Search results for ""author anthony b. pinn""

In Interplay of Things Anthony B. Pinn theorizes religion as a technology for interrogating human experiences and the boundaries between people and other things. Rather than considering religion in terms of institutions, doctrines, and creeds, Pinn shows how religion exposes the openness and porousness of all things and how they are always involved in processes of exchange and interplay. Pinn examines work by Nella Larsen and Richard Wright that illustrates an openness between things, and he traces how pop art and readymades point to the multidirectional nature of influence. He also shows how Ron Athey's and Clifford Owens's performance art draws out inherent interconnectedness to various cultural codes in ways that reveal the symbiotic relationship between art and religion as a technology. Theorizing that antiblack racism and gender- and class-based hostility constitute efforts to close off the porous nature of certain bodies, Pinn shows how many artists have rebelled against these attempts to counter openness. His analyses offer a means by which to understand the porous, unbounded, and open nature of humans and things.

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Black theology tends to be a theology about no-body. Though one might assume that black and womanist theology have already given significant attention to the nature and meaning of black bodies as a theological issue, this inquiry has primarily taken the form of a focus on issues relating to liberation, treating the body in abstract terms rather than focusing on the experiencing of a material, fleshy reality. By focusing on the body as a physical entity and not just a metaphorical one, Pinn offers a new approach to theological thinking about race, gender, and sexuality. According to Pinn, the body is of profound theological importance. In this first text on black theology to take embodiment as its starting point and its goal, Pinn interrogates the traditional source materials for black theology, such as spirituals and slave narratives, seeking to link them to materials such as photography that highlight the theological importance of the body. Employing a multidisciplinary approach spanning from the sociology of the body and philosophy to anthropology and art history, Embodiment and the New Shape of Black Theological Thought pushes black theology to the next level.

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Rap music is often seen as a Black secular response to pressing issues of our time. Yet, like spirituals, the blues, and gospel music, rap has deep connections to African American religious traditions. Noise and Spirit explores the diverse religious dimensions of rap stemming from Islam (including the Nation of Islam and Five Percent Nation), Rastafarianism, and Humanism, as well as Christianity. The volume examines rap’s dialogue with religious traditions, from the ways in which Islamic rap music is used as a method of religious and political instruction to the uses of both the blues and Black women’s rap for considering the distinction between God and the Devil. The first section explores rap’s association with more easily recognizable religious traditions and communities such as Christianity and Islam. The next presents discussions of rap and important spiritual considerations, including on the topic of death. The final unit wrestles with ways to theologize about the relationship between the sacred and the profane in rap.

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In Deathlife, Anthony B. Pinn analyzes hip hop to explore how Blackness serves as a framework for defining and guiding the relationship between life and death in the United States. Pinn argues that white supremacy and white privilege operate based on the right to distinguish death from life. This distinction is produced and maintained through the construction of Blackness as deathlife. Drawing on Afropessimism and Black moralism, Pinn theorizes deathlife as a technology of whiteness that projects whites’ anxieties about the end of their lives onto the Black other. Examining the music of Jay-Z; Kendrick Lamar; Tyler, the Creator; and others, Pinn shows how hip hop configures the interconnection and dependence between death and life in such a way that death and life become indistinguishable. In so doing, Pinn demonstrates that hip hop presents an alternative to deathlife that challenges the white supremacist definitions of Blackness and anti-Blackness more generally.

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In Deathlife, Anthony B. Pinn analyzes hip hop to explore how Blackness serves as a framework for defining and guiding the relationship between life and death in the United States. Pinn argues that white supremacy and white privilege operate based on the right to distinguish death from life. This distinction is produced and maintained through the construction of Blackness as deathlife. Drawing on Afropessimism and Black moralism, Pinn theorizes deathlife as a technology of whiteness that projects whites’ anxieties about the end of their lives onto the Black other. Examining the music of Jay-Z; Kendrick Lamar; Tyler, the Creator; and others, Pinn shows how hip hop configures the interconnection and dependence between death and life in such a way that death and life become indistinguishable. In so doing, Pinn demonstrates that hip hop presents an alternative to deathlife that challenges the white supremacist definitions of Blackness and anti-Blackness more generally.

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Who are the "Nones"? What does humanism say about race, religion and popular culture? How do race, religion and popular culture inform and affect humanism? The demographics of the United States are changing, marked most profoundly by the religiously unaffiliated, or what we have to come to call the "Nones". Spread across generations in the United States, this group encompasses a wide range of philosophical and ideological perspectives, from some in line with various forms of theism to those who are atheistic, and all sorts of combinations in between. Similar changes to demographics are taking place in Europe and elsewhere. Humanism: Essays on Race, Religion and Popular Culture provides a much-needed humanities-based analysis and description of humanism in relation to these cultural markers. Whereas most existing analysis attempts to explain humanism through the natural and social sciences (the "what" of life), Anthony B. Pinn explores humanism in relation to "how" life is arranged, socialized, ritualized, and framed. This ground-breaking publication brings together old and new essays on a wide range of topics and themes, from the African-American experience, to the development of humanist churches, and the lyrics of Jay Z.

