Search results for ""ZE Books""

From iconoclastic writer and musician Adele Bertei comes a wholly original hero's journey that wages war on the cliché of the misery memoir. Set in a 1960s and '70s American neighborhood rife with poverty and violence, fatherless Irish mothers and Italian mobsters, and women crucified into madness by misogyny, Bertei speaks through her electrically alive avatar Maddie Twist to flip the victim script. Bertei reveals what it's like to be a queer teen at a time when discovery could be fatal. Maddie peers deeply into the American psyche, refusing to consent to the systems of harm. A compelling personal history of queer culture from a working-class view and a glimpse into worlds yet unseen, Twist is good medicine: for readers who've experienced similar traumas, for teens caught in the foster care system, for the formerly incarcerated looking for hope, for writers grappling with how to tell their own stories.

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Vogue's Best Books of Summer 2021 "Everyone had a clearer vision of my body than I did. It didn't feel as if my body was really mine..." At age fourteen, Jonathan Wells weighs just sixty-seven pounds, triggering a scrutinizing persecution of his body that will follow him into adulthood. Upstate New York in the 1970s: A boy in preparatory day school suffers a harrowing attack by a teacher offended by his failure to put on weight. For the first time in his young life, Jonathan Wells is forced to question his right to take up space in the world. Jonathan's father, reading his weight as a clear and deeply concerning deficit of masculinity, creates a workout regimen meant to bulk him up. When that doesn't help, he has Jonathan seen by a slew of specialists, all claiming he is in perfect health, and yet the problem cannot be denied: the boy is simply too skinny. Jonathan's complicated relationship with his charming but elusive mother does not help matters. As the eldest son, he is privy to the struggles of a fraying marriage in which he, unwittingly, plays a divisive role. As a result, Jonathan is sent to boarding school in Switzerland, where he manages to establish an identity of his own among the child exiles and outcasts that make up the student body. And yet, his father's obsession follows him to Europe, threatening to destroy the space he has painstakingly won for himself. The critically acclaimed poet and author of the collection Debris, Jonathan Wells gives us a candid, powerful, and quietly humorous memoir about the universal exploration of adolescence and self-image, the frailty of masculinity, and all the places we seek comfort in a world that tries to define us.

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Stay brings together nearly thirty years of work (poetry, memoir, essays, interviews, plays, film), in a mixed-media retrospective that shows nothing is created in isolation. Threads in the artist's life are presented alongside many of the artistic collaborations that have led to-or come out of-his own work, including a selection of images from an ongoing daily collage practice, which Flynn considers a type of meditation. Like Flynn's life, Stay is populated by examples of his collaborations with artists he has worked with since the 1980s: Amy Arbus, John Baldessari, Guy Barash, William Blake, Robert De Niro (performance), Marilyn Minter (photograph), Josh Neufeld (comic art), Catherine Opie (photograph), Sarah Sentilles (drone alert sutras), Bill Shuck (installation), Paul Weitz (film). A full color, hardcover edition, Stay is a wide-ranging and personal journey through the public and private spaces of an artist at the peak of his powers.

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Benjamin and Dita Stern are seasoned New Yorkers whose life in the pre-war, Upper East Side building Benjamin’s grandfather built has settled into stasis—two children no longer at home, professional lives never fully realized. Then Benjamin's brash younger brother Spence, founder and CEO of the hearing aid company Belphonics, asks him to collaborate on a new product line inspired by the brothers' rock-and-roll youth at CBGB's—the club where, Spence believes, his hearing was permanently damaged. If the idea works, it might salvage Benjamin and Dita's tenuous financial position. Yet they both know that getting involved in Spence's schemes comes at a high price.A funny and deeply felt debut novel from poet and memoirist Jonathan Wells, The Sterns Are Listening explores a family on the verge of both collapse and regeneration. Brimming with affection for its troubled characters and the troubled city they call home, the novel traces a courageous path to the deeply uncomfortable heart of the matter, one that just might lead to redemption.

