Search results for ""author alain badiou""

Plato's Republic is one of the most well-known and widely discussed texts in the history of philosophy, but how might we get to the heart of this work today, 2500 years after it was originally composed? Alain Badiou invents a new genre in order to breathe fresh life into Plato's text and restore its universality. Rather than producing yet another critical commentary, he has retranslated the work from the original Greek and, by making various changes, adapted it for our times. In this innovative reimagining of a classic text, Badiou has removed all references specific to ancient Greek society, from the endless exchanges about the moral courage of poets to those political considerations that were only of interest to the aristocratic elite. On the other hand, Badiou has expanded the range of cultural references: here philosophy is firing on all cylinders, and Socrates and his companions are joined by Beckett, Pessoa, Freud and Hegel. They demonstrate the enduring nature of true philosophy, always ready to move with the times. Moreover, Badiou the dramatist has made the Socratic dialogue a true oratorial contest: in his version of the Republic, the interlocutors have more in mind than merely agreeing with the Master. They stand up to him, put him on the spot and thereby show thought in motion. Through this work of writing, scholarship and philosophy, we are able, for the first time, to read a version of Plato's text which is alive, stimulating and directly relevant to our world today.

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For Alain Badiou, films think, and it is the task of the philosopher to transcribe that thinking. What is the subject to which the film gives expressive form? This is the question that lies at the heart of Badiou’s account of cinema. He contends that cinema is an art form that bears witness to the Other and renders human presence visible, thus testifying to the universal value of human existence and human freedom. Through the experience of viewing, the movement of thought that constitutes the film is passed on to the viewer, who thereby encounters an aspect of the world and its exaltation and vitality as well as its difficulty and complexity. Cinema is an impure art cannibalizing its times, the other arts, and people – a major art precisely because it is the locus of the indiscernibility between art and non-art. It is this, argues Badiou, that makes cinema the social and political art par excellence, the best indicator of our civilization, in the way that Greek tragedy, the coming-of-age novel and the operetta were in their respective eras.

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Everywhere, the twentieth century has been judged and condemned: the century of totalitarian terror, of utopian and criminal ideologies, of empty illusions, of genocides, of false avant-gardes, of democratic realism everywhere replaced by abstraction. It is not Badiou's wish to plead for an accused that is perfectly capable of defending itself without the authors aid. Nor does he seek to proclaim, like Frantz, the hero of Sartre's Prisoners of Altona, 'I have taken the century on my shoulders and I have said: I will answer for it!' The Century simply aims to examine what this accursed century, from within its own unfolding, said that it was. Badiou's proposal is to reopen the dossier on the century - not from the angle of those wise and sated judges we too often claim to be, but from the standpoint of the century itself.

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"We know that communism is the right hypothesis. All those who abandon this hypothesis immediately resign themselves to the market economy, to parliamentary democracy - the form of state suited to capitalism - and to the inevitable and "natural" character of the most monstrous inequalities." Alain Badiou Alain Badiou's 'communist hypothesis', first stated in 2008, cut through the cant and compromises of the past twenty years to reconceptualize the Left. The hypothesis is a fresh demand for universal emancipation and a galvanizing call to arms. Anyone concerned with the future of the planet needs to reckon with the ideas outlined within this book.

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Who hasn't had the frightening experience of stumbling around in the pitch dark? Alain Badiou experienced that primitive terror when he, with his young friends, made up a game called "The Stroke of Midnight." The furtive discovery of the dark continent of sex in banned magazines, the beauty of black ink on paper, but also the mysteries of space and the grief of mourning: these are some of the things we encounter as the philosopher takes us on a trip through the private theater of his mind, at the whim of his memories. Music, painting, politics, sex, and metaphysics: all contribute to making black more luminous than it has ever been.

