Search results for ""author edwin morgan""

This collection includes Edwin Morgan's Mayakovsky translated into Scots, and his Voznesensky, Pasternak and Vinokurov. There are the Italians and the French - Leopardi, Quasimodo, Montale, Guillevic, Prevert and Michaux; and also Heine, Lorca, Cernuda, Brecht, Enzensburger and Braga.

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One of the central figures of twentieth-century Scottish literature, Edwin Morgan was a prolific letter-writer. His correspondence, like his poetry, is wide-ranging, full of generosity and enthusiasm, and above all a testament to his lifelong commitment to exploring the possibilities of poetry. This selection of his letters, spanning Morgan's full career as a teacher and writer, enables readers to track the development of his ideas, his friendships and his creative collaborations. At the same time it provides a superbly engaging portrait of a man with a boundless interest in the fast-changing world around him.

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This reprint of Morgan's popular and well-respected 1952 modern English translation of the Anglo-Saxon epic captures a taut expression of the poem's themes of danger, voyaging, displacement, loyalty, and loss. Morgan provides a fluid, modern voice from this medieval masterwork while retaining a clear authenticity, making it highly accessible to the contemporary reader.

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In this volume Michael Rosen introduces Edwin Morgan’s animal poems. Morgan’s empathy with animals is well represented, from the still very topical ‘The White Rhinoceros’ to the prehistoric ‘The Bearsden Shark’ and the famous ‘The Loch Ness Monster’s Song’. Birds, beasts and fish, real and imaginary, are all here in this selection.

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Introduced by Ali Smith, the title of this group of poems about people is taken from Morgan’s poem ‘Pelagius’, the theologian who is a kind of alter ego. Morgan has the ability to enter into so many lives: the blind hunchback of ‘In the Snack-bar’, Jesus’s judge in ‘Pilate at Fortingall’, the Polish juggler and acrobat ‘Cinquevalli’ (another alter ego), even Rameses II in ‘The Mummy’. ‘Morgan, I said to myself, take note, / Take heart. In a time of confusion / You must make a stand.’

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Introduced by Jackie Kay, this selection of poems include the famous ‘Strawberries’ and ‘One Cigarette’ and four from Morgan’s autobiographical sequence, Love and a Life – love in all its aspects.

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Edwin Morgan was appointed Poet Laureate of Glasgow in 1999, and many of these poems reflect the life of the city both now and in the past. But equally the poetry moves to other places and other worlds. A sequence of poems about a demon allows the mind to expatiate on a wide range of subjects.

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To catch "in full sight" is Edwin Morgan's ambition. That fullness he achieves in lyric epiphanies, in the cumulative focuses and refocuses of sequences, in the reification of words in concrete poems, in the rhythms of sound poems. He hears and transcribes voices. Even the sonnet form remains an experiment for the poet questing for vision and unwilling to rest on rules. This volume includes Edwin Morgan's "Poems of Thirty Years" (1982) and "Themes on a Variation" (1988), together with some 50 uncollected poems from 1939 to 1982.

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A mixture of Morgan’s science fiction poems and concrete poems. There’s the famous encounter between humans and aliens in ‘The First Men on Mercury’, early digital tongue-twisting in ‘The Computer’s First Christmas Card’ and the effects of teleportation in ‘In Sobieski’s Shield’ – on earth or in outer space Morgan explores what it is to be human.

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In this haunting poem from the latter part of the nineteenth century, Scots-born writer James Thomson anticipated the modern age's nightmare vision of the city as a place of loneliness, alienation and spiritual despair. In contrast to the late Victorian confidence all around him, Thomson dared to face the possibility that the universe was utterly indifferent to human affairs. The strange and dark images in The City of Dreadful Night have become a landmark of modern literature, for the tomb-like streets and empty squares in this memorable poem preceded T.S Eliot's The Waste Land, and the darker visions of expressionism and surrealism by over forty-five years.Published in instalments in 1874 and then in book form in 1880, The City of Dreadful Night has long been unavailable as a complete text. This exciting new edition is introduced and annotated by Edwin Morgan, long an admirer of Thomson's work, and a leading modern poet in his own right.

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This is the third Selected Poems by Edwin Morgan from Carcanet, but the first since 2000 and the first to cover the full range of his poetry from his first collection in 1952 to his last in 2010, the year of his death at the age of ninety. All his different voices speak here - animals, inanimate objects, dramatic monologues by people, (famous people, unknown people and imaginary people) - in a multitude of forms and styles - sonnets, science fiction, concrete, sound, his own invented stanzas - together with his evocations of place, especially his home city of Glasgow, and a wide selection of his deservedly famous love poems. They all illustrate his incurable curiosity and a kind of relentless optimism for humanity.

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The Communicado Theatre's production of this verse rendering won the Edinburgh Fringe First award at the 1992 Festival, and has gone on to tour Scotland and England in 1992-3. Edwin Morgan provides an introduction, which sets the play in its time and discusses the style of his translation; it aims to provide insight and stimulation to a new generation of readers and playgoers.

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MACCAIG * MORGAN * LOCHHEADThis book contains a selection of the finest work from three of Scotland's best-known and best-loved poets: Norman MacCaig, Edwin Morgan and Liz Lochhead. They have fascinated and charmed thousands of readers and listeners across Europe and America with the energy, humour and compassion of their vision.MacCaig's memorable celebrations of the physical world and the tragic-comic note of many of his short lyrics contrast strikingly with Morgan's poems on the modern world and city life. Liz Lochhead writes with an alert and sensitive eye on personal relationships and women's experience of them. The book provides an invaluable introduction to modern Scottish poetry and to the poets who are arguably its greatest practitioners.

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