Search results for ""University of Arkansas Press""

In The Last Thirty Seconds, David K. Stumpf details the development of one of many possible solutions for ballistic missile defense commonly known as hit-to-kill. Hit-to-kill is a nonnuclear technique using kinetic energy, rather than explosives, to destroy reentry vehicles carrying chemical, biological, or nuclear warheads.

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The Ozarks is a place that defies easy categorization. Sprawling across much of Missouri and Arkansas and smaller parts of Oklahoma and Kansas, it is caught on the margins of America’s larger cultural regions: part southern, part midwestern, and maybe even a little bit western. For generations Ozarkers have been more likely than most other Americans to live near or below the poverty line—a situation that has often subjected them to unflattering stereotypes. In short, the Ozarks has been a marginal place populated by marginalized people. Historian Brooks Blevins has spent his life studying and writing about the people of his native regions—the South and the Ozarks. He has been in the vanguard of a new and vibrant Ozarks Studies movement that has worked to refract the stories of Ozarkers through a more realistic and less exotic lens. In Up South in the Ozarks: Dispatches from the Margins, Blevins introduces us with humor and fairness to mostly unseen lives of the past and present: southern gospel singing schools and ballad collectors, migratory cotton pickers and backroad country storekeepers, fireworks peddlers and impoverished diarists. Part historical and part journalistic, Blevins’s essays combine the scholarly sensibilities of a respected historian with the insights of someone raised in rural hill country. His stories of marginalized characters often defy stereotype. They entertain as much as they educate. And most of them originate in the same place Blevins does: up south in the Ozarks.

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Art for a New Understanding, an exhibition from Crystal Bridges Museum of American Art opening this October, seeks to radically expand and reposition the narrative of American art since 1950 by charting a history of the development of contemporary Indigenous art from the United States and Canada, beginning when artists moved from more regionally-based conversations and practices to national and international contemporary art contexts.This accompanying book documents and expands on the histories and themes of this exciting exhibition.This fully illustrated volume includes essays by art historians and historians and reflections by the artists included in the collection. Also included are key contemporary writings—from the 1950s onward—by artists, scholars, and critics, investigating the themes of transculturalism and pan-Indian identity, traditional practices conducted in radically new ways, displacement, forced migration, shadow histories, the role of personal mythologies as a means to reimagine the future, and much more.As both a survey of the development of Indigenous art from the 1950s to the present and a consideration of Native artists within contemporary art more broadly, Art for a New Understanding expands the definition of American art and sets the tone for future considerations of the subject. It is an essential publication for any institution or individual with an interest in contemporary Native American art, and an invaluable resource in ongoing scholarly considerations of the American contemporary art landscape at large.

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In Meanings of Maple, Michael A. Lange provides a cultural analysis of maple syrup making, known in Vermont as sugaring, to illustrate how maple syrup as both process and product is an aspect of cultural identity.Readers will go deep into a Vermont sugar bush and its web of plastic tubes, mainline valves, and collection tanks. They will visit sugarhouses crammed with gas evaporators and reverse-osmosis machines. And they will witness encounters between sugar makers and the tourists eager to invest Vermont with mythological fantasies of rural simplicity.So much more than a commodity study, Meanings of Maple frames a new approach for evaluating the broader implications of iconic foodways, and it will animate conversations in food studies for years to come.

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Features poems about the world of a closeted young man and his surreal garden.

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Whether ruminating on intimacy, lineage, identity, faith, or addiction, Clark's poems embody a restless, rigorous curiosity. Largely set in the poet's hometown of Louisville, Kentucky, his portraits of interiority gracefully juxtapose the sorrows of alienation and self-neglect with the restorative power of human connection.

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When he died, my brother became the architect of the rest of my life,' writes Alison Thumel in Architect, which interweaves poems, lyric essays, and visual art to great emotional effect.