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The history of humanity has only just begun. The Neolithic Revolution may have endowed us with unparalleled means of communication, subsistence, and knowledge acquisition. However, it is clear in today’s world that inequality, power hierarchies, and violence persist on a greater scale than ever before. In these two lectures, delivered to the large number of young people who gathered in the Lycée Henri-IV and the École nationale des Beaux-Arts in Paris to hear him speak, Alain Badiou argues that we are still firmly rooted in the Neolithic era, subjugated by the structures of political power – property, family, and state. He calls for a second revolution to restore to each person their freedom and agency. Through an analysis of recent attempts at political organisation, including the Arab Spring, Occupy, and Nuit debout, Badiou shows that progress toward this goal will only be achieved through an emphasis on sameness, not difference. This rallying cry to the young from one of France’s most renowned radical thinkers will appeal to the many who read and follow his work, and to the millions of young people around the world who are passionate about redressing the deeply entrenched inequalities and divisions in our societies today.

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Plato's Republic is one of the most well-known and widely discussed texts in the history of philosophy, but how might we get to the heart of this work today, 2500 years after it was originally composed? Alain Badiou invents a new genre in order to breathe fresh life into Plato's text and restore its universality. Rather than producing yet another critical commentary, he has retranslated the work from the original Greek and, by making various changes, adapted it for our times. In this innovative reimagining of a classic text, Badiou has removed all references specific to ancient Greek society, from the endless exchanges about the moral courage of poets to those political considerations that were only of interest to the aristocratic elite. On the other hand, Badiou has expanded the range of cultural references: here philosophy is firing on all cylinders, and Socrates and his companions are joined by Beckett, Pessoa, Freud and Hegel. They demonstrate the enduring nature of true philosophy, always ready to move with the times. Moreover, Badiou the dramatist has made the Socratic dialogue a true oratorial contest: in his version of the Republic, the interlocutors have more in mind than merely agreeing with the Master. They stand up to him, put him on the spot and thereby show thought in motion. Through this work of writing, scholarship and philosophy, we are able, for the first time, to read a version of Plato's text which is alive, stimulating and directly relevant to our world today.

Read more less

Who hasn't had the frightening experience of stumbling around in the pitch dark? Alain Badiou experienced that primitive terror when he, with his young friends, made up a game called "The Stroke of Midnight." The furtive discovery of the dark continent of sex in banned magazines, the beauty of black ink on paper, but also the mysteries of space and the grief of mourning: these are some of the things we encounter as the philosopher takes us on a trip through the private theater of his mind, at the whim of his memories. Music, painting, politics, sex, and metaphysics: all contribute to making black more luminous than it has ever been.

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This volume draws on a five-year correspondence undertaken by Badiou and Deleuze near the end of Deleuze''s life, when the two put aside long-standing political and philosophical differences to exchange ideas about similar problems in their work'

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For Alain Badiou, films think, and it is the task of the philosopher to transcribe that thinking. What is the subject to which the film gives expressive form? This is the question that lies at the heart of Badiou’s account of cinema. He contends that cinema is an art form that bears witness to the Other and renders human presence visible, thus testifying to the universal value of human existence and human freedom. Through the experience of viewing, the movement of thought that constitutes the film is passed on to the viewer, who thereby encounters an aspect of the world and its exaltation and vitality as well as its difficulty and complexity. Cinema is an impure art cannibalizing its times, the other arts, and people – a major art precisely because it is the locus of the indiscernibility between art and non-art. It is this, argues Badiou, that makes cinema the social and political art par excellence, the best indicator of our civilization, in the way that Greek tragedy, the coming-of-age novel and the operetta were in their respective eras.

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This concise and accessible book is the perfect introduction to Badiou’s thought. Responding to Tarby’s questions, Badiou takes us on a journey that interrogates and explores the four conditions of philosophy: politics, love, art and science. In all these domains, events occur that bring to light possibilities that were invisible or even unthinkable; they propose something to us. Everything then depends on how the possibility opened up by the event is grasped, elaborated and embedded in the world – this is what Badiou calls a ‘truth procedure’. The event creates a possibility but there then has to be an effort – a group effort in the case of politics, an individual effort in the case of love or art – for this possibility to become real and inscribed in the world. As he explains his thinking on politics, love, art and science, Badiou takes stock of his major works, reflects on their central themes and arguments and looks forward to the questions he plans to address in his future writings. The book concludes with a short introduction to Badiou’s philosophy by Fabien Tarby. For anyone wishing to understand the work of one of the most widely read and influential philosophers writing today, this small book will be an indispensable guide.

