Search results for ""author brian cummings""

'In the midst of life we are in death.' The words of the Book of Common Prayer have permeated deep into the English language all over the world. For nearly 500 years, and for countless people, it has provided a background fanfare for a marriage or a funeral march at a burial. Yet this familiarity also hides a violent and controversial history. When it was first produced the Book of Common Prayer provoked riots and rebellion, and it was banned before being translated into a host of global languages and adopted as the basis for worship in the USA and elsewhere to the present day. This edition presents the work in three different states: the first edition of 1549, which brought the Reformation into people's homes; the Elizabethan prayer book of 1559, familiar to Shakespeare and Milton; and the edition of 1662, which embodies the religious temper of the nation down to modern times. 'magnificent edition' Diarmaid MacCulloch,London Review of Books 'superb edition...excellent notes and introduction' Rowan Williams, Times Literary Supplement ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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The Book of Common Prayer is one of the most influential books in history. First published in the reign of Edward VI, in 1549, it was a product of the English Reformation following the break with Rome. For nearly five centuries, it has formed the order of worship for established Christianity in England. More listeners have heard these prayers, it is said, than the soliloquies of Shakespeare. As British imperial ambitions spread, the Book of Common Prayer became the primary instrument (at least as much as the King James Bible) of English culture, firstly in Ireland in 1551. When the Puritans fled to America in 1620 it was to escape the discipline imposed by of the Book of Common Prayer, yet the book came to embody official religion in America before and after Independence, and is still in use. Today it is a global book: it was the first book printed in many languages, from north America to southern Africa, to the Indian sub-continent. In this Very Short Introduction Brian Cummings tells the fascinating history of the Book of Common Prayer, and explains why it is easily misunderstood. Designed in the 1540s as a radical Protestant answer to Catholic "superstition", within a century (during the English Civil Wars) radical Christians regarded the Book of Common Prayer as itself "superstitious" and even (paradoxically) "Papist". Changing in meaning and context over time, the Book of Common Prayer has acted as a cultural symbol, affecting the everyday conduct of life as much as the spiritual, and dividing conformity from non-conformity, in social terms as well as religious, from birth to marriage to death. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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Bibliophobia is a book about material books, how they are cared for, and how they are damaged, throughout the 5000-year history of writing from Sumeria to the smartphone. Its starting point is the contemporary idea of 'the death of the book' implied by the replacement of physical books by digital media, with accompanying twenty-first-century experiences of paranoia and literary apocalypse. It traces a twin fear of omniscience and oblivion back to the origins of writing in ancient Babylon and Egypt, then forwards to the age of Google. It uncovers bibliophobia from the first Chinese emperor to Nazi Germany, alongside parallel stories of bibliomania and bibliolatry in world religions and literatures. Books imply cognitive content embodied in physical form, in which the body cooperates with the brain. At its heart this relationship of body and mind, or letter and spirit, always retains a mystery. Religions are founded on holy books, which are also sites of transgression, so that writing is simultaneously sacred and profane. In secular societies these complex feelings are transferred to concepts of ideology and toleration. In the ambiguous future of the internet, digital immateriality threatens human equilibrium once again. Bibliophobia is a global history, covering six continents and seven religions, describing written examples from each of the last thirty centuries (and several earlier). It discusses topics such as the origins of different kinds of human script; the development of textual media such as scrolls, codices, printed books, and artificial intelligence; the collection and destruction of libraries; the use of books as holy relics, talismans, or shrines; and the place of literacy in the history of slavery, heresy, blasphemy, censorship, and persecution. It proposes a theory of writing, how it relates to speech, images, and information, or to concepts of mimesis, personhood, and politics. Originating as the Clarendon Lectures in the Faculty of English at the University of Oxford, the methods of Bibliophobia range across book history; comparative religion; philosophy from Plato to Hegel and Freud; and a range of global literature from ancient to contemporary. Richly illustrated with textual forms, material objects, and art works, its inspiration is the power that books always (and continue to) have in the emotional, spiritual, bodily, and imaginative lives of readers.

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