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In 1962, James Meredith famously desegregated the University of Mississippi (a.k.a. Ole Miss). As the first Black American admitted to the school, he demonstrated great courage amidst the subsequent political clashes and tragic violence. After President Kennedy summoned federal troops to help maintain order, the South—and America at large—would never be the same.Man on a Mission depicts Meredith’s relentless pursuit of justice, beginning with his childhood in rural Mississippi and culminating with the confrontation at Ole Miss. A blend of historical research and creative inspiration, this graphic history tells Meredith’s dramatic story in his own singular voice. From the dawn of the modern civil rights movement, Meredith has offered a unique perspective on democracy, racial equality, and the meaning of America. Man on a Mission presents his captivating saga for a new generation in the era of Black Lives Matter.

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From farm-to-table restaurants and farmers markets, to support for fair trade and food sovereignty, movements for food-system change hold the promise for deeper transformations. Yet Americans continue to live the paradox of caring passionately about healthy eating while demanding the convenience of fast food. Rooted Resistance explores this fraught but promising food scene. More than a retelling of the origin story of a democracy born from an intimate connection with the land, this book wagers that socially responsible agrarian mythmaking should be a vital part of a food ethic of resistance if we are to rectify the destructive tendencies in our contemporary food system. Through a careful examination of several case studies, Rooted Resistance traverses the ground of agrarian myth in modern America. The authors investigate key figures and movements in the history of modern agrarianism, including the World War I victory garden efforts, the postwar Country Life movement for the vindication of farmers' rights, the Southern Agrarian critique of industrialism, and the practical and spiritual prophecy of organic farming put forth by J. I. Rodale. This critical history is then brought up to date with recent examples such as the contested South Central Farm in urban Los Angeles and the spectacular rise and fall of the Chipotle 'Food with Integrity' branding campaign. By examining a range of case studies, Singer, Grey, and Motter aim for a deeper critical understanding of the many applications of agrarian myth and reveal why it can help provide a pathway for positive systemic change in the food system.

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Winner of the 2014 Oklahoma Book Award for nonfictionWinner of the 2014 Pate Award from the Fort Worth Civil War Round Table. When the peoples of the Indian Territory found themselves in the midst of the American Civil War, squeezed between Union Kansas and Confederate Texas and Arkansas, they had no way to escape a conflict not of their choosing--and no alternative but to suffer its consequences. When the Wolf Came explores how the war in the Indian Territory involved almost every resident, killed many civilians as well as soldiers, left the country stripped and devastated, and cost Indian nations millions of acres of land. Using a solid foundation of both published and unpublished sources, including the records of Cherokee, Choctaw, and Creek nations, Mary Jane Warde details how the coming of the war set off a wave of migration into neighboring Kansas, the Red River Valley, and Texas. She describes how Indian Territory troops in Unionist regiments or as Confederate allies battled enemies--some from their own nations--in the territory and in neighboring Kansas, Missouri, and Arkansas. And she shows how post-war land cessions forced by the federal government on Indian nations formerly allied with the Confederacy allowed the removal of still more tribes to the Indian Territory, leaving millions of acres open for homesteads, railroads, and development in at least ten states. Enhanced by maps and photographs from the Oklahoma Historical Society's photographic archives, When the Wolf Came will be welcomed by both general readers and scholars interested in the signal public events that marked that tumultuous era and the consequences for the territory's tens of thousands of native peoples.

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The Crown Games were the apex of competition in ancient Greece. Along with prestigious athletic contests in honor of Zeus at Olympia, they comprised the Pythian Games for Apollo at Delphi, the Isthmian Games for Poseidon, and the Neman Games, sacred to Zeus. For over nine hundred years, the Greeks celebrated these athletic and religious festivals, a rare point of cultural unity amid the fierce regional independence of the numerous Greek city-states and kingdoms.The Crown Games of Ancient Greece examines these festivals in the context of the ancient Greek world, a vast and sprawling cultural region that stretched from modern Spain to the Black Sea and North Africa. Illuminating the unique history and features of the celebrations, David Lunt delves into the development of the contest sites as sanctuaries and the Panhellenic competitions that gave them their distinctive character. While literary sources have long been the mainstay for understanding the evolution of the Crown Games and ancient Greek athletics, archaeological excavations have significantly augmented contemporary understandings of the events. Drawing on this research, Lunt brings deeper context to these gatherings, which were not only athletics competitions but also occasions for musical contests, dramatic performances, religious ceremonies, and diplomatic summits—as well as raucous partying. Taken as a circuit, the Crown Games offer a more nuanced view of ancient Greek culture than do the well-known Olympian Games on their own. With this comprehensive examination of the Crown Games, Lunt provides a new perspective on how the ancient Greeks competed and collaborated both as individuals and as city-states.

