Search results for ""author craig robertson""

Don't miss WATCH HIM DIE, the latest edge-of-your-seat thriller that is 'truly difficult to put down' (Daily Mail) from Sunday Times bestselling author Craig Robertson - available to order now!A murder investigation frozen in time begins to melt . . .NOVEMBER 1993. Scotland is in the grip of an ice-cold winter and the Lake of Menteith is frozen over. A young man and woman walk across the ice to the historic island of Inchmahome which lies in the middle of the lake. Only the man returns. In the spring, as staff prepare the abbey ruins for summer visitors, they discover the body of a girl, her skull violently crushed.PRESENT DAY. Retired detective Alan Narey is still haunted by the unsolved crime. Desperate to relieve her ailing father's conscience, DS Rachel Narey risks her job and reputation by returning to the Lake of Menteith and unofficially reopening the cold case. With the help of police photographer Tony Winter, Rachel prepares a dangerous gambit to uncover the killer's identity - little knowing who that truly is. Despite the freezing temperatures, the ice cold case begins to thaw, and with it a tide of secrets long frozen in time are suddenly and shockingly unleashed.Brilliant crime fiction for fans of Stuart MacBride and Ian Rankin, Craig Robertson's latest thriller, Watch Him Die, was nominated for the McIlvanney Prize 2020 for Scottish Crime Book of the Year. Praise for Craig Robertson: 'Robertson is doing for Glasgow what Rankin did for Edinburgh' Mirror 'I can't recommend this book highly enough' MARTINA COLE 'Brace yourself to be horrified and hooked' EVA DOLAN 'Fantastic characterisation, great plotting, page-turning and gripping. The best kind of intelligent and moving crime fiction writing' LUCA VESTE 'Really enjoyed Murderabilia - disturbing, inventive, and powerfully and stylishly written. Recommended' STEVE MOSBY 'A great murder mystery witha brilliantly realised setting and deftly painted characters' JAMES OSWALD 'Takes a spine-tingling setting and an original storyline and adds something more' Scottish Daily Record 'A perfectly constrcuted police procedural with real psychological depth' Crimefictionlover

Read more less

The history of how a deceptively ordinary piece of office furniture transformed our relationship with information The ubiquity of the filing cabinet in the twentieth-century office space, along with its noticeable absence of style, has obscured its transformative role in the histories of both information technology and work. In the first in-depth history of this neglected artifact, Craig Robertson explores how the filing cabinet profoundly shaped the way that information and data have been sorted, stored, retrieved, and used.Invented in the 1890s, the filing cabinet was a result of the nineteenth-century faith in efficiency. Previously, paper records were arranged haphazardly: bound into books, stacked in piles, curled into slots, or impaled on spindles. The filing cabinet organized loose papers in tabbed folders that could be sorted alphanumerically, radically changing how people accessed, circulated, and structured information.Robertson’s unconventional history of the origins of the information age posits the filing cabinet as an information storage container, an “automatic memory” machine that contributed to a new type of information labor privileging manual dexterity over mental deliberation. Gendered assumptions about women’s nimble fingers helped to naturalize the changes that brought women into the workforce as low-level clerical workers. The filing cabinet emerges from this unexpected account as a sophisticated piece of information technology and a site of gendered labor that with its folders, files, and tabs continues to shape how we interact with information and data in today’s digital world.

Read more less

The history of how a deceptively ordinary piece of office furniture transformed our relationship with information The ubiquity of the filing cabinet in the twentieth-century office space, along with its noticeable absence of style, has obscured its transformative role in the histories of both information technology and work. In the first in-depth history of this neglected artifact, Craig Robertson explores how the filing cabinet profoundly shaped the way that information and data have been sorted, stored, retrieved, and used.Invented in the 1890s, the filing cabinet was a result of the nineteenth-century faith in efficiency. Previously, paper records were arranged haphazardly: bound into books, stacked in piles, curled into slots, or impaled on spindles. The filing cabinet organized loose papers in tabbed folders that could be sorted alphanumerically, radically changing how people accessed, circulated, and structured information.Robertson’s unconventional history of the origins of the information age posits the filing cabinet as an information storage container, an “automatic memory” machine that contributed to a new type of information labor privileging manual dexterity over mental deliberation. Gendered assumptions about women’s nimble fingers helped to naturalize the changes that brought women into the workforce as low-level clerical workers. The filing cabinet emerges from this unexpected account as a sophisticated piece of information technology and a site of gendered labor that with its folders, files, and tabs continues to shape how we interact with information and data in today’s digital world.

