Search results for ""author giuseppe verdi""

This new compilation features 16 memorable arias, arranged for voice and piano. Reproduced from authoritative early editions, the arias include "Oh patria mia" and "Ritorna vincitor!" from "Aida.""

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Verdi's Attila, his ninth opera, had its premiere at Venice's Teatro La Fenice in March 1846. This title discusses the opera's origins, sources, and performance questions, and details editorial problems and their solutions.

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It used to be thought that Verdi miscalculated with this attempt at a “grand opera” in the French style. This guide demonstrates that Don Carlos was – and remains – an extraordinary achievement in melding two opposing visions of opera: the spectacular public aspect of the French tradition with the dramatic concision of the Italian. And because of the variety of versions which Verdi sanctioned, this debate is open-ended. Contents: A Grand Opera with a Difference, Julian Budden; Off the Beaten Track, Gilles de Van; “A Family Portrait in a Royal Household”: ‘Don Carlos’ from Schiller to Verdi, F.J. Lamport; Stendhal’s ‘Don Carlos’: “The most moving opera ever written”, by Nicholas Cronk; Don Carlos: Grand Opera in Five Acts by Joseph Méry and Camille du Locle; Don Carlo: Italian translation by Achille de Lauzières and Angelo Zanardini with additional material translated by Piero Faggioni; Don Carlos: English translation by Andrew Porter; Introduction by Jennifer Batchelor

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‘La Traviata’ was Giuseppe Verdi’s eighteenth opera and shows him at the height of his middle-period powers. Adapted from ‘La Dame aux Camelias’ by Alexandre Dumas fils, it portrays the love between the courtesan Violetta Valery and the young Alfredo Germont in fashionable Parisian society, with its inevitable tragic outcome. It had its premiere at La Fenice in Venice in 1853 and has gone on to become one of the most performed and greatly loved of all operas. There are articles in the guide about Verdi’s preparations for the first performances, a musical commentary, an overview of the opera’s social background and an examination of how the libretto was adapted from Dumas’s play. Also included are a survey of important performances and performers, sixteen pages of illustrations, a musical thematic guide, the full libretto and English translation, a discography, bibliography and DVD and website guides.

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'See how the drama is turned into laughter,' comment the chorus, as they witness the destruction of a marriage and a friendship. Here Pierluigi Petrobelli shows how the irony woven into the tragedy (which strikes listeners today as so modern) results from the meeting of French and Italian operatic traditions. Is this really a ridiculous libretto irredeemably mangled by a censorship which demanded that Enlightenment Sweden had to become seventeenth-century Boston? Or is it Verdi's finest achievement, with its perfectly symmetrical drama and beautiful variety? Since it dates from a time when Verdi and his librettist were actively drafting an operatic treatment of King Lear, it is not surprising to find that Un ballo in maschera echoes some of the themes in Shakespeare's tragedy. Benedict Sarnaker analyses the extended love duet - the kernel of the score, and the pivot of the action. In a detailed study of the musical structure of the great Act Two finale, Harold Powers looks at the laughingA" chorus and at the quicksilver character of Oscar, unique in Verdi's work. Three detailed essays introduce one of the most debated classics in Italian opera.

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Messa da Requiem is the fourth work to be published in The Works of Giuseppe Verdi. Following the strict requirements of the series, this edition is based on Verdi's autograph and other authentic sources, and has been reviewed by a distinguished editorial board—Philip Gossett (general editor), Julian Budden, Martin Chusid, Francesco Degrada, Ursula Günther, Giorgio Pestelli, and Pierluigi Petrobelli. It is available as a two-volume set: a full orchestral score and a critical commentary. The appendixes include two pieces from the compositional history of the Requiem: an early version of the Libera me, composed in 1869 as part of a collaborative work planned as a memorial to Rossini; and the Liber scriptus, which in the original score of the Manzoni memorial Requiem was composed as a fugue in G minor. The score, which has been beautifully bound and autographed, is printed on high-grade paper in an oversized format. The introduction to the score discusses the work's genesis, instrumentation, and problems of notation. The critical commentary, printed in a smaller format, discusses the editorial decisions and traces the complex compositional history of the Requiem.

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The Black Dog Opera Library is the best, easiest and most informative and budget-friendly way to enjoy four of the greatest operas of all time. Finally available again, and packaged with gorgeous new covers, each book in the library includes the complete opera on 2 CDs, featuring world-class performances and orchestras; the complete libretto, plus its English translation; an exciting history of the opera; a biography of the composer; a synopsis of the story, broken down by act and scene; and dozens of photographs and drawings depicting performances, singers, sets, costumes, and more.La Traviata featuring Beverly Sills, Nicolai Gedda, and Rolando Panerai, with Aldo Ceccato conducting the Royal Philharmonic Orchestra.Also available:La Boh?me featuring Nicolai Gedda and Mirella Freni, with Thomas Schippers conducting the Orchestro e Coro del Teatro dell'Opera di Roma; The Marriage of Figaro featuring Dietrich Fischer-Dieskau, Heather Harper, Judith Blegen, Geraint Evans, Teresa Berganza, and Birgit Finnil?, with Daniel Barenboim conducting the English Chamber Orchestra. Carmen featuring Grace Bumbry, Jon Vickers, Mirella Freni, and Kostas Paskalis, with Rafael Fru?beck de Burgos conducting the Orchestra of the Th??tre National de l'Op?ra.Listen. Enjoy. Learn.

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