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Between 1972, when he published his first book, The Signing Knives, and 1978, when he died at the age of twenty-nine, Frank Stanford published seven volumes of poetry. Within a year of his death, two posthumous collections were published. At the time of this death, as Leon Stokesbury asserts in his introduction, “Stanford was the best poet in America under the age of thirty-five.”The Light the Dead See collects the best work from those nine volumes and six previously unpublished poems. In the earlier poems, Stanford creates a world where he could keep childhood alive, deny time and mutability, and place a version of himself at the center of great myth and drama.Later, the denial of time and mutability gives way to an obsessive and familiar confrontation with death. Although Stanford paid an enormous price for his growing familiarity with Death as a presence, the direct address to that presence is a source of much of the striking originality and stunning power in the poetry.

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In the search for a true home, what does it mean to be confronted instead by an insurmountable sense of otherness? This question dwells at the centre of Saba Keramati's Self-Mythology, which explores multiraciality and the legacy of exile alongside the poet's uniquely American origin as the only child of political refugees from China and Iran.

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Food Studies in Latin American Literature presents a timely collection of essays analyzing a wide array of Latin American narratives through the lens of food studies.Topics explored include potato and maize in colonial and contemporary global narratives, the role of cooking in Sor Juana’s poetics, the centrality of desire in twentieth-century cooking writing by women, the relationship between food, recipes, and national identity, the role of food in travel narratives, and the impact of advertisements in domestic roles.The contributors included here — experts in Latin American History, Literature, and Cultural Studies -– bring a novel, interdisciplinary approach to these explorations, presenting new perspectives on Latin American literature and culture.

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Counterculture flourished nationwide in the 1960s and 1970s, and while the hippies of Haight–Ashbury occupied the public eye, further off the beaten path in the Arkansas Ozarks a faction of back to the landers were quietly creating their own counterculture haven. In Hipbillies, Jared Phillips collects oral histories and delves into archival resources to provide a fresh scholarly discussion of this group, which was defined by anticonsumerism and a desire for self-sufficiency outside of modern industry.While there were indeed clashes between long haired hippies and cantankerous locals, Phillips shows how the region has always been a refuge for those seeking a life off the beaten path, and as such, is perhaps one of the last bastions for the dream of self-sufficiency in American life. Hipbillies presents a region steeped in tradition coming to terms with the modern world.

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Winner of the 2019 Etel Adnan Poetry Prize.Inside the dodo bird is a forest, Inside the forest a peach analog, Inside the peach analog a woman, Inside the woman a lake of funeralsThis layering of bird, woman, place, technology, and ceremony, which begins this first full-length collection by Zaina Alsous, mirrors the layering of insights that marks the collection as a whole. The poems in A Theory of Birds draw on inherited memory, historical record, critical theory, alternative geographies, and sharp observation. In them, birds-particularly extinct species-become metaphor for the violences perpetrated on othered bodies under the colonial gaze.Putting ecological preservation in conversation with Arab racial formation, state vernacular with the chatter of birds, Alsous explores how categorization can be a tool for detachment, domination, and erasure. Stretching their wings toward de-erasure, these poems-their subjects and their logics-refuse to stay put within a single category. This is poetry in support of a decolonized mind.

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Minuteman: A Technical History of the Missile That Defined American Nuclear Warfare is a detailed history of the Minuteman intercontinental ballistic missile program, which has served as a powerful component of US nuclear strategies for over half a century. David K. Stumpf examines breakthroughs in solid propellant, lightweight inertial guidance systems and lightweight reentry vehicle development, the construction of over a thousand launch and launch control facilities, and key flight test and operational flight programs, and places the Minuteman program in context with world events.

