Search results for ""author howard goldblatt""

Frog is a richly complex new novel about China's one-child policy by Mo Yan, winner of the Nobel Prize in Literature 2012.Gugu is beautiful, charismatic and of an unimpeachable political background. A respected midwife, she combines modern medical knowledge with a healer's touch to save the lives of village women and their babies.After a disastrous love affair with a defector leaves Gugu reeling, she throws herself zealously into enforcing China's draconian new family-planning policy by any means necessary, be it forced sterilizations or late-term abortions. Tragically, her blind devotion to the Party line spares no one, not her own family, not even herself.Once beloved, Gugu becomes the living incarnation of a reviled social policy violently at odds with deeply-rooted social values. Spanning the pre-revolutionary era and the country's modern-day consumer society, Mo Yan's taut and engrossing examination of Chinese life will be read for generations to come.'Mo Yan deserves a place in world literature. His voice will find its way into the heart of the reader, just as Kundera and Garcia Marquez have' Amy Tan'One of China's leading writers . . . his work rings with refreshing authenticity' Time'His idiom has the spiralling invention of much world literature of a high order, from Vargas Llosa to Rushdie'ObserverTranslated by Howard Goldblatt

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Nainai has lived in Shanghai for many years, and the time has come to find a wife for her adopted grandson. But when the bride she has chosen arrives from the countryside, it soon becomes clear that the orphaned girl has ideas of her own. Her name is Fu Ping, and the more she explores the residential lanes and courtyards behind Shanghai’s busy shopping streets, the less she wants to return to the country as a dutiful wife. As Fu Ping wavers over her future, she learns the city through the stories of the nannies, handymen, and garbage collectors whose labor is bringing life and bustle back to postwar Shanghai.Fu Ping is a keenly observed portrait of the lives of lower-class women in Shanghai in the early years of the People’s Republic of China. Wang Anyi, one of contemporary China’s most acclaimed authors, explores the daily lives of migrants from rural areas and other people on the margins of urban life. In shifting perspectives rich in detail and psychological insight, she sketches their aspirations, their fears, and the subtle ties that bind them together. In Howard Goldblatt’s masterful translation, Fu Ping reveals Wang Anyi’s precise renderings of history, class, and the human heart.

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In Peach Village, crying is forbidden. But as a child, Binu never learnt to hide her tears. Shunned by the villagers, she faced a bleak future, until she met Qiliang, an orphan who offered her his hand in marriage.Then one day Qiliang disappears. Binu learns that he has been transported hundreds of miles and forced to labour on a project of terrifying ambition and scale - the building of the Great Wall. Binu is determined to find and save her husband. Inspired by her love, she sets out on an extraordinary journey towards Great Swallow Mountain, with only a blind frog for company. What follows is an unforgettable story of passion, hardship and magical adventure.

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WINNER OF THE 2010 MAN ASIAN LITERARY PRIZE Three sisters struggle to change the course of their destinies in a China that does not belong to them. Yumi uses her dignity, Yuxiu her seductive charms, and Yuyang her desire for success. This breathtaking story vividly captures the all-consuming desire for power in a society obsessed with saving face. Whether it's in the Wang family village, where lift is attuned to the rhythm of work and the slogans of the Cultural Revolution, or in urban China of the 1980s, the sisters are not prepared to be just another wave in the 'infinite ocean of people'.

