Search results for ""author carlos fuentes""

Las revoluciones las hacen los hombres de carne y hueso y no los santos, y todas acaban por crear una nueva casta privilegiada. CARLOS FUENTES

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Published in its entirety, Frida Kahlo’s amazing illustrated journal documents the last ten years of her turbulent life. These passionate, often surprising, intimate records, kept under lock and key for some 40 years in Mexico, reveal many new dimensions in the complex personal life of this remarkable Mexican artist. The 170-page journal contains the artist’s thoughts, poems, and dreams—many reflecting her stormy relationship with her husband, artist Diego Rivera—along with 70 mesmerizing watercolor illustrations. The text entries, written in Frida’s round, full script in brightly colored inks, make the journal as captivating to look at as it is to read. Her writing reveals the artist’s political sensibilities, recollections of her childhood, and her enormous courage in the face of more than 35 operations to correct injuries she had sustained in an accident at the age of 18. This intimate portal into her life is sure to fascinate fans of the artist, art historians, and women’s culturalists alike.

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Conceived exactly nine months before the five-hundredth anniversary of Columbus's discovery of the New World, the narrator of Christopher Unborn spends the novel waiting to be born. But what kind of world will he be delivered into? "Makesicko City," as the punning narrator calls it, is not doing well in this alternate, worst-case-scenario 1992. Politicians are selling pieces of their country to the United States. A black, acid rain falls relentlessly, forewarning of the even worse ecological catastrophes to come. Gangs of children, confined to the slums, terrorize their wealthy neighbors. A great novel of ideas and a work of aesthetic boldness, Christopher Unborn is a unique, and quite funny, work from one of the twentieth century's most respected authors.

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In this comic novel of political intrigue, Adam Gorozpe, a respected businessman in Mexico, has a life so perfect that he might as well be his namesake in the Garden of Eden--but there are snakes in this Eden too. For one thing, Adam's wife Priscila has fallen in love with the brash director of national security--also named Adam--who uses violence against token victims to hide the fact that he's letting drug runners, murderers, and kidnappers go free. Another unlikely snake is the little Boy-God who's started preaching in the street wearing a white tunic and stick-on wings, inspiring Adam's brother-in-law to give up his job writing soap operas to follow this junior deity and implore Adam to do the same. Even Elle, Adam's mistress, thinks the boy is important to their salvation--especially now that it seems the other Adam has put out a contract on Adam Gorozpe. To save his relationship, his marriage, his life, and the soul of his country, perhaps Adam will indeed have to call upon the wrath of the angels to expel all these snakes from his Mexican Eden.

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On a hot, insomniac night at the Hotel Metropol, the novelist Carlos Fuentes steps onto his balcony only to find another man on the balcony next door. The other man asks for news of the social strife turning into revolution in the unnamed city below them. He reveals himself as the 19th-century philosopher Friedrich Nietzsche, permitted to revisit earth once a year for 24 hours based on his theory of eternal return. With tenderness and gallows humor, the novelist and the philosopher unflinchingly tell the story of the beginning of the revolution, its triumph, fanaticism, terror, and retrenchment: a story of love, friendship, family, commitment, passion, corruption, betrayal, violence, and hope.

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These poems by Carlos Fuentes Lemus (1973-1999), son of the author of Terra Nostra and Christopher Unborn, are an introduction to the unique voice of a sensitive but unsentimental young poet who became aware of his mortality at a very early age. A hemophiliac who as a child contracted HIV from contaminated blood products, he struggled to come to terms with his condition through the practice of art while paying homage to those artists from the Western canon (and from the Rock & Roll Hall of Fame) whose work inspired and shaped his own, such as Keats, Van Gogh, Wilde, Rimbaud, Schiele, Kerouac, Elvis, Hendrix, and Dylan. 4:56's heartbreaking "songs and visions" record his fleeting passage through our world.From the Afterword by Juan Goytisolo: "Beautiful, startling lines, without the least self-complacency, imbued with a hidden and unsettling pain. I have always been enchanted by the magic of English poetry, and its ability to express more in fewer words than can other languages that I know. Carlos Fuentes Lemus moved within its sphere almost on tiptoe, oblivious to any rhetoric and easy sentimentalism, with the delicacy and weightlessness with which he fleetingly traced his path through life."

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César is a translator who’s fallen on very hard times due to the global economic downturn; he is also an author, and a mad scientist hell-bent on world domination. On a visit to the beach he intuitively solves an ancient riddle, finds a pirate’s treasure, and becomes a very wealthy man. Even so, César’s bid for world domination comes first and so he attends a literary conference to be near the man whose clone he hopes will lead an army to victory: the world-renowned Mexican author, Carlos Fuentes. A comic science fiction fantasy of the first order, The Literary Conference is the perfect vehicle for César Aira’s take over of literature in the 21st century.

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