Search results for ""author emily teeter""

The Journal of the American Research Center in Egypt (JARCE) was established in 1962 to foster research into the history, languages, social systems, and archaeology of the Egyptian people. The journal welcomes article submissions on all periods and aspects of Egyptian civilization. JARCE publishes articles in English, French, or German.

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This catalogue for an exhibit at Chicago's Oriental Institute Museum presents the newest research on the Predynastic and Early Dynastic Periods in a lavishly illustrated format. Essays on the rise of the state, contact with the Levant and Nubia, crafts, writing, iconography and evidence from Abydos, Tell el-Farkha, Hierakonpolis and the Delta were contributed by leading scholars in the field. The catalogue features 129 Predynastic and Early Dynastic objects, most from the Oriental Institute's collection, that illustrate the environmental setting, Predynastic and Early Dynastic culture, religion and the royal burials at Abydos. This volume will be a standard reference and a staple for classroom use.

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The Journal of the American Research Center in Egypt (JARCE) was established in 1962 to foster research into the history, languages, social systems and archaeology of the Egyptian people. The journal welcomes submissions on all periods and aspects of Egyptian civilization. JARCE publishes articles in English, French, or German.

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The Journal of the American Research Center in Egypt (JARCE) was established in 1962 to foster research into the history, languages, social systems, and archaeology of the Egyptian people. It aims to foster a broader knowledge about Egypt among the general public. The journal welcomes article submissions on all periods and aspects of Egyptian civilization. JARCE publishes articles in English, French, or German.

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This catalog presents the entire corpus of 272 baked clay figurines and votive beds excavated at Medinet Habu by the Oriental Institute of the University of Chicago during their 1926-1933 campaign. The figurines represent women, women with children, men, deities, and animals. They date from the sixteenth century B.C. to the ninth century A.D., illustrating permanence and change in themes of clay figurines as well as stylistic development within each type. The group of votive beds and the stela made from votive bed molds is among the largest and most diverse collections of such material. Each object is fully described and illustrated and is accompanied by commentary on construction, symbolism, and function.

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This fully-illustrated catalogue offers highlights of the Egyptian collection at the Oriental Institute of the University of Chicago. A brief history of the collection is followed by a catalogue of seventy-seven objects, which date from the early third millennium BC to the eighth century AD. Many of these objects have not been previously published. The artefacts include statues, stelae, tools, games, clothing, coffins, figured ostraca, and papyri; each item is described, and its function and symbolism are discussed. Brief texts are translated. Appendices give museum registration numbers, provenance, and bibliographies.

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Our Work: Modern Jobs - Ancient Origins is the catalog for a photo-based exhibit that reveals that many modern professions originated in the ancient Middle East. Artifacts from the Oriental Institute Museum were paired with a baker, farmer, manicurist, brewer, poet, boat builder, judge and other professionals to show the antiquity of these jobs. The portraits are accompanied by commentary on the contributions of the ancient Middle East to life today and new insights into how members of the public view their relationship to the past. This volume will be of interest to educators, historians, and those interested in fine-arts photography.

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This companion volume and catalog to the exhibit that opens on February 9, 2009, traces the life of Meresamun, whose mummy, dating to about 800 B.C., is one of the highlights of The Oriental Institute museum in Chicago, IL. The text introduces the historical and cultural setting of Egypt during her time. Essays and artifacts examine the role of music and of musicians in Egyptian temple cults, their training, and the types of musical instruments that Meresamun would have used. The life of Meresamun outside the temple is explored, with emphasis upon her social and legal status, what other professions were available to her, and what home life was like. The study of the life of this individual is augmented by forensic evidence obtained with the newest generation of CT scanners that sheds life on Meresamun's life and death.

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Medinet Habu in western Thebes (modern Luxor, Egypt) is dominated by the great mortuary temples of King Ramesses III (ca. 1182 BC), and Kings Aye and Horemheb (ca. 1324-1293 BC). It served as the seat of the regional government in the Late New Kingdom, and an important Coptic Christian community grew up within its great fortification walls. For nearly 1,500 years Medinet Habu played a central role in Egyptian religion, life, and politics. In 1924, the Oriental Institute of the University of Chicago began the documentation of Medinet Habu, but the last facet of the documentation - the publication of thousands of objects excavated at the site - was interrupted by World War II. This book, the first of a projected multiple volume series, marks the resurrection of the project to publish the small finds. It includes a catalogue of 349 scarabs, scaraboids (including lentoids, cowroids, and buttons), heart scarabs and their Sons of Horus amulets, heart amulets, seals, and seal impressions on bullae, vessel stoppers, amphora handles, mudbricks, and funerary cones that date from approximately 1470 BC to the eighth century AD. Each object is described and illustrated and, whenever possible, placed in its original archaeological context. These scarabs and scaraboids comprise one of the largest groups of such material excavated from any site in Egypt.

