Search results for ""Unicorn Publishing Group""

This book is the first in the series of publications about Glasgow Museums' European Costume collection.

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Glasgow Museums has the finest and most comprehensive collection of Italian paintings of any civic museums service in the United Kingdom.

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Emma Haworth is a painter of the urban scene. Her art is built upon meticulous observation of the ebb and flow of modern metropolitan life in the streets, the parks, the squares of London, New York, Paris and other great cities: it is a constantly shifting drama of moving people and changing light, played out in a great arena that is both architectural and natural. In To Everything There is a Season, Emma shows us an overview of her oeuvre and working practices.

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From the halls of Parliament to the depths of South-East Asian jungles, junior British MP Richard Reynolds embarks on a perilous journey that could alter the course of history. As the UK teeters on the brink of war, Richard uncovers a sinister conspiracy that threatens global stability. With dark forces at play both abroad and at home, he alone holds the key to preventing catastrophe. Driven by deeply personal stakes, Richard must navigate a treacherous path where failure is not an option.

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Sinking ships, devastating fires, horrendous car accidents, mountain climbing catastrophes, sword wielding terrorists and killer crocodiles are all situations recorded in this book; but what start out as disasters are redeemed by the bravery, quick thinking and sheer humanity of people who, only moments before, had no idea that they are about to be thrown into circumstances of overwhelming intensity. These are stories from the archives of the Royal Humane Society, which has been rewarding bravery for 250 years. They provide an insight into the type of person who risks their lives, potentially sacrificing themselves to save others. Some are famous but most are ordinary people from young boys to older women going about their daily lives.Dramatic and hair-raising, the tales are gripping in their own right but the fact that there is always a hero or heroine at their heart reinforces our faith in humankind and reminds us that there are plenty of ordinary people in the world capable of extra

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Critical perspectives from the Army Surgeon Generalâs 40-year career as a frontline emergency doctor in crisis and war, using poetry as a means to sustain his personal mental resilience.

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From the ancient barbarians responsible for the fall of Rome, to the black-lipped teenager updating their Instagram from a graveyard, Goths have been with us for a long time. Ideas about what is Gothic have changed and mutated, but a fascination with the dark and dramatic has remained a constant. The History of Gothic Fashion charts Gothic dress from its ancient and medieval origins to its various revivals and romanticised rebirths, examining its cultural inspirations including folk lore, 19th-century novels, the silver screen and rock music. For a subculture associated with literature and historical fashion, there are surprisingly few books that focus solely on Gothic fashion. The History of Gothic Fashion provides an in-depth overview of the evolution of the darker side of style.

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We all consume architecture – it’s the one artform we can’t avoid. So it’s hardly surprising that the finest writers have applied their minds to it. Most of them aren’t architects, but their powers of perception are such that what they say gets under the skin of a building – and gives us a lesson in how to look at architecture. You’ll be entertained and enlightened as you find out why Goethe went from being dismissive of Strasbourg Cathedral to being an awed admirer; why Ruskin was offended by decorated shopfronts; why D.H. Lawrence loved Etruscan temples; why Tom Wolfe ridiculed the Seagram Building; why Vita Sackville-West saw Chatsworth as an alien interloper; why Rose Macaulay was passionate about ruins; And what Evelyn Waugh thought of Gaudí. The answers, and plenty more, are all here. Knowing them will transform the way you see buildings and deepen your understanding of architecture.

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This ground-breaking publication provides a new view of the great Scottish artist Alan Davie (1920-2014), whose intensely physical gestural painting stood the staid post-war British art world on its head. In advance of a new Davie gallery in Hertford, the visually spectacular book argues that far from being an essentially historical figure, defined by the abstract expressionist era of the Fifties and early Sixties when he enjoyed his greatest fame, Davie was a prophetic artist whose preoccupations with universal creativity and self-realisation are more relevant today than they’ve ever been. Lavishly illustrated with rare archive photographs and little-seen paintings, Alan Davie in Hertford demonstrates that Davie’s visionary art was far more closely bound up with physical places than is generally supposed, not least the quiet market town of Hertford, where he lived for 60 years. A catalogue of 40 works intended as the new gallery’s core collection, provides a “rich and fabulous” survey of Davie’s work, from student works of the Thirties to some of his very last paintings.

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Robbie is lonely at home with his parents in the Port of Arlen, his father is strict, his school is brutal and he lives in a world of his own, an imaginary place in which he is a detective, finding out secrets. When he gets a pair of binoculars, this world expands to show him a place full of shadows, of mysteries and of menace. He has to face difficult challenges, fight for what he thinks is right and stay loyal to those he loves.

