Search results for ""author graham swift""

WINNER OF THE BOOKER PRIZE 1996 Four men once close to Jack Dodds, a London butcher, meet to carry out his peculiar last wish: to have his ashes scattered into the sea at Margate. For reasons best known to herself, Jack’s widow, Amy, declines to join them . . . On the surface a simple tale of an increasingly bizarre day’s outing, this Booker-prize winning, internationally acclaimed novel is a resonant and classic exploration of the complexity and courage of ordinary lives. Intensely local but overwhelmingly universal, faithful to the fleeting rhythms and accidental eloquence of everyday speech but also to the timeless truths of life and death, it succeeds in being comic and heartstopping, affectionate and wise, and in conferring on its stumbling, disappointed characters an enduring decency, dignity and depth. ‘A surpassing testament to Swift’s vibrant and powerful gifts’ The Times‘A triumph . . . a story about the most fundamental things of all’ Evening Standard

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FROM THE AUTHOR OF THE BESTSELLING MOTHERING SUNDAY AND LAST ORDERS, and reissued for the first time on the Scribner list, this is an intensely moving novel about a night that will change one family beyond recognition. On a June night Paula, a successful art dealer, lies awake, Mike, her husband of twenty-five years, asleep beside her. In nearby rooms their twin teenage children, Nick and Kate, sleep too. The next day, Paula knows, will define all their lives. As dawn approaches, Paula recalls the years before and after her children were born. Her story is both a celebration of love possessed and a moving acknowledgement of the fear of loss, of the fragilities on which even our most inward sense of who we are can rest. Graham Swift’s apparently most domestic book is that rare thing in fiction, a novel about happiness, though a happiness that is not all that it seems. An intimate and tender tale of a marriage, a family and a home, it begins to embrace big themes: nature and nurture, the illusory and the real. Praise for Mothering Sunday: ‘Bathed in light; and even when tragedy strikes, it blazes irresistibly… Swift’s small fiction feels like a masterpiece’Guardian 'Alive with sensuousness and sensuality … wonderfully accomplished, it is an achievement’ Sunday Times ‘From start to finish Swift’s is a novel of stylish brilliance and quiet narrative verve. The archly modulated, precise prose (a hybrid of Henry Green and Kazuo Ishiguro) is a glory to read. Now 66, Swift is a writer at the very top of his game’ Evening Standard ‘Mothering Sunday is a powerful, philosophical and exquisitely observed novel about the lives we lead, and the parallel lives – the parallel stories – we can never know … It may just be Swift’s best novel yet’Observer

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A BBC BETWEEN THE COVERS BOOKER PRIZE GEMFROM THE BESTSELLING AUTHOR OF MOTHERING SUNDAY AND LAST ORDERS, and reissued for the first time on the Scribner list, The Light of Day is both a gripping crime story and a remarkable love story. On a cold but dazzling November morning George Webb, a former policeman turned private detective, prepares to visit Sarah, a prisoner and the woman he loves. As he goes about the business of the day he relives the catastrophic events of two years ago that have both bound them together and kept them apart. Making atmospheric use of its suburban setting and shot through with a plain man’s unwitting poetry and rueful humour, The Light of Day is a powerful and moving tale of murder, redemption and of the discovery, for better or worse, of the hidden forces inside us. ‘A real in-depth study of humanity’ Alex Jones, BBC Between the Covers ‘I loved this so much. The form is so interesting. The voice is just so clear and there’s this dryness to him too’ Omari Douglas, BBC Between the Covers Praise for Mothering Sunday: 'Bathed in light; and even when tragedy strikes, it blazes irresistibly… Swift’s small fiction feels like a masterpiece’ Guardian ‘Alive with sensuousness and sensuality … wonderfully accomplished, it is an achievement’ Sunday Times ‘From start to finish Swift’s is a novel of stylish brilliance and quiet narrative verve. The archly modulated, precise prose (a hybrid of Henry Green and Kazuo Ishiguro) is a glory to read. Now 66, Swift is a writer at the very top of his game’ Evening Standard ‘Mothering Sunday is a powerful, philosophical and exquisitely observed novel about the lives we lead, and the parallel lives – the parallel stories – we can never know … It may just be Swift’s best novel yet’ Observer