Read more less

NOMINATED FOR THE McILVANNEY PRIZE 2020 FOR SCOTTISH CRIME BOOK OF THE YEAR 'Truly difficult to put down’ Daily Mail 'High-concept plot keeps the 'tecs and the reader on their toes’ Sunday Times Crime Club 'Robertson is a master storyteller . . . never less than gripping’ Scotsman 'Devilishly clever . . . This might be his best yet' SJI Holliday​, author of Violet 'Perfect for fans of Thirteen by Steve Cavanagh' Reader review ONLY ONE PERSON CAN SAVE YOU. AND HE WANTS YOU DEAD. Police find a man dead at his home in Los Angeles. Nothing suggests foul-play but elements of the victim’s house show that something is deeply wrong. Meanwhile, in Glasgow, DI Rachel Narey is searching for a missing young woman – and the man she suspects of killing her. When a feed broadcasting the slow and painful death of a final victim is discovered, these two cases become linked. There’s no way to identify him. No way to find him No way to save him. Not without the cooperation of a killer. And the only way he will cooperate is if he can watch him die.Praise for Craig Robertson: 'Robertson does something bold with this one, adding a storyline set in America, and he pulls it off magnificently . . . The links to real murders from history, most notably The Black Dahlia case, are soon brought to the fore and the investigation’s relevance to Narey’s own search for a missing woman in Glasgow is made apparent via some skillful plotting' Spectator 'Packed full of tension, Watch Him Die is a brilliantly unnerving read - an original premise with a devilishly clever execution, the story unfolds with expert precision. I flew through the pages, sick with dread. An excellent thriller from a crime stalwart - in fact, this might be his best yet' SJI Holliday, author of Violet ‘Robertson, a maestro of Tartan noir, twins a dogged Glasgow detective with her counterparts in Los Angeles, but can this formidable team find a psycho killer who seems to leave no trace? High-concept plot keeps the 'tecs and the reader on their toes’ Sunday Times, Crime Club ‘Exceptionally talented . . . Robertson’s skill in matching the atmosphere of LA with that of Scotland is mightily impressive, as is his ability to maintain the suspense that lies at the heart of the search for a dying man. This is truly difficult to put down’ Daily Mail 'Robertson is a master storyteller – sensitive, realistic, terrifying and humorous – and Watch Him Die is never less than gripping’ The Scotsman 'Robertson’s latest criminal masterpiece . . . a thoroughly modern, breathless thriller that not only showcases the writer’s broad spectrum of talents. Plenty for fans to get on board with here and a fantastic introduction to one of Scotland’s premier crime writers’ Scottish Sun 'Brilliantly and sensitively written' Steve Cavanagh, bestselling author of Thirteen 'Craig Robertson’s Narey and Winter series goes from strength to strength, and this latest instalment is the most compelling. Brace yourself to be horrified and hooked' Eva Dolan 'I can't recommend this book highly enough' Martina Cole 'Fantastic characterisation, great plotting, page-turning and gripping. The best kind of intelligent and moving crime fiction writing' Luca Veste 'Powerfully and stylishly written. Recommended' Steve Mosby