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During his 1920s heyday, Arnold Bennett was one of Britain’s most celebrated writers. As the author of The Old Wives’ Tale and Clayhanger he was a household name, writing just as much for the common man as London’s literati. His face was plastered over theatre hoardings and the sides of West End omnibuses. His life represents the ultimate rags-to-riches story of a man who ‘banged on the door of Fortune like a weekly debt collector’ as one of his obituaries so vividly put it. Yet for all his success, few were aware how cursed Bennett felt by his life-long stutter and other debilitating character traits. In the years running up to his death in 1931, his affairs were close to collapse as he fought a losing battle on three fronts: with his estranged wife; with his disenchanted mistress; and from a literary perspective with Virginia Woolf. As the first full length biography of Bennett since 1974, the work draws on a wealth of unpublished diaries and letters to shed new light on a personality who can be considered a ‘Lost Icon’ of early Twentieth Century Britain.

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Told in his own words, in response to questions from the writer and art critic Andrew Lambirth, this book chronicles Andrew Logan's life and work through expressive anecdote and factual recollection. Reflections is a look back, but also a look at the present and a look forward: it is about the meaning of Andrew's world and the sculpture he has made to fill it, and about his approach to art, to friendship and to living in London and Wales. The Alternative Miss World, founded by Andrew in 1972, is at the heart of his philosophy, not just the world's greatest drag act (though it is this too), but an exhilarating celebration of the transformative power of the imagination. Andrew's work, which is all about joy and beauty, is inspiring and uplifting. This book, based upon discursive interviews dealing with all periods of his career, explains and contextualises it fully for the first time.

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Soldiering is a serious, frequently bloody business. That aspect has been documented endlessly. But behind the blood, thunder and de-humanising aspects of conflict are people – people in uniform and people supporting them. All of them have personal feelings and aspirations and they experience the humdrum assortment of daily occurrences that closely match those of their counterparts in civil society. Those aspects of their lives are not widely reported, or appreciated, and it is on those that this book has its focus. ‘Life Wasn’t Boring’ relates the life, times, successes, failures and, most importantly, the personal inter-actions and loves of a professional infantry officer and his family, over more than a third of the century that was his service. Some parts are as serious as can be expected of a military account. Other parts might surprise, entertain and even amuse the reader. Together they hold up a mirror to reveal the human side of being a soldier.

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Many of the most inspiring characters in comics and graphic novels began their epic journeys as orphaned or abandoned children. In these stories, the loss of a parent inflicts challenges that even superpowers cannot easily resolve. For over a century and millions of readers, the comic strip is a space in which this narrative has been continuously reimagined. Superheroes, Orphans & Origins: 125 Years in Comics offers a richly illustrated and thought-provoking exploration of the representation of orphans, foundlings, adoptees and foster children in sequential art. Surveying 125 years of creative practice and an international cast of characters, this book examines how care-experience is depicted in early comic strips like Little Orphan Annie, celebrated superhero narratives including Superman and Batman, and popular Japanese manga, among other examples. The complex issues and identities that feature in these stories are considered from a variety of perspectives, ranging from art historical to activist. Contributing authors include Lemn Sissay, MBE and award-winning artists Carlos Giménez and Lisa Wool- Rim Sjöblom, all drawing inspiration from their own experiences in care. Bringing together critical essays, candid conversations and outstanding artwork, this book encourages a new way to experience comics. This book is published on the occasion of the first major exhibition to focus on the representation of care experience in comics, produced by the Foundling Museum in London (April – August 2022).

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In Art and Power the authors Andrei Sarabyanov and Natalia Strizhkova explore the historical period between 1917 to the early 1930s, when avant-garde artists and Bolshevik leaders worked hand-in-hand on forging new cultural policies and creating new visual language that would channel Soviet ideological values. Based on the formerly unknown and hitherto unpublished archival documents from the State Archive of the Russian Federation, the authors explore alliances and tensions that existed within the artistic community, as well as the roles played by such torch-bearers as Kazimir Malevich, Vassily Kandinsky, Alexander Rodchenko, Olga Rozanova, Vladimir Tatlin and the challenges they faced in their collaboration with the Soviet State. Within just a few years, they founded new art schools, established numerous educational, research and experimental laboratories and institutions throughout Russia, reaching even into the most remote backwaters of the former Russian Empire.