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It is Brighton, 1959, and the theatre at the end of the pier is having its best summer season in years. Ronnie, a brilliant young magician, and Evie, his dazzling assistant, are top of the bill, drawing audiences each night. Meanwhile, Jack – Jack Robinson, as in ‘before you can say’ – is everyone’s favourite compère, a born entertainer, holding the whole show together. As the summer progresses, the off-stage drama between the three begins to overshadow their theatrical success, and events unfold which will have lasting consequences for all their futures. Rich, comic, alive and subtly devastating, Here We Are is a masterly piece of literary magicianship which pulls back the curtain on the human condition. 'One to watch for 2020' according to:The Sunday Times The TimesThe Daily Telegraph The Guardian Financial Times Evening Standard The Scotsman The Irish Times 'He tells simple, truthful stories about what feel like real people. Here We Are is a welcome addition to a proud legacy.' The Big Issue The variety of voices and its historical and emotional reach are so finely entwined, it is as perfect and smooth as an egg. Passages leap out all the time, demanding to be reread, or committed to memory... It is perhaps too simple to say that Swift creates a form of fictional magic, but what he can do with a page is out of the ordinary, far beyond most mortals’ ken.' Rosemary Goring,The Herald'Here We Are is a subtle portrait of a vanished world, with moving passages about the problems of wartime evacuees returning to impoverished London life after the wonders of the countryside.' The Independent ‘In Here We Are, Swift does not just dwell on the pivotal moments of our lives, but traces their shockwaves both forward and back. Moving seamlessly from pre-war to post, from the events of one illusory, youthful summer to the present, we are given candid access to the innermost reflections of three people who loved and betrayed each other. The end result is the stuff of life, an enduring mystery that Ronnie, Evie, Jack - that we all - must live with. I thought it was wonderful.’ Joseph Knox, author of Sirens‘As with all his books, it’s the moments of quiet, undramatic poignancy that stay with you’ Sunday Express‘a quietly, devastating, magical novel’ Telegraph‘With a wizardry of his own, Swift conjures up an about-to-disappear little world and turns it into something of wider resonance’ Sunday Times ‘We are propelled into something extraordinary…Swift’s closing account of a mundane world momentarily pierced by a shaft of numinous mystery is magnificent’ New York Times ‘Graham Swift has perfected a distinctive style…his beautiful new novel Here We Are…is a work of magic: neither trick nor illusion, but a flash of truth’ Wall Street Journal ‘Swift captures the tragicomedy of life’ Washington Post ‘Here We Are is a paragon of the magic of compressed narration…Once again, Swift has demonstrated wizardry in his ability to conjure magic out of ordinary lives' NPR USA ‘ ‘“Here we are.” How easily those three small words can vanish in expected niceties—and how loaded they can be with bewilderment at the inexorable ‘‘tilt of the world’’. Graham Swift conjures them all, and more, in this short, word-perfect novel' Sydney Morning Herald ‘Graham Swift is the quiet master of fiction' The Age, Melbourne ‘An ethereal foray into the vanishing world of the magician…beautiful, breath-taking and heart-wrenching' Australian Women’s Weekly ‘In 2016 with his book Mothering Sunday Graham Swift reached a high plateau of storytelling art...Graham Swift‘s new novel Here We Are is on the same high plateau as Mothering Sunday' Süddeutsche Zeitung, Germany ‘The beauty of Graham Swift‘s books is that he gives you what you want without your knowing that you wanted it. How does he achieve this magical feat? It remains his secret. What a magician' Tagesspiegel, Germany ‘Swift is a master of the nuance and the hint, of what remains unsaid. In this respect a novel about magic and illusion seems exactly the right terrain for him...Once again he proves that he is one of the great conjurers of contemporary literature' Wiener Zeitung, Austria ‘Swift employs an unadorned but intense, musical prose that bathes the events described in an elusive gleam…Not for the first time Graham Swift captures the magic and mystery of ‘ordinary’ lives' Het Parool, Netherlands ‘The author knows, as always, how to render the human condition with a light touch… To catch the magic of life in words: an undertaking Graham Swift has mastered like no one else' De Telegraaf, Belgium ‘Swift doesn’t write, he whispers. His work is characterised by stories of ordinary life that, thanks to his mediation, always reveal a universal dimension…Here We Are is yet more proof of his incredible soft-voiced technique…a perfect example of Swift’s ability to touch the hidden poetry in every human being' Corriere della Sera, Italy It is one of those wonderful tales that one could have read fifty years ago or discovered half a century hence with the same delight, one of those novels of timeless beauty—thanks to the art of Graham Swift, who has no equal in evoking the atmosphere of an era while probing human psychology with irony and tenderness' L’Express, FrancePraise for Mothering Sunday: 'Bathed in light; and even when tragedy strikes, it blazes irresistibly… Swift’s small fiction feels like a masterpiece’ Guardian ‘Alive with sensuousness and sensuality … wonderfully accomplished, it is an achievement’ Sunday Times ‘From start to finish Swift’s is a novel of stylish brilliance and quiet narrative verve. The archly modulated, precise prose (a hybrid of Henry Green and Kazuo Ishiguro) is a glory to read. Now 66, Swift is a writer at the very top of his game’ Evening Standard ‘Mothering Sunday is a powerful, philosophical and exquisitely observed novel about the lives we lead, and the parallel lives – the parallel stories – we can never know … It may just be Swift’s best novel yet’ Observer