Read more less

FROM THE BESTSELLING AUTHOR OF RANDOM AND MURDERABILIA - DS Rachel Narey must bring a serial killer to justice. Scotland 1972.Glasgow is haunted by a murderer nicknamed Red Silk - a feared serial killer who selects his victims in the city's nightclubs. The case remains unsolved but Archibald Atto, later imprisoned for other murders, is thought to be Red Silk.In modern-day Glasgow, DS Rachel Narey is called to a gruesome crime scene at the city's Necropolis. The body of a young woman lies stretched out over a tomb. Her body bears a three-letter message from her killer. Now retired, former detective Danny Neilson spots a link between the new murder and those he investigated in 1972 - details that no copycat killer could have known about. But Atto is still behind bars. Determined finally to crack the case, Danny, along with his nephew, police photographer Tony Winter, pays Atto a visit. But they soon discover that they are going to need the combined efforts of police forces past and present to bring a twisted killer to justice. Brilliant crime fiction for fans of Stuart MacBride and Ian Rankin, Craig Robertson's debut thriller Random was shortlisted for the CWA New Blood Dagger. Praise for Craig Robertson: 'Robertson is doing for Glasgow what Rankin did for Edinburgh' Mirror 'I can't recommend this book highly enough' MARTINA COLE 'Brace yourself to be horrified and hooked' EVA DOLAN 'Fantastic characterisation, great plotting, page-turning and gripping. The best kind of intelligent and moving crime fiction writing' LUCA VESTE 'Really enjoyed Murderabilia - disturbing, inventive, and powerfully and stylishly written. Recommended' STEVE MOSBY 'A great murder mystery witha brilliantly realised setting and deftly painted characters' JAMES OSWALD 'Takes a spine-tingling setting and an original storyline and adds something more' Scottish Daily Record 'A perfectly constrcuted police procedural with real psychological depth' Crimefictionlover

Read more less

A taut and gripping thriller from the CWA New Blood Dagger shortlisted author of Random. A series of high-profile shootings by a lone sniper leaves Glasgow terrorised and police photographer Tony Winter - a man with a tragic hidden past - mystified. Who is behind the executions of some of the most notorious drug lords in the city? As more shootings occur - including those of police officers - the authorities realise they have a vigilante on their hands. Meanwhile, Tony investigates a link between the victims and a schoolboy who has been badly beaten. Seemingly unconnected, they share a strange link. As Tony delves deeper, his quest for the truth and his search for the killer lead him down dark and dangerous paths. Delivering brilliant crime fiction for fans of Stuart MacBride and Ian Rankin, Craig Robertson is the author of the acclaimed Random, Snapshot, Cold Grave, Witness the Dead, The Last Refuge, In Place of Death and Murderabilia.Praise for Craig Robertson: 'Robertson is doing for Glasgow what Rankin did for Edinburgh' Mirror 'I can't recommend this book highly enough' MARTINA COLE 'Brace yourself to be horrified and hooked' EVA DOLAN 'Fantastic characterisation, great plotting, page-turning and gripping. The best kind of intelligent and moving crime fiction writing' LUCA VESTE 'Really enjoyed Murderabilia - disturbing, inventive, and powerfully and stylishly written. Recommended' STEVE MOSBY 'A great murder mystery witha brilliantly realised setting and deftly painted characters' JAMES OSWALD 'Takes a spine-tingling setting and an original storyline and adds something more'Scottish Daily Record 'A perfectly constrcuted police procedural with real psychological depth' Crimefictionlover

Read more less

*** LONGLISTED FOR THE THEAKSTONS OLD PECULIER CRIME NOVEL OF THE YEAR 2017 *** *** LONGLISTED FOR THE McILVANNEY PRIZE 2017 *** 'I can't recommend this book highly enough' MARTINA COLE The first commuter train of the morning slowly rumbles away from platform seven of Queen St station. And then, as the train emerges from a tunnel, the screaming starts. Hanging from the bridge ahead of them is a body. Placed neatly on the ground below him are the victim's clothes. Why? Detective Inspector Narey is assigned the case and then just as quickly taken off it again. Winter, now a journalist, must pursue the case for her. The line of questioning centres around the victim's clothes - why leave them in full view? And what did the killer not leave, and where might it appear again? Everyone has a hobby. Some people collect death. To find this evil, Narey must go on to the dark web, and into immense danger ... 'Takes the reader on a wickedly entertaining ride through a fascinatingly sinister world' Sunday Mirror 'Brace yourself to be horrified and hooked' EVA DOLAN 'Fantastic characterisation, great plotting, page-turning and gripping. The best kind of intelligent and moving crime fiction writing' LUCA VESTE 'Really enjoyed Murderabilia - disturbing, inventive, and powerfully and stylishly written. Recommended' STEVE MOSBY

Read more less

Pass the hammer to a new generation! This kid-friendly guide covers the essentials of carpentry, including the proper way to drive a nail, the safe way to drill a hole, and the importance of measuring. You’ll be amazed at how fast your miniature carpenter acquires the skills to complete 15 projects that include game boards, play sets, lemonade stands, birdhouses, equine sawhorses, and more. Young crafters will be ready for the woodshop in no time.

Read more less