Search results for ""art publishers""

A tale of a brave penguin that goes on an adventure to find where he belongs. This paperback book comes complete with stickers for interactive storytelling so that your child can get involved in the story.

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A wonderful story about a leopard that is adapted from an original African folklore tale. This paperback book comes complete with stickers for interactive storytelling which your little one can get involved in the story

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Ever wondered how the Zebra got his wonderful coat of stripes. This story adapted from an original African folklore tale will tell you! This paperback book comes complete with stickers for interactive storytelling which your little one can get involved in the story.

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Adapted from an African folklore tale, this is a delightful story about a crocodile and how his skin got so lumpy and bumpy. This paperback book comes complete with stickers for interactive storytelling which your little one can get involved in the story.

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How did the giraffe get such a long neck? This tall tale is adapted from an original African folklore story. This paperback book comes complete with stickers for interactive storytelling so that your child can get involved in the story.

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A story about how the elephant got his trunk, that is adapted from an original African folklore tale. This paperback book comes complete with stickers for interactive storytelling which your little one can get involved in the story.

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The 8th book in the African Folklore series by Andrea Florens. This fictional childrens story tells how one of Africas Big Five the Rhino went from being pink with smooth skin, to grey with lots of wrinkles.This paperback book comes complete with stickers for interactive storytelling so that your child can get involved in the story.

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An African Story about the wallowing Hippos love for the water. This paperback book comes complete with stickers for interactive storytelling which your little one can get involved in the story.

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A wonderful story about a lion, and a smart little jackal that is adapted from an original African folklore tale. This paperback book comes complete with stickers for interactive storytelling which your little one can get involved in the story.

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Chronicles of sex and disco in ’70s San Francisco, from the revolutionary musician behind “You Make Me Feel (Mighty Real)” Patrick Cowley (1950–82) was one of the most revolutionary and influential figures in electronic dance music. Born in Buffalo, Cowley moved to San Francisco in 1971 to study music at the City College of San Francisco. By the mid '70s, his synthesizer techniques landed him a job composing and producing songs for disco diva Sylvester, including hits such as "You Make Me Feel (Mighty Real)." Cowley created his own brand of peak-time party music known as Hi-NRG, dubbed "the San Francisco Sound." His life was cut short on November 12, 1982, when he died shortly after his 32nd birthday from AIDS-related illness. Mechanical Fantasy Box is Cowley's homoerotic journal, or, as he called it, "graphic accounts of one man's sex life." The journal begins in 1974 and ends in 1980 on his 30th birthday. It chronicles his slow rise to fame from lighting technician at the City Disco to crafting his ground-breaking 16-minute remix of Donna Summer's "I Feel Love" to performing with Sylvester at the SF Opera House. Vivid descriptions are told of cruising in '70s SoMA sex venues, ecstatic highs in Buena Vista Park and composing "pornophonics" in his Castro apartment. For this book, artist Gwenaël Rattke created 25 original illustrations inspired by selected entries, three street maps documenting locations mentioned herein, and four collages of photos, ephemera and notes that Cowley had inserted in the journal. This book shows a very out-front, alive person going through the throes of gay liberation post-Stonewall.

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Visible | Invisible presents 40 of the completed landscape designs by the widely recognized firm Reed Hilderbrand. Douglas Reed and Gary Hilderbrand are known for their rigorously conceived and carefully executed projects that merge the particular native qualities of a site with recognizably contemporary design expression. Their embrace of modernism, devotion to intellectual traditions in their field and deep engagement with horticulture, ecology and urban forestry are evident in all of their work. The firm has worked with numerous internationally known architects, including Allied Works Architecture, ARO | Architecture Research Office, Machado and Silvetti, Safdie Associates and Tadao Ando Architects. The book’s narrative describes Reed Hilderbrand’s sensibilities and working methods, examining a range of public and private commissions including institutional campuses in urban and rural settings, residences and civic infrastructure projects. An introduction by Reed and Hilderbrand looks at the firm’s 20-year evolution, and five essays by noted scholars develop specific themes that characterize the work. Also included are an extensive photographic essay by Millicent Harvey, and 60 drawings that document the featured projects and several unbuilt works. Internationally renowned landscape architect Peter Walker contributes a preface, placing Reed Hilderbrand’s 20 years of work within the highest calibre of landscape architectural projects being executed worldwide today. Elegantly designed and lavishly produced, Visible | Invisible is ideal for architects, designers, gardeners, preservationists and anyone who appreciates truly beautiful books.

