Search results for ""author erin monroe""

An exploration of the artistic and cultural influences that shaped writer and illustrator Edward GoreyThe illustrator, designer, and writer Edward Gorey (1925–2000) is beloved for his droll, surreal, and slightly sinister drawings. While he is perhaps best known for his fanciful, macabre books, such as The Doubtful Guest and The Gashlycrumb Tinies, his instantly recognizable imagery can be seen everywhere from the New Yorker to the opening title sequence of the television series Mystery! on PBS. Gorey's Worlds delves into the numerous and surprising cultural and artistic sources that influenced Gorey's unique visual language. Gorey was an inveterate collector--he called it "accumulating." A variety of objects shaped his artistic mindset, from works of popular culture to the more than twenty-six thousand books he owned and the art pieces in his vast collection. This collection, which Gorey left to the Wadsworth Atheneum Museum of Art upon his death, is diverse in style, subject, and media, and includes prints by Eugène Delacroix, Charles Meryon, Edvard Munch, and Odilon Redon; photographs by Eugène Atget; and drawings by Balthus, Pierre Bonnard, Charles Burchfield, Bill Traylor, and Édouard Vuillard. As this book shows, these artistic pieces present a visual riddle, as the connections between them—to each other and to Gorey's works—are significant and enigmatic. The essays in Gorey's Worlds also examine the artist's consuming passions for animals and ballet.Featuring a sumptuous selection of Gorey's creations alongside his fascinating and diverse collections, Gorey's Worlds reveals the private world that inspired one of the most idiosyncratic artists of the twentieth century.Exhibition Schedule: Wadsworth Atheneum Museum of Art, February 10 - May 6, 2018

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Born in 1885 to a working-class family in Connecticut, Milton Avery left school at 16 to work in a factory. Intending to study lettering but soon transferring to painting, he attended evening school for fifteen years before moving to New York in the 1920s to pursue a career as a painter. Although he never identified with a particular movement, Avery was a sociable member of the New York art scene. He became a figure of considerable influence for a younger generation of American artists, including Mark Rothko, Adolph Gottlieb and Barnett Newman. His talent was praised by Rothko, who said of his work ‘the poetry penetrated every pore of the canvas to the last touch of the brush’. Edith Devaney introduces Avery and his work, while Erin Monroe looks at Avery’s early years in Hartford, and Marla Price examines Matisse’s influence upon his art. A conversation with the artist’s daughter March Avery Cavanaugh and an illustrated chronology by Isabella Boorman complete the book.

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American Moderns on Paper presents a selection of approximately 100 of the finest watercolors, pastels, and drawings by leading American modernists from the Wadsworth Atheneum’s renowned collection of American art. Works by Sloan, O’Keeffe, Hopper, Marin, Dalí, and Wyeth, among many others, serve as notable examples of the various styles and subjects pursued by artists in America from 1910 to 1960. The catalogue entries are accompanied by artist biographies. Organized chronologically, and generously illustrated throughout, the catalogue is introduced by two essays exploring the historical significance of the collection and the importance to American modernists of working on paper, rather than canvas. Providing a rich history of the collection, the volume illuminates not only its historic roots, but also the concurrent national evolution of interest in watercolor and drawings.Published in association with the Wadsworth Atheneum Museum of ArtExhibition Schedule:Amon Carter Museum, Fort Worth, TX (2/27/10–5/30/10)Portland Museum of Art, Portland, ME (6/22/10–9/12/10)Wadsworth Atheneum Museum of Art, Hartford, CT (10/2/10–1/2/11)

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