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There have been many books written about Johnny Cash, but The Man in Song is the first to examine Cash’s incredible life through the lens of the songs he wrote and recorded. Music journalist and historian John Alexander has drawn on decades of studying Cash’s music and life, from his difficult depression-era Arkansas childhood through his death in 2003, to tell a life story through songs familiar and obscure. In discovering why Cash wrote a given song or chose to record it, Alexander introduces readers anew to a man whose primary consideration of any song was the difference music makes in people’s lives, and not whether the song would become a hit.The hits came, of course. Johnny Cash sold more than fifty million albums in forty years, and he holds the distinction of being the only performer inducted into the Rock and Roll Hall of Fame, the Country Music Hall of Fame, the Songwriters Hall of Fame, and the Gospel Music Hall of Fame. The Man in Song connects treasured songs to an incredible life. It explores the intertwined experience and creativity of childhood trauma. It rifles through the discography of a life: Cash’s work with the Tennessee Two at Sam Phillips’s Sun Studios, the unique concept albums Cash recorded for Columbia Records, the spiritual songs, the albums recorded live at prisons, songs about the love of his life, June Carter Cash, songs about murder and death and addiction, songs about ramblers, and even silly songs.Appropriate for both serious country and folk music enthusiasts and those just learning about this musical legend, The Man in Song will appeal to a fan base spanning generations. Here is a biography for those who first heard “I Walk the Line” in 1956, a younger generation who discovered Cash through songs like his cover of Trent Reznor’s “Hurt,” and everyone in between.

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Winner of the 2010 Lois Roth Persian Translation PrizeSin includes the entirety of Farrokhzad’s last book, numerous selections from her fourth and most enduring book, Reborn, and selections from her earlier work, and creates a collection that is true to the meaning, the intention, and the music of the original poems.

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The second edition of Fishes of Arkansas, in development for more than a decade, is an extensive revision and expansion of the first edition, including reclassifications, taxonomic changes, and descriptions of more than thirty new species. An invaluable reference for anyone interested in the state's fish population-from professional ichthyologists, fisheries biologists, and managers of aquatic resources, to amateur naturalists and anglers-this new edition provides updated taxonomic keys as well as detailed descriptions, photographs, and line drawings to aid identification of the state's 241 fish species. There is also much information on the distribution and biology of each species, including descriptions of habitat, foods eaten, reproductive biology, and conservation status.This project and the preparation of this publication was funded in part by a grant from the Arkansas Game and Fish Commission.

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How ordinary families endured natural and economic disasterThrough dozens of in-depth interviews representing all sections of the state, farm families recall their best times, their worst times, and day-to-day experiences such as chores, washing, bathing, clothes making, medical care, home remedies, spiritual life, courtship and marriage, and school experiences. Their stories reveal how ordinary men and women, frequently living in abject poverty, endured cataclysmic natural disasters and economic collapse with extraordinarycourage, faith, resourcefulness, and a good sense of humor.

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The Ku Klux Klan established a significant foothold in Arkansas in the 1920s, boasting more than 150 state chapters and tens of thousands of members at its zenith. Propelled by the prominence of state leaders such as Grand Dragon James Comer and head of Women of the KKK Robbie Gill Comer, the Klan established Little Rock as a seat of power second only to Atlanta. In The Ku Klux Klan in 1920s Arkansas, Kenneth C. Barnes traces this explosion of white nationalism and its impact on the state's development.Barnes shows that the Klan seemed to wield power everywhere in 1920s Arkansas. Klansmen led businesses and held elected offices and prominent roles in legal, medical, and religious institutions, while the women of the Klan supported rallies and charitable activities and planned social gatherings where cross burnings were regular occurrences. Inside their organization, Klan members bonded during picnic barbeques and parades and over shared religious traditions. Outside of it, they united to direct armed threats, merciless physical brutality, and torrents of hateful rhetoric against individuals who did not conform to their exclusionary vision.By the mid-1920s, internal divisions, scandals, and an overzealous attempt to dominate local and state elections caused Arkansas's Klan to fall apart nearly as quickly as it had risen. Yet as the organization dissolved and the formal trappings of its flamboyant presence receded, the attitudes the Klan embraced never fully disappeared. In documenting this history, Barnes shows how the Klan's early success still casts a long shadow on the state to this day.

