Search results for ""author grackle"

Do you believe in impossible things? Cutie Grackle does. She has to. Otherwise, she’ll never be more than a lonely 10 year old in a cursed family.Cutie Grackle is used to being different—she lives alone on a mountain with her feeble-minded uncle, and when she’s not sucking pebbles to trick her stomach into feeling full, she’s chatting with a weathered garden gnome for company. But having a flock of ravens follow you is more than just different. Cutie worries the birds are connected to the curse Uncle Horace tends to mutter about. And she’s right. The ravens present her with a fortune from a cookie, and when she touches it she’s pulled into a vision from her family’s past. It involves the curse and her long-lost mother. The birds offer up a series of objects, each imbued with memories that eventually reveal Cutie must do what her mother could not: break the curse. Part outdoor survival adventure, part fan

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t’s Halloween in Vermont, winter is coming, and five humans, two dogs, and a cat are a crowd in Mercy Carr’s small cabin. She needs more room - and she knows just the place: Grackle Tree Farm, with thirty acres of woods and wetlands and a Victorian manor to die for. They say it’s haunted by the ghosts of missing children and lost poets and a murderer or two, but Mercy loves it anyway. Even when Elvis finds a dead body in the library. There’s something about Grackle Tree Farm that people are willing to kill for - and Mercy needs to figure out what before they move in. A coded letter found on the victim points to a hidden treasure that may be worth a fortune - if it’s real. She and Captain Thrasher conduct a search of the old place - and end up at the wrong end of a Glock. A masked man shoots Thrasher, and she and Elvis must take him down before he murders them all. Under fire, she and Elvis manage to run the guy off, but not before they are wounded, leaving Thrasher fighting for his life in the hospital, Mercy on crutches, and Elvis on the mend. Now it’s up to Mercy and Troy and the dogs to track down the masked murderer in a county overflowing with leaf peepers, Halloween revelers, and treasure hunters and bring him to justice before he strikes again and the treasure is lost forever, along with the good name of Grackle Tree Farm….

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Kansas has a great diversity of birds: 453 species documented within its borders. This book focuses on the 203 species that breed in the state, from the Green-winged Teal to the Great-tailed Grackle, to create an accurate reference based on standardized methods of data collection.

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A remarkably diverse population of bird life, migratory and indigenous, lives in the region known as the Chesapeake Bay country. It is one of the finest locations on the eastern seaboard for observing wild birds. Among the cattail and wild rice, the cordgrass and loblolly, from the countryside north of Baltimore to the windswept beaches of the Atlantic, are the imperiled canvasback, the boat-tailed grackle, the secretive king rail, the fragile egret, and the evasive snowy owl. Illustrated with photographs and line drawings, this book is indispensable to bird watchers and conservationists in the Chesapeake Bay region.

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Part springtime journal (“why are there thorns?”), Works and Days meditates on the first wasps and chipmunks of the season, times’ passage, grackle hearts, and dandelions, while also collecting dozens of poems considering the Catholic Church, Sir Thomas Browne, “Go Away” welcome mats, books, floods (“never of dollar money”), the invention of words, local politics, friendships, property development, dogs, and Hesiod. Every page delights. As the poet herself notes: “My name is Bernadette Mayer, sometimes / I am at the head of my class.”

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In those days I began to see light under every bushel basket, light nearly splitting the sides of the bushel basket. Light came through the rafters of the dairy where the grackles congregated like well-taxed citizens untransfigured even by hope. Understand I was the one underneath the basket. I was certain I had nothing to say. When I grew restless in the interior, the exterior gave. -"Autobiographical Fragment" Dense, rich, and challenging, Katie Peterson's A Piece of Good News explores interior and exterior landscapes, exposure, and shelter. Imbued with a hallucinatory poetic logic where desire, anger, and sorrow supplant intelligence and reason, these poems are powerful meditations of mourning, love, doubt, political citizenship, and happiness. Learned, wise, and witty, Peterson explodes the possibilities of the poetic voice in this remarkable and deeply felt collection.

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The poems of Wallace Stevens teem with birds: grackles, warblers, doves, swans, nightingales, owls, peacocks, and one famous blackbird who summons thirteen ways of looking. What do Stevens’s evocations of birds, and his poems more generally, tell us about the relationship between human and nonhuman? In this book, the noted theorist of posthumanism Cary Wolfe argues for a philosophical and theoretical reinvention of ecological poetics, using Stevens as a test case. Stevens, Wolfe argues, is an ecological poet in the sense that his places, worlds, and environments are co-created by the life forms that inhabit them. Wolfe argues for a “nonrepresentational” conception of ecopoetics, showing how Stevens’s poems reward study alongside theories of system, environment, and observation derived from a multitude of sources, from Ralph Waldo Emerson and Niklas Luhmann to Jacques Derrida and Stuart Kauffman. Ecological Poetics is an ambitious interdisciplinary undertaking involving literary criticism, contemporary philosophy, and theoretical biology.

