Search results for ""author david carroll""

Edinburgh enjoys a long and impressive literary heritage and can claim connections with some of the world’s most famous writers. Sir Arthur Conan Doyle, Robert Louis Stevenson and Sir Walter Scott were all natives of the city, while Robert Burns, Charles Dickens, J.M. Barrie and Samuel Johnson were just a few of those who forged links with what William Cobbett described as ‘the finest city in the kingdom’. Edinburgh has provided the setting for countless novels over the years, not least in more recent times with Muriel Spark’s The Prime of Miss Jean Brodie (1961) and Irvine Welsh’s Trainspotting (1993). Nowadays, the city hosts its annual International Book Festival, when, for a couple of weeks every August, authors and visitors from far and wide flock to Charlotte Square Gardens for ‘the biggest celebration of the written word in the world’. Published to coincide with the 21st Edinburgh International Book Festival, this work includes not only native Edinburgh authors but others on whom the city had a profound influence.

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Stretching from Langholm in the east to Portpatrick in the west, with its dramatic landscape embracing hills, lochs and forests, Dumfries and Galloway occupies a large corner of south-west Scotland. Scratch just below the surface of this predominantly agricultural region, which nowadays also supports a steadily growing tourist industry, and you will unearth characters, places and events which have made an indelible impression over the past hundred years, as the tales in this book will demonstrate. Galloway can boast the oldest working theatre, the Theatre Royal in Dumfries, and also Scotland's highest village, Wanlockhead; while Kirkcudbright and its surrounding area witnessed the growth of a thriving artists community in the late nineteenth and early twentieth century. Tragedy on a large scale has struck the region more than once, as the Quintinshill rail disaster during the First World War testified, while the discovery of a sulphurous well in a small village transformed Moffat into the Cheltenham of Scotland. Illustrated with over fifty pictures, these and other fascinating stories can all be found in Ten Tales from Dumfries & Galloway.

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Along with its rich history and spectacular scenery, Dumfries and Galloway is home to a great many curious and unusual buildings, objects and landscape features that have survived the centuries. This well-illustrated book is a guide to 100 of these remarkable sights, including Scotland’s highest village, the world’s narrowest hotel, and even the statue of a rhinoceros on top of a bus shelter. Dumfries & Galloway Curiosities will encourage readers to explore this area of south-west Scotland and perhaps make their own curious discoveries.

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Coursing down from the Devil's Beef Tub, the River Annan meanders through undulating agricultural land for 30 miles or so, before issuing into the Solway Firth. Stretching from the once-famous spa resort of Moffat in the north to Annan in the south, Annandale also embraces the former railway village of Beattock; Lochmaben, whose castle is claimed as the boyhood home of Robert the Bruce; Ecclefechan, birthplace of Thomas Carlyle; and Lockerbie, which since December 1988, has been associated throughout the world with one of the most terrible disasters in aviation history. This book celebrates the more everyday face of Annandale's towns and villages over the past 100 years. It details the changes occurring over this period - communities have expanded, communications have developed and tourism has become an increasingly important part of an economy. Twentieth century progress has wrought great change, as many of the images here will confirm, but other scenes contained in this book would be instantly familiar to people of generations long-since past. This delightful record will give enormous pleasure to lovers of the beautiful Scottish region.

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This book celebrates the everyday face of Dumfries and its surrounding area, capturing through old photographs the sights of a town that, although it has witnessed many changes in recent years, would still be instantly familiar to the true 'Doonhamer' of a few generations ago.

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The Catholic Case against War demonstrates how the Catholic mantra Never again war! reflects a set of powerfully realistic teachings on war and peace.Over the last five decades, the Catholic Church has emerged as a powerful critic of war and as an advocate for its alternatives. At the same time, researchers of armed conflict have produced a considerable body of scholarship on war and its prevention. The Catholic Case against War compares these seemingly disparate lines of thought and finds a remarkable harmony between the two.Drawing on years of Vatican documents and papal statements, political scientist David Carroll Cochran clearly presents the key elements of the Church's case against war. Far from a naïve, optimistic call for peace, these teachings are consistent with the empirical research on the realities of contemporary warfare. The result is a look not only at the explicit moral case against war developed by the Vatican but al

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In Light without Heat, David Carroll Simon argues for the importance of carelessness to the literary and scientific experiments of the seventeenth century. While scholars have often looked to this period in order to narrate the triumph of methodical rigor as a quintessentially modern intellectual value, Simon describes the appeal of open-ended receptivity to the protagonists of the New Science. In straying from the work of self-possession and the duty to sift fact from fiction, early modern intellectuals discovered the cognitive advantages of the undisciplined mind. Exploring the influence of what he calls the "observational mood" on both poetry and prose, Simon offers new readings of Michel de Montaigne, Francis Bacon, Izaak Walton, Henry Power, Robert Hooke, Robert Boyle, Andrew Marvell, and John Milton. He also extends his inquiry beyond the boundaries of early modernity, arguing for a literary theory that trades strict methodological commitment for an openness to lawless drift.