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The election of Donald Trump as president of the United States sent shockwaves across the globe. How was such an outcome even possible? In two lectures given at American universities in the immediate aftermath of the election, the leading French philosopher Alain Badiou helps us to make sense of this extraordinary occurrence. He argues that Trump's victory was the symptom of a global crisis made up of four characteristics: the triumph of a brutal form of global capitalism, the decomposition of the established political elite, the growing frustration and disorientation that many people feel today, and the absence of a compelling alternative vision. It was in this context that Trump could emerge as a new kind of political figure that was both inside and outside the political order, a member of the Republican Party who, at the same time, represents something outside the system. The progressive political challenge now is to create something new that offers people a real choice, a radical alternative based on principles of universality and equality. This concise account of the meaning of Trump should be read by everyone who wants to understand what is happening in our world today.

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The election of Donald Trump as president of the United States sent shockwaves across the globe. How was such an outcome even possible? In two lectures given at American universities in the immediate aftermath of the election, the leading French philosopher Alain Badiou helps us to make sense of this extraordinary occurrence. He argues that Trump's victory was the symptom of a global crisis made up of four characteristics: the triumph of a brutal form of global capitalism, the decomposition of the established political elite, the growing frustration and disorientation that many people feel today, and the absence of a compelling alternative vision. It was in this context that Trump could emerge as a new kind of political figure that was both inside and outside the political order, a member of the Republican Party who, at the same time, represents something outside the system. The progressive political challenge now is to create something new that offers people a real choice, a radical alternative based on principles of universality and equality. This concise account of the meaning of Trump should be read by everyone who wants to understand what is happening in our world today.

Read more less

The history of humanity has only just begun. The Neolithic Revolution may have endowed us with unparalleled means of communication, subsistence, and knowledge acquisition. However, it is clear in today’s world that inequality, power hierarchies, and violence persist on a greater scale than ever before. In these two lectures, delivered to the large number of young people who gathered in the Lycée Henri-IV and the École nationale des Beaux-Arts in Paris to hear him speak, Alain Badiou argues that we are still firmly rooted in the Neolithic era, subjugated by the structures of political power – property, family, and state. He calls for a second revolution to restore to each person their freedom and agency. Through an analysis of recent attempts at political organisation, including the Arab Spring, Occupy, and Nuit debout, Badiou shows that progress toward this goal will only be achieved through an emphasis on sameness, not difference. This rallying cry to the young from one of France’s most renowned radical thinkers will appeal to the many who read and follow his work, and to the millions of young people around the world who are passionate about redressing the deeply entrenched inequalities and divisions in our societies today.

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The political regime of global capitalism reduces the world to an endless network of numbers within numbers, but how many of us really understand what numbers are? Without such an understanding, how can we challenge the regime of number? In Number and Numbers Alain Badiou offers an philosophically penetrating account with a powerful political subtext of the attempts that have been made over the last century to define the special status of number. Badiou argues that number cannot be defined by the multiform calculative uses to which numbers are put, nor is it exhausted by the various species described by number theory. Drawing on the mathematical theory of surreal numbers, he develops a unified theory of Number as a particular form of being, an infinite expanse to which our access remains limited. This understanding of Number as being harbours important philosophical truths about the structure of the world in which we live. In Badiou's view, only by rigorously thinking through Number can philosophy offer us some hope of breaking through the dense and apparently impenetrable capitalist fabric of numerical relations. For this will finally allow us to point to that which cannot be numbered: the possibility of an event that would deliver us from our unthinking subordination of number.