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The poems of Wallace Stevens teem with birds: grackles, warblers, doves, swans, nightingales, owls, peacocks, and one famous blackbird who summons thirteen ways of looking. What do Stevens’s evocations of birds, and his poems more generally, tell us about the relationship between human and nonhuman? In this book, the noted theorist of posthumanism Cary Wolfe argues for a philosophical and theoretical reinvention of ecological poetics, using Stevens as a test case. Stevens, Wolfe argues, is an ecological poet in the sense that his places, worlds, and environments are co-created by the life forms that inhabit them. Wolfe argues for a “nonrepresentational” conception of ecopoetics, showing how Stevens’s poems reward study alongside theories of system, environment, and observation derived from a multitude of sources, from Ralph Waldo Emerson and Niklas Luhmann to Jacques Derrida and Stuart Kauffman. Ecological Poetics is an ambitious interdisciplinary undertaking involving literary criticism, contemporary philosophy, and theoretical biology.

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Whether snuggling up to your boo our throwing a backyard fête with a group of friends, Blanket Fort will have you getting cozy in style.At some point growing up, most of us threw a blanket over two chairs and declared it our club house. Artistic duo Grackle & Pigeon have taken the idea a step further—or, rather, they’ve taken the imagination we all had as kids and infused it into 25 artisanal blanket forts. This gorgeous little book is an absolutely stunning look at a wide range of projects that will inspire you to envision cozy hideouts in our living rooms, yards, yoga studios, and work spaces. Each project includes a mix of 4 color photography and charming pen-and-ink instructional illustrations.Forts like Bears Love Breakfast, are as simple as a couple of blankets and some sticks, for a rustic camping feel. Then there’s Ground Control, the David Bowie-themed fort, whose moon-like glow will make you want to crawl inside and listen to “Life on Mars.” Om Shanti, the Yoga fort, is clean and simple, the perfect place to clear your mind. And the decadent Garden Party is a back yard piece de resistance worthy of a (tiny) wedding reception.Blanket Fort is more a lifestyle book than a craft book—one which invites people of any income to look and dream, the perfect gift for a couple moving in together or your best friend from childhood. And for that matter, parents planning for a novel sleepover will also find ideas inside.

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A tender poetry collection considering home, family, and personal and ecological loss. Liza Katz Duncan’s debut collection is a poignant exploration of the unpredictable shifts that shape our lives. Given considers the notions of home and family and how to survive the changes and losses associated with both. Duncan conjures her home, the New Jersey Shore, in clear and unsentimental lines: “Call of the grackle, / whine of the turkey vulture. Blighted clams, // raw and red in their half-shells.” Duncan’s poems also explore the devastation brought to this place and its community by Superstorm Sandy and the continued impacts of climate change. Interwoven into this thread is the narrator’s miscarriage; the parallels between the desecrated landscape and the personal catastrophe further contribute to the layers of tenderness in this collection, as Duncan urges us to remember and to witness. Despite tragedy and loss, Given is imbued with persistent, dogged hope, showing how survival persists amongst the wreckage, and from this debris is a path towards healing our grief.Given was the winner of 2022 Autumn House Rising Writer Prize in Poetry.