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The Targeted Poverty Alleviation programme was proposed by President Xi in 2013 and aims to give poor people the resources to lift themselves out of poverty. No fewer than three million cadres have been sent to the least developed areas of the country to educate, inspire and help the most impoverished people with financial support, jobs and business opportunities. The authors of this series of books visited some of the villages that were previously very poor, to document how developments in education, agriculture, health and tourism had created positive change. The authors wrote about what they saw, what they heard, how they felt in these areas and rendered them into touching and vivid stories. On 3rd November 2013, President Xi visited Shibaidong Village in Western Hunan Province and proposed for the first time 'targeted poverty alleviation', a national solution for reducing poverty. The book describes eighteen representative stories of the villagers in Shibaidong Village in their struggles to get rid of poverty and strive for a well-off life, and each story is told in the first person, flavouring with people's daily life

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James Gordon Bennett was born in 1841, a spoilt only son who took over as publisher of the New York Herald from his millionaire father. Bennett tirelessly supported pioneering fields of technology and sport, always with speed in mind. In 1899, fascinated by the new motor cars, he instigated the International Gordon Bennett Cup. The inaugural race took place in 1900 between Paris and Lyon. Three countries entered, but this was just the beginning of a massive phenomenon that, thanks to Bennett, saw spectators grow from less than a hundred to eighty-thousand. The widespread anti-car sentiment, endless bureaucracy, speed limits, safety and design challenges were all obstacles to overcome. Each Gordon Bennett Cup Race is documented here with an account of the drivers, the cars, the courses and the thrilling highs and lows of the events. The 1903 Cup, which was held in Ireland, was crucial since for the very first time a closed-circuit course was used. It was also the first international race in the British Isles. His dedicated promotion of early motor-car racing gave a boost to the global auto-industry and was a firm basis to the international racing that is still a thrilling part of our lives over 100 years later.

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Leaders collects in one place for the first time the remarkably personal and distinct stories from Pangbourne College of the courageous men and women in war and peace – accounts that are in danger of being forgotten today. Based on original research and neglected first-person accounts, it covers the period 1917-2020, with a particular emphasis on World War II, the Cold War, the Falklands War and contemporary conflicts in Iraq and Afghanistan. Leaders documents the courageous and singular actions during a century of peacetime, as well as profiling the outstanding Second World War heroes Mike Cumberlege, David Smiley, and GTS ‘Peter’ Gray. A chapter recounting amazing exploits in the world of international sport adds a separate dimension to the book. Authored by a former foreign correspondent and leading corporate writer, with a Foreword by a leading naval historian, the book has a global dimension and perspective. This is reinforced by the author’s years of investigatory work, his experience covering wars and his long-standing knowledge and understanding of the context.

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In this first book to explore the entire history of triumphal arches, from their Roman origins to the present day, the Classicist and architectural historian Peter Howell describes arches through time, in terms of their cultural and historical significance. He also discusses the form of the arch in Renaissance painting and the rather surprising use of arches as war memorials. The erection of arches is far from dead, and Howell shows us examples, taken from over thirty years of research, from around the world.

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In 1914, Princess Mary, the only daughter of King George V, was just 17. Yet with the world war two months old, the young princess was destined to make her mark. She would send a Christmas gift to all those serving in uniform, ‘afloat and at the front.’ With great determination, she set about her task to provide her gift to all those on active service. For Every Sailor Afloat, Every Soldier at the Front is the first time the full story of the princess’s gift has been told. Using original sources, texts and archives, and illustrating original surviving objects, this book unfolds the true story of the fund and its wider meaning, set, as it is, in the context of hope as provided by the unofficial Truce in No Man’s Land that has been so well documented. Princess Mary’s gift was extremely sophisticated; great pains were taken to ensure that the needs of its recipients were met, based on ethnicity, gender, religious observance and personal preference – the Gift Committee was way ahead of its time. By 1919, some 2.7 million people from across the British Empire had received the gift. Well-illustrated and fully sourced, this book will provide those interested in the first Christmas of the War a greater perspective of the achievements of its founder, of the meaning of the gift to the recipients, and of the nature of the gift itself, such that prevailing myths and misunderstandings of its constituents and recipients will be resolved.

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Spanning the worlds of Portraiture, Landscape, The Nude, Abstraction and Still Life, Alexander Newley’s project fuses the Fine Art traditions of patient observation and draughtsmanship with the transcendental intuitions of the mystic. ‘For me, art is a moral activity,’ he says, ‘a straining after the highest virtue of beauty and enlarged consciousness. As such, all art is essentially religious, even when it shows us the ugliness of a fallen world.’ Complementing the images is Newley’s personal reminiscence, placing each work in a fascinating narrative of self-becoming –and an often-dogged determination to stay true to his calling. The result is a unique account of an artist’s journey in his own words, firmly setting before us a body of work that continues to evolve and explore, always affirming a uniquely ‘human’ future.

