Search results for ""author alexandra loske""

Brighton has transformed itself several times since the Middle Ages: once a small fishing village, it became the most fashionable seaside resort in the 18th century, a thriving tourist destination in the railway age and a liberal, multicultural university city in the 20th century. 200 years ago the party-loving King George IV built himself the playground of all royal playgrounds here: an oriental fantasy of a palace with onion-shaped domes and an exotic faux-Chinese interior, the Royal Pavilion. Today Brighton, together with its surroundings, is culturally one of the most exciting places in Britain, boasting an impressive coast, lined with chalk cliffs and the rolling South Downs as a backdrop. Just 10 kilometres east of Brighton is the picturesque county town of Lewes, with a stunning array of historic buildings, including an 11th-century Norman castle. The people of Lewes are known for their revolutionary spirit, and host the biggest bonfire celebration in the country every year on 5 November.

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Alexandra Loske is an art historian, writer and curator with a particular interest in the history of colour in Western art, print culture and architecture. She has worked at the University of Sussex for over twenty years and received a DPhil in Art History in 2014. Loske's thesis focused on the application of colour theory in the Royal Pavilion, Brighton, where she now holds the position of curator. Loske has authored, edited, and co-authored many books and articles on colour and other subjects, including The Book of Colour Concepts (2024), A Cultural History of Colour in the Age of Industry (2021) and Colour: A Visual History (2019).

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Discover the story of colour through the significant scientific discoveries and key artist's works over 400 years. From Isaac Newton's investigations through to Olafur Eliasson's experiential creations, this stunning book documents the fascinating story of colour with an extraordinary collection of original colour material that includes charts, wheels, artists' palettes, swatches and schemes."In 1704, the scientist Isaac Newton published Opticks, the result of many years of researching light and colour. By splitting white light, Newton identified the visible range of colours, or the rainbow spectrum. In Opticks, he built a colour system around his findings, and he visualised this system in a circular shape, making it one of the first printed colour wheels.The influence of Newton and his followers, combined with the invention of many new pigments as well as watercolours in moist cake form, had made painting with colour an exciting occupation not just for serious artists but also for a much wider audience. The colour revolution had begun."ContentsIntroduction1. Unravelling the Rainbow: The Eighteenth-Century Colour Revolution2. Romantic Ideas & New Technologies: The Early Nineteenth Century3. Industrialism to Impressionism: The Later Nineteenth Century4. Colour for Colour's Sake: Colour into the Future:GlossaryBibliographyIndex

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Mixing Roman and medieval roots, Chichester sits at the heart of a storied landscape where South Down hills dotted with idyllic hamlets ripple back from a shoreline mixing wild dune-backed beaches with old-school seaside resorts. Reminders of smuggling and war add spice. But a thrilling thread of modernity runs through this slice of West Sussex too. Chichester's modernist Festival Theatre provided the foundation for London's National Theatre, while masterpieces of contemporary architecture that draw admirers from around the world include Sea Lane House in East Preston and The White Tower in Bognor Regis. Evocative ancient memorials abound. Chichester is blessed with the only English cathedral visible from the sea, while England's largest castle rises above the ravishing and cosmopolitan riverside town of Arundel. Ancient yew trees mark the burial spots of Viking warriors in an idyllic Downland spot. And it's a land vibrant with creative imprints: poets, paint

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A Cultural History of Color in the Age of Industry covers the period 1800 to 1920, when the world embraced color like never before. Inventions, such as steam power, lithography, photography, electricity, motor cars, aviation, and cheaper color printing, all contributed to a new exuberance about color. Available pigments and colored products - made possible by new technologies, industrial manufacturing, commercialization, and urbanization – also greatly increased, as did illustrated printed literature for the mass market. Color, both literally and metaphorically, was splashed around, and became an expressive tool for artists, designers, and writers. Color shapes an individual’s experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. Alexandra Loske is Curator at the Royal Pavilion and Museums, Brighton, UK Volume 5 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf

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