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On 13 November 2015, Paris suffered the second wave of brutal terrorist attacks in a year, leaving 130 dead and many more seriously injured. How are we to make sense of these violent acts and what do they tell us about the forces shaping our world today?In this short book the influential philosopher Alain Badiou argues that while these violent events are commonly portrayed as acts of Islamic terrorism, in fact they attest to a much deeper malaise that is connected to the triumph of global capitalism and to new forms of imperialism that involve the weakening of states, such that whole regions of the world have been turned into ungovernable zones run by armed gangs in which ordinary people are forced to live the most precarious lives. These zones have become the breeding ground for a new kind of nihilism that seeks revenge for the domination of the West. And it is this new nihilism, on to which Islam has been grafted, that exerts a particular appeal to the young men and women on the margins who carried out the atrocities in Paris. The tragedy of 13 November might appear at first sight to be rooted in immigration and Islam but our wound is not so recent: it is rooted in a deeper set of transformations that have reshaped our world, creating small islands of privilege amidst large masses of the destitute and depriving us of a politics that would offer a serious alternative to the present.

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Twenty years ago, Alain Badiou's first Manifesto for Philosophy rose up against the all-pervasive proclamation of the "end" of philosophy. In lieu of this problematic of the end, he put forward the watchword: "one more step". The situation has considerably changed since then. Philosophy was threatened with obliteration at the time, whereas today it finds itself under threat for the diametrically opposed reason: it is endowed with an excessive, artificial existence. "Philosophy" is everywhere. It serves as a trademark for various media pundits. It livens up cafés and health clubs. It has its magazines and its gurus. It is universally called upon, by everything from banks to major state commissions, to pronounce on ethics, law and duty. In essence, "philosophy" has now come to stand for nothing other than its most ancient enemy: conservative ethics. Badiou's second manifesto therefore seeks to demoralize philosophy and to separate it from all those "philosophies" that are as servile as they are ubiquitous. It demonstrates the power of certain eternal truths to illuminate action and, as such, to transport philosophy far beyond the figure of "the human" and its "rights". There, well beyond all moralism, in the clear expanse of the idea, life becomes something radically other than survival.

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In a series of seven trenchant interventions Alain Badou analyses the decisive developments in Greece since 2011. Badiou considers this Mediterranean country "a sort of open-air political lesson", with much to tell us about the wider situation. Greece is exemplary of "our fundamental contradictions in Europe, which are also ultimately the fundamental contradictions of the world such as it is-the world served up to the authoritarian anarchy of capitalism."Notwithstanding the Greeks' heartening opposition to the financial markets' hegemony, Badiou considers it also important to address the reasons why this opposition failed. "Movementist" politics may arouse widespread sympathy, but for the French philosopher they have "absolutely no effect other than to temporarily trap the movement in the negative weakness of its affects." Badiou argues that a consequential opposition inspired by the emancipatory politics of the past-or by what he calls "the communist hypothesis"-should set its compass by the "orienting maxims" proposed in this book, defining a direction for political action.

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A new century, new threats to love . . . Love without risks is like war without deaths - but, today, love is threatened by an alliance of liberalism and hedonism. Caught between consumerism and casual sexual encounters devoid of passion, love - without the key ingredient of chance - is in danger of withering on the vine. In In Praise of Love, Alain Badiou takes on contemporary 'dating agency' conceptions of love that come complete with zero-risk insurance - like US zero-casualty bombs. He develops a new take on love that sees it as an adventure, and an opportunity for re-invention, in a constant exploration of otherness and difference that leads the individual out of an obsession with identity and self. Liberal, libertine and libertarian reductions of love to instant pleasure and non-commitment bite the dust as Badiou invokes a supporting cast of thinkers from Plato to Lacan via Karl Marx to form a new narrative of romance, relationships and sex - a narrative that does not fear love.

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What is the relation between politics and the world? It might seem that global capitalism has created one world, but this is an illusion because capitalism creates a world of objects and money that divides human existence into regions separated by fences and walls built to keep some people out. In place of this falsely unified world of global capitalism, we need to assert a fundamental principle – namely, that there is one world of living subjects. This, in Badiou's view, is the categorical imperative of all true politics. The one world of living subjects is the place where an infinity of differences and identities exist. Hence foreigners are not a problem but rather an opportunity and a gift. They bear witness to the youth of the world in its infinite variety, and it is with this youth that the politics of the future rests. Foreignness is the means by which existence is re-evaluated, and all true politics is a new dawn of existence. This collection of essays by Badiou, in which he draws out the political implications of recent events and social movements, will be of value to anyone interested in the great social and political questions of our time.