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FROM THE BESTSELLING AUTHOR OF LAST ORDERS AND MOTHERING SUNDAY, reissued for the first time in Scribner Graham Swift’s first collection of short stories confirms his power to bring an edge of the extraordinary, the dangerous or the subversive into otherwise familiar, safe, even comforting settings. On a holiday beach, a mismatched couple wage a sexually charged war for the devotion of their literally floundering son. A family doctor, oppressed by his own domestic insecurities, intimidates an apparent time-wasting patient. A zookeeper becomes the keeper of a bizarre fixation . . . While vividly evoking a recognisable English geography, these startling stories have an eye for the foreign, for the experience of refugees or for less definable zones of bewilderment and strangeness. More than one has a touch of the ghostly. Highly located yet haunted and haunting, they penetrate a hidden world of human dislocation.‘Graham Swift should be read by everyone with an interest in the art of the short story’ Paul Bailey, Evening Standard‘A masterful collection of stories’ USA Today

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FROM THE BESTSELLING AUTHOR OF LAST ORDERS AND MOTHERING SUNDAY, and reissued for the first time in Scribner, a brilliant collection of essays, as well as brand new material, that will delight and intrigue readers. In Making an Elephant, Graham Swift brings together a richly varied selection of essays, portraits, poetry, and reflections on his life in writing. Full of insights into his passions and motivations, and wise about the friends, family, and other writers who have mattered to him over the years, this is a revealing and intimate collection. Kazuo Ishiguro advises on how to choose a guitar, Salman Rushdie arrives for Christmas under guard, and Ted Hughes shares the secrets of a Devon river. There are private moments, too, with long-dead writers, as well as musings on history and memory that readers of Swift’s novels will recognize and love.Praise for Mothering Sunday: 'Bathed in light; and even when tragedy strikes, it blazes irresistibly… Swift’s small fiction feels like a masterpiece’ Guardian ‘Alive with sensuousness and sensuality … wonderfully accomplished, it is an achievement’ Sunday Times ‘From start to finish Swift’s is a novel of stylish brilliance and quiet narrative verve. The archly modulated, precise prose (a hybrid of Henry Green and Kazuo Ishiguro) is a glory to read. Now 66, Swift is a writer at the very top of his game’ Evening Standard ‘Mothering Sunday is a powerful, philosophical and exquisitely observed novel about the lives we lead, and the parallel lives – the parallel stories – we can never know … It may just be Swift’s best novel yet’ Observer

