Search results for ""author alan stott""

That there is a living stream of Johannine Christianity can no longer be doubted. There is now an abundant literature from Rosicrucian and esoteric traditions - from the deepest prayer and meditation - that addresses the exalted nature of John the Evangelist as expressed through his Gospel, Letters and the Book of Revelation. Yet it fell to Hermann Beckh to elucidate clearly how the individual known as 'John' became the source of such undying love and wisdom in Christ. According to Rudolf Steiner, John was the ailing Lazarus, called from death to a new life as 'the disciple Jesus loved'. Beckh demonstrates how John's invaluable writings were based on personal spiritual knowledge and experience, expressing the divine work of the Cosmic Christ on human nature and on the Earth, leading far into the future. Whilst Beckh's authorship originated within the context of the emerging Christian Community founded in 1922, his profoundly original books could not be confined to its framework. Not only could Beckh tackle original texts in Tibetan, Sanskrit and Avestan, but - through his independent vision - he was able to establish new links with philosophical Alchemy, Jakob Boehme, Goethe, Nietzsche and Novalis. He thereby stands with these figures as a co-worker in a greater community. Having prepared the way with his Mark's Gospel of 1928, John's Gospel could be described as the capstone of Beckh's writings - as a triumphant announcement that theology and the study of John's Gospel have finally come of age. Appearing here in a freshly revised translation by Alan Stott, the current volume is enhanced by a series of valuable addenda that shed further light on Beckh's significant achievements.

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Created in 1911, eurythmy was developed for years as an artistic and educational discipline. Although Rudolf Steiner pointed out its healing aspects from the very beginning, it was only in 1921 that he gave a course of lectures that gave the art of eurythmy a vital new application. To the assembled eurythmists and doctors, he presented what one participant described as '...a complete and detailed method of eurythmy therapy, in which we could directly experience that even today the creative and therapeutic power of the word ...is still at work'. Steiner's comprehensive lectures, republished here in a thoroughly revised translation, describe the principles of therapeutic eurythmy, giving many specific exercises. Primarily intended for practising eurythmists, these lectures also contain much material of particular interest. Steiner reveals the intricacies of rhythmic interplay between human physiology and the life-forces in the world around us. He describes the qualities of language and the dynamism contained in the individual vowels and consonants, elucidating their relationship with eurythmical movements and human experience. Through such movements, individuals are able to access the healing etheric forces. The exercises, referred to by Steiner as 'inner gymnastics', contain enormous potential for psychological and physiological well-being. Gaining ever-wider recognition today, they complement conventional medicine, offering a therapeutic process concerned with mind, soul and body. This new edition of these important lectures - previously published under the title Curative Eurythmy - includes an appendix with reminiscences by early eurythmists, as well as additional commentary from Dr Walter Kugler.

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As a practising Christian priest, Hermann Beckh was profoundly aware that the mystery of substance – its transmutation in the cosmos and the human being – was a mystical fact to be approached with the greatest reverence, requiring at once ever-deepening scholarship and meditation. He viewed chemistry as a worthy but materialistic science devoid of spirit, while the fullness of spiritual-physical nature could be approached by what he preferred to call ‘chymistry’ or ‘alchymy’, thereby taking in millennia of spiritual tradition. In consequence, Beckh’s Alchymy, The Mystery of the Material World is not limited to the conventional workings of Western alchemy, nor to what can be found in the Bible from Genesis to Revelation – although he does unveil hidden riches there. Neither should Beckh be considered only as a learned Professor with impeccable academic qualifications and European-wide recognition. Beckh writes about such topics as ‘Isis’, ‘the Golden Fleece’, traditional fairy-stories and Wagner’s Parsifal in a way that enables the reader to catch glimpses of the Mystery of Substance; to share the writer’s authentic experience of the divine substantia – the living reality – of Christ in the world. Beckh’s Alchymy set an entirely new standard, and went on to become his most popular publication. This is the first time that it has been translated into English, along with updated footnotes, making his ideas and insights accessible to a wide readership. In addition, this edition features translations of Beckh’s ‘The New Jerusalem’, where theology could best be expressed in verse; his exemplary essay on ‘Snow-white’; observations on ‘Allerleirauh’, and a substantial excerpt from Gundhild Kačer-Bock’s biography of Beckh.

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Hermann Beckh's lectures on language - published here in English for the first time - offer a unique and penetrating discussion of the origins and evolution of speech. Based on his professional knowledge of Tibetan, Sanskrit and Pali - and complete fluency in at least six other ancient languages, not to count nine modern languages - and accompanied by a heartfelt understanding of anthroposophy, the lectures comprise an unparalleled marriage of academic and meditative insights. Further, they give a valuable introduction to the author's later works on music, the stars and the Gospels of Mark and John. The Source of Speech features Beckh's complete series of articles on the subject that were developed during the early, 'seeding' period of his life and work. These include: 'Rudolf Steiner and the East', an unprecedented study of Steiner's relationship to Sanskrit and Buddhist spirituality; 'Let There be Light', Beckh's exploration of the six Hebrew words forming Genesis 1:3; articles devoted to the origins of language, Indian philosophies and the names of the Divine in sacred texts; and essays published in Das Goetheanum which examine speech sounds, especially those of Sanskrit and Classical Hebrew. Also included are contemporaneous reviews of Beckh's articles by Albert Steffen and Eugen Kolisko and a lecture on academia, materialism and the undisciplined enthusiasm for Indian spirituality, held at the University of Berlin. Nearly one hundred years on, Beckh's perspectives and themes remain as exciting, relevant and fresh as ever.