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In this novel by the 2012 Nobel Laureate in Literature, Mo Van, a benign old monk listens to a prospective novice's tale of depravity, violence, and carnivorous excess while a nice little family drama-in which nearly everyone dies-unfurls. But in this tale of sharp hatchets, bad water, and a rusty WWII mortar, we can't help but laugh. Reminiscent of the novels of dark masters of European absurdism like Gunter Grass, Witold Gombrowicz, or Jakov Lind, Mo Yan's POW! is a comic masterpiece. In this bizarre romp through the Chinese countryside, the author treats us to a cornucopia of cooked animal flesh-ostrich, camel, donkey, dog, as well as the more common varieties. As his dual narratives merge and feather into one another, each informing and illuminating the other, Mo Yan probes the character and lifestyle of modern China. Displaying his many talents, as fabulist, storyteller, scatologist, master of allusion and cliche, and more, POW! carries the reader along quickly, hungrily, and giddily, up until its surprising denouement. Mo Yan has been called one of the great novelists of modern Chinese literature, and the New York Times Book Review has hailed his work as harsh and gritty, raunchy and funny. He writes big, sometimes mystifying, sometimes infuriating, but always entertaining novels-and POW? is no exception.

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Spanning three generations, this novel of family and myth is told through a series of flashbacks that depict events of staggering horror set against a landscape of gemlike beauty as the Chinese battle both the Japanese invaders and each other in the turbulent 1930s. As the novel opens, a group of villagers, led by Commander Yu, the narrator's grandfather, prepare to attack the advancing Japanese. Yu sends his 14-year-old son back home to get food for his men; but as Yu's wife returns through the sorghum fields with the food, the Japanese start firing and she is killed. Her death becomes the thread that links the past to the present and the narrator moves back and forth recording the war's progress, the fighting between the Chinese warlords and his family's history.

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The gorgeously illustrated contemporary edition of an ancient Chinese text—for fans of fantastic beasts everywhere Fantastic Creatures of the Mountains and Seas is a new translation for contemporary readers of a classic Chinese text that is at once the geography of an ancient world, a bestiary of mythical creatures, and a book of cultural and medicinal lore. Illustrated throughout with more than 180 two-color drawings that are so sinuous they move on the page, it is a work for lovers of fantasy and mythology, ancient knowledge, fabulous beasts, and inspired art. The beings catalogued within these pages come from the regions of the known world, from the mountains and seas, the Great Wastelands, and the Lands Within the Seas that became China. They include spirits and deities and all sorts of strange creatures—dragons and phoenixes, hybrid beasts, some with human features, some hideous or with a call like wood splitting, or that portend drought or flood or bounty; others whose flesh cures disease or fends off nightmares, or whose pelt guarantees many progeny. Drawn from The Classic of Mountains and Seas, Fantastic Creatures is the work of two members of China's millennial generation, a young scholar and writer once known as the youngest "Genius of Chinese Cultural Studies" and an inspired illustrator trained in China and the United States, who together managed to communicate with the soul of a 4,000-year-old beast and have brought forth its strange beauty. Their work has been rendered into English by the foremost translator of modern Chinese literature in the West.

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Back in print - Market Street

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The peasants of Paradise County in China have been eking out an existence virtually unchanged for hundreds of years, until a glut on the garlic market forces them to watch the crop that is their lifeblood wilt, rot and blacken in the fields - leading them to storm the seat of corrupt Communist officialdom in an apocalyptic riot. Against this heroic backdrop unfold three intricately interwoven tales of love, loyalty and retribution: between man and woman, father and child, friend and friend. Banned in China following Tianamen Square, 'The Garlic Ballads' is a bawdy, mystical and brawling novel that portrays a landscape at once strange and utterly compelling, and a people whose fierce passions overflow the rigid confines of their traditions.

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Shifu, You'll Do Anything for a Laugh is a collection of eight compelling short stories written over the past twenty years: surrealistic political fables, ghost stories, tales of failed and perverse love, and stories about the destructive effects of superstition and ignorance. These stories capture the current concerns of the Chinese: lack of income, famine, and the devastating effects of the one-child policy. One particular get-rich-quick scheme involves an unemployed man who decides to convert an abandoned bus into a venue for private trysts which will enable him to charge lovers by the hour.