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FROM THE BESTSELLING AUTHOR OF LAST ORDERS AND MOTHERING SUNDAY, reissued for the first time in Scribner In 1972, Robert Beech, First World War veteran and prominent figure in the arms industry, is killed by a car bomb. The event cuts short the career of his son Harry, a news photographer, and comes close to destroying his granddaughter Sophie. Ten years later, Harry, now working in aerial photography, and Sophie, visiting an analyst in New York, remain scarred and divided by the event. Around their broken relationship and Harry’s memories of his truncated career and his father, the novel builds a story that is acutely private yet sweepingly public, at the heart of which lies Harry’s lifelong dedication of the camera.Out of This World spans many of the twentieth century’s scenes of conflict, but also contains some of Graham Swift’s most achingly intimate scenes of personal confrontation—scenes that, powerful and haunting as photographs can be, no photographs can capture.‘Deserves to be ranked in the forefront of contemporary literature’ New York Times‘Superb, profound’ Sunday Times

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FROM THE BESTSELLING AUTHOR OF LAST ORDERS AND MOTHERING SUNDAY, reissued for the first time in Scribner​The classic edition of one of the 20th Century's finest novels by the winner of The Booker Prize One summer morning in 1943, lock-keeper Henry Crick finds the drowned body of a sixteen-year-old boy. Nearly forty years later, his son Tom, a history teacher, is driven by a bizarre marital crisis and the provocation of one of his students to forsake the formal teaching of history—and tell stories . . .Waterland is a classic of modern fiction: a vision of England seen through its mysterious, amphibious Fen country; a sinuous meditation on the workings of time; a tale of two families, startling in its twists and turns and universal in its reach. Compulsively readable, it is a novel of resonant depth and encyclopaedic richness, mixing human and natural history and exploring the tragic forces that take us both forwards and back. It is also a book about beer, eels, the French Revolution, the end of the world, windmills, will-o’-the-wisps, murder, love, education, curiosity and—supremely—the malign and merciful element of water.‘A quite brilliant novel’ Daily Telegraph‘Inspired’ New York Times

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FROM THE BESTSELLING AUTHOR OF LAST ORDERS AND MOTHERING SUNDAY, and reissued for the first time in Scribner, a brilliant collection of essays, as well as brand new material, that will delight and intrigue readers. In Making an Elephant, Graham Swift brings together a richly varied selection of essays, portraits, poetry, and reflections on his life in writing. Full of insights into his passions and motivations, and wise about the friends, family, and other writers who have mattered to him over the years, this is a revealing and intimate collection. Kazuo Ishiguro advises on how to choose a guitar, Salman Rushdie arrives for Christmas under guard, and Ted Hughes shares the secrets of a Devon river. There are private moments, too, with long-dead writers, as well as musings on history and memory that readers of Swift’s novels will recognize and love.Praise for Mothering Sunday: 'Bathed in light; and even when tragedy strikes, it blazes irresistibly… Swift’s small fiction feels like a masterpiece’ Guardian ‘Alive with sensuousness and sensuality … wonderfully accomplished, it is an achievement’ Sunday Times ‘From start to finish Swift’s is a novel of stylish brilliance and quiet narrative verve. The archly modulated, precise prose (a hybrid of Henry Green and Kazuo Ishiguro) is a glory to read. Now 66, Swift is a writer at the very top of his game’ Evening Standard ‘Mothering Sunday is a powerful, philosophical and exquisitely observed novel about the lives we lead, and the parallel lives – the parallel stories – we can never know … It may just be Swift’s best novel yet’ Observer

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Set in the bleak Fen Country of East Anglia, and spanning some 240 years in the lives of its haunted narrator and his ancestors, Waterland is a book that takes in eels and incest, ale-making and madness, the heartless sweep of history and a family romance as tormented as any in Greek tragedy.

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WINNER OF THE BOOKER PRIZE 1996The classic edition of one of the 20th Century's finest novels Four men once close to Jack Dodds, a London butcher, meet to carry out his peculiar last wish: to have his ashes scattered into the sea at Margate. For reasons best known to herself, Jack’s widow, Amy, declines to join them . . . On the surface a simple tale of an increasingly bizarre day’s outing, this Booker-prize winning, internationally acclaimed novel is a resonant and classic exploration of the complexity and courage of ordinary lives. Intensely local but overwhelmingly universal, faithful to the fleeting rhythms and accidental eloquence of everyday speech but also to the timeless truths of life and death, it succeeds in being comic and heartstopping, affectionate and wise, and in conferring on its stumbling, disappointed characters an enduring decency, dignity and depth. ‘A surpassing testament to Swift’s vibrant and powerful gifts’ The Times‘A triumph . . . a story about the most fundamental things of all’ Evening Standard

