Search results for ""author ian berry""

The photographs in the book illustrate the dichotomy of our relationship with water—the role it has in ancient religious rituals and in building communities, to its exploitation and the devastating result of too little or too much water. They depict Hindus bathing in the Ganges, shellfish-gatherers in coastal Spain; polluted sea surrounding oil infrastructure in Baku, Azerbaijan; fishermen in Greenland navigating melting ice in the ocean; landscapes transformed to dustbowls by drought in South Africa and to villages made into islands by flooding in Bangladesh. It is was not Berry’s intention to make a political book, nor an authoritative catalogue of mans’ interactions with water, but instead to share the most memorable stories from his assignments that illustrate how water shapes our lives and what the future may hold.

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Can crochet explain the complexities of non-Euclidean geometry? How does the 1804 Jacquard loom relate to modern computing? Radical Fiber celebrates the overlap between art, science, interdisciplinary creativity and collaborative learning For centuries, fiber arts have influenced sciences as diverse as digital technology, mathematics, neuroscience, medicine and more. Radical Fiber explores this relationship through contemporary art and historical artifacts that address five key themes: shape, machine, body, brain and community. How did the accidental discovery of synthetic mauveine dye in 1856 pave the way for modern pharmaceuticals while also generating toxic waste? Why do we respond differently to a woven photograph than a printed one? These and other questions reframe the fiber/science intersection and ask how the medium can be used to improve our world for the future. Radical Fiber features a new artwork created by amateur and professional makers around the globe: the Saratoga Springs Satellite Reef, part of the Crochet Coral Reef project by Christine and Margaret Wertheim and the Institute For Figuring. Alongside numerous unidentified artists, additional artists and creators include: Lia Cook, Brock Craft, Veronica Dry, Anna Dumitriu, Ellis Developments, Hanne Kekkonen, Kintra Fibers, Elaine Krajenke Ellison, Karen Norberg, William Henry Perkin, Helen Remick, Dario Robleto, Daniela Rosner, Samantha Shorey, John Sims, Soft Monitor (Victoria Manganiello and Julian Goldman), Daina Taimina, Cecilia Vicun?a and Carolyn Yackel.

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The most comprehensive publication to date on Sarah Cain’s exuberant paintings and installations Los Angeles-based painter Sarah Cain (born 1979) works on canvases of all sizes, often modifying them by cutting and braiding, painting on all sides and installing the canvas with the back of the painting facing the viewer. She also paints on other surfaces, including interior and exterior walls, floors, furniture and dollar bills. Cain's process often involves altering and disfiguring a composition until the original image is no longer recognizable. Her process of creation and destruction frequently includes found objects and is steeped in the history of painting and feminist art practices. Cain's work is a challenge to the patriarchal hierarchies of painting. "Almost everything about Cain's paintings—their speed, their brashness, their noodling compositions, their splashes and spray-painted scribbles, their tacky accouterments, their sense of absurdity—seems to undermine the gravitas that large-scale painting traditionally projects," wrote Jonathan Griffin, in the New York Times. Sarah Cain: Enter the Center features new writings and previously unpublished photographs and documentation of dozens of artworks with a focus on the last decade of Cain's exuberant and unique paintings and installations.

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A comprehensive survey of rarely seen collages from the master of abstraction Over the course of more than 50 years, renowned American artist Ellsworth Kelly made approximately 400 postcard collages, some of which served as exploratory musings and others as studies for larger works in other mediums. They range from his first monochrome in 1949 through his last postcard collages of crashing ocean waves, in 2005. Together, these works show an unbounded space of creative freedom and provide an important insight into the way Kelly saw, experienced and translated the world in his art. Many postcards illustrate specific places where he lived or visited, introducing biography and illuminating details that make these pieces unique among his broader artistic production. Ellsworth Kelly: Postcards is the most extensive publication of Kelly’s lifelong practice of collaged postcards. Ellsworth Kelly (1923–2015) was born in Newburgh, New York. In 1948 he moved to France, where he came into contact with a wide range of classical and modern art. He returned to New York in 1954 and two years later had his first exhibition at the Betty Parsons Gallery. The Museum of Modern Art, New York, organized his first retrospective in 1973. Subsequent exhibitions have been held at museums around the world, including the Solomon R. Guggenheim Museum in New York, Tate in London, Haus der Kunst in Munich and the Centre Pompidou in Paris.

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