Search results for ""author amy orrock""

This richly illustrated publication explores the diversity and innovation of a legendary dynasty of Flemish painters over four generations. From the peasant festivals and proverb pictures of Pieter Bruegel the Elder and his son Pieter Brueghel the Younger, to the exquisite flower paintings and paradise landscapes of Jan ‘Velvet’ Brueghel, to the captivating cabinet pictures of Jan van Kessel the Elder, the Bruegel family played a fundamental role in many of the key artistic developments of the sixteenth and seventeenth centuries. The book investigates themes common throughout the generations, such as an enduring interest in the natural world and the role of close observation from life. Its new research findings also unravel practical mysteries, exploring how Bruegel’s sons were able to produce multiple versions of compositions inspired by their father’s model. Nearly five hundred years have passed since the birth of Pieter Bruegel the Elder, but the energy, influence and inventiveness of his unique family remain unrivalled in the history of art. This illuminating book redefines our appreciation of its artistic legacy and is an essential read for scholars and non-specialists alike. This book accompanied the first ever exhibition devoted to the Bruegel dynasty in the UK, presented in February 2017 by the Holburne Museum.

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The art of Peter Paul Rubens (1577-1640) is synonymous with the female nude, with the term ‘Rubenesque’ first coined in the 19th century to describe a voluptuous female body. Yet remarkably, there has never been a focused study of Rubens’ depictions of women, making this book, and the exhibition that it will accompany, a first. Bringing together a diverse range of paintings and drawings from throughout the artist’s career and from a range of international lenders, the exhibition at Dulwich Picture Gallery (October 2023 – January 2024) will challenge the popular assumption that Rubens only painted one type of woman. Instead, it will present a more nuanced view of the varied and essential role that women played in the artist’s life and work, uniting and contributing to recent scholarly developments in subjects such as the identities of Rubens’ sitters, 17th century artistic theory and practice, and Rubens’ treatment of the human body. Rubens evidently enjoyed painting the female figure, especially in its sensual and unclothed form. But his women are never mere bodies trapped by the male gaze, on the contrary; they are proud and complex heroines, full of character and gravitas. No other male artist has created such potent images of female power, assurance, determination, commitment, and beauty. Providing a catalogue for the works in the exhibition and featuring three introductory essays that contextualise Rubens’ work, this publication will both contribute to the existing corpus of scholarly literature on Rubens and introduce his masterpieces to new audiences, discussing them in the context of current debates around sexuality, power and feminism.

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