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"Enclosed in this beautiful package, please find: an agile mind, a perfect style, a canny and undeceivable heart, and a welcome, enduring presence in the reader's life." --Michael Chabon A portrait of a keen social observer at the center of the last 50 years of cultural life, captured through a vivid selection of O'Brien's own writings on music to fashion to downtown art and, just as importantly and unexpectedly, the political temperature of America. Glenn O'Brien collaborated with visual artists, writers, fashion houses, and musicians throughout his almost 50-year career. Intelligence for Dummies gathers Glenn O'Brien's essays, aphorisms and tweets, to create a portrait of the artist as cultural bellwether, complimented by artwork and photographs from his collaborators. A full color, hardcover edition, Intelligence for Dummies is a deeply personal apercu into Patti Smith and Jean Michel Basquiat's New York, and the culture of money that ensued. It also reveals O'Brien's incisive and prescient understanding of America's political culture, and of our current president.

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With a foreword by the Honorable Ras J. Baraka, 40th Mayor of Newark, NJ, The War Is Here is Life magazine photographer Bud Lee's dramatic, empathetic, and still shocking record of the Newark uprising of 1967-a pivotal moment in a summer of protest and rage across the country, whose reverberations we still feel today. July 1967. After the arrest, beating, and imprisonment of cab driver John Smith by local police, the city of Newark-already a tinderbox-became a hotbed of protest and retaliation. Over five long days, 26 people were killed by police gunfire and hundreds more were injured, thousands arrested, and millions of dollars in property damage caused. The scars on the city remained for decades. Bud Lee, a 26-year-old novice photographer for Life magazine, was called upon to cover the civic uprising in Newark as it broke out. Lee and Life reporter Dale Wittner arrived to find a majority Black population-already struggling under a corrupt local government and a vicious, authoritarian police force-trying to persevere in extraordinary circumstances: stores burned and looted; a city under siege by trigger-happy city and state police; and the young, inexperienced, and exhausted National Guardsmen sent to patrol it day and night. The War Is Here documents the several days Bud Lee spent in Newark. These photographs capture life in a city transformed into an urban war zone. Lee witnessed first-hand two policemen shoot a man named Billy Furr in the back. Lee's dramatic images of this cold-blooded murder ran in Life. The same bullets also hit and wounded a 12-year-old boy named Joey Bass Jr., who had been playing at a nearby intersection. Lee's stark, emotional image of Bass, lying bleeding and contorted in pain on dirty concrete, ran on the July 28, 1967 cover of Life, sparking a national conversation on race and police violence and becoming the defining image of the "long, hot summer" of '67-a summer of fire and fury, protest and rage across the country. Over half a century later, Bud Lee's raw, desolate, and empathetic photographs of the people of Newark, at a turning point in the city's history, continue to resonate: a testament to their resilience and fortitude.

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"On the eve of Christmas Eve..." Paul Auster writes, "Tyler Kobe Nichols collapsed onto the sidewalk with three knife wounds in the front of his torso and one in the back." His death soon followed. With it, the twenty-one-year-old joined the ranks of young people killed by senseless violence in America. Tyler's death warranted just two paragraphs in the New York Daily News. And yet with each death, a new story begins that is rarely if ever told; one that centers around the fallout from traumatic loss. This story, as Tyler's mother Sherma Chambers keenly observes, is generational, with no clear end in sight. Long Live King Kobe began with a mistake. Photographer Spencer Ostrander had arrived at the funeral for Tyler believing he was a victim of gun violence, and hoping to include him in an ongoing project Ostrander had created to document the lives of gun victims. Instead, he met Sherma Chambers, and a week later a collaboration, which soon included Paul Auster, had begun--one in which a pair of strangers would join a family in their sorrow. Thanks to the generosity of the entire Nichols/Chambers family, Long Live King Kobe invites us to join them in their intimate grief in the weeks that followed Tyler's death. The family's response to his murder, including their creation of a foundation dedicated to counteracting street violence with love, is one that presents their tragedy as a means for our society to grow. Long Live King Kobe offers a privileged journey into the power of community for all who have felt outrage, confusion, sadness, and deep despair at the epidemic of violence in our country. It also provides reason to hope. The Long Live King Kobe Foundation, started by Sherma Chambers, will support nonviolence initiatives to keep youth safe. Proceeds from this book will benefit the foundation.

