Search results for ""author h. c. erik midelfort""

This magisterial work explores how Renaissance Germans understood and experienced madness. It focuses on the insanity of the world in general but also on specific disorders; examines the thinking on madness of theologians, jurists, and physicians; and analyzes the vernacular ideas that propelled sufferers to seek help in pilgrimage or newly founded hospitals for the helplessly disordered. In the process, the author uses the history of madness as a lens to illuminate the history of the Renaissance, the Reformation and Counter-Reformation, the history of poverty and social welfare, and the history of princely courts, state building, and the civilizing process. Rather than try to fit historical experience into modern psychiatric categories, this book reconstructs the images and metaphors through which Renaissance Germans themselves understood and experienced mental illness and deviance, ranging from such bizarre conditions as St. Vitus’s dance and demonic possession to such medical crises as melancholy and mania. By examining the records of shrines and hospitals, where the mad went for relief, we hear the voices of the mad themselves. For many religious Germans, sin was a form of madness and the sinful world was thoroughly insane. This book compares the thought of Martin Luther and the medical-religious reformer Paracelsus, who both believed that madness was a basic category of human experience. For them and others, the sixteenth century was an age of increasing demonic presence; the demon-possessed seemed to be everywhere. For Renaissance physicians, however, the problem was finding the correct ancient Greek concepts to describe mental illness. In medical terms, the late sixteenth century was the age of melancholy. For jurists, the customary insanity defense did not clarify whether melancholy persons were responsible for their actions, and they frequently solicited the advice of physicians. Sixteenth-century Germany was also an age of folly, with fools filling a major role in German art and literature and present at every prince and princeling’s court. The author analyzes what Renaissance Germans meant by folly and examines the lives and social contexts of several court fools.

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This book is an analysis of witchcraft and witch hunting as they appeared in southwestern Germany in the sixteenth and seventeenth centuries. Starting from a short analysis of some basic problems in the interpretation of European witchcraft, it proceeds to a study of the shifting denominational views regarding witches and the growth of Catholic orthodoxy. That theoretical vantage yields insight into the patterns in time, space, and confession that characterized all witch hunts in the German Southwest. There follows a narrative analysis of the largest witch hunts and the general crisis of confidence they produced. Analysis is complemented by a summary of what is known about the people accused of witchcraft, as well as an examination of the popular suspicion directed toward old women at the start of most panics and the breakdown of this stereotype as the panics progressed.

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The early German Enlightenment is seen as a reform movement that broke free from traditional ties without falling into anti-Christian and extremist positions, on the basis of secular natural law, an anti-metaphysical epistemology, and new social ethics. But how did the works which were radical and critical of religion during this period come about? And how do they relate to the dominant 'moderate' Enlightenment? Martin Mulsow offers fresh and surprising answers to these questions by reconstructing the emergence and dissemination of some of the radical writings created between 1680 and 1720. The Hidden Origins of the German Enlightenment explores the little-known freethinkers, persecuted authors, and secretly circulating manuscripts of the era, applying an interdisciplinary perspective to the German Enlightenment. By engaging with these cross-regional, clandestine texts, a dense and highly original picture emerges of the German early Enlightenment, with its strong links with the experience of the rest of Europe.

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A compelling alternative account of the history of knowledge from the Renaissance to the EnlightenmentUntil now the history of knowledge has largely been about formal and documented accumulation, concentrating on systems, collections, academies, and institutions. The central narrative has been one of advancement, refinement, and expansion. Martin Mulsow tells a different story. Knowledge can be lost: manuscripts are burned, oral learning dies with its bearers, new ideas are suppressed by censors. Knowledge Lost is a history of efforts, from the Renaissance to the Enlightenment, to counter such loss. It describes how critics of ruling political and religious regimes developed tactics to preserve their views; how they buried their ideas in footnotes and allusions; how they circulated their tracts and treatises in handwritten copies; and how they commissioned younger scholars to spread their writings after death.Filled with exciting stories, Knowledge Lost follows the trail of precarious knowledge through a series of richly detailed episodes. It deals not with the major themes of metaphysics and epistemology, but rather with interpretations of the Bible, Orientalism, and such marginal zones as magic. And it focuses not on the usual major thinkers, but rather on forgotten or half-forgotten members of the “knowledge underclass,” such as Pietro della Vecchia, a libertine painter and intellectual; Charles-César Baudelot, an antiquarian and numismatist; and Johann Christoph Wolf, a pastor, Hebrew scholar, and witness to the persecution of heretics.Offering a fascinating new approach to the intellectual history of early modern Europe, Knowledge Lost is also an ambitious attempt to rethink the very concept of knowledge.

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