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In Oscar Wilde's Amethyst Tie-Pin, the 24-year-old Sherlock Holmes recounts how he untangled the web of blackmail and deceit surrounding the 'complex romantic endeavours' of the Prince of Wales, later King Edward VII, those of Lillie Langtry and her various suitors and the morass of 'scandal sheets' and libel cases surrounding the Prince's court of the time, while at the same time solving the mystery of Oscar Wilde's missing amethyst tie-pin.

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In de herfst van 1914 verandert de oorlog, die later de Grote Oorlog en nog later de Eerste Wereldoorlog zou heten, van karakter: het is niet langer een bewegingsoorlog, maar een stellingenoorlog. Het front loopt vast van Nieuwpoort tot de Zwitserse grens. Ieper is het laatste gat dat gedicht moet worden. Reeds op 22 november 1914 worden de bekendste monumenten van de stad, de Lakenhallen en de Sint-Maartenskerk, in brand geschoten. In de vier jaren die volgen wordt de volledige binnenstad van de kaart geveegd. In de winter van 1918–1919 kan een man te paard gewoon over de stad heen kijken. Tijdens de oorlog is de hele bevolking van Ieper gevlucht of, vanaf mei 1915, verplicht geëvacueerd. reeds enkele weken voor de wapenstilstand keren de eerste bewoners terug. Zij die willen, wonen in een totaal vernietigde stad en moeten zich met zeer weinig behelpen. Met brokstukken uit het puin en achtergelaten oorlogstuig bouwen ze een eerste woning. Tien jaar na de wapenstilstand lijkt het alsof hier nooit een oorlog heeft gewoed. Nagenoeg alle huizen zijn heropgebouwd – slechts hier en daar blijft er een gat in het stedelijk weefsel. Deze wandeling – die ongeveer 2 uur duurt – neemt u mee langsheen de meest typische voorbeelden van de Ieperse naoorlogse bouwstijl, maar toont ook de meest frappante afwijkingen hiervan.

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When fourteen-year-old Mary Hillier delivered a message to photographer Julia Margaret Cameron’s door, little did she know what her life would become… Julia Margaret Cameron received her first camera as a gift when she was forty-eight but her love affair with the medium had already spanned several decades and continents. An enthusiast for this newly invented device, she travelled the world befriending experts who taught her the magic and the science of the lens such as the astronomer John Herschel, and pioneering photographers like her brother in law the Earl Somers and the Swedish risk-taking artist Oscar Rejlander. Beginning as Julia’s parlour maid, Mary went on to become the photographer’s leading model and the focus of the artist’s creative passion. For Julia, Mary personified the heavenly qualities of her quiet corner of England. For Mary, Julia’s influence would echo throughout her life. This is a biography of two women who experienced beauty, love, loss and fame, and created photographs that, in Julia’s own words, ‘should electrify you with delight and startle the world’. Spanning the French Revolution to the 1930s, Light and Love tells the story of a rare partnership of a pioneer and her muse, and how their relationship would change the course of both of their lives.

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Only Us is a comprehensive, photographic portrait of humanity; a tapestry of mankind. As a species we are incredibly diverse, yet remarkably similar in so many ways. Our ability to adapt is unrivalled; from the four corners of the planet there are few places we have not succeeded in inhabiting. Only Us is a unique look at what essentially makes us human. Intended to expand the appreciation of its audience, drawing upon parallels we all have, transporting the viewer from their living room to far flung lands full of colour, inspiration and natural beauty.

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There are many books about Great War heroes. Relatively few are written about survivors and even fewer detail their whole lives or the wider context of their service. In this approach to the Great War, Richard Cullen takes the reader through history, led by the medals of five who served, each decorated for distinguished service; to wide-ranging political and military contexts, the personal side of their lives in war and peace, and the untold contributions that they made. What do the medals tell about the people who wore them? Where did they serve? How full were there lives? What wider historical and tactical contexts surrounded them? Readers will learn of aspects of service, battles and ways of making war that they might otherwise not have found in one place; philanthropy, volunteering, care for the injured, supplying an army, the dangerous monotony of the trenches, the Allied Intervention in the Russian civil war. Each of the subjects covered here led diverse lives. They served on land, in the air, and later at sea. Their stories are untold and open our eyes to the struggles that so many faced without formal recognition. In these varied and multi-layered accounts are tales of sadness, power struggle, modesty and compassion, bravery and a fulfilled post-war life.