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The Booker Shortlisted Modern Classic from the author of Last Orders, Mothering Sunday and Here We Are One summer morning in 1943, lock-keeper Henry Crick finds the drowned body of a sixteen-year-old boy. Nearly forty years later, his son Tom, a history teacher, is driven by a bizarre marital crisis and the provocation of one of his students to forsake the formal teaching of history—and tell stories . . .Waterland is a classic of modern fiction: a vision of England seen through its mysterious, amphibious Fen country; a sinuous meditation on the workings of time; a tale of two families, startling in its twists and turns and universal in its reach. Compulsively readable, it is a novel of resonant depth and encyclopaedic richness, mixing human and natural history and exploring the tragic forces that take us both forwards and back. It is also a book about beer, eels, the French Revolution, the end of the world, windmills, will-o’-the-wisps, murder, love, education, curiosity and—supremely—the malign and merciful element of water.‘A quite brilliant novel’ Daily Telegraph‘Inspired’ New York Times

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FROM THE BESTSELLING AUTHOR OF LAST ORDERS AND MOTHERING SUNDAY, reissued for the first time in Scribner Prentis, employed in the police archives, is becoming confused. His obsession with the plight of his father, a wartime hero now the mute inmate of a mental hospital, is alienating him from his wife and children, while at work he feels under scrutiny from his intimidating boss, Quinn. Gradually, Prentis suspects that his father’s breakdown and Quinn’s menacing behaviour are related and that the connection is to be found in his father’s memoir: ‘Shuttlecock’.Shuttlecock is an intense psychological thriller and much more. With poignant force and sometimes dark comedy, it links the secrecies and quirks of domestic life with the enigmas and violence of crime and war.‘A small masterpiece’ The Guardian‘Excellent, profound’ Alan Hollinghurst

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‘A quietly, devastating, magical novel’ Daily Telegraph'Beautiful, gentle, intricate... Here We Are smuggles within the pages of a seemingly commonplace tale depths of emotion and narrative complexity that take the breath away.' The Observer It is Brighton, 1959, and the theatre at the end of the pier is having its best summer season in years. Ronnie, a brilliant young magician, and Evie, his dazzling assistant, are top of the bill, drawing audiences each night. Meanwhile, Jack – Jack Robinson, as in ‘before you can say’ – is everyone’s favourite compère, a born entertainer, holding the whole show together. As the summer progresses, the off-stage drama between the three begins to overshadow their theatrical success, and events unfold which will have lasting consequences for all their futures. Rich, comic, alive and subtly devastating, Here We Are is a masterly piece of literary magicianship which pulls back the curtain on the human condition.‘With a wizardry of his own, Swift conjures up an about-to-disappear little world and turns it into something of wider resonance’ Sunday Times ‘There’s nothing extravagant or showy about Here We Are . . . The book’s power comes precisely from the fact that it performs its magic in front of your eyes, leaving nowhere to hide . . . you wonder how he does it.’ Financial Times‘As with all his books, it’s the moments of quiet, undramatic poignancy that stay with you’ Sunday Express 'He tells simple, truthful stories about what feel like real people. Here We Are is a welcome addition to a proud legacy.' The Big Issue The variety of voices and its historical and emotional reach are so finely entwined, it is as perfect and smooth as an egg. Passages leap out all the time, demanding to be reread, or committed to memory... It is perhaps too simple to say that Swift creates a form of fictional magic, but what he can do with a page is out of the ordinary, far beyond most mortals’ ken.' Rosemary Goring, The Herald'Here We Are is a subtle portrait of a vanished world, with moving passages about the problems of wartime evacuees returning to impoverished London life after the wonders of the countryside.' The Independent ‘In Here We Are, Swift does not just dwell on the pivotal moments of our lives, but traces their shockwaves both forward and back. Moving seamlessly from pre-war to post, from the events of one illusory, youthful summer to the present, we are given candid access to the innermost reflections of three people who loved and betrayed each other. The end result is the stuff of life, an enduring mystery that Ronnie, Evie, Jack - that we all - must live with. I thought it was wonderful.’ Joseph Knox, author of SirensPraise for Mothering Sunday: 'Bathed in light; and even when tragedy strikes, it blazes irresistibly… Swift’s small fiction feels like a masterpiece’ Guardian ‘Alive with sensuousness and sensuality … wonderfully accomplished, it is an achievement’ Sunday Times ‘From start to finish Swift’s is a novel of stylish brilliance and quiet narrative verve. The archly modulated, precise prose (a hybrid of Henry Green and Kazuo Ishiguro) is a glory to read. Now 66, Swift is a writer at the very top of his game’ Evening Standard ‘Mothering Sunday is a powerful, philosophical and exquisitely observed novel about the lives we lead, and the parallel lives – the parallel stories – we can never know … It may just be Swift’s best novel yet’ Observer