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Journey into the world of Ayahuasca and healing. A mysterious and powerful plant medicine with curative powers that is drunk as a tea during a sacred ceremony, Ayahuasca has been known to change people's lives dramatically. But what was once a healing experience practiced only by Indigenous South Americans - and sought out by the adventurous few - has, in the past fifty years, become increasingly popular around the world.Hachumak, a Peruvian medicine man, has been practicing traditional healing arts in his country for more than twenty years. His unique approach is based on ritualistic simplicity and highlights the essence of the Art, which includes the borrowed forces from Nature. In this remarkable book, he shares his knowledge and experiences to broaden our understanding of this powerful medicine and protect it from misuse and exploitation.Whether you are among the uninitiated and curious, or a seasoned journeyer, you will gain a deeper understanding of what shamanism is and how and why it works, as well as its possibilities and limitations. Hachumak reveals his own path to becoming a shaman and explains how a well-crafted Ayahuasca ceremony unfolds when run by an experienced curandero. He describes in detail what to expect - both physically and psychologically - while under the guidance of the sacred plants.With Hachumak as our experienced and trusted guide, Journeying Through the Invisible offers a new and healing way of seeing ourselves and the world around us.

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Robert Burns (25 January 1759 - 21 July 1796) is Scotland's most-loved poet and his words immortalised the beautiful and untamed West Coast. Burns was born in Alloway and lived most of his life in Dumfriesshire. Using old photographs drawn from a range of private and public collections, this book celebrates that landscape and how it inspired some of the most famous lines in Scottish literature. David Carroll's selection provides a fascinating journey through the life of Scotland's national poet, which will not only stir the memories of those people long familiar with Ayrshire and Dumfriesshire, but will also serve as an introduction to anyone exploring 'Burns Country' for themselves.

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Immortalised by 'Dad's Army' - this is the true story of the men who manned the British frontline.

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This book constitutes a critical investigation and rethinking of the grounds and possibilities of theory and the place and critical function theory can serve within various disciplines, notably history and aesthetics.

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This is the first book to provide a sustained critical analysis of the literary-aesthetic dimension of French fascism--the peculiarly French form of what Walter Benjamin called the fascist "aestheticizing of politics." Focusing first on three important extremist nationalist writers at the turn of the century and then on five of the most visible fascist intellectuals in France in the 1930s, David Carroll shows how both traditional and modern concepts of art figure in the elaboration of fascist ideology--and in the presentation of fascism as an art of the political. Carroll is concerned with the internal relations of fascism and literature--how literary fascists conceived of politics as a technique for fashioning a unified people and transforming the disparate elements of society into an organic, totalized work of art. He explores the logic of such aestheticizing, as well as the assumptions about art, literature, and culture at the basis of both the aesthetics and politics of French literary fascists. His book reveals how not only classical humanism but also modern aesthetics that defend the autonomy and integrity of literature became models for xenophobic forms of nationalism and extreme "cultural" forms of anti-Semitism. A cogent analysis of the ideological function of literature and culture in fascism, this work helps us see the ramifications of thinking of literature or art as the truth or essence of politics.

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In these original readings of Albert Camus' novels, short stories, and political essays, David Carroll concentrates on Camus' conflicted relationship with his Algerian background and finds important critical insights into questions of justice, the effects of colonial oppression, and the deadly cycle of terrorism and counterterrorism that characterized the Algerian War and continues to surface in the devastation of postcolonial wars today. During France's "dirty war" in Algeria, Camus called for an end to the violence perpetrated against civilians by both France and the Algerian National Liberation Front (FLN) and supported the creation of a postcolonial, multicultural, and democratic Algeria. His position was rejected by most of his contemporaries on the Left and has, ironically, earned him the title of colonialist sympathizer as well as the scorn of important postcolonial critics. Carroll rescues Camus' work from such criticism by emphasizing the Algerian dimensions of his literary and philosophical texts and by highlighting in his novels and short stories his understanding of both the injustice of colonialism and the tragic nature of Algeria's struggle for independence. By refusing to accept that the sacrifice of innocent human lives can ever be justified, even in the pursuit of noble political goals, and by rejecting simple, ideological binaries (West vs. East, Christian vs. Muslim, "us" vs. "them," good vs. evil), Camus' work offers an alternative to the stark choices that characterized his troubled times and continue to define our own. "What they didn't like, was the Algerian, in him," Camus wrote of his fictional double in The First Man. Not only should "the Algerian" in Camus be "liked," Carroll argues, but the Algerian dimensions of his literary and political texts constitute a crucial part of their continuing interest. Carroll's reading also shows why Camus' critical perspective has much to contribute to contemporary debates stemming from the global "war on terror."