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"What is in the bag behind the Devil's chair? Knowledge of some kind? Surely something a little girl did not know should be left alone. I've been criticized- and sometimes admired-for what some readers see as my affinity with cruelty, both in my depictions of it and my supposed infliction of it on characters." In The Devil's Treasure-aptly subtitled A Book of Stories and Dreams-the iconic author Mary Gaitskill has created a chimerical hybrid of fiction, memoir, essay, criticism, and visual art that transcends categorization. This collage of four novels (one a work in progress), interspersed with and thematically linked by a single short story, then woven together with the author's commentary, is a kind of director's cut revealing the personal and societal forces that inform each individual piece of work, an ongoing, passionate exploration of core human emotions and experience, the ideally, sometimes quixotically high and grossly, confusedly low. With the stylistic daring and preternatural acuity that has made her one of America's most original writers, Gaitskill has created a layered vision of modern life that simultaneously blends the huge prehistoric creatures that swim at the bottom of our collective ocean with a family that picnics on the beach while a podcast natters about politics and a perhaps dangerously curious child explores the lapping waves.

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A rapturous, ravenous celebration of visual art and storytelling from one of our most innovative writers and critical minds.

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"One of the most original, amazing stories I've ever read" (Mary Gaitskill), iconic rock-and-roll musician Adele Bertei's memoir Twist is her harrowing and electric story of transforming trauma through art, pluck, and imagination, as told through the inimitable voice of her young alter ego, Maddie Twist. From iconoclastic writer and musician Adele Bertei comes a wholly original hero's journey that wages war on the cliche of the "misery memoir." Set in a 1960s and '70s American neighborhood rife with poverty and violence, fatherless Irish mothers and Italian mobsters, and women crucified into madness by misogyny, Bertei speaks through her electrically alive avatar Maddie Twist to flip the victim script. Through her unshakable belief in imagination, poetry, music, and community, she transforms trauma into survival. The immediacy of Maddie's voice is a revelation, providing insight into long-enduring systemic problems without the scrim of adult analysis. In an age of lies and obfuscation, Twist is a sharp yet tender arrow to the heart of naked truth. Bertei reveals what it's like to be a queer teen at a time when discovery could be fatal. Maddie peers deeply into the American psyche, refusing to consent to the systems of harm. Along the way we encounter an unforgettable schizophrenic mother, Catholic saints, West Side Story and Oliver!, poet killers, the abyss of rape, girl-gangsters and faux-pimps, teenage lesbian sex, racial tensions and misconceived divides, a drag family known as the Holy Maudlins, Vietnam vets in dark and light, cabaret, true family, rock and roll. And the ultimate saving grace: love. A compelling personal history of queer culture from a working-class view and a glimpse into worlds yet unseen, Twist is good medicine: for readers who've experienced similar traumas, for teens caught in the foster care system, for the formerly incarcerated looking for hope, for writers grappling with how to tell their own stories. Most of all, it's for everyone seeking transportive experiences in art and on the page.

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"Bradshaw was a famously charming man, and his lounge-lizard urbanity fully suffuses his prose. This new anthology is a necessary book for all men and women of letters." -Martin Amis A collection of magazine writer Jon Bradshaw's essential writings, The Ocean is Closed rediscovers a memorable talent, and offers us a shadow reality to the established literary canon of the mid-century. With droll wit and keen intelligence, Bradshaw's cinematic prose brings the '70s to vibrant life-from the lurid pick-up scenes at hotspots like Maxwell's Plum in New York, and the Beverly Hills Hotel in L.A., to full-bodied portraits of literary figures such as W.H. Auden and Tom Stoppard; affectionate profiles of hustlers and con men such as Bobby Riggs and Minnesota Fats, to chilling reportage about street gangs in the Bronx, terrorism in Germany, and mercenary freedom fighters in India. Jon Bradshaw, a man of tremendous personal charm, good humor and rugged beauty, was a literary concoction of his own devising: the magazine writer as world-weary traveler and man about town. Adored by British royalty, magazine editors, movie executives, and professional mercenaries, alike, Bradshaw first made a splash in London during the Swinging Sixties. Pals with the likes of Anna Wintour, Timothy Leary, Gore Vidal, and Martin Amis, his career flourished at a time when magazines were at the center of the cultural conversation, delivering stories that were talked about for weeks. For twenty years, he cut a distinct figure in this world, before his untimely death. A forgotten master of longform magazine writing, Bradshaw is ripe for rediscovery as one of the sharpest chroniclers of his age.

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