Search results for ""University of California, Berkeley Art Museum and Pacific Film Archive""
University of California, Berkeley Art Museum and Pacific Film Archive The Possible
Combining studio, classroom, library, gallery and stage, The Possible offered a new model of museum exhibition. Rather than presenting existing artworks, artist/curator David Wilson hosted over 100 artists and collectives--with “artist” understood in the broadest sense. The BAM/PFA galleries were transformed into studios that were used by both guest artists and museum visitors. The exhibition made itself during its four-month run, as works created in the studios were exhibited in an adjacent gallery. The catalogue is conceived in a similar vein, as one of the experiments of The Possible created by guest artists Luke Fischbeck and Lauren Mackler of Public Fiction, a Los Angeles–based project space and journal. Created partially onsite, it is inspired by the exhibition’s spirit of improvisation and collaboration. It gathers essays, photographic documentation and printed artifacts generated in the exhibition itself.
£27.00
University of California, Berkeley Art Museum and Pacific Film Archive Mahjong: Art, Film, and Change in China
Published on the occasion of the North American premiere of Mahjong, a landmark exhibition of contemporary Chinese art from the world-renowned collection of the Swiss businessman and diplomat Uli Sigg, this catalogue accesses recent Chinese history through the lens of its art and the keen eye of an observant collector. More than 90 artists are featured in this fully illustrated publication, including Ai Weiwei, Huang Yan, Liu Wei, Wang Du, Weng Fen, Xu Bing, Yue Min Jun, Zhang Huan and Zhang Xiaogang. Along with the exhibition's themes of urbanization, globalization and alienation, China's underground tradition and its current cultural renaissance are addressed in essays by leading Chinese art historians Julia F. Andrews and Kuiyi Shen. Film critic James Quandt elaborates these issues in an essay on internationally acclaimed film director Jia Zhangke.
£22.00
University of California, Berkeley Art Museum and Pacific Film Archive Create
Published on the occasion of a groundbreaking museum exhibition curated by Lawrence Rinder with Matthew Higgs, Create showcases work made at the three foremost centers for artists with developmental disabilities: Creative Growth Art Center in Oakland, Creativity Explored in San Francisco and the National Institute of Art and Disabilities in Richmond. These centers were founded between 1972 and 1982 by Florence Ludins-Katz and Elias Katz, who today are recognized as pioneers of the art and disabilities movement. The husband-and-wife team created studios where disabled artists were integrated into the larger art community of the Bay Area, both influencing and being influenced by other artists. This richly illustrated catalogue offers an overview of the work being made at the centers, including works on paper, paintings and sculpture. Artists include: Mary Belknap, Jeremy Burleson, Attilio Crescenti, Daniel Green, Willie Harris, Carl Hendrickson, James Miles, Marlon Mullen, Bertha Otoya, Lance Rivers, Judith Scott and William Tyler.
£24.50
University of California, Berkeley Art Museum and Pacific Film Archive By Alison Knowles: A Retrospective (1960–2022)
The first survey of the Fluxus cofounder’s prolific avant-garde output, from eight-foot-tall books to make-a-salad performances The American artist Alison Knowles’ (born 1933) groundbreaking experiments—from painting and printmaking to sculpture and installation, sound works, poetry and artist’s books—have influenced art and artists for more than 50 years but remain relatively unknown among mainstream audiences. The first comprehensive volume on the artist, By Alison Knowles: A Retrospective presents more than 200 objects that span the entire breadth of her career, from her intermedia works of the 1960s to forms of participatory and relational art in the 2000s. The accompanying catalog features contributions by international Fluxus curators, historians and scholars, including lead essays by organizer Karen Moss, Hannah B. Higgins and Nicole Woods, and short contributions by co-editor Lucia Fabio, Lauren Fulton, Maud Jacquin and Sébastien Pluot. It also includes reprints of key articles by Benjamin Buchloh, Julia Robinson and Kristine Stiles, as well as a conversation between Alison Knowles and poet George Quasha. Richly illustrated with more than 250 images, the full-color catalog, designed by Kimberly Varella, includes a softcover lay-flat binding, special colored papers for each section, die-cut section dividers and a chronology. The cover of the book is a makeready (press sheets gathered from printing the interior of the book) produced during the printing of the interior pages. Each cover in the edition is unique.
£40.50
University of California, Berkeley Art Museum and Pacific Film Archive Measure of Time
In this study of American art, time and motion are fragmented, mechanized, slowed down and sped up so that the last century flies by. Works range from Joseph Stella's Battle of Lights, Coney Island (1915-18) to Shirley Shor's real-time projection Landslide (2004).
£22.00
University of California, Berkeley Art Museum and Pacific Film Archive Jeanne Dunning: Study After Untitled
Jeanne Dunning's unwavering focus over the past two decades has been the terrain of the human body, in particular the ways in which we perceive and conceive norms of gender, sexuality, and reality itself. Her images--including recent widely circulated work that showed subjects sitting in a pink, pudding-like substance that evoked liquid flesh or liquid body fat--interrogate the boundaries between inside and outside, normal and abnormal, the erotic and the abject. They have made significant contributions to contemporary visual culture. Study After Untitled presents a selective survey of the Chicago artist's photographic and video works, including among its essays one from Dunning herself, revealing her work anew in the play of intention and hindsight. As Dunning gains international recognition, Study After Untitled broadens her work's associations and clarifies its well-earned place in the canon and in contemporary art history.
£17.50
University of California, Berkeley Art Museum and Pacific Film Archive Charles Howard: A Margin of Chaos
Charles Howard: A Margin of Chaos accompanies the first museum exhibition dedicated to American artist Charles Houghton Howard (1899–1978) since 1956. Howard, part of a circle of artists that included Alexander Calder, Gordon Onslow Ford, Grant Wood and Ben Nicholson, had an active and distinguished career in midcentury America and England. His enigmatic, meticulous paintings, often intimate in scale, bridge figurative, Surrealist and abstract currents in modern art. Though his work evolved over his career, Howard said that all of his pictures “are closely related … They are in fact all portraits of the same general subject, of the same idea, carried as far as I am able at the time.” The first scholarly publication on Howard, this fully illustrated volume includes essays by Apsara DiQuinzio, Robert Gober and Lauren Kroiz, a reprint of one of Howard’s own essays from 1946, an illustrated chronology and exhibition history.
£40.49
