Search results for ""author arthur l. little""

This book takes Shakespeare's plays as a site for studying the specter of interracial sex—of a "jungle fever"—in early modern England's envisionings of itself. Shakespeare's works here assume the status of interrogating, of re-envisioning, rather than simply restaging the scene of a horrific sexual encounter. The author argues that early modern England's national-imperial aesthetic, notably its evocation of classicism, relies significantly on a textual and cultural manipulation of race. Nowhere is this more apparent and popularly accessible than in the period's drama and in sacrificial rape stories, narratives in which a raped white woman kills herself not only to reclaim her lost virginity but also to claim or reclaim her racial whiteness. Not surprisingly, the desire to affirm the sacrificially raped woman as white necessitates the inclusion of black male bodies in these stories. This inclusion is made all the more conspicuous by the fact that there are no known historical accounts of a black man raping a white woman in early modern England. Why, then, the obsession with "jungle fever"? The answer, the author argues, is to be found in the creation of a rhetoric of masculinity and whiteness in England's shaping of its national and imperial ambitions. He anchors his claims by focusing on a variety of classical and early modern sites—Rome, Venice, Ireland, Africa, and Egypt—and by examining a range of sources, including dramatic texts, narrative poems, paintings and other illustrations, medical lore, and geographies. Through close studies of Titus Andronicus, Othello, and Antony and Cleopatra, this book deepens our understanding of race (then and now) as well as the role granted Shakespeare in cultural discourses past and present.

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What part did Shakespeare play in the construction of a ‘white people’ and how has his work been enlisted to define and bolster a white cultural and racial identity? Since the court of Queen Elizabeth I, through the early modern English theatre to the storming of the United States Capitol on 6 January 2021, white people have used Shakespeare to define their cultural and racial identity and authority. White People in Shakespeare unravels this complex cultural history to examine just how crucial Shakespeare’s work was to the early modern development of whiteness as an embodied identity, as well as the institutional dissemination of a white Shakespeare in contemporary theatres, politics, classrooms and other key sites of culture. Featuring contributors from a wide range of disciplines, the collection moves across Shakespeare’s plays and poetry and between the early modern and our own time to interrogate these relationships. Split into two parts, ‘Shakespeare’s White People’ and ‘White People’s Shakespeare’, it explores a variety of topics, ranging from the education of the white self in Hamlet, or affective piety and racial violence in Measure for Measure, to Shakespearean education and the civil rights era, and interpretations of whiteness in more contemporary work such as American Moor and Desdemona.

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