Search results for ""author dr iain ferris""

A Map of the Body, a Map of the Mind is a study about the relationship between geography and power in the ancient Roman world, and most particularly about the visualisation of geographical knowledge in myriad forms of geography products, including geographical treatises, histories, poems, personifications, landscape representations, images of barbarian peoples, maps, itineraries, and imported foodstuffs. As Rome broke its political bounds and headed towards empire the whole city became the centre and the Roman world-view changed with it. The Roman state then needed to present to the Roman people an easily-digestible narrative about its imperial ambition and imperial possessions, in a way that went beyond the fact that servitude, enslavement, and misery for many underpinned this expansion. There needed to be a publicly-guided discourse centred around the smoothing out of difference, rather than its obliteration or elimination, and the presentation of many different lifeworld

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Visions of the Roman North: Art and Identity in Northern Roman Britain is the first book to present an analysis of art from the northern frontier zones of Roman Britain and to interpret the meaning and significance of this art in terms of the formation of a regional identity at this time. It argues that a distinct and vibrant visual culture flourished in the north during the Roman period, primarily due to its status as a heavily militarized frontier zone. Artworks from forts and the frontier-works of Hadrian’s Wall and the Antonine Wall, along with funerary monuments from military and civilian cemeteries, are analysed and discussed. The book also explores religious sculpture depicting classical deities, Romano-British gods and goddesses and eastern deities such as Mithras in terms of the use of imagery in various belief systems and in terms of the establishment of individual and group identities.

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This is the first book to present an analysis of images of working people in Roman society and to interpret their meaning and significance. What did work mean to the Romans? Numerous incidental illustrations of agricultural workers occur in Roman artworks, particularly mosaic pavements. More significantly, the names and trades of many individual working people, artisans, and professionals are known from inscriptions and funerary monuments in Rome and from across the empire. Indeed, the names and trades of over twelve hundred men and over two hundred women are known from inscriptions in Rome alone. The most extraordinary individual funerary monuments for working people are the Tomb of Eurysaces the Baker that still stands at Porta Maggiore in Rome and the Tomb of the Haterii in the Vatican Museums, the latter a monument to a family that had made their fortune in the construction industry in the city. Less grand but equally informative are the dozens of other funerary monuments to people such as Bassilla, the mime or actress from Aquileia, Longidienus the shipbuilder from Ravenna, and Vitalis, the pork butcher from Rome. This study encompasses consideration of both written and archaeological sources, but particularly of visual evidence in the form of sculptures, funerary monuments of various kinds, mosaics, and wall paintings.

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Though images of women were ubiquitous in the Roman world, these were seldom intended to be taken simply at face value. The importance of marriage, motherhood and political stability was often conveyed to the Roman people through carefully constructed representations of the women of the ruling house. Mythological representations were used to present moral and political lessons to the women of Rome. Roman society was, on most levels, male dominated and women’s roles were sometimes subordinate to political and cultural needs and imperatives. Images of mortal women – empresses and other female members of the imperial family, elite women from around the empire and working women from Rome, Ostia, Pompeii and elsewhere – are analysed alongside images of goddesses and personifications and of complex mythological figures such as Amazons. This is the first general book to present a coherent, broad analysis of the numerous images of women in Roman art and to interpret their meaning and significance, all set against the broader geographical, chronological, political, religious and cultural context of the world of the Roman republic and empire and of Late Antiquity.

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