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Since the early 1970s, when he hit the streets of Los Angeles with a 35mm camera and the basic technical knowledge he had acquired in darkroom classes at East Los Angeles College, photographer Anthony Hernandez has consistently challenged himself by adopting new formats and subject matter. Moving from black-and-white to colour, from 35mm to large-format cameras and from the human figure to landscapes to abstracted detail, Hernandez has produced a varied body of work united by its arresting formal beauty and subtle engagement with social issues. At first largely unaware of the formal traditions of the medium, Hernandez developed a style of street photography uniquely attuned to the desolate beauty and sprawling expanses of L.A. Published to accompany the photographer’s first retrospective, Anthony Hernandez offers a comprehensive introduction to Hernandez’s career of more than forty years, including many photographs that have never before been exhibited or published. The catalogue fully represents the range and breadth of Hernandez’s work, with an extensive plate section sequenced in collaboration with the photographer.

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Ralph Gibson's diptych portrayal of Israel, a land at once deeply modern and incredibly ancient The American photographer Ralph Gibson traveled throughout Israel and the surrounding region to create a portrait of a land where the past is vividly part of the present. He contrasts these in two-page spreads in which color and black-and-white images face one another: ancient language in a visual dialogue with contemporary human experience. As architect Moshe Safdie writes in his accompanying text: “This is the promise and paradox of Israel, a new country in an ancient land, modernity next to regression, with abundant and creative energy and cultural output. The high-tech world of invention next to Torah studies. It is still a young country, not even yet past its Centennial. With an optimistic eye, one sees the promise yet to be.” For this project, Gibson visited many of the well-known sites of the Holy Land, including the ancient city of Petra in Jordan as well as Masada and the Sea of Galilee flowing into the River Jordan. Sacred Land is a sumptuous study in the aesthetics of time. Ralph Gibson was born in Los Angeles in 1939. In 1956 he enlisted in the navy, where he began studying photography. Since he published his first photobook The Somnambulist in 1970, his work has been the subject of over 40 monographs. His work is widely exhibited and held in public collections around the world, such as the Stedelijk Museum, Amsterdam, and the Museum of Modern Art, New York. He lives and works in New York.

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Part artist's book, part exhibition catalog, this book chronicles Tauba Auerbach’s multimedia syntheses of abstraction, science, graphic design and typography Tauba Auerbach studies the boundaries of perception through an art and design practice grounded in math, science and craft. Published in conjunction with the first major survey of the artist’s work, this volume, designed by Auerbach in collaboration with David Reinfurt, spans 16 years of their career, highlighting their interest in concepts such as duality and its alternatives, interconnectedness, rhythm and four-dimensional geometry. Encapsulating Auerbach’s longstanding consideration of symmetry, texture and logic, the title S v Z offers a framework for this volume’s typeface, design and structure. Images of more than 130 paintings, drawings, sculptures and artist’s books are mirrored by a comprehensive selection of related reference images, illuminating their multifaceted practice as never before. Essays by Joseph Becker, Jenny Gheith and Linda Dalrymple Henderson provide further context for the work. The book contains original marble patterns created specially for the book by the artist on both the endpapers and the edges of the book block. The cover is lettered in Auerbach’s calligraphy, applied in black foil on a silver paper. The typeface was designed by David Reinfurt with Auerbach expressly for this publication, and is based on their handwriting. New York–based artist Tauba Auerbach (born 1981) grew up in San Francisco and graduated from Stanford University in 2003. They apprenticed and worked as a sign painter at New Bohemia Signs in San Francisco. In 2013 they founded Diagonal Press. They are represented by Paula Cooper Gallery, New York, and Standard Oslo.