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Didacticism, romanticism, and classicism are the possible schemata for the knotting of art and philosophy, the third term in this knot being the education of subjects, youth in particular. What characterizes the century that has just come to a close is that, while it underwent the saturation of these three schemata, it failed to introduce a new one. Today, this predicament tends to produce a kind of unknotting of terms, a desperate dis-relation between art and philosophy, together with the pure and simple collapse of what circulated between them: the theme of education. Whence the thesis of which this book is nothing but a series of variations: faced with such a situation of saturation and closure, we must attempt to propose a new schema, a fourth type of knot between philosophy and art. Among these “inaesthetic” variations, the reader will encounter a sustained debate with contemporary philosophical uses of the poem, bold articulations of the specificity and prospects of theater, cinema, and dance, along with subtle and provocative readings of Fernando Pessoa, Stéphane Mallarmé, and Samuel Beckett.

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Badiou indicts this approach, which reduces politics to a matter of opinion, thus eliminating any of its truly radical and emancipatory possibilities. Against this intellectual tradition, Badiou proposes instead the consideration of politics in terms of the production of truth and the affirmation of equality. He demands that the question of a possible "political truth" be separated from any notion of consensus or public opinion, and that political action be rethought in terms of the complex process that binds discussion to decision. Starting from this analysis, Badiou critically examines the thought of anthropologist and political theorist Sylvain Lazarus, Jacques Ranciere's writings on workers' history and democratic dissensus, the role of the subject in Althusser, as well as the concept of democracy and the link between truth and justice.

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In Can Politics Be Thought?—published in French in 1985 and appearing here in English for the first time—Alain Badiou offers his most forceful and systematic analysis of the crisis of Marxism. Distinguishing politics as an active mode of thinking from the political as a domain of the State, Badiou argues for the continuation of Marxist politics. In so doing, he shows why we need to recapture the emancipatory hypothesis of Marx's original gesture in order to actualize its radical potential. This volume also includes Badiou's “Of an Obscure Disaster: On the End of the Truth of the State,” in which he rebuts claims of Communism's death after the fall of the Soviet Union.

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Didacticism, romanticism, and classicism are the possible schemata for the knotting of art and philosophy, the third term in this knot being the education of subjects, youth in particular. What characterizes the century that has just come to a close is that, while it underwent the saturation of these three schemata, it failed to introduce a new one. Today, this predicament tends to produce a kind of unknotting of terms, a desperate dis-relation between art and philosophy, together with the pure and simple collapse of what circulated between them: the theme of education. Whence the thesis of which this book is nothing but a series of variations: faced with such a situation of saturation and closure, we must attempt to propose a new schema, a fourth type of knot between philosophy and art. Among these “inaesthetic” variations, the reader will encounter a sustained debate with contemporary philosophical uses of the poem, bold articulations of the specificity and prospects of theater, cinema, and dance, along with subtle and provocative readings of Fernando Pessoa, Stéphane Mallarmé, and Samuel Beckett.

Read more less

This volume of conversations between Alain Badiou and Peter Engelmann focuses on the concrete political situation in the world of today. Here the validity and applicability of Badiou’s ideas are tested in relation to the great social and political problems of our time, including terrorism, migration, the surge in support for nationalist and populist parties and the growing gap between rich and poor. Badiou argues that in the age of today’s globalized capitalism, with its division of labour on a global scale and the worldwide interconnection of information through the Internet, there are no longer any national solutions. Because nations and states lose meaning in favour of transnational corporations in globalized capitalism, resistance to capitalism must by definition be global too. Only a politics that defines itself as a politics for all and does not act in the interests of one particular group – whether a nation, religion or community of shared values – can lead the world out of the current crisis of globalized capitalism.

