Search results for ""author cheryl robson""

Shortlisted for the Saga Award for Wit A darkly satirical vision of a society in which a political party conspires to stay in power at all costs . Grace Fry, bold and beautiful Minister for Women, discovers a plot to suppress the truth by means of spin, murder and manipulation. With her own life in danger, will she dare to speak out or be seduced by the promise of a post at the top table?

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Artists, painters, writers and discerning travellers from royalty to rock stars have long been attracted by the region’s bright light, perfect climate and joie de vivre. Take the road less travelled as you find out more about the extraordinary range of places and people who’ve found inspiration in the mountains and valleys, rocky coves and verdant islands.

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August 1914: Germany declares war. The British military recruitment drive for World War I swings into action, and young women shame the young men who don't join up as cowards. Moving to the trenches, the play portrays the shock and tedium of those caught up in the terrible conflict, from the ordinary soldier, to volunteer nurses, to the officers faced with an impossible task of winning a few yards of territory on the battlefield. Getting home-leave to "Blighty" becomes an essential respite for war-weary young soldiers who long to escape from the trauma of their experiences.

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The author unpicks the threads that link female textile artists and the arts they produce, revealing a global and historic patchwork of assorted roles, identities and representations. Entertaining as well as informative, this book offers a unique overview of female-centric textile art production including embroidery, weaving, soft sculpture and more. Includes over 20 interviews with contemporary textile artists, providing fascinating insights into their practices, themes and personal motivation. Tells us: How knitting became a spying device in wartime Why dress design was so important for the Suffragettes Why spiders were emblems in ancient times and now How women's arts and crafts moved from the backroom to the gallery showroom.

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Giorgio Gomelsky was at the centre of the counterculture in 60s' London and 70s' Paris before running a studio for avant-garde musicians in New York. He was the original manager of the Rolling Stones and the Yardbirds in London, then managed the French supergroup Magma and developed the career of Gong. Dumaurier recounts his friend Gomelsky's love of life, his dynamism, and the creativity that made him "push the envelope". With a keen eye for talent, Gomelsky's ideas helped shape the rock music we know and love today - acting as a catalyst for change and innovation. With recollections from colleagues, friends and musicians: Larry Birnbaum, Madeleine Carr, Raul Gonzalez, Brian Gooding, Bob Gruen, Roman Iwasiwka, Amy Madden, Jesse Malin and Bradley Rim.

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Since 1660 when actresses first began performing on the English stage, women have forged bright careers in theatre, while men called the shots. Four hundred years of women playwrights, from Aphra Behn to Caryl Churchill, yet plays by women make up less than a quarter of staged productions in the UK, leading to a scarcity of roles for women. With women buying most of the tickets, theatre productions risk losing their relevance to modern culture if they fail to represent the many and varied lives of women. With an overview of post-war theatre and 25 exclusive interviews with leading women theatre-makers, this book inspires us to create a truly equal and inclusive theatre today. Including interviews with: Nina Lee Aquino Sudha Buchar Moira Buffini Paule Constable Denise Gough Jill Greenhalgh Vicky Ireland Jude Kelly Bryony Lavery Rachel Maza Kumiko Mendl Katie Mitchell Marsha Norman Lynn Nottage Kate O'Donnell Winsome Pinnock Emma Rice Daryl Roth Jenny Sealey Saviana Stanescu Michelle Terry Kate Waters and more...

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Three distinctive adaptations from a master of total theatre, Steven Berkoff fuses all the elements of drama together in a whole theatrical experience. Combining movement and mime with text to achieve a heightened dramatic intensity, Berkoff takes Kafka's stories and transforms them into a powerful dramatic expression of the inhumanity which plagued the twentieth century and continues unchecked today.

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Who were the pioneering female painters? Who are the best contemporary women painters around today? Offers a perceptive journey through Western art history, highlighting artists from Gentileschi to Kahlo, from Amrita Sher-gil to Jenny Saville, exploring the fascinating lives of diverse female painters and their artworks within often-challenging cultural contexts. In chapters which consider identity, muses and models, the domestic space, the avant-garde, in addition to war, peace and protest, the world of women who paint is intriguingly unlocked. Includes over 20 interviews with contemporary women artists, providing unique insights into their practices, themes and personal motivation.

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• A wide-ranging collection of plays by women dealing with contemporary subjects such as child abuse, recession, war, poverty and the complexity of modern women's lives. • Many roles for women and girls; suitable for study for performance or as part of courses in Women's Studies or Feminist Theatre Studies. • All the plays have been produced and performed in the UK to acclaim.

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NEW EDITION IN PAPERBACK to coincide with a new project to unveil a statue of the author in Richmond on Thames in 2022 "I ought to be grateful to Richmond & Hogarth, and indeed, whether it's my invincible optimism or not, I am grateful." - Virginia Woolf Although more commonly associated with Bloomsbury, Virginia and her husband Leonard Woolf lived in Richmond-upon-Thames for ten years from the time of the First World War (1914-1924). Refuting the common misconception that she disliked the town, this book explores her daily habits as well as her intimate thoughts while living at the pretty house she came to love - Hogarth House. Drawing on information from her many letters and diaries, as well as Leonard's autobiography, the editor reveals how Richmond's relaxed way of life came to influence the writer, from her experimentation as a novelist to her work with her husband and the Hogarth Press, from her relationships with her servants to her many famous visitors.