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In these original readings of Albert Camus' novels, short stories, and political essays, David Carroll concentrates on Camus' conflicted relationship with his Algerian background and finds important critical insights into questions of justice, the effects of colonial oppression, and the deadly cycle of terrorism and counterterrorism that characterized the Algerian War and continues to surface in the devastation of postcolonial wars today. During France's "dirty war" in Algeria, Camus called for an end to the violence perpetrated against civilians by both France and the Algerian National Liberation Front (FLN) and supported the creation of a postcolonial, multicultural, and democratic Algeria. His position was rejected by most of his contemporaries on the Left and has, ironically, earned him the title of colonialist sympathizer as well as the scorn of important postcolonial critics. Carroll rescues Camus' work from such criticism by emphasizing the Algerian dimensions of his literary and philosophical texts and by highlighting in his novels and short stories his understanding of both the injustice of colonialism and the tragic nature of Algeria's struggle for independence. By refusing to accept that the sacrifice of innocent human lives can ever be justified, even in the pursuit of noble political goals, and by rejecting simple, ideological binaries (West vs. East, Christian vs. Muslim, "us" vs. "them," good vs. evil), Camus' work offers an alternative to the stark choices that characterized his troubled times and continue to define our own. "What they didn't like, was the Algerian, in him," Camus wrote of his fictional double in The First Man. Not only should "the Algerian" in Camus be "liked," Carroll argues, but the Algerian dimensions of his literary and political texts constitute a crucial part of their continuing interest. Carroll's reading also shows why Camus' critical perspective has much to contribute to contemporary debates stemming from the global "war on terror."

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George Eliot's tale of a solitary miser gradually redeemed by the joy of fatherhood, Silas Marner is edited with an introduction and notes by David Carroll in Penguin Classics.Wrongly accused of theft and exiled from a religious community many years before, the embittered weaver Silas Marner lives alone in Raveloe, living only for work and his precious hoard of money. But when his money is stolen and an orphaned child finds her way into his house, Silas is given the chance to transform his life. His fate, and that of Eppie, the little girl he adopts, is entwined with Godfrey Cass, son of the village Squire, who, like Silas, is trapped by his past. Silas Marner, George Eliot's favourite of her novels, combines humour, rich symbolism and pointed social criticism to create an unsentimental but affectionate portrait of rural life.This text uses the Cabinet edition, revised by George Eliot in 1878. David Carroll's introduction is complemented by the original Penguin Classics edition introduction by Q.D. Leavis.Mary Ann Evans (1819-80) began her literary career as a translator, and later editor, of the Westminster Review. In 1857, she published Scenes of Clerical Life, the first of eight novels she would publish under the name of 'George Eliot', including The Mill on the Floss, Middlemarch, and Daniel Deronda.If you enjoyed Silas Marner, you might like Nathaniel Hawthorne's The Scarlet Letter, also available in Penguin Classics.'I think Silas Marner holds a higher place than any of the author's works. It is more nearly a masterpiece; it has more of that simple, rounded, consummate aspect ... which marks a classical work'Henry James

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'the growing good of the world is partly dependent on unhistoric acts' The greatest 'state of the nation' novel in English, Middlemarch addresses ordinary life at a moment of great social change, in the years leading to the Reform Act of 1832. Through her portrait of a Midlands town, George Eliot addresses gender relations and class, self-knowledge and self-delusion, community and individualism. Eliot follows the fortunes of the town's central characters as they find, lose, and rediscover ideals and vocations in the world. Through its psychologically rich portraits, the novel contains some of the great characters of literature, including the idealistic but naïve Dorothea Brooke, beautiful and egotistical Rosamund Vincy, the dry scholar Edward Casaubon, the wise and grounded Mary Garth, and the brilliant but proud Dr Lydgate. In its whole view of a society, the novel offers enduring insight into the pains and pleasures of life with others, and explores nearly every subject of concern to modern life:. art, religion, science, politics, self, society, and, above all, human relationships. This edition uses the definitive Clarendon text.

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