Search results for ""author adrian poole""

The four writers featured in this volume represent different aspects of the modernist response to Shakespeare. James Joyce, T. S. Eliot, W. H. Auden and Samuel Beckett were all exceptionally learned and their art takes a delight in difficulty. But the scurrility, irreverence and playfulness they found in Shakespeare are essential features of what they themselves were to do with him. They were particularly drawn to Shakespeare’s outcasts, and to the experiences of marginality, estrangement, indigence and craziness. In return they have helped to shape the ways in which we now read Shakespeare himself.

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This title presents a comprehensive critical analysis of the most important Shakespearean critics, editors, actors and directors. It focuses on Shakespeare's reception by English romantic period writers. "Great Shakespeareans" offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. In this volume, leading scholars assess the contribution of William Hazlitt, John Keats and Charles Lamb to the afterlife and reception of Shakespeare and his plays. Each substantial contribution assesses the double impact of Shakespeare on the figure covered and of the figure on the understanding, interpretation and appreciation of Shakespeare. It provides a sketch of their subject's intellectual and professional biography and an account of the wider cultural context, including comparison with other figures or works within the same field.

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What do we mean by 'tragedy' in present-day usage? When we turn on the news, does a report of the latest atrocity have any connection with the masterpieces of Sophocles, Shakespeare and Racine? What has tragedy been made to mean by dramatists, story-tellers, critics, philosophers, politicians and journalists over the last two and a half millennia? Why do we still read, re-write, and stage these old plays? This book argues for the continuities between 'then' and 'now'. Addressing questions about belief, blame, mourning, revenge, pain, witnessing, timing and ending, Adrian Poole demonstrates the age-old significance of our attempts to make sense of terrible suffering. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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'She will do as I have bidden her.' Catherine Sloper is heiress to a fortune and the social eminence associated with Washington Square. She attracts the attention of a good-looking but penniless young man, Morris Townsend. His suit is encouraged by Catherine's romantically-minded aunt, Mrs Penniman, but her father, a clever physician, is convinced that his motives are merely mercenary. He will not consent to the marriage, regardless of the cost to his daughter. Out of this classic confrontation Henry James fashioned one of his most deftly searching shorter fictions. First published in 1880 but set some forty years earlier in a pre-Civil War New York, the novel reflects ironically on the restricted world in which its heroine is marooned, seating herself at its close 'for life, as it were'. In his introduction Adrian Poole reflects on the book's gestation and influences, the significance of place, and the insight with which the four prinicipal players are drawn. The edition includes an account of the real-life tale that sparked James's imaginative genius. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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'This, of the history plays, is The Tragedy ... the most lyrical Shakespeare ever wrote' Simon SchamaThe old king Henry IV, sick and weary, must send out his forces - including the unruly Falstaff - to meet another rebellion that threatens to bring the country to the brink of civil war. But as the conflict grows, he must also confront a more personal problem - how to make his troublesome son Prince Hal accept his duty as heir and leave his carousing companions behind. Pitting youth against old age, son against father, carefree hope against the realities of ruling, this is an elegiac drama of pathos and regret.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by Peter Davison Introduction by Adrian Poole

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'Shakespeare invented the human as we continue to know it' Harold BloomSet in a city torn apart by feuds and gang warfare, Shakespeare's immortal drama tells the story of star-crossed lovers, rival dynasties and bloody revenge. Romeo and Juliet is a hymn to youth and the thrill of forbidden love, charged with sexual passion and violence, but also a warning of death: a dazzling combination of bawdy comedy and high tragedy. Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by T. J. B. Spencer Introduction by Adrian Poole

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The greatest expression of his talent for witty, observant explorations of what it means to 'live well', Henry James's The Ambassadors is edited with an introduction and notes by Adrian Poole in Penguin Classics.Concerned that her son Chad may have become involved with a woman of dubious reputation, the formidable Mrs Newsome sends her 'ambassador' Strether from Massachusetts to Paris to extricate him. Strether's mission, however, is gradually undermined as he falls under the spell of the city and finds Chad refined rather than corrupted by its influence and that of his charming companion, Madame de Vionnet, and her daughter, Jeanne. As the summer wears on, Mrs Newsome concludes that she must send another envoy to confront the errant Chad - and a Strether whose view of the world has changed profoundly. One of the greatest of James's late works, The Ambassadors is a subtle and witty exploration of different responses to a European environment.This edition of The Ambassadors includes a chronology, further reading, glossary, notes and an introduction discussing the novel in the context of James's other works on Americans in Europe, and the novel's portrayal of Paris.Henry James (1843-1916) son of a prominent theologian, and brother to the philosopher William James, was one of the most celebrated novelists of the fin-de-siècle. In addition to many short stories, plays, books of criticism, biography and autobiography, and much travel writing, he wrote some twenty novels. His novella 'Daisy Miller' (1878) established him as a literary figure on both sides of the Atlantic, and his other novels in Penguin Classics include Washington Square (1880), The Portrait of a Lady (1881), The Awkward Age (1899), The Wings of the Dove (1902), The Ambassadors (1903) and The Golden Bowl (1904)If you enjoyed The Ambassadors, you might like Ford Madox Ford's Parade's End, also available in Penguin Classics.