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Arkansas Made is the culmination of the Historic Arkansas Museum's exhaustive investigations into the history of the state's material culture past. Decades of meticulous research have resulted in this exciting two-volume set portraying the work of a multitude of artisan cabinetmakers, silversmiths, potters, fine artists, quilters, and more working in communities all over the sate. The work of these artisan groups documented and collected here has been the driving force of the Historic Arkansas Museum's mission to collect and preserve Arkansas's creative legacy and rich artistic traditions.Arkansas Made demonstrates that Arkansas artists, artisans, and their works not only existed, but are worthy of study, admiration, and reflection.

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In 1980, photographer Geoff Winningham and architect Cyrus Sutherland travelled extensively throughout Arkansas to locate and photograph examples of southern American vernacular architecture. They were working on a commission from the First Federal Savings and Loan of Arkansas, and after a year they had finished their project. But, with their interest piqued and enjoying their collaboration, they continued on with the project in hopes of amassing a collection of photographs of vernacular architecture from every region of the state.For two more years, Sutherland continued helping Winningham find every possible “dogtrot house, wood frame church, octagonal barn, and one-of-a-kind hog house” in the state. By 1983 Winningham had photographed over three thousand structures, and the architect and photographer put the collection aside and moved on to other projects.Three decades later, after Sutherland had died, Winningham reopened his archive of Arkansas photographs, found his interest rekindled, and decided to return to the sites of the structures he had photographed. Most of the buildings, he discovered, had disappeared due to fires, storms, or neglect. But while Winningham was unable to find many of the structures he had photographed, what he did find were local people who remembered them. The stories of these local people join the original photographs in Of the Soil in a remarkable fusion that shows us much about the culture of the American South.

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“What makes Rosalynn Carter so interesting and her memoir so compelling is her awareness that she is part of a long and distinguished historical tradition: the southern lady in politics . . . What ought to be a continuing legacy is Rosalynn’s success in breaking new ground as a First Lady, without uprooting the traditions of the past.” - Minneapolis Tribune

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The scholars selected from the notoriously competitive Truman Scholarship applicant pool are widely known as energetic leaders from a variety of disciplines who have in common the desire to make a difference, to bring about sustainable positive change, and to serve the greater public good. Wild about Harry makes the Truman Scholarship application process transparent to applicants and their advisors. This collection of essays teaches readers how to gain the most from the application process, how to connect past involvement and successes to future academic and career goals, how to approach interviews, and how to embrace the opportunity if selected for an award.

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Finalist, 2022 Miller Williams Poetry PrizeIn a voice at times electrified by caustic cynicism, at other times stripped bare by grief, Casey Thayer’s Rational Anthem offers wry tribute to “the greatest country God could craft with the mules he had / on hand.” In seeking to tell the story of the ragged world around him, Thayer examines the links among flag-waving populism, religious fervor, and toxic masculinity. Here male intimacy—among childhood friends, between father and son, and in the tenuous bonds between young adults—generally finds acceptance only when expressed through a shared passion for guns and hunting: “I helped my father clean his hands with field grass, / convinced we had shared a moment / in rolling the internal organs out of the abdomen.”In “How-To,” the book’s closer—a mash-up of instructions from active-shooter trainings attended by the poet—Thayer grasps at strategies for surviving a world where we have come to see school shootings as routine: “Grab a textbook, they instructed my child, and hug it to your chest over your heart.”Formally deft and lyrically dense, Rational Anthem asks why we find it so hard to change the stories we keep repeating.

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This comprehensive guide includes taxonomic keys to the families, genera, species, and infraspecific taxa of all the known vascular plants of Arkansas.