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Tofu peddler Yang Baishun is a man of few words and few friends. Unable to find meaningful companionship, he settles for a marriage of convenience. When his wife leaves him for another man he is left to care for his five-year-old stepdaughter Qiaoling, who is subsequently kidnapped, never to be seen by Yang again. Seventy years later we find Niu Aiguo, who, like Yang, struggles to connect with other people. As Niu begins learning about his recently deceased mother’s murky past it becomes clear that Qiaoling is the mysterious bond that links Yang and Niu. Originally published in China in 2009 and appearing in English for the first time, Liu Zhenyun’s award-winning Someone to Talk To highlights the contours of everyday life in pre- and post-Mao China, where regular people struggle to make a living and establish homes and families. Meditating on connection and loneliness, community and family, Someone to Talk To traces the unexpected and far-reaching ramifications of seemingly inconsequential actions, while reminding us all of the importance of communication.

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The Lost Garden is an eloquent portrait of the losses incurred as we struggle to hold on to our passions. The novel begins with the family of Zhu Yinghong, whose father, Zhu Zuyan, was imprisoned in the early days of Chiang Kai-shek's rule. Zhu Zuyan spends his days luxuriating in his Lotus Garden, which he builds according to his own desires. Forever under suspicion, he indulges as much as he can in circumscribed pleasures, though they drain the family fortune. Eventually the entire household is sold, including the Lotus Garden. The novel then swings to modern-day Taipei, where Zhu Yinghong falls for Lin Xigeng, a real estate tycoon and playboy. Their cat-and-mouse courtship builds against the extravagant banquets and decadent entertainments of Taipei's wealthy businessmen. Though the two ultimately marry, their high-styled romance dulls over time, leading to a dangerous, desperate quest to reclaim the enchantment of the Lotus Garden.

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The Lost Garden is an eloquent portrait of the losses incurred as we struggle to hold on to our passions. The novel begins with the family of Zhu Yinghong, whose father, Zhu Zuyan, was imprisoned in the early days of Chiang Kai-shek's rule. Zhu Zuyan spends his days luxuriating in his Lotus Garden, which he builds according to his own desires. Forever under suspicion, he indulges as much as he can in circumscribed pleasures, though they drain the family fortune. Eventually the entire household is sold, including the Lotus Garden. The novel then swings to modern-day Taipei, where Zhu Yinghong falls for Lin Xigeng, a real estate tycoon and playboy. Their cat-and-mouse courtship builds against the extravagant banquets and decadent entertainments of Taipei's wealthy businessmen. Though the two ultimately marry, their high-styled romance dulls over time, leading to a dangerous, desperate quest to reclaim the enchantment of the Lotus Garden.

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In this lively translation of Wang Chen-ho's ribald satire, a Taiwanese village loses all perspective-and common sense-at the prospect of fleecing a shipload of lusty and lonely American soldiers. A rotund, excitable high school English teacher receives word that 300 GIs are coming from Vietnam for a weekend of R and R. He persuades the owners of the Big 4 brothels that they will all take in more U.S. dollars if the pleasure girls can speak a little English; his plan is to train fifty specially selected prostitutes in a "Crash Course for Bar Girls." The teacher, Dong Siwen (his name means "refinement") enlists the eager support of local Councilman Qian and the managers of such elite establishments as Night Fragrances and Valley of Joy. "If the girls learn how to say three things in English- Hello, How are you? and Want to do you-know-what? everything is A-OK!" But what begins as a simple plan to teach a few English phrases quickly becomes absurdly elaborate: courses will include an "Introduction to American Culture," a crash course on global etiquette, and a workshop in personal hygiene taught by Dr. "Venereal" Wang. Siwen, a virgin himself, dreads any bad P.R. from "Saigon Rose" (slang for a particularly virulent strain of v. d.) and so demands the finest conveniences and conditions for "servicing the Yanks." "Sanitation above all...Do you think U.S. dollars will float out of their pockets in crummy rooms like that?" The Americans must not leave with a poor impression of Taiwan; not only Dong Siwen and the Big 4 but the entire nation would lose face. One of the most carefully wrought narratives in contemporary Chinese literature, Rose, Rose, I Love You will appeal not only to readers of fiction but also to those interested in Taiwanese identity and the effects of Westernization on Asian society.

