Search results for ""author david ames curtis""

Writing involves risks—the risk that one will be misunderstood, the risk of being persecuted, the risks of being made a champion for causes in which one does not believe, this risk of inadvertently supporting a reader’s prejudices, to name a few. In trying to give expression to what is true, the writer must “clear a passage within the agitated world of passions,” an undertaking that always to some extent fails: writers are never the master of their own speech. In Writing: The Political Test, France’s leading political philosopher, Claude Lefort, illuminates the process by which writers negotiate difficult path to free themselves from the ideological and contextual traps that would doom their attempts to articulate a new vision. Lefort examines writers whose works provide special insights into this problem of risk, both literary artists and political philosophers. Among them are Salman Rushdie, Sade, Tocqueville,m Machiavelli, Leo Strauss, Orwell, Kant, Robespierre, Guizot, and Pierre Clastres. In Tocqueville, for example, Lefort finds that the author’s improvisatory and open-ended expression represents the character of the democratic experience. Orwell’s work on totalitarianism shows up the totalitarian subject’s complicity in this political regime. And Rushdie is remarkable for his solid attack on relativism. With the character and fate of the political forms of modernity, democracy, and totalitarianism a central theme, Lefort concludes with some reflections on the collapse of the Soviet Union.This intriguing and accessible exploration of literature’s political aspects and political philosophy’s literary ones will be welcomed by those who have been stymied by current efforts to bridge these two fields. Taken together, the essays in this volume also stand as an intellectual autobiography of Lefort, making it an excellent introduction to his work for less experience students of political theory or philosophy.

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This collection presents a broad and compelling overview of the most recent work by a world-renowned figure in contemporary thought. Starting from an inquiry that grows out of the specific context of a society that is experiencing uncertainty as to its ways of living and being, its goals, its values, and its knowledge, one that has been incapable, so far, of adequately understanding the crisis it is undergoing, Castoriadis sets as his task the elucidation of this crisis and its conditions. The book is in four parts: Koinonia, Polis, Psyche, Logos. The opening section begins with a general introduction to the author’s views on being, time, creation, and the imaginary institution of society and continues with reflections on the role of the individual psyche in racist thinking and acting and on the retreat from autonomy to generalized conformity in postmodernism. The second part is a critique of those who now belittle and distort the meaning of May ‘68 and other movements of the sixties as well as the French Revolution. The fate of the “project of autonomy” is considered here in the light of the Greek and the modern “political imaginary,” the “pulverization of Marxism-Leninism,” and a recent alleged “return of ethics” (Habermas, Rawls, McIntyre, Solzhenitsyn, Havel). In part three, Castoriadis shows how psychoanalysis, like politics, can contribute to the project of individual and collective autonomy and challenges Lacan, Foucault, Derrida, and others in his report on “The State of the Subject Today.” This section also presents his most current lines of psychoanalytic research and thought on the “human nonconscious” in the body and on the problem of the psychoanalysis of psychotic subjects, where an alternative coherence on the level of meaning offers a constant challenge to the task of psychoanalytic interpretation. Castoriadis’s highly original investigations of the unruly place of the imagination in Western philosophy round out the book. He examines how Aristotle’s original aporetic discovery and cover-up of the imagination were repeated by Kant, Freud, Heidegger, and Merleau-Ponty.

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The street riots that swept through France in the fall of 2005 focused worldwide attention on the plight of the country’s immigrants and their living conditions in the suburbs many of them call home. These high-density neighborhoods were constructed according to the principles of functionalist urbanism that were ascendant in the 1960s. Then, as now, the disparities between the planners’ utopian visions and the experiences of the inhabitants raised concerns, generating a number of sociological studies of the “new towns.” One of the most sophisticated and significant of these critiques is Jean-François Augoyard’s Step by Step, which was originally published in France in 1979 and famously influenced Michel de Certeau’s analysis of everyday life. Its examination of social life in the rationally planned suburb remains as cogent and timely as ever. Step by Step is based on in-depth interviews Augoyard conducted with the inhabitants of l’Arlequin, a new town on the outskirts of Grenoble. A resident of l’Arlequin himself, Augoyard sought to understand how his neighbors used its passages, streets, and parks. He begins with a detailed investigation of the inhabitants’ daily walks before going on to consider how the built environment is personalized through place-names and shared memories, the ways in which sensory impressions define the atmosphere of a place and how, through individual and collective imagination, residents transformed l’Arlequin from a concept into a lived space. In closely scrutinizing everyday life in l’Arlequin, Step by Step draws a fascinating portrait of the richness of social life in the new towns and sheds light on the current living conditions of France’s immigrants. Jean-François Augoyard is professor of philosophy and musicology and doctor of urban studies at the Center for Research on Sonorous Space and the Urban Environment at the School of Architecture of Grenoble. David Ames Curtis is a translator, editor, writer, and citizen activist. Françoise Choay is professor emeritus in the history and theory of architecture at the University of Paris VIII and Cornell University and the author of numerous books and essays.

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