Search results for ""author daniel herrmann""

A significant publication of original writing on Lucian Freud, including interviews with leading contemporary artists, marking the 100th anniversary of his birth Lucian Freud (1922–2011) was one of the greatest figurative painters of the twentieth century. With an unflinching eye and an uncompromising commitment to his work, he created masterpieces that continue to inspire contemporary artists to the present day. Spanning nearly 70 years, Freud’s career has often been overshadowed by his biography and celebrity. This book re-examines his paintings through a broad series of original approaches. Texts by a variety of rising and established international writers explore topics ranging from the compositional echoes of old master paintings in Freud’s works, to the contextualization of his practice within the class struggles of 1980s Britain. Throughout the book, leading contemporary painters such as Tracey Emin and Chantal Joffe give insightful testimony to the relevance of Freud today. Marking the 100th anniversary of Freud’s birth, this publication accompanies the first major exhibition of his work in 10 years. Presenting fresh perspectives on his paintings, it introduces Freud to a new generation of scholars and enthusiasts – demonstrating his lasting international importance. Published by National Gallery Global/Distributed by Yale University Press

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Exploring the dialogue between the National Gallery, London and contemporary artist Rosalind Nashashibi through her work as artist in residence Rosalind Nashashibi (b. 1973) is a London-based artist known for her 16mm films, as well as her paintings and prints. Her films convey inner experiences of moments and events, often considering the politics of relations in the community and extended family, while merging everyday observations with fictional or mythological elements. Like her films, her paintings move between impressions and the more concrete depiction of forms or figures. In 2019 Nashashibi was appointed as artist in residence for 2020 by the National Gallery, London; over the course of a year she worked in close proximity to the gallery’s collection, research, and teams. As the gallery’s inaugural artist in residence, she has explored the ongoing dialogue between the art of the past and that of today, as well as the collection’s influence on her own practice as a painter. The book includes enlightening conversations between Nashashibi and two artist colleagues, Elena Narbutaitė and Lucy Skaer.Published by National Gallery Company/Distributed by Yale University Press

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Sean Scully (b.1945) is an Irish-born, American-based painter and printmaker, best known for his monumental oil paintings which draw on the traditions of Abstract Expressionism. This catalogue showcases a recent body of work inspired by the National Gallery’s own collection and in particular by J.M.W. Turner’s The Evening Star (c.1830). For Scully, this elegiac picture constitutes one of Turner’s most profound paintings, leading to new departures in his own work. Using the motif of stripes or chequerboards, Scully evokes landscapes and architecture, horizons, fields, and coastlines, in which his contemplative forms become reminders of personal experiences and distinctive moments. Vast, bold panel paintings with richly textured surfaces are illustrated together with delicate works on paper: aquatints and luminous pastels. The accompanying text includes newly commissioned essays, and poetry by Vahni Capildeo and Kelly Grovier, while a unique photo essay by Irish novelist Eimear McBride highlights the sweeping impasto, strong brushstrokes, and vivid colors that distinguish Scully’s painting. Published by National Gallery Company/Distributed by Yale University PressExhibition Schedule:National Gallery, London (04/13/19–08/11/19)

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Der schottische Bildhauer und Graphiker Eduardo Paolozzi (1924–2005) war Mitbegründer der britischen Pop-Art. Bereits in den 1950er Jahren sorgte er mit innovativen Collagen, in die er Bildmotive aus Populärkultur und Werbung integrierte, für Aufsehen – und schrieb fortan Kunstgeschichte. Seine international erfolgreichen, irritierenden Werke bewegen sich häufig an der Schnittstelle zwischen Mensch und Maschine und bezeugen sein Interesse an Wissenschaft und Technik. Mit ausgefallenen künstlerischen Verfahren wie Siebdruck oder Sampling forderte er nicht nur die ästhetischen Konventionen seiner Zeit heraus. Die Graphiken und Skulpturen zeigen auch seine intensive Suche nach einer Ikonographie der Konsum- und Industriegesellschaft. Ausstellung und Katalog schließen unmittelbar an die vielgerühmte Paolozzi-Schau in der Londoner Whitechapel Gallery an. Im Fokus dieses Bandes stehen Paolozzis experimentelle Werkphasen der fünfziger bis siebziger Jahre sowie sein produktiver Aufenthalt in West-Berlin von 1974/75.

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