this collaboratively authored work, five distinguished sociologists develop an ambitious theoretical model of "cultural trauma"--and on this basis build a new understanding of how social groups interact with emotion to create new and binding understandings of social responsibility. Looking at the "meaning making process" as an open-ended social dialogue in which strikingly different social narratives vie for influence, they outline a strongly constructivist approach to trauma and apply this theoretical model in a series of extensive case studies, including the Nazi Holocaust, slavery in the United States, and September 11, 2001.

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Teacher, scholar, and leader, Neil Smelser stands as an iconic figure in sociology in the second half of the twentieth century. The essays in this volume, written by prominent scholars from all walks of the social sciences, reveal the range and depth of Smelser's influence--and his substantial contributions to diverse fields such as British history, social change, collective behavior, higher education, the economy, and psychoanalysis. Contributors: Jeffrey C. Alexander, Nancy J. Chodorow, Burton R. Clark, Yiannis Gabriel, Arlie Russell Hochschild, James M. Jasper, Christian Joppke, Alberto Martinelli, Gary T. Marx, Lyn Spillman, Piotr Sztompka, R. Stephen Warner, Christine L. Williams, Robert Wuthnow, Viviana A. Zelizer

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