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This Festschrift in honor of Prof. Edward F. Wente contains contributions by forty-three of his colleagues and friends. Contents: Publications and Communications of Edward F. Wente ( C. E. Jones ); A Monument of Khaemwaset Honoring Imhotep ( J. P. Allen ); Feuds or Vengeance? Rhetoric and Social Forms ( J. Baines ); Theban Seventeenth Dynasty ( J. von Beckerath ); Inventory Offering Lists and the Nomenclature for Boxes and Chests in the Old Kingdom ( E. Brovarski ); A Case for Narrativity: Gilt Stucco Mummy Cover in the Graeco-Roman Museum, Alexandria, Inv. 27808 ( L. H. Corcoran ); Opening of the Mouth as Temple Ritual ( E. Cruz-Uribe ); A Letter of Reproach ( R. J. Demaree ); Creation on the Potter's Wheel at the Eastern Horizon of Heaven ( P. F. Dorman ); The Border and the Yonder Side ( G. Englund ); Enjoying the Pleasures of Sensation: Reflections on a Significant Feature of Egyptian Religion ( R. B. Finnestad ); Some Comments on Khety's Instruction for Little Pepi on His Way to School (Satire on the Trades) ( J. L. Foster ); On Fear of Death and the Three bwts Connected with Hathor ( P. J. Frandsen ); Two Inlaid Inscriptions of the Earliest Middle Kingdom ( H. Goedicke ); Historical Background to the Exodus: Papyrus Anastasi VIII ( S. I. Groll ); The Mummy of Amenhotep III ( J. E. Harris ); Fragmentary Quartzite Female Hand Found in Abou-Rawash ( Z. Hawass ); Two Stelae of King Seqenenre Djehuty-aa of the Seventeenth Dynasty ( H. Jacquet-Gordon ); A Marital Title from the New Kingdom ( J. J. Janssen ); Remarks on Continuity in Egyptian Literary Tradition ( R. Jasnow ); Ethnic Considerations in Persian Period Egypt ( J. H. Johnson ); The nfrw-Collar Reconsidered ( W. R. Johnson ); The Wealth of Amun of Thebes under Ramesses II ( K. A. Kitchen ); Wie jung ist die memphitische Philosophie auf dem Shabaqo-Stein? ( R. Krauss ); 'Listening' to the Ancient Egyptian Woman: Letters, Testimonials, and Other Expressions of Self ( B. S. Lesko ); Some Further Thoughts on Chapter 162 of the Book of the Dead ( L. H. Lesko ); Royal Iconography of Dynasty 0 ( T. J. Logan ); The Auction of Pharaoh ( J. G. Manning ); Semi-Literacy in Egypt: Some Erasures from the Amarna Period ( P. Der Manuelian ); Vinegar at Deir el-Medina ( N. B. Millet ); Observations on Pre-Amarna Theology during the Earliest Reign of Amenhotep IV ( W. J. Murnane ); Zum Kultbildritual in Abydos ( J. Osing ); Sportive Fencing as a Ritual for Destroying the Enemies of Horus ( P. A. Piccione ); An Oblique Reference to the Expelled High Priest Osorkon? ( R. K. Ritner ); The Ahhotep Coffins: The Archaeology of an Egyptological Reconstruction ( A. M. Roth ); A Litany from the Eighteenth Dynasty Tomb of Merneith ( D. P. Silverman ); Nag-ed-Deir Papyri ( W. K. Simpson ); O. Hess = O. Naville = O. BM 50601: An Elusive Text Relocated ( M. J. Smith ); Celibacy and Adoption among God's Wives of Amun and Singers in the Temple of Amun: A Re-examination of the Evidence ( E. Teeter ); New Kingdom Temples at Elkab ( C. C. Van Siclen III ); Menstrual Synchrony and the 'Place of Women' in Ancient Egypt (OIM 13512) ( T. G. Wilfong ); Serra East and the Mission of the Middle Kingdom Fortresses in Nubia ( B. B. Williams ); End of the Late Bronze Age and Other Crisis Periods: A Volcanic Cause? ( F. J. Yurco ).

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This guide to over 100 highlights of the collections of the Oriental Institute Museum at the University of Chicago presents objects from ancient Mesopotamia, Syria-Anatolia, the Levant, Egypt, Persia, Nubia, and objects from the Islamic collection. It features all new photography, provenance information, and a brief description of each object, as well as a history of the collections and a concordance.

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This fully illustrated catalogue of essays, descriptions, and commentary accompanies the Oriental Institute special exhibit Picturing the Past: Imaging and Imagining the Ancient Middle East (on exhibit February 7 through September 2, 2012). Picturing the Past presents paintings, architectural reconstructions, facsimiles, models, photographs, and computer-aided reconstructions that show how the architecture, sites, and artifacts of the ancient Middle East have been documented. It also examines how the publication of those images have shaped our perception of the ancient world, and how some of the more "imaginary" reconstructions have obscured our real understanding of the past. The exhibit and catalog also show how features of the ancient Middle East have been presented in different ways for different audiences, in some cases transforming a highly academic image into a widely recognized icon of the past.

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