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Against the backdrop of an alarming rise in authoritarianism and the crisis of liberal democracy, few would consider extoling the virtues of politics today. Yet in this lively dialogue with journalist Aude Lancelin, leading French thinker Alain Badiou argues that it is precisely through politics that humanity can still achieve its most ambitious aims. As power becomes ever more concentrated in the hands of the state and global corporations, the role of the citizen is reduced to little more than ritual. But Badiou emphasizes that politics is concerned not just with power and the state, but also with justice. So the central question of politics is “What is a just power?”, and the debate over politics is fundamentally about the norms to which power is subject and its relationship to a community – a community that is able to take control of its own destiny and provide its own direction, based on a shared standard of justice. This engaging dialogue, in which Badiou articulates his view of politics with exceptional clarity, will be of great value to anyone interested in radical politics today.

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Against the backdrop of an alarming rise in authoritarianism and the crisis of liberal democracy, few would consider extoling the virtues of politics today. Yet in this lively dialogue with journalist Aude Lancelin, leading French thinker Alain Badiou argues that it is precisely through politics that humanity can still achieve its most ambitious aims. As power becomes ever more concentrated in the hands of the state and global corporations, the role of the citizen is reduced to little more than ritual. But Badiou emphasizes that politics is concerned not just with power and the state, but also with justice. So the central question of politics is “What is a just power?”, and the debate over politics is fundamentally about the norms to which power is subject and its relationship to a community – a community that is able to take control of its own destiny and provide its own direction, based on a shared standard of justice. This engaging dialogue, in which Badiou articulates his view of politics with exceptional clarity, will be of great value to anyone interested in radical politics today.

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'I'm 79 years old. So why on earth should I concern myself with speaking about youth?' This is the question with which renowned French philosopher Alain Badiou begins his passionate plea to the young. Today young people, at least in the West, are on the brink of a new world. With the decline of old traditions, they now face more choices than ever before. Yet powerful forces are pushing them in dangerous directions, into the vortex of consumerism or into reactive forms of traditionalism. This is a time when young people must be particularly attentive to the signs of the new and have the courage to venture forth and find out what they're capable of, without being constrained by the old prejudices and hierarchical ideas of the past. And if the aim of philosophy is to corrupt youth, as Socrates was accused of doing, this can mean only one thing: to help young people see that they don't have to go down the paths already mapped out for them, that they are not just condemned to obey social customs, that they can create something new and propose a different direction as regards the true life.

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The Adventure of French Philosophy is essential reading for anyone interested in what Badiou calls the "French moment" in contemporary thought.Badiou explores the exceptionally rich and varied world of French philosophy in a number of groundbreaking essays, published here for the first time in English or in a revised translation. Included are the often-quoted review of Louis Althusser's canonical works For Marx and Reading Capital and the scathing critique of "potato fascism" in Gilles Deleuze and Félix Guattari's A Thousand Plateaus. There are also talks on Michel Foucault and Jean-Luc Nancy, and reviews of the work of Jean-François Lyotard and Barbara Cassin, notable points of interest on an expansive tour of modern French thought.Guided by a small set of fundamental questions concerning the nature of being, the event, the subject, and truth, Badiou pushes to an extreme the polemical force of his thinking. Against the formless continuum of life, he posits the need for radical discontinuity; against the false modesty of finitude, he pleads for the mathematical infinity of everyday situations; against the various returns to Kant, he argues for the persistence of the Hegelian dialectic; and against the lure of ultraleftism, his texts from the 1970s vindicate the role of Maoism as a driving force behind the communist Idea.

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English-speaking readers might be surprised to learn that Alain Badiou writes fiction and plays along with his philosophical works and that they are just as important to understanding his larger intellectual project. In Ahmed the Philosopher, Badiou's most entertaining and accessible play, translated into English here for the first time, readers are introduced to Badiou's philosophy through a theatrical tour de force that has met with much success in France. Ahmed the Philosopher presents its comic hero, the "treacherous servant" Ahmed, as a seductively trenchant philosopher even as it casts philosophy itself as a comic performance. The comedy unfolds as a series of lessons, with each "short play" or sketch illuminating a different Badiousian concept. Yet Ahmed does more than illustrate philosophical abstractions; he embodies and vivifies the theatrical and performative aspects of philosophy, mobilizing a comic energy that exposes the emptiness and pomp of the world. Through his example, the audience is moved to a living engagement with philosophy, discovering in it the power to break through the limits of everyday life.

