Search results for ""author derek pearsall""

William Langland’s poem stands at the centre of the study of ideological conflict, social change and religious ideas in the later fourteenth century. It is a poem that vividly encapsulates the great issues and debates of the day and acts as a commentary on cataclysmic events such as the Peasants’ Revolt (1381), the condemnation of Wyclif’s ideas (1382) and the rise of Lollardy. It is also one of the greatest poems of the English Middle Ages, worth reading beside Dante and Chaucer. The poem has provoked a sophisticated and wide-ranging critical literature. It needs to be read in an edition by an expert conceived with the student-reader in mind. Of the A, B and C versions of the text of Piers Plowman, only a student-geared edition of the B-text exists and that edition is now becoming dated. The C-text, which supersedes B in terms of Langland’s poetic career, is also a more complete and carefully structured poem. It needs to be available in an equally readerly edition; this is such an edition.For his new edition of the C-text of Piers Plowman, Derek Pearsall has completely revised the text, added side glosses for the benefit of student readers of the poem (though without sacrificing the glossary), and revised and updated the explanatory notes. The Introduction has also been expanded, revised and reshaped to take account of this. Since the new edition involves a significant reworking of the previous edition and justifies library copy replacement, a hardback library edition will be available for a limited period.

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This important new critical biography traces in carefully considered detail what is known of Geoffrey Chaucer's personal life while exploring the fascinating relationship between the man of affairs, who made so many 'improvisations and accommodations' to ensure his own survival, and the poet. A major reexamination of England's greatest narrative poet, it is supplemented with reproductions of Chaucer portraits and other illustrations, including maps of medieval England.

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This witty and accessible book traces the history of Arthurian romance from medieval to modern times, explaining its enduring appeal. Traces the history of Arthurian romance from medieval to modern times. Covers art and films as well as the great literary works of Arthurian romance. Draws out the changing political, moral and emotional uses of the story. Explains the enduring appeal of the Arthurian legend. Written by an author with vast knowledge of medieval literature.

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This collection of previously published essays acts as a companion to Chaucer to Spenser: An Anthology of Writings in English 1375 -1575. It pays particular attention to those critics who have had the most powerful recent impact on our reading of the texts of the period.

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This collection of previously published essays acts as a companion to Chaucer to Spenser: An Anthology of Writings in English 1375 -1575. It pays particular attention to those critics who have had the most powerful recent impact on our reading of the texts of the period.

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In this key anthology Derek Pearsall offers a radically new approach to those teaching and studying English writing from Geoffrey Chaucer to the early work of Edmund Spenser.

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An asset to any study of gender in medieval England, this volume contains three poems that complement each other in their treatments of relations between the sexes. The Floure and the Leafe explores the courtly imagery of the flower and leaf, wherein the flower symbolizes the fickleness and shallow attraction characteristic of men, compared to the evergreen persistence of the leaf, likened to the long-suffering of women. Meanwhile, The Assembly of Ladies recounts the activities of a group of women while describing the differences between the sexes. Finally, the dream poem The Isle of Ladies tells of a male dreamer's interactions with the ladies of an all-female island. All of the poems include contextualizing introductions and helpful glosses; there is also an extensive glossary for the entire volume, rendering the volume useful to not only beginning students of Middle English but also to more advanced students of this topic.

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In this key anthology Derek Pearsall offers a radically new approach to those teaching and studying English writing from Geoffrey Chaucer to the early work of Edmund Spenser.

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Opening with extracts from Chaucer's Canterbury Tales and closing with Spenser's Shepherd's Calendar, this concise collection introduces readers to some of the most influential poetry produced between the mid-fourteenth and late sixteenth centuries. Provides a concise selection of the most important late medieval poetry. Ideal for general readers, or for students needing a digest of the poetry of the period. Introduces readers to the lives of the poets, their major works, and the historical context in which they were written.