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FROM THE BESTSELLING AUTHOR OF LAST ORDERS AND MOTHERING SUNDAY, and reissued for the first time in Scribner, comes a novel called ‘Profound and powerful . . . an unputdownable read’ by Scotland on Sunday. On an autumn day in 2006, on the Isle of Wight, Jack Luxton – former Devon farmer, now proprietor of a seaside caravan park – receives the news that his brother Tom, not seen for years, has been killed in Iraq. For Jack and his wife Ellie this will have a potentially catastrophic impact and compel Jack to make a crucial journey: to receive his brother’s remains, but also to return to the land of his past and confront his most secret, troubling memories.Praise for Mothering Sunday: 'Bathed in light; and even when tragedy strikes, it blazes irresistibly… Swift’s small fiction feels like a masterpiece’ Guardian ‘Alive with sensuousness and sensuality … wonderfully accomplished, it is an achievement’ Sunday Times ‘From start to finish Swift’s is a novel of stylish brilliance and quiet narrative verve. The archly modulated, precise prose (a hybrid of Henry Green and Kazuo Ishiguro) is a glory to read. Now 66, Swift is a writer at the very top of his game’ Evening Standard ‘Mothering Sunday is a powerful, philosophical and exquisitely observed novel about the lives we lead, and the parallel lives – the parallel stories – we can never know … It may just be Swift’s best novel yet’ Observer

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FROM THE BESTSELLING AUTHOR OF LAST ORDERS AND MOTHERING SUNDAY, reissued for the first time in Scribner For forty years, Willy Chapman has struck a strange but steadfast bargain between the two poles of his life: his beautiful but emotionally damaged wife and the sweet shop he runs on a south London high street. Devoted to each, he has maintained a delicate, precarious balance. Now, on a hot summer’s day, he attempts to settle his final accounts and reach an understanding with a third, disruptive element in his reckoning: his angry, unforgiving daughter. Spanning five decades and intricately exploring a doomed family triangle, Graham Swift’s first novel already shows the historical scope combined with intense intimacy that will characterise his work.‘A marvellous first novel’ New Statesman‘Brilliantly chronicled’ The Spectator

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FROM THE BESTSELLING AUTHOR OF LAST ORDERS AND MOTHERING SUNDAY, reissued for the first time in Scribner Bill Unwin, an academic of dubious status, has never recovered from the death of his famous actress wife and is now convalescing from a recent brush with his own mortality. He has two tales to tell. One, spanning post-war Paris, 1950s Soho and contemporary sexual and scholarly entanglements, surveys the muddle of his own life. The other, drawn from the notebooks of a Victorian ancestor, is the very different story of Matthew Pearce, a serious-minded man whose happiness is destroyed by his compulsive search for truth. Bill’s recollections of his beautiful wife, his wayward mother and his philandering stepfather, his wry reflections on his present plight and his unexpected bond with the forgotten Matthew combine to form a potent and moving mental quest. Embracing two centuries and a host of subjects—from ballet dancers and prehistoric beasts to the bewildering persistence of love—it asks nothing less than the eternal question: ‘Why should things matter?’‘A perfect piece of literary art’ The Spectator‘Masterfully done’ Washington Post