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Since the book’s first publication in 1988, Alain Badiou’s Being and Event has established itself of one of the most important and controversial works in contemporary philosophy and its author as one of the most influential thinkers of our time. Being and Event is a comprehensive statement of Badiou’s philosophical project and sees him recast the European philosophical tradition from Plato onwards, via a series of analyses of such key figures as Descartes, Spinoza, Leibniz, Hegel, Rousseau, and Lacan. He thus develops the basis for a history of philosophy rivalling those of Heidegger and Deleuze in its depth. Now publishing in the Bloomsbury Revelations series to mark 25 years since the book’s first publication in French, Being and Event is an essential read for anyone interested in contemporary thought.

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This volume of conversations between Alain Badiou and Peter Engelmann focuses on the concrete political situation in the world of today. Here the validity and applicability of Badiou’s ideas are tested in relation to the great social and political problems of our time, including terrorism, migration, the surge in support for nationalist and populist parties and the growing gap between rich and poor. Badiou argues that in the age of today’s globalized capitalism, with its division of labour on a global scale and the worldwide interconnection of information through the Internet, there are no longer any national solutions. Because nations and states lose meaning in favour of transnational corporations in globalized capitalism, resistance to capitalism must by definition be global too. Only a politics that defines itself as a politics for all and does not act in the interests of one particular group – whether a nation, religion or community of shared values – can lead the world out of the current crisis of globalized capitalism.

Read more less

In Can Politics Be Thought?—published in French in 1985 and appearing here in English for the first time—Alain Badiou offers his most forceful and systematic analysis of the crisis of Marxism. Distinguishing politics as an active mode of thinking from the political as a domain of the State, Badiou argues for the continuation of Marxist politics. In so doing, he shows why we need to recapture the emancipatory hypothesis of Marx's original gesture in order to actualize its radical potential. This volume also includes Badiou's “Of an Obscure Disaster: On the End of the Truth of the State,” in which he rebuts claims of Communism's death after the fall of the Soviet Union.

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In this bold and provocative work, French philosopher Alain Badiou proposes a startling reinterpretation of St. Paul. For Badiou, Paul is neither the venerable saint embalmed by Christian tradition, nor the venomous priest execrated by philosophers like Nietzsche: he is instead a profoundly original and still revolutionary thinker whose invention of Christianity weaves truth and subjectivity together in a way that continues to be relevant for us today. In this work, Badiou argues that Paul delineates a new figure of the subject: the bearer of a universal truth that simultaneously shatters the strictures of Judaic Law and the conventions of the Greek Logos. Badiou shows that the Pauline figure of the subject still harbors a genuinely revolutionary potential today: the subject is that which refuses to submit to the order of the world as we know it and struggles for a new one instead.

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Pocket Pantheon is an invitation to engage with the greats of postwar Western thought, such as Lacan, Sartre and Foucault, in the company of one of today's leading political and philosophical minds. Alain Badiou draws on his encounters with this pantheon-his teachers, opponents and allies-to offer unique insights into both the authors and their work. These studies form an accessible, authoritative distillation of continental theory and a capsule history of a period in Western thought.

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What is the relation between politics and the world? It might seem that global capitalism has created one world, but this is an illusion because capitalism creates a world of objects and money that divides human existence into regions separated by fences and walls built to keep some people out. In place of this falsely unified world of global capitalism, we need to assert a fundamental principle – namely, that there is one world of living subjects. This, in Badiou's view, is the categorical imperative of all true politics. The one world of living subjects is the place where an infinity of differences and identities exist. Hence foreigners are not a problem but rather an opportunity and a gift. They bear witness to the youth of the world in its infinite variety, and it is with this youth that the politics of the future rests. Foreignness is the means by which existence is re-evaluated, and all true politics is a new dawn of existence. This collection of essays by Badiou, in which he draws out the political implications of recent events and social movements, will be of value to anyone interested in the great social and political questions of our time.