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Essays exploring different aspects of late medieval and early modern manuscript and book culture. Late medieval manuscripts and early modern print history form the focus of this volume. It includes new work on the compilation of some important medieval manuscript miscellanies and major studies of merchant patronage and of a newly revealed woman patron, alongside explorations of medieval texts and the post-medieval reception history of Langland, Chaucer and Nicholas Love. It thus pays a fitting tribute to the career of Professor A.S.G. Edwards, highlighting his scholarly interests and demonstrating the influence of his achievements. Carol M. Meale is Senior Research Fellow at the University of Bristol; the late Derek Pearsall was Professor Emeritus at Harvard University and Honorary Research Professor at the University of York. Contributors: Nicolas Barker, J.A. Burrow, A.I. Doyle, Martha W. Driver, Susanna Fein, Jane Griffiths, Lotte Hellinga, Alfred Hiatt, Simon Horobin, Richard Linenthal,Carol M. Meale, Orietta Da Rold, John Scattergood, Kathleen L. Scott, Toshiyuki Takamiya, John J. Thompson.

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Winner of the 2022 John Hurt Fisher Award from the John Gower Society First comprehensive catalogue of the manuscripts of one of the most important medieval works, with full descriptions of their features. The Confessio Amantis is John Gower's major work in English, written around the time that his acquaintance Geoffrey Chaucer was writing the Canterbury Tales. Extant manuscripts are numerous. At the end of the nineteenth century G. C. Macaulay had described the forty manuscripts then known to survive in the introduction to his edition, but some of these descriptions were very brief, and of course the other nine of whose existence he was then unaware were not included. This descriptive catalogue of all of the surviving manuscripts containing the Confessio is the first work to bring together extensive detailed descriptions of its forty-nine complete manuscripts and numerous fragments and excerpts; it will enable scholars of Middle English literature and manuscript studies to compare features across the corpus of surviving manuscripts or read detailed descriptions of individual manuscripts. Each description in this catalogue covers the manuscript's contents, artwork, physical qualities such as size, material, collation, foliation, etc., as well as additions by later users and provenance. There is also a lengthy introduction giving an overview of the corpus, and appendices for reference to the current whereabouts of the manuscripts, fragments and excerpts, and listing Gower's Latin and French works that appear in some of the manuscripts. Eight colour illustrations provide context for discussions of the miniatures and illuminated borders of some manuscripts.

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Influential scholars from Britain and North America discuss future directions in rapidly expanding field of manuscript study. The study of manuscripts is one of the most active areas of current research in medieval studies: manuscripts are the basic primary material evidence for literary scholars, historians and art-historians alike, and there has been an explosion of interest over the past twenty years. Manuscript study has developed enormously: codices are no longer treated as inert witnesses to a culture whose character has already been determined by the modern scholar, but are active participants in a process of exploration and discovery. The articles collected here discuss the future of this process and vital questions about manuscript study for tomorrow's explorers. They deal with codicology and book production, with textual criticism, with the material structure of the medieval book, with the relation of manuscripts to literary culture, to social history and to the medieval theatre, and with the importance to manuscript study of the emerging technology of computerised digitisation and hypertext display. The essays provide an end-of-millennium perspective on the most vigorous developments in a rapidly expanding field of study. Contributors: A.I. Doyle, C. David Benson, Martha W. Driver, J.P. Gumbert, Kathryn Kerby-Fulton, Linne R. Mooney, Eckehard Simon, Alison Stones, John Thompson. DEREK PEARSALL is former Professor and Co-Director of the Centre for Medieval Studies, York, and Professor of English at Harvard University.

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The popular genre of medieval romance explored in its physical, geographical, and literary contexts. The essays in this volume take a representative selection of English and Scottish romances from the medieval period and explore some of their medieval contexts, deepening our understanding not only of the romances concerned but also of the specific medieval contexts that produced or influenced them. The contexts explored here include traditional literary features such as genre and rhetorical technique and literary-cultural questions of authorship, transmission and readership; but they also extend to such broader intellectual and social contexts as medieval understandings of geography, the physiology of swooning, or the efficacy of baptism. A framing context for the volume is provided by Derek Pearsall's prefatory essay, in which he revisits his seminal 1965 article on the development of Middle English romance. Rhiannon Purdie is Senior Lecturer in English, University of St Andrews; Michael Cichon is Associate Professor of English at St Thomas More College in the University of Saskatchewan. Contributors: Derek Pearsall, Nancy Mason Bradbury, Michael Cichon, Nicholas Perkins, Marianne Ailes, John A. Geck, Phillipa Hardman, Siobhain Bly Calkin, Judith Weiss, Robert Rouse, Yin Liu, Emily Wingfield, Rosalind Field