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The Black church is often praised for its contribution to Black culture and politics. More recently Islam has been recognized as an important force in African American liberation. Anthony Pinn's new anthology By These Hands demonstrates the crucial, often overlooked role that Humanism has played in African American struggles for dignity, power and justice. Pinn collects the finest examples of African American Humanism and shows how its embrace by a variety of prominent figures in African American thought and letters has served as the basis for activism and resistance to American racism and sexism. Pinn uncovers little known treasures of African American Literature such as The Slave Narrative of James Hay, where an abused slave decides to rely on himself, rather than God, for deliverance from the horrors of slavery, and a letter from Frederick Douglass which scandalized his religious friends by proclaiming that "One honest Abolitionist was a greater terror to slaveholders than whole acres of camp-meeting preachers shouting glory to God." Essays by Zora Neale Hurston and Richard Wright demonstrate the profound influence of Humanism in the Harlem Rennaisance, and pieces by James Farmer, Amiri Baraka (Leroi Jones) and Huey Newton show Humanism's impact on the civil rights and Black Power movements. Designed for classroom use, this radical reconsideration of African American history will be a must read for anyone interested in African American History, African American Religion and Philosophy, and American History. Contributors: Norm Allen, Jr., Herbert Aptheker, James Baldwin, Amiri Imamu Baraka, J. Mason Brewer, Sterling Brown, Frederick Douglass, W.E.B.Du Bois, James Foreman, Duchess Harris, Hubert H. Harrison, Harry Haywood, Zora Neale Hurston, William R. Jones, William Loren Katz, Benjamin E. Mays, Huey P. Newton, Daniel Payne, J. Saunders Redding, William L. Van DeBurg, Alice Walker, and Richard Wright.

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Everyday Humanism seeks to move the discussion of humanism's positive contributions to life away from the macro-level to focus on the everyday, or micro-dimensions of our individual and collective existence. How might humanist principles impact parenting? How might these principles inform our take on aging, on health, on friendship? These are just a few of the issues around everyday life that needed interpretation from a humanist perspective. Through attention to key issues, the volume seeks to promote the value of humanism at the level of the ordinary, typical occurrences and conditions of our existence.

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In Interplay of Things Anthony B. Pinn theorizes religion as a technology for interrogating human experiences and the boundaries between people and other things. Rather than considering religion in terms of institutions, doctrines, and creeds, Pinn shows how religion exposes the openness and porousness of all things and how they are always involved in processes of exchange and interplay. Pinn examines work by Nella Larsen and Richard Wright that illustrates an openness between things, and he traces how pop art and readymades point to the multidirectional nature of influence. He also shows how Ron Athey's and Clifford Owens's performance art draws out inherent interconnectedness to various cultural codes in ways that reveal the symbiotic relationship between art and religion as a technology. Theorizing that antiblack racism and gender- and class-based hostility constitute efforts to close off the porous nature of certain bodies, Pinn shows how many artists have rebelled against these attempts to counter openness. His analyses offer a means by which to understand the porous, unbounded, and open nature of humans and things.

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Demonstrates the critical use of religion to challenge oppression in the U.S. In the nascent United States, religion often functioned as a justifier of oppression. Yet while religious discourse buttressed such oppressive activities as slavery and the destruction of native populations, oppressed communities have also made use of religion to critique and challenge this abuse. As Liberation Theologies in the United States demonstrates, this critical use of religion has often taken the form of liberation theologies, which use primarily Christian principles to address questions of social justice, including racism, poverty, and other types of oppression. Stacey M. Floyd-Thomas and Anthony B. Pinn have brought together a stellar group of liberation theology scholars to provide a synthetic introduction to the historical development, context, theory, and goals of a range of U.S.-born liberation theologies. Chapters cover Black Theology, Womanist Theology, Latino/Hispanic Theology, Latina Theology, Asian American Theology, Asian American Feminist Theology, Native American Theology, Native Feminist Theology, Gay and Lesbian Theology, and Feminist Theology. Contributors: Grace Ji-Sun Kim, Mary McClintock Fulkerson, Nancy Pineda-Madrid, Robert Shore-Goss, Andrea Smith, Andrew Sung Park, George (Tink) Tinker, and Benjamin Valentin.

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The Peoples Temple movement ended on November 18, 1978, when more than 900 men, women, and children died in a ritual of murder and suicide in their utopianist community of Jonestown, Guyana. Only a handful lived to tell their story. As is well known, Jim Jones, the leader of Peoples Temple, was white, but most of his followers were black. Despite that, little has been written about Peoples Temple in the context of black religion in America. In 10 essays, writers from various disciplines address this gap in the scholarship. Twenty-five years after the tragedy at Jonestown, they assess the impact of the black religious experience on Peoples Temple.

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Twenty-five years of writings by the religious thinker and activist Pauli Murray A Seminary Coop Notable Book of 2023 The religious thought and activism that shaped the late twentieth century is typically described in terms of Black men from the major Black denominations, a depiction that fails to account for the voices of those who not only challenged racism but also forced a confrontation with class and gender. Of these overlooked voices, none is more important than that of Pauli Murray (1910–1985), the nonbinary Black lawyer, activist, poet, and Episcopal priest who influenced such icons as Ruth Bader Ginsburg and Thurgood Marshall. Anthony B. Pinn has collected Murray’s most important sermons, lectures, and speeches from 1960 through 1985, showcasing her religious thought and activism as well as her original and compassionate literary voice. In highlighting major themes in Murray’s writing—including the strength and rights of women, faithfulness, religious community, and suffering—Pinn’s collection reveals the evolution in Murray’s religious ideas and her sense of ministry, unpacking her role in a tumultuous period of American history, as well as her thriving legacy.

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