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Now a major film starring Olivia Colman, Colin Firth, Odessa Young and Josh O’Connor (The Crown), scripted by Alice Birch (Normal People)'Exquisite . . . Mothering Sunday shows love, lust and ordinary decency straining against the bars of an unjust English caste system' Kazuo Ishiguro It is March 30th 1924. It is Mothering Sunday.How will Jane Fairchild, orphan and housemaid, occupy her time when she has no mother to visit? How, shaped by the events of this never to be forgotten day, will her future unfold?Beginning with an intimate assignation and opening to embrace decades, Mothering Sunday has at its heart both the story of a life and the life that stories can magically contain. Constantly surprising, joyously sensual and deeply moving, it is Graham Swift at his thrilling best.Praise for Mothering Sunday:‘Mothering Sunday is a powerful, philosophical and exquisitely observed novel about the lives we lead, and the parallel lives – the parallel stories – we can never know … It may just be Swift’s best novel yet’ The Observer'Dazzling . . . a vanished world is resurrected with superb immediacy . . . wonderfully accomplished' Sunday Times'Stunning . . . It is about the most perfect novel you could wish to read' The Guardian'From start to finish Swift's is a novel of stylish brilliance and quiet narrative verve . . . Swift is a writer at the very top of his game' Evening StandardFrom the Booker-winning author of Last Orders and Waterland comes a long-awaited new novel. ‘Mothering Sunday is bathed in light; and even when tragedy strikes, it blazes irresistibly… Swift’s small fiction feels like a masterpiece’ The Guardian‘Mastery and resonance . . . It’s one of the novel’s great strengths to be able to shift with such agility between focus scene and lifetime recollection . . . the languid, blissful minutes of March 30, 1924 seem to contain all the succeeding decades’ Times Literary Supplement 'A dazzling read: sexy, stylish, subversive' Herald Scotland'A jewel of a book, a subtle, erotically charged novella suspended between past and future' Hermione Lee'A work of gold from the subtle pen of the great Graham Swift' Le Monde'With this novel he captures what it means to be alive' Der Spiegel‘An exquisite novella of love and loss . . . a short yet powerful and intricately layered work . . . every sentence counting and not a word out of place’ The Australian

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A collection of new stories from the Booker-prize winning author of Last Orders, and of the Sunday Times bestseller Mothering Sunday. Meet Dr Shah, who has never been to India, and Mrs Kaminski, on her way to Poland via A&E. Meet Holly and Polly, who have come to their own Anglo-Irish understanding; Charlie and Don, who have seen the docks turn into Docklands; Daisy Baker, terrified of Yorkshire; and Johnny Dewhurst, stranded on Exmoor. Binding these stories together is Graham Swift's affectionate but unflinching instinct for the story of us all: an evocation of that mysterious body that is a nation, deepened by the palpable sense of our individual bodies finding or losing their way in the nationless territory of birth, ageing, sex and death.Praise for Mothering Sunday: 'Bathed in light; and even when tragedy strikes, it blazes irresistibly… Swift’s small fiction feels like a masterpiece’ Guardian ‘Alive with sensuousness and sensuality … wonderfully accomplished, it is an achievement’ Sunday Times ‘From start to finish Swift’s is a novel of stylish brilliance and quiet narrative verve. The archly modulated, precise prose (a hybrid of Henry Green and Kazuo Ishiguro) is a glory to read. Now 66, Swift is a writer at the very top of his game’ Evening Standard ‘Mothering Sunday is a powerful, philosophical and exquisitely observed novel about the lives we lead, and the parallel lives – the parallel stories – we can never know … It may just be Swift’s best novel yet’ Observer