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What’s new, now and next from contemporary Black artists A New York Times 2020 holiday gift guide pick This book surveys the work of a new generation of Black artists, and also features the voices of a diverse group of curators who are on the cutting edge of contemporary art. As mission-driven collectors, Bernard I. Lumpkin and Carmine D. Boccuzzi have championed emerging artists of African descent through museum loans and institutional support. But there has never been an opportunity to consider their acclaimed collection as a whole until now. Edited by writer Antwaun Sargent (author of The New Black Vanguard: Photography Between Art and Fashion), Young, Gifted and Black draws from this collection to shed new light on works by contemporary artists of African descent. At a moment when debates about the politics of visibility within the art world have taken on renewed urgency, and establishment voices such as the New York Times are declaring that “it has become undeniable that African American artists are making much of the best American art today,” Young, Gifted and Black takes stock of how these new voices are impacting the way we think about identity, politics and art history itself. Young, Gifted and Black contextualizes artworks with contributions from artists, curators and other experts. It features a wide-ranging interview with Bernard Lumpkin and Thelma Golden, director and chief curator of the Studio Museum in Harlem; and an in-depth essay by Antwaun Sargent situating Lumpkin in a long lineage of Black art patrons. A landmark publication, this book illustrates what it means (in the words of Nina Simone) to be young, gifted and Black in contemporary art. Artists include: Mark Bradford, David Hammons, Glenn Ligon, Kerry James Marshall, Julie Mehretu, Adam Pendleton, Pope.L, LaToya Ruby Frazier, Henry Taylor, Mickalene Thomas, Lynette Yiadom-Boakye, Tunji Adeniyi-Jones, Sadie Barnette, Kevin Beasley, Jordan Casteel, Jonathan Lyndon Chase, Bethany Collins, Noah Davis, Cy Gavin, Allison Janae Hamilton, Tomashi Jackson, Samuel Levi Jones, Deana Lawson, Norman Lewis, Eric N. Mack, Arcmanoro Niles, Jennifer Packer, Christina Quarles, Jacolby Satterwhite, Paul Mpagi Sepuya, Sable Elyse Smith, Chanel Thomas, Stacy Lynn Waddell, D’Angelo Lovell Williams, Brenna Youngblood, and more.

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On Curating, Carolee Thea's second volume of interviews with ten of today's leading curators, explores the intellectual convictions and personal visions that lay the groundwork for the most prestigious and influential exhibitions in the world today. Among the aesthetic and theoretical issues raised are the relationship between artist and curator, globalism, post-colonialism, capitalism, the future of cultural tourism and the biennial as spectacle or utopian ideal. As Thea notes in her introduction, "the biennial or mega-exhibition--a laboratory for experimentation, investigation and aesthetic liberation--is where the curators' experience and knowledge are tested. As they negotiate venues for artistic expression, intellectual critiques and humanistic concerns in their own societies and others, they are challenged by the certainties and uncertainties of a constantly evolving future." Thea's interviewees are Joseph Backstein, Carolyn Christov-Bakargiev, Okwui Enwezor, Charles Esche, Massimiliano Gioni, RoseLee Goldberg, Mary Jane Jacob, Pi Li, Virginia Perez-Ratton and Rirkrit Tiravanija. On Curating also includes 50 color illustrations of relevant works by (among others) Kutlug Ataman, Tamy Ben-Tor, John Bock, Cao Fei, Olafur Eliasson, Isaac Julien, Francois & Philippe Parreno, Yvonne Rainer, Michael Rakowitz, Doris Salcedo, Allan Sekula, Yinka Shonibare and Francesca Woodman. Carolee Thea is a curator, critic, art historian and independent scholar. Her first book, Foci: Interviews with Ten International Curators was published in 2001. She is contributing editor at ArtAsiaPacific and Sculpture magazine and was the English editor of Atlántica 45. Her articles, reviews and interviews have been published in many arts journals, among them Parkett, Artforum.com, The New Art Examiner, Modern Painters, Artnet.com, ZSijue 21 Beijing, Heresies, Tema Celeste, Parachute and ArtNews.

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Her language for exploring [history] is at once serious and exuberant. Siddhartha Mitter, New York TimesOver the last 15 years, Firelei Báez has created artwork that delves into the historical narratives of the Atlantic Basin. She draws on the disciplines of anthropology, geography, folklore, fantasy, science fiction and social history to unsettle categories of race, gender and nationality in her paintings, drawings and installations. Her exuberant paintings feature finely wrought, complex and layered uses of pattern, motifs and saturated hues. Primarily centering women of color, her works incorporate regal fashion styles and decorative elements as well as defiant gazes in order to assert their authority.In advance of her North American traveling solo exhibition, this lushly illustrated book offers audiences an opportunity to gain a holistic understanding of Báez's complex body of work, cementing her as one of today''s most important artists. Partl

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