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Arkansas Made is the culmination of the Historic Arkansas Museum's exhaustive investigations into the history of the state's material culture past. Decades of meticulous research have resulted in this exciting two-volume set portraying the work of a multitude of artisan cabinetmakers, silversmiths, potters, fine artists, quilters, and more working in communities all over the sate.The work of these artisan groups documented and collected here has been the driving force of the Historic Arkansas Museum's mission to collect and preserve Arkansas's creative legacy and rich artistic traditions. Arkansas Made demonstrates that Arkansas artists, artisans, and their works not only existed, but are worthy of study, admiration, and reflection.

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The Crown Games were the apex of competition in ancient Greece. Along with prestigious athletic contests in honor of Zeus at Olympia, they comprised the Pythian Games for Apollo at Delphi, the Isthmian Games for Poseidon, and the Neman Games, sacred to Zeus. For over nine hundred years, the Greeks celebrated these athletic and religious festivals, a rare point of cultural unity amid the fierce regional independence of the numerous Greek city-states and kingdoms.The Crown Games of Ancient Greece examines these festivals in the context of the ancient Greek world, a vast and sprawling cultural region that stretched from modern Spain to the Black Sea and North Africa. Illuminating the unique history and features of the celebrations, David Lunt delves into the development of the contest sites as sanctuaries and the Panhellenic competitions that gave them their distinctive character. While literary sources have long been the mainstay for understanding the evolution of the Crown Games and ancient Greek athletics, archaeological excavations have significantly augmented contemporary understandings of the events. Drawing on this research, Lunt brings deeper context to these gatherings, which were not only athletics competitions but also occasions for musical contests, dramatic performances, religious ceremonies, and diplomatic summits—as well as raucous partying. Taken as a circuit, the Crown Games offer a more nuanced view of ancient Greek culture than do the well-known Olympian Games on their own. With this comprehensive examination of the Crown Games, Lunt provides a new perspective on how the ancient Greeks competed and collaborated both as individuals and as city-states.

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The mystery that Abughattas composes is always moving toward an impossible freeing of the self from its numerous frames. Yet frame by frame . . . she suspends our disbelief, catalogs those potentialities in an America always ready to shoot, direct, and produce the film of itself. Strip is 'in love with possibility,' 'in praise of here I am, here I've been,' USA style. Strip celebrates the body-its rise and fall, ebb and flow, in a carnival of parties-restlessly, shamelessly, searching for a way out. Even as Abughattas claims that 'I can't believe sometimes I have a body,' her poems teem with an awareness of the body's unavoidable centrality in our lives-in how we view our lives, and how others view them; in how they progress, and how they end; in how they become meaningful, and how they are stripped of meaning. And no stripping escapes memory. Whether in terms of dispossession or sexuality, admiration or pity, Abughattas renders her treatment of the body with candor and poignancy. . . . The most startling moments in Abughattas's poems, however, depend not on shocking or intimate details-but on the I' pulling away from the self, abandoning the ego, and gazing outward. She tries to see something else, to escape the body's restraints.' -Fady Joudah and Hayan Charara, from the Preface

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In the decades leading up to the Civil War, abolitionists crafted a variety of visual messages about the plight of enslaved people, portraying the violence, familial separation, and dehumanization that they faced. In response, proslavery southerners attempted to counter these messages either through idealization or outright erasure of enslaved life. In Hidden in Plain Sight: Concealing Enslavement in American Visual Culture, Rachel Stephens addresses an enormous body of material by tracing themes of concealment and silence through paintings, photographs, and ephemera, connecting long overlooked artworks with both the abolitionist materials to which they were responding and archival research across a range of southern historical narratives. Stephens begins her fascinating study with an examination of the ways that slavery was visually idealized and defended in antebellum art. She then explores the tyranny—especially that depicted in art—enacted by supporters of enslavement, introduces a range of ways that artwork depicting slavery was tangibly concealed, considers photographs of enslaved female caretakers with the white children they reared, and investigates a printmaker’s confidential work in support of the Confederacy. Finally, she delves into an especially pernicious group of proslavery artists in Richmond, Virginia. Reading visual culture as a key element of the antebellum battle over slavery, Hidden in Plain Sight complicates the existing narratives of American art and history.

