Search results for ""author georg simmel""

Anticipating contemporary deconstructive readings of philosophical texts, Georg Simmel pits the two German masters of philosophy of life against each other in a play of opposition and supplementation. This first English translation of Simmel's work includes an extensive introduction, providing the reader with ready access to the text by mapping its discursive strategies.

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Problemas fundamentales de la filosofía es uno de los últimos textos de la tradición metafísica occidental. Simmel aborda los problemas filosóficos desde una concepción clásica y se acerca a la compleja problemática del ser, el devenir, el sujeto y el objeto, la idealidad del mundo moral y la esencia de la filosofía, en diálogo con autores como Platón, Parménides, Hegel o Kant.La obra fundamental de un autor poco conocido en nuestra lengua.Georg Simmel (Berlín, 1858-Estrasburgo, 1918) fue hombre de múltiples saberes que abarcan los campos de la filosofía, la historia, la sociología y las ciencias sociales en general. Filósofo no sistemático, su postura representa una especie de neo-kantismo relativista, de raíz vitalista, que tuvo un amplio predicamento en la Europa de final del siglo XIX y principios del XX. Fue amigo de escritores como Rainer Maria Rilke y Stephan George, y también de filósofos como Max Weber, Edmund Husserl y Ortega y Gasset, de quien fue profesor durante la

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Reflexiones de Georg Simmel sobre la cultura moderna

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Los escritos de Simmel sobre Dios, la fe y las creencias merecen la notoriedad que suscitaron en las últimas décadas otros motivos de su obra. Como teórico de la modernidad, la cuestión religiosa constituye una parte medular de su pensamiento no sólo por sus contribuciones en metafísica sino, también y especialmente, por las propiamente sociológicas, como en el ensayo aquí presentado. Escrito a petición de su amigo y discípulo, el teólogo Martin Buber, el presente texto constituye la contribución más extensa y acaso definitiva del pensador alemán sobre al fenómeno de la religión.Georg Simmel valora la religión como parte sustantiva de la experiencia humana, a la cual sólo un iluminismo ingenuo podría considerar superada con un par de siglos de crítica religiosa. No obstante, Simmel sí objeta el papel de las Iglesias cuando se erigen en apuntadoras de exigencias morales sin advertir la contradicción de pretender imponer al sentimiento religioso determinados contenidos particulares ?m

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Georg Simmel is one of the most original German thinkers of the twentieth century and is considered a founding architect of the modern discipline of sociology. Ranging over fundamental questions of the relationship of self and society, his influential writings on money, modernity, and the metropolis continue to provoke debate today. Fascinated by the relationship between culture, society, and economic life, Simmel took an interest in myriad phenomena of aesthetics and the arts. A friend of writers and artists such as Auguste Rodin, Rainer Maria Rilke, and Stefan George, he wrote dozens of pieces engaging with topics such as the work of Michelangelo, Rembrandt, and Rodin, Japanese art, naturalism and symbolism, Goethe, "art for art's sake", art exhibitions, and the aesthetics of the picture frame. This is the first collection to bring together Simmel's finest writing on art and aesthetics, and many of the items appear in English in this volume for the first time. The more than forty essays show the protean breadth of Simmel's reflections, covering landscape painting, portraiture, sculpture, poetry, theater, form, style, and representation. An extensive introduction by Austin Harrington gives an overview of Simmel's themes and elucidates the significance of his work for the many theorists who would be inspired by his ideas. Something of an outsider to the formal academic world of his day, Simmel wrote creatively with the flair of an essayist. This expansive collection of translations, many of them prepared by the editor, preserves the narrative ease of Simmel's prose and will be a vital source for readers with an interest in Simmel's trailblazing ideas in modern European philosophy, sociology, and cultural theory.

