Search results for ""author henrik ibsen""

The most gripping of Ibsen's later, brooding self-portraits, The Master Builder explores the nature of a messianic hero pulled down from the heights to reside in the community of men, and now painfully laboring to drag himself up again. Plays for Performance Series.

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A taut and gripping adaptation of Henrik Ibsen's powerful drama, premiered at the Crucible, Sheffield Theatres, in 2024.

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Henrik Ibsen (1828-1906) nació en Noruega, en un medio en el que imperaba una moral estrecha de miras, una vigencia desesperante de la superstición y del miedo. Todo a su alrededor era considerado pecado, todo merecía un reproche, una advertencia sobre el posible mal que podría acarrear cualquier acción que se emprendiera. Por eso sus personajes no se contentan con vivir la vida cotidiana, necesitan un proyecto que realizar aunque éste sobrepase sus fuerzas y les haga sentirse solos, incomprendidos e incluso derrotados, pero orgullosos por haberse aventurado a conseguirlo. En Casa de muñecas y El pato salvaje plantea Ibsen la tragedia de la mentira vital. Nora Helmer, en Casa de muñecas, es una joven que ha sido educada para llevar una venda en los ojos y servir de juguete primero a su padre y luego a su marido. Cuando la venda cae, Nora comienza a ser alguien. Gregorio Werle, en El pato salvaje, concibe un proyecto para poner al descubierto a unos seres hipócritas, egoístas e indignos

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The only play in which Ibsen denies the validity of revolt, The Wild Duck suggest that under certain conditions, domestic falsehoods are entirely necessary to survival. In its open form, its harshly satirical tone, and its unresolved conclusion, the play contains the strongest criticism Ibsen ever directed against himself. Robert Brustein’s new adaptation makes The Wild Duck beautifully playable for today’s audiences.

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The most gripping of Ibsen’s later, brooding self-portraits, The Master Builder explores the nature of a messianic hero pulled down from the heights to reside in the community of men, and now painfully laboring to drag himself up again. Thanks to Mr. Rudall’s fresh translation, the language of the play is no longer archaic or Victorian.

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Ibsen's provocative play about truth in a society driven by power and money, given a startling contemporary spin in Thomas Ostermeier and Florian Borchmeyer's acclaimed version, here in an English translation by Duncan Macmillan.

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Bajo la apariencia de un matrimonio ideal en el que todo acontece según lo convenido por la sociedad, se esconden los anhelos de realización de Nora, la protagonista, de dejar de vivir como una muñeca en esa casa de mentira que, entre todos, han construido para ella. Un alegato a favor de la libertad de las mujeres y en contra de la hipocresía y los roles impuestos en las aparentemente perfectas familias burguesas.

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Packed full of analysis and interpretation, historical background, discussions and commentaries, York Notes will help you get right to the heart of the text you’re studying, whether it’s poetry, a play or a novel. You’ll learn all about the historical context of the piece; find detailed discussions of key passages and characters; learn interesting facts about the text; and discover structures, patterns and themes that you may never have known existed. In the Advanced Notes, specific sections on critical thinking, and advice on how to read critically yourself, enable you to engage with the text in new and different ways. Full glossaries, self-test questions and suggested reading lists will help you fully prepare for your exam, while internet links and references to film, TV, theatre and the arts combine to fully immerse you in your chosen text. York Notes offer an exciting and accessible key to your text, enabling you to develop your ideas and transform your studies!

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Richard Eyre's high-profile adaptation of Ibsen's famous 'problem play' about a headstrong woman's determination to control those around her. Arriving home after an extended honeymoon, Hedda struggles with an existence that is, for her, devoid of excitement and enchantment. Filled with a passion for life that cannot be confined by her marriage or 'perfect home', Hedda strives to find a way to fulfil her desires by manipulating those around her. Richard Eyre's adaptation of Ibsen's Hedda Gabler was premiered at the Almeida Theatre, London, in 2005. Included in this volume is an introduction to the play by Richard Eyre.

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John Gabriel Borkman, once an illustrious entrepreneur, has been brought low by a prison sentence for fraud. As he paces alone in an upstairs room, bankrupt and disgraced, he is obsessed by dreams of his comeback. Downstairs, his estranged wife plots the restoration of the family name. When her sister arrives unannounced, she triggers a desperate showdown with the past. Henrik Ibsen's most contemporary play and his penultimate, John Gabriel Borkman is gripping, penetrating and savagely funny. This version by Lucinda Coxon premiered at the Bridge Theatre, London, in September 2022, directed by Nicholas Hytner, with a cast led by Clare Higgins, Simon Russell Beale and Lia Williams.

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When Dr Stockmann discovers the town's famous spa waters are poisoned, she expects to be treated as a hero for averting an environmental catastrophe. Instead, she's accused by her brother the mayor of threatening the town's livelihood. Public and media opinion divides and the community splits into factions. Tackling fake news, whistle-blowers and the corruption of power, Rebecca Lenkiewicz's contemporary take on Henrik Ibsen's classic premiered at the Nottingham Playhouse in September 2019.