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Strife occurs everywhere among characters in The Canterbury Tales, in the stories as well as the links between them. Characters seem always ready to dispute, contradict, declaim, and contend about almost anything. A competitive spirit suffuses the work, from the tale-telling among pilgrims and the personal rivalries that develop on the pilgrimage to the conflicts, beguilings, and one-uppings that go on in the tales. By understanding the rivalries of the Canterbury world, we may then recognize why Chaucer so insists on the individuality of the characters he creates, why so many characters (rightly or wrongly) resist structures, and why they challenge or reject social dogmas, often overturning them. The essays that make up this collection offer several provocative interpretations of the rivalrous and rebellious spirits that inhabit the worlds of Chaucer's tales. The volume is intended for the dedicated teacher of Chaucer as well as for the specialist in medieval English studies. As Chaucer's poem displays the contestive spirit of human affairs, so the collective spirit of these essays reflects vigorous debate and multi-faceted challenge.

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Essays considering the relationship between Gower's texts and the physical ways in which they were first manifested. The media in which Gower's works were first transmitted, whether in print of manuscript form, are of vital importance to an understanding of both the poet and his audience. However, in comparison with those of his contemporary Chaucer, they have been relatively little studied. This volume represents a major collaboration between specialist scholars in manuscript and book history, and experts in Gower more generally, breaking new ground in approaching Gower through first-hand study of his publications in manuscript and print. Its chapters consider such matters as manuscript and book illumination, provenance, variant texts and editions, scribes, and printers, looking at how, and to what degree, the materiality of the vellum, paper, ink and binding illuminates - and even implicates - the poet and his poetry. MARTHA DRIVER is Distinguished Professor of English and Women's and Gender Studies at Pace University; the late DEREK PEARSALL was Gurney Professor of English Literature, Emeritus, Harvard University; R.F. YEAGER Is Professor of English and Foreign Languages, Emeritus, University of West Florida. Contributors: Stephanie L. Batkie, Julia Boffey, Margaret Connolly, Siân Echard, A.S.G. Edwards, Robert Epstein, Brian W. Gastle, Amanda J. Gerber, Yoshiko Kobayashi, Aditi Nafde, Tamara Peréz-Fernández, Wendy Scase, Karla Taylor, David Watt.

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Essays bringing out the richness and vibrancy of pre-modern textual culture in all its variety. Linne R. Mooney, Emeritus Professor of Palaeography at the University of York, has significantly advanced the study of later medieval English book production, particularly our knowledge of individual scribes; this collection honours her distinguished scholarship and responds to her wide-ranging research on Middle English manuscripts and texts. The thirteen essays brought together here take a variety of approaches - palaeographical, codicological, dialectal, textual, art historical - to the study of the English medieval book and to the varied environments (professional, administrative, mercantile, ecclesiastical) where manuscripts were produced and used during the period 1300-1550. Acknowledging that books and readers are no respecters of borders, this collection's geographical scope extends beyond England in the east to Ghent and Flanders, and in the west to Waterford and the Dublin Pale. Contributors explore manuscripts containing works by key writers, including Geoffrey Chaucer, John Gower, John Wyclif, and Walter Hilton. Major texts whose manuscript traditions are scrutinized include Speculum Vitae, the Scale of Perfection, the Canterbury Tales, and Confessio Amantis, along with a wide range of shorter works such as lyric poems, devotional texts, and historical chronicles. London book-making activities and the scribal cultures of other cities and monastic centres all receive attention, as does the book production of personal miscellanies. By considering both literary texts and the letters, charters, and writs that medieval scribes produced, in Latin and Anglo-French as well as English, this collection celebrates Professor Mooney's influence on the field and presents a holistic sense of England's pre-modern textual culture.

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