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‘These Letters … aim to make John’s Gospel accessible to people today as their own gospel, both as a whole and in the details; to illuminate it with the spiritual knowledge of the age and to make it fruitful for life, not only for meditation but also for practical ordering of destiny.’ – Friedrich Rittelmeyer. --- A revitalized Johannine Christianity stands at the heart of the work of Christian renewal that was led by Rudolf Steiner in the early twentieth century. Friedrich Rittelmeyer, a Lutheran minister and theologian who helped found The Christian Community in 1922, was a leading figure within this new Johannine movement. Rittelmeyer described John’s Gospel as encapsulating ‘…an indescribable glory of revelation of love. This glory has such purity, delicacy and spiritual power that in it one has the material with which a marvellous new world may be built.’ --- Without doubt his most powerful work, Rittelmeyer’s Letters on John’s Gospel first appeared in a series of publications by the Stuttgart seminary of The Christian Community between 1930 and 1932. Whilst these Letters were originally written with students and local congregations in mind, they provide manifold insights for anyone seeking to glimpse the majesty of John’s Gospel. Margaret Mitchell’s translation from 1937 has never before been published in book form. Revised here and expanded by editors Alan Stott and Neil Franklin, this volume features additional contributions by Rudolf Frieling and Emil Bock.

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In our hurried, everyday lives, time of day and even seasons can blur together, leaving us distanced from the natural world and spiritual rhythms.This book is a visionary and practical exploration of thoughts and meditations which can help us engage with the changing moods of the year. Rittelmeyer's descriptive sketches of the Christian festivals and subjects from the New Testament are offered as helpful spiritual signposts along the path of the year.The meditations can be used as devotions to help us deepen our own insight, and to stimulate creative and meaningful religious celebrations.

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The unique scholarship and artistic sensitivity of Prof. Dr Hermann Beckh (1875–1937) is in the process of being rediscovered. The great linguist, Orientalist and Christian priest – an active music-lover who also composed – penned pioneer works on our musical system that are respected by musicians and musicologists. This volume brings together two revised versions of his best-loved books. The Essence of Tonality is written ‘…for musicians and music-lovers who, because of their particular musicality experience something spiritual – and for spiritual seekers and sensitive people who, because of their particular spirituality, have experienced a connection with music.’ Beckh believed a spiritual view of tonality would ensure music’s, and humanity’s, future. The author elucidates the correspondence of the circle of fifths (the keys) to the zodiac. Research should be directed towards the twelve vital, spiritual key-centres, as expressing the cosmic rhythms in which we all live, rather than the abstract twelve chromatic notes of atonality. In The Parsifal Christ-Experience, Beckh’s original insights throw new and powerful light on the search for meaning in our age, for a knowledge of the heart. In the poetic libretto and remarkable music of his final creation, Wagner – acknowledged by Bruckner as ‘the Master’ – presents the Grail legend and its imagery. The psychological drama and its ultimate solution provide insights to anyone who is prepared to reflect on inner experience. Through Beckh’s references to Wagner’s own letters, as well as a remarkable letter from Nietzsche, the reader gains knowledge of the true nature of Wagner and his work.

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Lost for decades, the manuscript of Hermann Beckh's final lectures on the subject of music present fundamentally new insights into its cosmic origins. Beckh characterises the qualities of musical development, examines select musical works (that represent for him the peak of human ingenuity), and throws new light on the nature and source of human creativity and inspiration. Published here for the first time, the lectures demonstrate a distinctive approach founded on the raw material of musical perception. Beckh discusses the whistling wind, the billowing wave, the song of the birds and particularly the theme of longing. Never losing the ground from under his feet, he penetrates perennial themes: from the yearning for real spontaneity and the 'Mystery background' uniting heaven and earth, to spiritual knowledge that can meet the demands of the twenty-first century. Out of the cosmic context, Beckh writes to the individual situation. From there, he seeks again the re-won cosmic context. He does not write as a musical specialist and then turn to universal human concerns; rather, Beckh writes from universal human concerns and reveals music as of special concern to everyone. In addition to the transcripts of fifteen lectures, this book contains a valuable introduction and editorial footnotes. It also features appendices including Beckh's essay 'The Mystery of the Night in Wagner and Novalis'; reminiscences of Beckh by August Pauli and Harro Ruckner; Donald Francis Tovey's 'Wagnerian harmony and the evolution of the Tristan-chord', and several contemporaneous reviews of Beckh's published works.

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