Search results for ""author catherine taylor""

No life exists outside the times.This is a story about one young woman coming of age, and about the place and time that shaped her: the North of England in the 1970s and 80s.About the scorching summer of 1976 - the last Catherine Taylor would spend with both her parents in their home in Sheffield.About the Yorkshire Ripper, the serial killer whose haunting presence in Catherine's childhood was matched only by the aching absence of her own father.About a country thrown into disarray by the nuclear threat and the Miners' Strike, just as Catherine's adolescent body was invaded by a debilitating illness.About 1989's 'Second Summer of Love', a time of sexual awakening for Catherine, and the unforeseen consequences that followed it.About a tragic accident, and how the insidious dangers facing women would became increasingly apparent as Catherine crossed into to adulthood.'Part poignant memoir of time and place. Part record of the violence, and indifference, against which most girls grow up. The Stirrings is a pleasure and a shock' Eimear McBride'A superb, moving and disturbing memoir - haunting and unforgettable' Jonathan Coe

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Shortlisted for the 2024 TLS Ackerley Prize''Part poignant memoir of time and place. Part record of the violence, and indifference, against which most girls grow up. The Stirrings is a pleasure and a shock'' Eimear McBride''A superb, moving and disturbing memoir - haunting and unforgettable'' Jonathan CoeThis is a story about one young woman coming of age, and about the place and time that shaped her: the North of England in the 1970s and 80s.About the scorching summer of 1976 - the last Catherine Taylor would spend with both her parents in their home in Sheffield.About the Yorkshire Ripper, the serial killer whose haunting presence in Catherine''s childhood was matched only by the aching absence of her own father.About a country thrown into disarray by the nuclear threat and the Miners'' Strike, just as Catherine''s adolescent body was invaded by a debilitating illness.About 1989''s ''Second Summer

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The second edition of this exceptionally lucid and practical assessment text provides a wealth of powerful concrete examples that help students to understand assessment concepts and to effectively use assessment to support learning. The book offers unique coverage of ways to use assessment to support student learning across the developmental span from Kindergarten through high school. Rather than treat assessment separately from instruction, this book's unique approach treats assessment as a central factor in the life of a teacher every day, whether it's part of planning instruction, composing small study groups, or communicating test results to pupils, parents and principals. The book also provides more coverage than any other classroom assessment text of how to adapt assessment to the needs of students with disabilities and students whose first language is not English.

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Known for both its industrial roots and arboreal abundance, Sheffield has always been a city of two halves. From elegant parks and gardens to brutalist high-rise estates and the hinterland nightclubs of 'Centertainment', it is a city caught between the forges of the past and the melting pot of the present. Bringing together new short stories from some of the city's most celebrated writers, The Book of Sheffield traces the contours of this complex landscape from both sides of the economic dividing line. From the aspirations of young creatives, ultimately driven to leave, to the more immediate demands of refugees, scrap metal collectors, and student radicals, these stories offer ten different look-out points from which to gaze down on the ever-changing face of the 'Steel City'.

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A meditation on the meaning of text–image collaboration, from the author of Sprawl and Margaret the First Author Danielle Dutton's A Picture Held Us Captive asks what it means for a writer to work "with" someone or something else—to make art in dialogue with an energy not one's own. Dutton (born 1975) explores ekphrastic fiction, looking at a wide range of writers and artists including John Keene and Edgar Degas; Eley Williams and Bridget Riley; Ben Lerner and Anna Ostoya; Amina Cain and Bill Viola; Lydia Davis and Joseph Cornell; as well as her own textual responses to visual artists Richard Kraft and Laura Letinsky. A Picture Held Us Captive—which includes a series of images at once illustrative and refusing simple illustration—considers the ways in which ekphrasis operates as a diptych. A work of both commentary and self-reflection, Dutton considers a dialectic between art’s ability to make strange what has grown familiar and the writer’s desire to make recognizable the experience of one artwork in the space of another. Danielle Dutton is an American writer and the cofounder of the feminist press Dorothy. Born in California in 1975, Dutton now resides in Missouri where she teaches creative writing at Washington University in St Louis. She has authored four books, including Sprawl and Margaret the First. She contributed the text to Here Comes Kitty: A Comic Opera, a book of collages by Richard Kraft. Her fiction has appeared in major publications such as the Paris Review, Harper's and Guernica.

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These beautiful, unsettling and playful photographs show how certain sci-fi tropes—from digital servants to sex robots—have been consistently gendered as female The latest photobook from Brooklyn-based photographer Hannah Whitaker (born 1980) imagines the embodied forms of personified technology which have long been central to sci-fi narratives: digital servants, sex robots, machine-learning projects. Ursula addresses the consistency with which these figures are gendered as female, subservient and sexualized, and slyly points to our society's insidious failures to fully see women without imposing such roles and distinctions. Immersed in techno-futuristic design tropes, Whitaker's photographs—at once playful, maximalist and estranging—are accompanied by texts by David Levine and Dawn Chan.

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