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Distilled from Arkansas: A Narrative History, the definitive work on the subject since its original publication in 2002, Arkansas: A Concise History is a succinct one-volume history of the state from the prehistory period to the near-present. Featuring four historians who have published extensively on a range of topics, the volume introduces readers to the major issues that have confronted the state and traces the evolution of those issues across time.The book begins by situating the state geographically and geologically and then moves on to chapters covering prehistory and precolonial periods. These chapters, written by George Sabo III, director of the Arkansas Archaeological Survey, ground the reader in the important background of native peoples and their lifeways. Judge Morris S. Arnold’s chapter on the colonial period portrays the colonial French and Spanish era and the interaction of those Europeans with Native Americans, particularly the Quapaw Indians. Civil War historian Tom DeBlack covers the territorial era, early statehood, antebellum, the Civil War, and Reconstruction. Jeannie Whayne covers the period following Reconstruction including the Gilded Age, the Progressive Era, World War I, the Elaine Race Massacre, the Great Depression, WorldWar II and its aftermath, the Civil Rights movement, bringing the book into the early twenty-first century.Linking these moments together and placing an emphasis on how economic decisions have informed Arkansas’s history, Arkansas: A Concise History puts perspective on the political and economic realities the state continues to face today.

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In 1935 a fledging government agency embarked on a project to photograph Americans hit hardest by the Great Depression. Over the next eight years, the photographers of the Farm Security Administration captured nearly a quarter-million images of tenant farmers and sharecroppers in the South, migrant workers in California, and laborers in northern industries and urban slums.Of the roughly one thousand FSA photographs taken in Arkansas, approximately two hundred have been selected for inclusion in this volume. Portraying workers picking cotton for five cents an hour, families evicted from homes for their connection with the Southern Tenant Farmers Union, and the effects of flood and drought that cruelly exacerbated the impact of economic disaster, these remarkable black-and-white images from Ben Shahn, Arthur Rothstein, Dorothea Lange, Walker Evans, Russell Lee, and other acclaimed photographers illustrate the extreme hardships that so many Arkansans endured throughout this era.These powerful photographs continue to resonate, providing a glimpse of life in Arkansas that will captivate readers as they connect to a shared past.

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This work reveals the complex and varied experiences of Arab American life. The first edition of ""Dinarzad's Children"" was a groundbreaking and popular anthology that brought to light the growing body of short fiction being written by Arab Americans. This expanded edition includes sixteen new stories - thirty in all - and new voices and is now organized into sections that invite readers to enter the stories from a variety of directions. Here are stories that reveal the initial adjustments of immigrants, the challenges of forming relationships, the political nuances of being Arab American, the vision directed towards homeland, and the ongoing search for balance and identity.

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Self-possession is so hard-won in the southern gothic world of Adele Elise Williams's poems, no wonder the speaker here is so roaringly audacious while often taking relish in getting close to the edge. Through it all, Williams pays homage to her lineage of resilient beast women' and defiantly resists any constraint as she prods her own limits.

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Explores the vibrant country music scene that emerged in Springfield, Missouri, in the 1930s and thrived for half a century. Central to this history is the Ozark Jubilee (1955-60), the first regularly broadcast live country music show on network television.

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Once considered a kind of delinquent activity, skateboarding is on track to join soccer, baseball, and basketball as an approved way for American children to pass the after-school hours. With family skateboarding in the San Francisco Bay Area as its focus, Moving Boarders explores this switch in stance, integrating first-person interviews and direct observations to provide a rich portrait of youth skateboarders, their parents, and the social and market forces that drive them toward the skate park. This excellent treatise on the contemporary youth sports scene examines how modern families embrace skateboarding and the role commerce plays in this unexpected new parent culture, and highlights how private corporations, community leaders, parks and recreation departments, and nonprofits like the Tony Hawk Foundation have united to energize skate parks—like soccer fields before them—as platforms for community engagement and the creation of social and economic capital.

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