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By now the world is familiar with the disastrous consequences of the ten year period (1966-1976) in China's history known as the Great Proletarian Cultural Revolution. The mistakes of Mao Zedong's later years have been officially acknowledged, and the infamous Gang of Four publicly tried and sentence for their crimes. But on the cultural front the thaw had no sooner come than gone. A campaign against what is regarded as "spiritual pollution" is being waged to inhibit free expression among creative writers. Thousands of scholars, authors, respected professors and academicians, who as a class were the most persecuted in what some observers called China's "holocaust," are back at their respective stations, bent over the task of modernization. For understandable reasons, few have written candidly about their experiences during the Cultural Revolution. Yang Jiang is an outstanding exception. In this memoir she give a poignant account of the more than two years she and her husband were sent "downunder" to the barren countryside for reeducation through labor. Yang Jiang touches upon any horrendous acts only in passing, or by indirection; mainly she relates in well-tempered tones the everyday incidents at their "cadre school" which add up to a harrowing tale. Patterned after Shen Fu's "Six Chapters of a Floating Life," a minor classic of the Qing dynasty, Six Chapters form My Life 'Downunder' is a testimony of remarkable sophistication, and at the same time a powerful indictment of the madness of ignorant, totalitarian rule. The author writes in a subtle, almost allegorical style, letting the reader share in her skepticism, disappointment, and frustration with the people, or the system, responsible for what was done to her family and her fellow victims. More in sorrow than in anger, here and there with a touch of wry humor, she records the backwardness and distrust of the peasants who were their "masters"; the utter waste of human resources; the vicious nature of political campaigns and the people involved in them; and, above all, the devotion between husband and wife which kept them going throughout their ordeal. While describing a society in one of its darkest moments, Yang Jiang reaffirms the endurance of humanity. Although Yang Jiang lives in Beijing, Six Chapters from My Life 'Downunder' first appeared in a Hong Kong magazine in April 1981, and was published in book form there in the following month, attracting wide attention. it was published in the People's Republic of China later that year. The edition sold out quickly and no subsequent printings have been available. The present English translation, first published in the journal "Renditions," is issued here in slightly revised form and with the addition of footnotes and background notes.

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Retribution opens with the raucous festivities surrounding the annual procession to honor the Bodhisattva Guanyin. Changsheng, the young wife of the local coffin maker Liu Laoshi, is raped while making an offering to Guanyin in the hope of increasing her chances of bearing a son. Changsheng hangs herself following the encounter, and Liu Laoshi exacts bloody vengeance on the rapist's own wife and favorite prostitute. This act of sexual violence and its retribution provide the narrative pivot around which is woven a web of interconnecting stories, whose characters and events provide divergent perspectives on the rape and its aftermath. The result is an unforgettable exploration of the intersections of sexual desire, sadism, folk belief, and the inexorable cycles of karmic retribution.

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This bestseller and winner of every major literary award in Taiwan is an elegiac novel about love and loss, broken dreams and desolate hearts—and music: "A delightful read."—Ha Jin A widower grieving for his young wife. A piano tuner concealing a lifetime of secrets. An out-of-tune Steinway piano. A journey of self-discovery across time and continents, from a dark apartment in Taipei’s red-light district to snow-clad New York. At the heart of the story is the nameless narrator, the piano tuner. In his forties, he is balding and ugly, a loser by any standard. But he was once a musical prodigy. What betrayal and what heartbreak made him walk away from greatness? Long hailed in Taiwan as a “writer’s writer,” Chiang-Sheng Kuo delivers a stunningly powerful, compact novel in The Piano Tuner. It’s a book of sounds: both of music and of the heart, from Rachmaninoff to Schubert, from Glenn Gould to Sviatoslav Richter, from untapped potential to unrequited love. With a cadence and precision that bring to mind Thomas Mann’s Death in Venice, Kazuo Ishiguro’s Nocturnes, and Yasunari Kawabata’s Snow Country, this short novel may be a portrait of the artist as a “failure,” but it also describes a pursuit of the ultimate beauty in music and in love.