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Celebrating 10 years of the London New Play Festival, featuring six plays: Wild Turkey by Joe Penhall: Two small businessmen struggle to keep their flagging burger bar afloat, in the face of increasingly savage and bizarre forces. Everlasting Rose by Judy Upton: Terrified of ageing, a caravan Casanova changes wives every decade, until a woman of the 90's challenges his routine. Strindberg Knew My Father by Mark Jenkins: Life becomes farce as Strindberg loses control over his characters while writing 'Miss Julie'. In the Fields of Aceldama by Naomi Wallace: When their only child dies in an accident, Mattie and Henry draw on her spirited past to find the strength to go on. Two Horsemen by Biyi Bandele: Baja and Langbaja trade stories about life, sex and god in a run-down shack. Will their stories sustain them, or trap them forever? Maison Splendide by Laura Bridgetman: House-sitting for gangsters, Honey and Moon enact a 'let's pretend' lesbian white wedding, parodying suburban customs.

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Winner of The Raymond Williams Prize Plays by Ayshe Raif, Cheryl Robson, April De Angelis, Nina Rapi, Eva Lewin, Jan Rupee, Jean Abbott.

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What is Counterculture? – It’s an alternative lifestyle... – The ideas that spark a revolution... – A movement that changes the world... This new collection of essays celebrates the incredible originality of British post-war culture. British art, film, theatre, dance, literature and music have attracted international recognition, from the Angry Young Men to the Sex Pistols to Grayson Perry. Now gaming, the internet and social media enable creative communities to flourish and either fight for social justice – or just be entertained. Can we find the creative inspiration to succeed in a postcapitalist future?

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This collection of award-winning plays features works from the cutting edge of Central and Eastern European theatre. With a foreword by Gerald Lidstone, Eastern Promise brings together seven women writers who have all experienced living at a time when their countries were part of a larger political entity. For Gabriela Preissova, it was the Austro-Hungarian Empire, for the others, the soviet bloc. Some of the moral and political dilemmas their characters face range from the killing of a child, to the betrayal of a comrade, to reinventing oneself as a way of living in exile. Includes the plays: Belgrade Trilogy, The Tender Mercies, Tulip Doctor, The Chosen Ones, Jenufa (Her Stepdaughter), Nascendo, and, The Umbilical Cord. The Plays Belgrade Trilogy by Biljana Srbljanovic (Yugoslavia): Set in Sydney, Los Angeles and Prague on New Year’s Eve, the everyday life of young exiles from the Balkans, winner of the Slobodan Selenic Prize. The Tender Mercies by Sladjana Vujovic (Montenegro): Edinburgh Fringe First winner. “...dazzling play upon the savagery of war.” The Scotsman Tulip Doctor by Vera Filo (Hungary): Set against the background of war, life becomes a cartoon, where anything can happen and will. The Chosen Ones by Elena Popova (Belorussia): Winner of the European play competition, described as “poignant portrayal of post-communist society”. Jenufa (Her Stepdaughter) by Gabriela Preissova (Czech): Portrays a secret birth and infanticide, the play aroused controversy when first written in 1890. It was the basis for Janacek's opera Jenufa and is translated into English now for the first time. Nascendo by Alina Nelega (Romania): Set in a Maternity ward on the eve of the revolution patients and staff reflect the divided nature of Romanian society. The Umbilical Cord by Krystyna Kofta (Poland): An intense family relationship, where ritual has replaced real life, interrogates “... A generation suffering moral defeat”.

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The apparently simple story of a toll-collector who works in a booth on the motorway, watching people come and go, while his life remains static. But then an invisible force begins taking over, its only tell-tale sign, a terrible, obliterating sound like a scream, that seems to come from nowhere. As time goes by, the flow of traffic on the motorway slows and diminishes. The world appears to be coming to an end... An ode to love and loss comparable to the work of Samuel Beckett, in which everything is both ordinary and extraordinary and every man is truly an island...

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Separated from his parents who are deported by the Nazis, David struggles to survive, alone, hungry and scared, until he eventually finds his way to the city of Warsaw. There he learns from other Jewish boys how to work in the black market, dodging the police and the Gestapo until the eventual day comes when the ghetto is cleared and everyone is herded into trains for the long trip to the camps. Will David survive? Can he outwit them one more time? Shortlisted for The Marsh Award for Children's Literature in Translation.

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Why have women such as Alice Guy-Blache, the creator of narrative cinema, been written out of film history? Why have so many women working behind the scenes in film been rendered invisible and silent for so long? Silent Women: Pioneers of Cinema explores the incredible contribution of women at the dawn of cinema when, surprisingly, more women were employed across the board in the film industry than they are now. It also looks at how women helped to shape the content, style of acting and development of the movie business in their roles as actors, writers, editors, cinematographers, directors and producers. In addition, we describe how women engaged with and influenced the development of cinema in their roles as audience, critics, fans, reviewers, journalists and the arbiters of morality in films. And finally, we ask when the current discrimination and male domination of the industry will give way to allow more women access to the top jobs. In addition to its historical focus on women working in film during the silent film era, the term silent also refers to the silencing and eradication of the enormous contribution that women have made to the development of the motion picture industry.