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'There's no baseness I wouldn't commit for Jeffrey Aspern's sake.' The poet Aspern, long since dead, has left behind some private papers. They are jealously guarded by an old lady, once his mistress and muse, a recluse in an old palazzo in Venice, tended by her ingenuous niece. A predatory critic is determined to seize them. What can he make of the younger woman? What are his motives? What are the papers worth and what is he prepared to pay? In all four stories collected here, including 'The Death of the Lion', 'The Figure in the Carpet', and 'The Birthplace', the figure of the artist is central. Extraordinarily prophetic, James explores the emergent new cult of the writer as celebrity, and asks, who cares about the work for itself? Can the man behind the artist ever truly be known, and does our knowledge explain the act of creativity? This new edition includes extracts from James's Prefaces and Notebooks which shed light on the genesis of the stories. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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What Maisie Knew (1897) represents one of James's finest reflections on the rites of passage from wonder to knowledge, and the question of their finality. The child of violently divorced parents, Maisie Farange opens her eyes on a distinctly modern world. Mothers and fathers keep changing their partners and names, while she herself becomes the pretext for all sorts of adult sexual intrigue. In this classic tale of the death of childhood, there is a savage comedy that owes much to Dickens. But for his portrayal of the child's capacity for intelligent `wonder', James summons all the subtlety he devotes elsewhere to his most celebrated adult protagonists. Neglected and exploited by everyone around her, Maisie inspires James to dwell with extraordinary acuteness on the things that may pass between adult and child. In addition to a new introduction, this edition of the novel offers particularly detailed notes, bibliography, and a list of variant readings. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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One of the BBC's '100 Novels That Shaped Our World''The great poet of the city. He was created by London' Peter AckroydOur Mutual Friend centres on an inheritance - Old Harmon's profitable dust heaps - and its legatees: young John Harmon, presumed drowned when a body is pulled out of the Thames, and kindly dustman Mr Boffin, to whom the fortune defaults. With brilliant satire, Dickens portrays a dark, macabre London, inhabited by such disparate characters as Gaffer Hexam, scavenging the river for corpses; enchanting, mercenary Bella Wilfer; the social-climbing Veneerings; and the unscrupulous street-trader Silas Wegg. Dickens's last completed novel is richly symbolic in its vision of death and renewal in a city dominated by the fetid Thames, and of the corrupting power of money.Edited with an Introduction and Notes by Adrian Poole

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Britten is the most literary British composer of the twentieth century. His relationship to the many and varied texts that he set was deeply committed and sensitive. As a result, both his responses to poetry and his collaborationswith his librettists tell us a great deal about his music, and often, about the man himself. Britten is the most literary British composer of the twentieth century. His relationship to the many and varied texts that he set was deeply committed and sensitive. As a result, both his responses to poetry and his collaborationswith his librettists tell us a great deal about his music, and often, about the man himself. This book takes a unique approach to Britten, drawing together well-known Britten experts alongside English, music, modern language andhistory scholars who bring their own perspective to bear on Britten's work. Chapters examine all aspects of Britten's text setting, from his engagement with a wide variety of poetry to his relationship with his librettists. By approaching Britten's operas and songs through their literature, this book offers fresh insights into his vocal works. KATE KENNEDY is the Weinrebe Research Fellow in Life-writing at Wolfson College, Oxford, where she is an associate of both Music and English Faculties. She is a frequent broadcaster for the BBC and specialises in interdisciplinary biography and has published widely on twentieth century music and literature. Contributors:JOANNA BULLIVANT, PHILIP ROSS BULLOCK, NICHOLAS CLARK, MERVYN COOKE, DAVID FULLER, JOHN FULLER, PETER HAPPÉ, J. P. E. HARPER-SCOTT, JOHN HOPKINS, KATE KENNEDY, ADRIAN POOLE, HANNA ROCHLITZ, PHILIP RUPPRECHT, REBEKAH SCOTT, VICKISTROEHER, JUSTIN VICKERS, LUCY WALKER, BRIAN YOUNG

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