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It is Brighton, 1959, and the theatre at the end of the pier is having its best summer season in years. Ronnie, a brilliant young magician, and Evie, his dazzling assistant, are top of the bill, drawing audiences each night. Meanwhile, Jack – Jack Robinson, as in ‘before you can say’ – is everyone’s favourite compère, a born entertainer, holding the whole show together. As the summer progresses, the off-stage drama between the three begins to overshadow their theatrical success, and events unfold which will have lasting consequences for all their futures. Rich, comic, alive and subtly devastating, Here We Are is a masterly piece of literary magicianship which pulls back the curtain on the human condition. 'He tells simple, truthful stories about what feel like real people. Here We Are is a welcome addition to a proud legacy.' The Big Issue The variety of voices and its historical and emotional reach are so finely entwined, it is as perfect and smooth as an egg. Passages leap out all the time, demanding to be reread, or committed to memory... It is perhaps too simple to say that Swift creates a form of fictional magic, but what he can do with a page is out of the ordinary, far beyond most mortals’ ken.' Rosemary Goring,The Herald'Here We Are is a subtle portrait of a vanished world, with moving passages about the problems of wartime evacuees returning to impoverished London life after the wonders of the countryside.' The Independent ‘In Here We Are, Swift does not just dwell on the pivotal moments of our lives, but traces their shockwaves both forward and back. Moving seamlessly from pre-war to post, from the events of one illusory, youthful summer to the present, we are given candid access to the innermost reflections of three people who loved and betrayed each other. The end result is the stuff of life, an enduring mystery that Ronnie, Evie, Jack - that we all - must live with. I thought it was wonderful.’ Joseph Knox, author of SirensPraise for Mothering Sunday: 'Bathed in light; and even when tragedy strikes, it blazes irresistibly… Swift’s small fiction feels like a masterpiece’ Guardian ‘Alive with sensuousness and sensuality … wonderfully accomplished, it is an achievement’ Sunday Times ‘From start to finish Swift’s is a novel of stylish brilliance and quiet narrative verve. The archly modulated, precise prose (a hybrid of Henry Green and Kazuo Ishiguro) is a glory to read. Now 66, Swift is a writer at the very top of his game’ Evening Standard ‘Mothering Sunday is a powerful, philosophical and exquisitely observed novel about the lives we lead, and the parallel lives – the parallel stories – we can never know … It may just be Swift’s best novel yet’ Observer

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FROM THE BESTSELLING AUTHOR OF LAST ORDERS AND MOTHERING SUNDAY. One summer morning in 1943, lock-keeper Henry Crick finds the drowned body of a sixteen-year-old boy. Nearly forty years later, his son Tom, a history teacher, is driven by a bizarre marital crisis and the provocation of one of his students to forsake the formal teaching of history—and tell stories . . .Waterland is a classic of modern fiction: a vision of England seen through its mysterious, amphibious Fen country; a sinuous meditation on the workings of time; a tale of two families, startling in its twists and turns and universal in its reach. Compulsively readable, it is a novel of resonant depth and encyclopaedic richness, mixing human and natural history and exploring the tragic forces that take us both forwards and back. It is also a book about beer, eels, the French Revolution, the end of the world, windmills, will-o’-the-wisps, murder, love, education, curiosity and—supremely—the malign and merciful element of water.‘A quite brilliant novel’ Daily Telegraph‘Inspired’ New York Times

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An in-depth review of important preparative methods for the synthesis and chemical modification of polymers, this authoritative second edition examines the advantages and limitations of various polymerization applications and procedures. It features new approaches and innovative strategies from the most prominent industry and academic laboratories, reflecting the burgeoning role of polymers in modern science and technology. The book analyzes biodegradable polymers for biomedical applications; investigates the use of polyolefins, polymeric dienes, aromatic polyethers, polymides, and metal-containing macromolecules; and covers polymers of acrylic acid, methacrylic acid, and maleic acid.

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WINNER OF THE BOOKER PRIZE 1996 Four men once close to Jack Dodds, a London butcher, meet to carry out his peculiar last wish: to have his ashes scattered into the sea at Margate. For reasons best known to herself, Jack’s widow, Amy, declines to join them . . . On the surface a simple tale of an increasingly bizarre day’s outing, this Booker-prize winning, internationally acclaimed novel is a resonant and classic exploration of the complexity and courage of ordinary lives. Intensely local but overwhelmingly universal, faithful to the fleeting rhythms and accidental eloquence of everyday speech but also to the timeless truths of life and death, it succeeds in being comic and heartstopping, affectionate and wise, and in conferring on its stumbling, disappointed characters an enduring decency, dignity and depth. ‘A surpassing testament to Swift’s vibrant and powerful gifts’ The Times‘A triumph . . . a story about the most fundamental things of all’ Evening Standard

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