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The Columbia Anthology of Modern Chinese Literature has long been a definitive resource for Chinese literature in translation, offering a complete overview of twentieth-century writing from China, Taiwan, and Hong Kong, and making inroads into the twenty-first century as well. In this new edition Joseph S. M. Lau and Howard Goldblatt have selected fresh works from familiar authors and have augmented the collection with poetry, stories from the colonial period in Taiwan, literature by Tibetan authors, samplings from the People's Republic of China during the Cultural Revolution, stories by post-Mao authors Wang Anyi and Gao Xingjian, literature with a homosexual theme, and examples from the modern "cruel youth" movement. Lau and Goldblatt have also updated their notes and their biographies of featured writers and poets. Now fully up to date, this critical resource more than ever provides readers with a thorough introduction to Chinese society and culture.

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Praise for the first edition:". . . in the great tradition of Orwell and Solzhenitsyn; its true subject is the survival—and sometimes the defeat—of the human spirit in its lonely quest for integrity." —Time"The almost childlike directness of Chen's tales. . . is captured in the very lightly revised translations of this new edition. . . Highly recommended." —ChoiceA classic of modern world literature, this collection of stories provides a vivid and poignant eyewitness view of everyday life in China during the Cultural Revolution. For this edition, Howard Goldblatt has thoroughly revised the text and updated it to Pinyin romanization. In a new introduction, Perry Link reflects on the book's significance in the post-Tiananmen era. Twenty-five years after its first publication, The Execution of Mayor Yin has lost none of its power to move the reader, and remains unmatched as a document of the period.

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Extremely short stories-known as short-shorts-have become a global phenomenon, but nowhere have they been embraced as enthusiastically as in mainland China, Hong Kong, and Taiwan. The form's artistic and aesthetic freedoms allow authors to capture the tone, texture, and chaos of their rapidly changing societies in infinitely inventive ways. Fragments and contingencies reveal unofficial histories, undocumented memories, and the trials of everyday individuals, and the genre's lean format is a welcome antidote to a culture characterized by rampant excess. Loud Sparrows is a spirited collection of ninety-one short-shorts written by Chinese authors over the past three decades. Presenting diverse voices and perspectives by writers both well known and new to the art, the stories are culled from newspapers, magazines, literary journals, and personal collections. Their subjects range from the mundane to the sublime and illuminate everything from humanist ideals to traditional virtues to the material benefits of a commercialized society. The anthology is organized into thematic categories such as Change, Creatures, (In)fidelities, Grooming, Governance, Nourishment, and Weirdness, and includes notes to better understand the genre. Each section is introduced by an original piece of flash fiction written by Howard Goldblatt. The short-short, to borrow a Chinese saying, is "small as a sparrow but has all the vital organs" of a good story. Loud Sparrows offers a comprehensive introduction to a unique literary genre that has revolutionized world literature.

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Li Xuelian, married to Qin Yuhe, is pregnant with their second child. Happy news? Not in China. With its one-child policy, it’s a crime. What is she to do? Her only option is divorcing before the second child is born. “Once the baby has entered into the household registry, we’ll marry again. The baby will be born after the divorce, so we’ll each have one child when we marry again. No law says couples with one child can’t marry.” Perfect! Except that after the divorce, Qin marries . . . another woman who is expecting a baby. Mad with rage, Li runs to the judge begging him to declare the divorce a sham so she may remarry and truly divorce the fool!Mao Dun Prize–winning Liu Zhenyun’s politically charged plot reads like an absurd and hilarious comedy. But under the humor lies a harsh indictment of China’s one-child law that develops into a head-on critique of China’s endemic political apathy and corruption as Li Xuelian runs up against one uncaring bureaucrat after another. I Did Not Kill My Husband is storytelling and satire of the highest order, sharp-edged and ironic.Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

