Search results for ""author flann o'brien""

The classic satire from the renowned comic and acclaimed author of ‘At Swim-Two-Birds’ – Flann O’Brien. Flann O’Brien’s gloriously wicked satire of the traditional Irish peasant novel, The Poor Mouth tells the shamelessly ironic story of Bonaparte O’Coonassa, born in the West of Ireland ‘on a terrible winter’s night’. A hymn to the world of potatoes, rain and ‘excellent poverty’, this cruelly funny assault on the fashionable Gaelic Revival of the day brought the wrath of the custodians of national sentiment upon O’Brien’s head for many years thereafter.

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Flann O'Brien's innovative metafictional work, whose unruly characters strike out their own paths in life to the frustration of their author, At Swim-Two-Birds is a brilliant impressionistic jumble of ideas, mythology and nonsense published in Penguin Modern Classics.Flann O'Brien's first novel tells the story of a young, indolent undergraduate, who lives with his curmudgeonly uncle in Dubin and spends far too much time drinking with his friends. When not drunk or in bed he likes to invent wild stories peoples with hilarious and unlikely characters - but somehow his creations won't do what he wants them to. A dazzling work of farce, satire, folklore and absurdity that gives full rein to its author's dancing intellect and Celtic wit, At Swim-Two-Birds is both a brilliant comic send-up of Irish literature and culture, and a portrayal of Dublin to compare with Joyce's Ulysses.Brian Ó Nualláin, (1911-1966), better known by his pseudonym Flann O'Brien, was born in Strabane, County Tyrone, and studied at University College Dublin before joining the Irish Civil Service. Ifyou enjoyed At Swim-Two-Birds, you might like Vladimir Nabokov's Pale Fire, also available in Penguin Modern Classics.'This is just the book to give your sister if she's a loud, dirty, boozy girl'Dylan Thomas'That's a real writer, with the true comic spirit'James Joyce, author of Ulysses'A brilliant, beer-soaked miniature masterpiece'Time

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A masterpiece of black humour from the renown comic and acclaimed author of ‘At Swim-Two-Birds’ – Flann O’Brien. A thriller, a hilarious comic satire about an archetypal village police force, a surrealistic vision of eternity, the story of a tender, brief, unrequited love affair between a man and his bicycle, and a chilling fable of unending guilt, ‘The Third Policeman’ is comparable only to ‘Alice in Wonderland’ as an allegory of the absurd. Distinguished by endless comic invention and its delicate balancing of logic and fantasy, ‘The Third Policeman’ is unique in the English language.

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Subtitled “An Exegesis of Squalor,” The Hard Life is a sober farce from a master of Irish comic fiction. Set in Dublin at the turn of the century, the novel does involve squalor—illness, alcoholism, unemployment, bodily functions, crime, illicit sex—but also investigates such diverse topics as Church history, tightrope walking, and the pressing need for public toilets for ladies. The Hard Life is straight-faced entertainment that conceals in laughter its own devious and wicked satire by one of the best known Irish writers of the 20th century.

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In the five novels by Ireland's greatest comic writer we can explore the full range of his invention, from the multi-layered madness of At Swim-Two-Birds to the piercing realism of The Hard Life and the surreal logic of The Third Policeman. This is a world where bicycles listen to conversations, inventors search formethods of 'diluting' water, and characters play truant while novelists sleep; a world where spiteful fairies wreak havoc and heroes from legend blunder into suburban sitting-rooms. This is recognizably the Ireland of Joyce and Beckett - rowdy, high-spirited, by turns sensual and and cerebral -transformed by O'Brien's unique vision.

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Reconocida tras su publicación en 1964 como "la mejor fantasía cómica desde Tristam Shandy", Crónica de Dalkey es la quinta y última novela de Flann O'Brien.

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Hailed as "the best comic fantasy since "Tristram Shandy" upon its publication in 1964, "The Dalkey Archive," is Flann O'Brien's fifth and final novel; or rather (as O'Brien wrote to his editor), "The book is not meant to be a novel or anything of the kind but a study in derision, various writers with their styles, and sundry modes, attitudes and cults being the rats in the cage." Among the targets of O'Brien's derision are religiosity, intellectual abstractions, J. W. Dunne's and Albert Einstein's views on time and relativity, and the lives and works of Saint Augustine and James Joyce, both of whom have speaking parts in the novel. Bewildering? Yes, but as O'Brien insists, "a measure of bewilderment is part of the job of literature."

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Using a play by Karl and Josef Capek as source, Flann O’Brien locates his insect drama in Dublin, his most familiar stalking- territory. His adaptation is a vehicle for ridicule and invective, targeting race, religion, greed, identity and purpose. With his extraordinary ear for dialogue, O’Brien creates his own fantastical world, and the outcome is a hilarious satire of Irish stereotypes – as Orangemen, Dubliners, Corkagians and culchies become warring ants, bees, crickets, dung-beetles, and other small-minded invertebrae. The lost text of this play, Hilton Edwards’ prompt copy from the 1943 Gate Theatre performance, was discovered in the archives at Northwestern University, Illinois.

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