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WINNER OF THE 2020/2021 ALCUIN SOCIETY BOOK DESIGN AWARD FOR POETRYWINNER OF THE ROBERT KROETSCH CITY OF EDMONTON BOOK PRIZE WINNER OF THE 2023 STEPHAN G. STEPHANSSON AWARD FOR POETRYWINNER OF THE GERALD LAMPERT MEMORIAL AWARDSHORTLISTED FOR THE DAYNE OGILVIE PRIZE FOR LGBTQ2S+ EMERGING WRITERSLONGLISTED FOR THE RAYMOND SOUSTER AWARDWINNER OF THE INDIGENOUS VOICES AWARD FOR PUBLISHED POETRY IN ENGLISHAn Indigenous resistance historiography, poetry that interrogates the colonial violence of the archive Whitemud Walking is about the land Matthew Weigel was born on and the institutions that occupy that land. It is about the interrelatedness of his own story with that of the colonial history of Canada, which considers the numbered treaties of the North-West to be historical and completed events. But they are eternal agreements that entail complex reciprocity and obligations. The state and archival institutions work together to sequester documents and knowledge in ways that resonate violently in people’s lives, including the dispossession and extinguishment of Indigenous title to land. Using photos, documents, and recordings that are about or involve his ancestors, but are kept in archives, Weigel examines the consequences of this erasure and sequestration. Memories cling to documents and sometimes this palimpsest can be read, other times the margins must be centered to gain a fuller picture. Whitemud Walking is a genre-bending work of visual and lyric poetry, non-fiction prose, photography, and digital art and design."Whitemud Walking is so smart and so ceaselessly innovative. It represents for me a fully assured instantiation of the Indigenous literary project: a confrontation of history's terrors head on and an articulation in the present of our beauty and indomitability. Weigel refuses the archive's efforts to flatten Indigenous subjectivity and, in so doing, opens up a kind of boundless space to remember and grieve but also to hope and imagine otherwise. A deeply felt accomplishment." –Billy-Ray Belcourt, author of A History of My Brief Body"Whitemud Walking is a testament to the power of grief and outrage that so much theft has been allowed to bulldoze Indigenous land rights. Matthew James Weigel's passion for research both honours and mourns what has been trampled and lied about. This is a devastating read but one to learn from. Mahsi cho, Matthew. Your grief is our call to action to learn our own histories and build upon our own Indigenous testimonies of what really happened and when and who was there to witness it. Mahsi cho." –Richard Van Camp, Tlicho Dene author of The Lesser Blessed and Moccasin Square Gardens"Whitemud Walking is a textual ecology, that through archival troubling, sampling, and reframing, allows the material, human, truly cellular historicity of treaty to enter as a living presence in our contemporary moment. Weigel writes, 'Here treaty means reciprocity and obligation. Here, treaty lasts forever'. This book is not the document you may hold in your hands but the shift in consciousness it foments within you. It is a gift." –Liz Howard, author of Infinite Citizen of the Shaking Tent"Echoing the caw and grackle of magpies, Matthew James Weigel’s Whitemud Walking lives the sound of Treaty 6. Voices whisper sanctuary in creekbeds, papers rustle precedence in archives; there’s a buzz in your ear, a catch in your throat – listen." –Derek Beaulieu, Banff Poet Laureate

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Shortlisted for the 2018 TWS Wildlife Publication Awards in the edited book categoryThe various species of new world blackbirds, often intermingled in large foraging flocks and nighttime roosts, collectively number in the hundreds of millions and are a dominant component of the natural and agricultural avifauna in North America today. Because of their abundance, conspicuous flocking behavior, and feeding habits, these species have often been in conflict with human endeavors. The pioneering publications on blackbirds were by F. E. L. Beal in 1900 and A. A. Allen in 1914. These seminal treatises laid the foundation for more than 1,000 descriptive and experimental studies on the life histories of blackbirds as well as their ecology and management in relation to agricultural damage and other conflicts such as caused by large winter roosting congregations. The wealth of information generated in over a century of research is found in disparate outlets that include government reports, conference proceedings, peer-reviewed journals, monographs, and books. For the first time, Ecology and Management of Blackbirds (Icteridae) in North America summarizes and synthesizes this vast body of information on the biology and life histories of blackbirds and their conflicts with humans into a single volume for researchers, wildlife managers, agriculturists, disease biologists, ornithologists, policy makers, and the public. The book reviews the life histories of red-winged blackbirds, yellow-headed blackbirds, common grackles, and brown-headed cowbirds. It provides in-depth coverage of the functional roles of blackbirds in natural and agricultural ecosystems. In doing so, this authoritative reference promotes the development of improved science-based, integrated management strategies to address conflicts when resolutions are needed.

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It's 1978, the year after Elvis Presley died, and Kepler Pressler is a sixteen-year-old Toronto kid with an obsessive attachment to his sock monkey, a tendency to burst into tears, a mother with a nail fetish and a fondness for Shakespeare, and a father who says he works for the Space Agency and disappears a lot. Is dad dead? And what exactly happened on Kepler's 16th birthday? He is devoting a year to figuring it out in a mental health institute.

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The last of six volumes collecting MATT WAGNER’s epic, modern-day fantasy trilogy, MAGE—BOOK THREE: THE HERO DENIED is the long-awaited conclusion to the saga of the reborn Pendragon, Kevin Matchstick. After his mystical enemies destroy his home and kidnap half his family, Kevin must return to his heroic path and again draw forth the power of Excalibur. Left to his own devices and with his magically precocious daughter at his side, the Pendragon finds himself even more in need of counsel and guidance. Will the long-prophesied third Mage finally appear at last? Or will the Pendragon’s fear for his family’s safety leave the mysterious Fisher King a victim to the sinister schemes of the Umbra Mother and her Gracklethorns? MATT WAGNER’s classic epic of comics fantasy was at the vanguard of the independent comics scene and continues to be an inspiration for many contemporary creators, longtime fans and new readers alike. Nearing twenty years in the making, this is the first collected edition of MAGE: THE HERO DENIED, the concluding volume of the celebrated, epic trilogy.

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