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Tofu peddler Yang Baishun is a man of few words and few friends. Unable to find meaningful companionship, he settles for a marriage of convenience. When his wife leaves him for another man he is left to care for his five-year-old stepdaughter Qiaoling, who is subsequently kidnapped, never to be seen by Yang again. Seventy years later we find Niu Aiguo, who, like Yang, struggles to connect with other people. As Niu begins learning about his recently deceased mother’s murky past it becomes clear that Qiaoling is the mysterious bond that links Yang and Niu. Originally published in China in 2009 and appearing in English for the first time, Liu Zhenyun’s award-winning Someone to Talk To highlights the contours of everyday life in pre- and post-Mao China, where regular people struggle to make a living and establish homes and families. Meditating on connection and loneliness, community and family, Someone to Talk To traces the unexpected and far-reaching ramifications of seemingly inconsequential actions, while reminding us all of the importance of communication.

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A man who has come from nothing, from poverty and loss, finds himself a beautiful wife, his dream love. When she vanishes without a trace, he sets up a small café in her favourite spot on the edge of the South China Sea, hoping she'll return. Instead, he is confronted by the man he suspects may be responsible for everything he has suffered: Luo Yiming, a prominent businessman and philanthropist who holds the small town in his sway. In the few moments the two men spend together, Luo is driven mad. So begins a story of desire and betrayal set against the tumultuous first decade of Taiwan's 21st Century. The recipient of all three of Taiwan's major literary prizes, My Enemy's Cherry Tree is a story of love, money and coercion, in which two men who have sought to acquire something unattainable, instead lose something irreplaceable.

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A lame joke can be a crushing experience The people of Yanjin know to always have a few jokes on hand. For three thousand years, they have been terrorised by Hua Erniang, a forsaken spirit that rules over their dreams. Failing to amuse this supernatural guest means not waking up at all, crushed by her jilted heart which has calcified into a mountain. Growing up inside a town adapting to socialist ideals, Mingliang's life is beset with hardship and adversity that leaves his family in tatters. Seeking fortune elsewhere, he heads west across China's vast central plain, encountering nothing but restless souls mortgaged to debts from former lives, each unwilling to move on for their own reasons. No matter how many times you try to start afresh, you can only run so far from a broken home. Some wounds take more than a lifetime to heal, but in the meantime, a few wisecracks tucked into the back pocket won't hurt.

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Winner of the coveted China Times Novel Prize, this postmodern, first-person tale of a contemporary Taiwanese gay man reflecting on his life, loves, and intellectual influences is among the most important recent novels in Taiwan. The narrator, Xiao Shao, recollects a series of friends and lovers, as he watches his childhood friend, Ah Yao, succumb to complications from AIDS. The brute fact of Ah Yao's death focuses Shao's simultaneously erudite and erotic reflections magnetically on the core theme of mortality. By turns humorous and despondent, the narrator struggles to come to terms with Ah Yao's risky lifestyle, radical political activism, and eventual death; the fragility of romantic love; the awesome power of eros; the solace of writing; the cold ennui of a younger generation enthralled only by video games; and life on the edge of mainstream Taiwanese society. His feverish journey through forests of metaphor and allusion-from Fellini and Levi-Strauss to classical Chinese poetry-serves as a litany protecting him from the ravages of time and finitude. Impressive in scope and detail, Notes of a Desolate Man employs the motif of its characters' marginalized sexuality to highlight Taiwan's vivid and fragile existence on the periphery of mainland China. Howard Goldblatt and Sylvia Li-chun Lin's masterful translation brings Chu T'ien-wen's lyrical and inventive pastiche of political, poetic, and sexual desire to the English-speaking world.

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