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In this radical new version of Peer Gynt, David Hare kidnaps Henrik Ibsen's most famous hero and runs away with him into the twenty-first century.Stripped of fretwork and greenery, the play is projected into a freewheeling modern world of music, dance, poetry, weddings, coronations, trolls and two-headed children as Peter steals a bride and embarks on an extraordinary lifetime's journey before returning home, finally, to Scotland.David Hare's Peter Gynt posits the same fundamental question the great Norwegian asked in 1867: does a belief in individualism help or hinder us in trying to live purposefully in the present day?The play opens at the National Theatre in July 2019 and transfers to the Festival Theatre Edinburgh, for the Edinburgh International Festival.

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Hedda Gabler returns, dissatisfied, from a long honeymoon. Bored by her aspiring academic husband, she foresees a life of tedious convention. And so, aided and abetted by her predatory confidante, Judge Brack, she begins to manipulate the fates of those around her to devastating effect.Brian Friel's version of Ibsen's Hedda Gabler premiered at the Gate Theatre, Dublin, in September 2008, to celebrate the theatre's birthday, eighty years after the Gate's inaugural production of Ibsen's Peer Gynt.

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Drama Classics: The World's Great Plays at a Great Little Price Henrik Ibsen's mighty epic, by turns fantastic and tragic, based on the Norwegian fairy tale Per Gynt. Ibsen's play, his last to be written in verse, follows the poet and braggart Peer Gynt as, fleeing disgrace, he swaggers and seduces his way from the fjords of Norway to the deserts of Africa and back. Peer Gynt was originally published in 1867, and first performed in Christiania (Oslo) in 1876. This English version, in the Nick Hern Books Drama Classics series, is translated and introduced by Kenneth McLeish.

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A new Penguin edition of Ibsen's two great verse plays, in masterful versions by one of our greatest living poets, Geoffrey Hill. These two powerful and contrasting verse dramas by Ibsen made his reputation as a playwright. The fantastical adventures of the irrepressible Peer Gynt - poet, idler, procrastinator, seducer - draw on Norwegian folklore to conjure up mountains, kidnappings, shipwrecks and trolls in an exuberant examination of truth and the self; while Brand, an unsparing vision of an idealistic priest who lives by his steely faith, explores free will and sacrifice. This volume brings together the poet Geoffrey Hill's acclaimed stage version of Brand with a new poetic rendering of Peer Gynt, published for the first time.This Penguin edition includes an interview with Geoffrey Hill about recreating Ibsen in English, an introduction by Janet Garton and editorial materials by Tore Rem.

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Arthur Miller's version of Ibsen's most explosive play. An Enemy of the People tells the story of an idealistic doctor, Stockmann, who discovers that the waters from which his native spa town draws its wealth are dangerously contaminated. As the citizens realise the financial implications, Stockmann comes under increasing pressure to keep silent. This version of Ibsen's An Enemy of the People by Arthur Miller was first performed at Broadhurst Theatre, New York, in December 1950.

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A wife, a muse, a coward, a heretic. Hedda Gabler is something to everyone, yet has no idea who she is to herself. Trapped by convention and by her own irreconcilable nature, will she have the courage to shape her own destiny? Mark O'Rowe's fluid yet faithful adaptation of Henrik Ibsen's masterpiece Hedda Gabler was premiered at the Abbey Theatre, Dublin, in April 2015.

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'I think I'm a human being before anything else. I don't care what other people say. I don't care what people write in books. I need to think for myself.' Henrik Ibsen's A Doll's House premiered in 1879 in Copenhagen, the second in a series of realist plays by Ibsen, and immediately provoked controversy with its apparently feminist message and exposure of the hypocrisy of Victorian middle-class marriage. In Ibsen's play, Nora Helmer has secretly (and deceptively) borrowed a large sum of money to pay for her husband, Torvald, to recover from illness on a sabbatical in Italy. Torvald's perception of Nora is of a silly, naive spendthrift, so it is only when the truth begins to emerge, and Torvald appreciates the initiative behind his wife, that unmendable cracks appear in their marriage. This compelling new version of Ibsen's masterpiece by playwright Simon Stephens premiered at the Young Vic Theatre, London, on 29 June 2012. It was updated with minor changes in 2013.

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Niru is a young Bengali woman married to an English colonial bureaucrat – Tom. Tom loves Niru, exoticising her as a frivolous plaything to be admired and kept; but Niru has a long-kept secret, and just as she thinks she is almost free of it, it threatens to bring her life crashing down around her. Tanika Gupta reimagines Ibsen’s classic play of gender politics through the lens of British colonialism, offering a bold, female perspective exploring themes of ownership and race.

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Nora Helmer, wife to Torvald and mother of three children, appears to enjoy living the live of a pampered, indulged child. But as her economic dependence becomes brutally clear, Nora's acceptance of the status quo undergoes a profound change. To the bewildered Torvald, himself caught in the tight web of a conservative society which demands that he exert strict control, Nora comes to see that the only possible true course of action is to leave the family home.

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