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Eight Plays from Singapore, Vietnam, Malaysia, Thailand, the Philippines, Indonesia and Cambodia Selected and Edited by Cheryl Robson and Aubrey Mellor Playwrights: Jean Tay, Floy Quintos, Tew Bunnag, Ann Lee, Nguyễn Đăng Chương, Joned Suryatmoko, Alfian Sa’at, Chhon Sina

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Practical Advice, Professional Resources on the Craft & Business of Writing edited by Cheryl Robson, Janet Beck, and Vania Georgeson With contributions by: Alison Prager, Ann Hazel Clare, Ayshe Raif, Bryony Lavery, Caryl Churchill, Cherry Smythe, Clare Bayley, Jean Abbott, Jill Hyem, Nina Rapi Winner of The Pandora Award.

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The Plays Libration by Lluisa Cunill (Spain): A mysterious, intense and comic two-hander about two women who meet in a city park at night. The End Of The Dream Season by Miriam Kainy (Israel): A woman doctor outwits her friends and relations to retain her inheritance. Harsh Angel by Maria Avraamidou (Cyprus): A gentle Chekhovian tale of a family torn by the partition of their native land. Mephisto adapted from the novel by Klaus Mann/ Ariane Mnouchkine (France/Germany): The story of a German actor who sells his soul to Nazi ideology. Also a feature film.

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Now Kathryn Bigelow has made history as the first woman to win an Oscar for directing, is this a new era for women filmmakers? The figures suggest otherwise. Seeking to redress the imbalance between male and female film directors, Celluloid Ceiling explores inspiring new work appearing in the USA, the UK and globally. Highlighting emerging women directors alongside ground-breaking pioneers, this is a one-stop guide to the leading women film directors in the 21st century and those who inspired them. From Oscar-winning action director Kathryn Bigelow to emerging strong voices from Saudi Arabia, Pakistan and Laos, particular attention is paid to women making films in traditionally male-dominated areas such as action, sci-fi and fantasy and to works with a new take on the violence and pornography of the horror genre. This book shows that the changes overturning current business and artistic processes are opening up new opportunities for women film directors who are determined make the most of these. The contributors represent women making film Africa, Latin America, Europe, USA, Asia and India, with new voices in Japanese and Middle Eastern cinema, the women directors working in TV, as well as the first woman director Alice Guy Blache, the rise of the independent and the horror aficionados the Soska Sisters, Celluloid Ceiling includes numerous interviews and b/w photographs.

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This collection features four new plays about war, tyranny and discrimination by Eastern and Central European writers. Includes the plays The Body of a Woman as a battlefield in the Bosnian war by Matei Visniec, Cordon by Nebojsa Romcevic, When I want to whistle, I whistle... by Andreea Vălean, Soap Opera by György Spiró The title of this volume alludes to the history of political double-dealing in a troubled region within southern Europe, surrounded by the Adriatic, Aegean and Black Seas. G.B. Shaw wrote Arms and The Man about a small Balkan plot in the 19th century. It's in this tradition, rather than in a geographical sense that we use the title Balkan Plots. The plays in this volume are dramatic works which have emerged from, or which take as their subject matter, the struggle of individuals within societies affected by recent political upheaval. The writers explore aspects of freedom and rebellion, ethnicity and discrimination, loyalty and betrayal in situations where conventional attitudes and beliefs are severely tested. In some plays, the conflict is between traditional socialist attitudes and western capitalism. In others, the values and beliefs of the younger generation collide with and challenge those of the older generation. Within each of the plays, the way in which the personal and the political interacts, is very much in evidence.

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Featuring five plays by Dutch women writers (Hella Haasse, Matin Van Veldhuizenm, Suzanne Van Lohuizen, Inez Van Dullemen and Judith Herzberg) this play collection showcases the best plays by women writing in the Netherlands at the time of publication. The Plays A Thread in the Dark by Hella Haasse: This is a profound retelling of the myth of Theseus and the Minotaur, from the viewpoint of Ariadne. Winner of the Visser Neerlandia prize. “[W]e cannot rephrase it for you. If we Could, why would we trouble to show you the myth?” Eat by Matin Van Veldhuizen: A darkly comic exploration of the lives of three sisters who come together to eat, drink and celebrate the anniversary of their mother's death. Dossier: Ronald Akkerman by Suzanne Van Lohuizen: A two-hander, detailing moments between a patient suffering from AIDS and his nurse. “...the moving story of a relationship between a young man in the final stages of AIDS and his nurse, Dossier: Ronald Akkerman ... tackles the epidemic full-on.” Gay Times Write Me in the Sand by Inez Van Dullemen: A poetic portrayal of a family where layer upon layer is removed to reveal the painful secrets within. The Caracal by Judith Herzberg: A comic one-woman show about a teacher whose complicated love life is revealed through fragmentary telephone conversations.

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