Read more less

The question of migration has come to dominate the news agenda in many countries, but what does the word ‘migrant’ really mean today and how should we respond to those who are labelled ‘migrants’? In this short book Alain Badiou argues that our way of thinking about migration should be governed both by an ethical duty to welcome the migrant in the name of hospitality and also by the urgent need to put an end to the global capitalist oligarchy that has produced the migrant as a figure of contemporary crisis. For the ‘migrant,’ argues Badiou, is in fact a nomadic proletarian. Today, our homeland is the world, and any meaningful politics must include those who come to us and who represent the universal nomadic proletariat. Writing with the rigor, clarity, and polemical flair that have made him one of the world’s most influential philosophers, and drawing on a rich body of material including contemporary poetry and the words of an anonymous migrant, Badiou develops a powerful riposte to those who have stoked the fear of migrants and exploited the migration question for political ends.

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In Praise of Theatre is Alain Badiou’s latest work on the ‘most complete of the arts,’ the theatrical stage. This book, certain to be of great interest to scholars and theatre practitioners alike, elaborates the theory of the theatre developed by Badiou in works such as Rhapsody for the Theatre and the ‘Theses on Theatre’ and enquires into the status of a theatre that would be adequate to our 'contemporary, market-oriented chaos.' In a departure from his usual emphasis upon canonical figures of the stage such as Bertolt Brecht and Samuel Beckett, Badiou devotes In Praise of Theatre largely to a consideration of contemporary practitioners, including Jan Fabre, Brigitte Jacques and Romeo Castellucci. In addition, the book features an incisive analysis of the precarious status of the theatre today, in which Badiou describes not only the current threats to the theatre from the right, but the far more insidious threat from the left.

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Everything in their respective positions divides them: Alain Badiou is the thinker of a revitalized communism and Alain Finkielkraut the mournful observer of the loss of values. The two opponents, gathered here for their first-ever debate, have irreconcilable visions. Yet neither is a stranger to controversy, and in this debate they make explicit the grounds of their personal dispute as well as addressing, in a frank and open exchange, their ideas and theories. Guided by Aude Lancelin, the two philosophers discuss subjects as diverse as national identity, Israel and Judaism, May 1968, and renewed popularity of the idea of communism. Their passionate debate is more than just the sum total of their disagreements, however, for neither of them is satisfied with the state of our society or the direction in which its political representatives persist in taking it. They agree that there needs to be change and their confrontation in this volume shows the importance of asking difficult questions, not only of each other, but also of our political systems.

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Everything in their respective positions divides them: Alain Badiou is the thinker of a revitalized communism and Alain Finkielkraut the mournful observer of the loss of values. The two opponents, gathered here for their first-ever debate, have irreconcilable visions. Yet neither is a stranger to controversy, and in this debate they make explicit the grounds of their personal dispute as well as addressing, in a frank and open exchange, their ideas and theories. Guided by Aude Lancelin, the two philosophers discuss subjects as diverse as national identity, Israel and Judaism, May 1968, and renewed popularity of the idea of communism. Their passionate debate is more than just the sum total of their disagreements, however, for neither of them is satisfied with the state of our society or the direction in which its political representatives persist in taking it. They agree that there needs to be change and their confrontation in this volume shows the importance of asking difficult questions, not only of each other, but also of our political systems.

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English-speaking readers might be surprised to learn that Alain Badiou writes fiction and plays along with his philosophical works and that they are just as important to understanding his larger intellectual project. In Ahmed the Philosopher, Badiou's most entertaining and accessible play, translated into English here for the first time, readers are introduced to Badiou's philosophy through a theatrical tour de force that has met with much success in France. Ahmed the Philosopher presents its comic hero, the "treacherous servant" Ahmed, as a seductively trenchant philosopher even as it casts philosophy itself as a comic performance. The comedy unfolds as a series of lessons, with each "short play" or sketch illuminating a different Badiousian concept. Yet Ahmed does more than illustrate philosophical abstractions; he embodies and vivifies the theatrical and performative aspects of philosophy, mobilizing a comic energy that exposes the emptiness and pomp of the world. Through his example, the audience is moved to a living engagement with philosophy, discovering in it the power to break through the limits of everyday life.

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