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Georg Simmel is one of the most original German thinkers of the twentieth century and is considered a founding architect of the modern discipline of sociology. Ranging over fundamental questions of the relationship of self and society, his influential writings on money, modernity, and the metropolis continue to provoke debate today. Fascinated by the relationship between culture, society, and economic life, Simmel took an interest in myriad phenomena of aesthetics and the arts. A friend of writers and artists such as Auguste Rodin, Rainer Maria Rilke, and Stefan George, he wrote dozens of pieces engaging with topics such as the work of Michelangelo, Rembrandt, and Rodin, Japanese art, naturalism and symbolism, Goethe, "art for art's sake", art exhibitions, and the aesthetics of the picture frame. This is the first collection to bring together Simmel's finest writing on art and aesthetics, and many of the items appear in English in this volume for the first time. The more than forty essays show the protean breadth of Simmel's reflections, covering landscape painting, portraiture, sculpture, poetry, theater, form, style, and representation. An extensive introduction by Austin Harrington gives an overview of Simmel's themes and elucidates the significance of his work for the many theorists who would be inspired by his ideas. Something of an outsider to the formal academic world of his day, Simmel wrote creatively with the flair of an essayist. This expansive collection of translations, many of them prepared by the editor, preserves the narrative ease of Simmel's prose and will be a vital source for readers with an interest in Simmel's trailblazing ideas in modern European philosophy, sociology, and cultural theory.

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"Of those who created the intellectual capital used to launch the enterprise of professional sociology, Georg Simmel was perhaps the most original and fecund. In search of a subject matter for sociology that would distinguish it from all other social sciences and humanistic disciplines, he charted a new field for discovery and proceeded to explore a world of novel topics in works that have guided and anticipated the thinking of generations of sociologists. Such distinctive concepts of contemporary sociology as social distance, marginality, urbanism as a way of life, role-playing, social behavior as exchange, conflict as an integrating process, dyadic encounter, circular interaction, reference groups as perspectives, and sociological ambivalence embody ideas which Simmel adumbrated more than six decades ago."—Donald N. Levine Half of the material included in this edition of Simmel's writings represents new translations. This includes Simmel's important, lengthy, and previously untranslated "Group Expansion and Development of Individuality," as well as three selections from his most neglected work, Philosophy of Money; in addition, the introduction to Probleme der Geschichtsphilosophie, chapter one of the Lebensanschauung, and three essays are translated for the first time.

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Published in 1918, "The View of Life" is Georg Simmel's final work. Famously deemed 'the brightest man in Europe by George Santayana, Simmel addressed a variety of topics across his essayistic writings, which have influenced scholars in aesthetics, ethics, epistemology, and sociology. Nevertheless, a set of core issues emerged over the course of his career, most centrally the genesis, structure, and transcendence of social and cultural forms and the nature and genesis of authentic individuality. Composed in the years before his death, "The View of Life" was, according to Simmel, his 'testament', a capstone work of profound metaphysical inquiry intended to formulate his conception of life in its entirety. Now Anglophone readers can at last read in full the work that shaped the argument of Heidegger's "Being and Time" and whose extraordinary impact on European intellectual life between the wars has been extolled by Jurgen Habermas. Presented alongside these seminal essays are aphoristic fragments from Simmel's last journal, providing a beguiling look into the mind of one of the twentieth century's greatest thinkers.

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Published in 1918, The View of Life is Georg Simmel's final work. Famously deemed "the brightest man in Europe" by George Santayana, Simmel addressed diverse topics across his essayistic writings, which influenced scholars in aesthetics, epistemology, and sociology. Nevertheless, certain core issues emerged over the course of his career - the genesis, structure, and transcendence of social and cultural forms, and the nature and conditions of authentic individuality, including the role of mindfulness regarding mortality. Composed not long before his death, The View of Life was, Simmel wrote, his "testament," a capstone work of profound metaphysical inquiry intended to formulate his conception of life in its entirety. Now Anglophone readers can at last read in full the work that shaped the argument of Heidegger's Being and Time and whose extraordinary impact on European intellectual life between the wars was extolled by Jurgen Habermas. Presented alongside these seminal essays are aphoristic fragments from Simmel's last journal, providing a beguiling look into the mind of one of the twentieth century's greatest thinkers.

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