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In the 1980s David Thomas was an unemployed plumber with a seemingly impossible dream: to become a fashion stylist. He ran away to London, landed a job selling cassettes in Tower Records, spent weekends and evenings washing dishes and working as a lavatory attendant, and every spare moment hammering on the doors of fashion editors until one of them opened a tiny crack. As well as telling the touching and funny story of the “Billy Elliot of fashion’s” bumpy ride to success, Vanity Project examines the fascinating relationship between the fairytale worlds fashion and celebrity. It describes how the discipline of styling has evolved from the 1980s to now, from the streets of London to the red carpets of Hollywood. This story is told largely in the words of those in the front row seats: actors, musicians, designers, photographers, editors, directors, artists, and music business power brokers. In short, people who have shaped popular culture over more than three decades. This beautifully designed book features more than 300 iconic images – photographs, sketches, magazine covers, Polaroids, iPhone snaps, and press cuttings – that illustrate the creative process from the mind of the stylist and the client's brief to the end result. The rich visual archive is brought right up to date with a specially commissioned portfolio of never-before-seen portraits by some of the world's leading contemporary photographers. Vanity Project is a tale of stars, of clothes, and of the skill and sweat that goes into creating those glittering moments on stage and screen. Above all, it’s the story of how, with the right kind of help and belief, one boy’s dream came true. The publisher will donate 10% of the cover price to The Prince’s Trust. The total amount donated to The Prince’s Trust is expected to be £5 per book. The Prince’s Trust is a registered charity incorporated by Royal Charter in England and Wales (1079675) and Scotland (SC041198).

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AS FEATURED ON BBC LONDON NEWS. Take four seasons, one photographer, eighty species, hundreds of miles on foot in a city of ten million people and through intimate and captivating portraits meet London's wild neighbours. London is not just a city of ten million people, it is also home to an extraordinary diversity of beautiful wildlife. With world population exploding and more and more countryside being lost to urban sprawl or commercial agriculture, the sharing of urban space with nature is more important than ever. To achieve this, we have to preserve and increase the green and blue spaces in our cities and see and love the wildlife that we already have. Since London is my city, I set out to observe and create photographic portraits of all the creatures I could find. Whilst this has taken many hundreds of hours, it has been the happiest time imaginable as I immersed myself in the sweetness and delight of my wild neighbours.

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For many today the Church stands picturesquely in the background of modern life, but its time-honoured place has always been firmly in the foreground; it has been intimately woven into the unfolding fabric of English society and culture for one and a half thousand years. This may be largely lost to view, but the legacy is everywhere. The people ideally placed to bring this past to life – what it stood for, what it achieved, as well as the upheavals it has caused – are those whose first-hand stories speak directly to us. This anthology has assembled a crowd of witnesses, starting from Christianity’s rugged, pioneering times when its role in the shaping of England was so influential, continuing through the great flowerings of enlightenment and times of turbulence, right up to this present, less certain age. These are the voices of saints and sinners, dignitaries and dissidents, shrewd observers and ordinary parishioners.

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Memories of a London Art Dealer is the distillation of a lifetime’s experience and expertise in the art world. Neither an autobiography nor a traditional memoir, the book consists of reflections, anecdotes, telling conversations, encounters, touches of humour and a choice selection of the triumphs and disasters, heroes and villains encountered by an accidental art dealer.

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The mention of ‘Faith in The City of London’ conjures up images of ceremonial events in St. Paul's Cathedral, but there are over 40 other Anglican churches, as well as Jewish, Dutch, Catholic and Welsh places of worship squeezed in between The Square Mile's towers of commerce. Intrigued by this incongruity, highly acclaimed London photographer Niki Gorick has gained unique access to capture the day-to-day workings of these ancient buildings and discovered a vibrant, diverse spiritual life stretching out into many faiths. This is a book about London and Londoners from a completely new angle, revealing a rich mix of characters, traditions and human interest stories. From weddings, communions, evangelical bible studies and Livery company carol services, to Knights Templar investitures, huge wet fish displays, Afghan music and vicars wielding knives, the photographs show an extraordinary range of spiritual goings-on and charismatic personalities. For the first time, it's possible to get a real insight into a side of London's Square Mile not dominated by money-making, where City workers are trying to connect to life's deeper meanings and where religious traditions and questions of faith are still very much alive.

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This short book by historian and journalist Beckles Willson is in memory to the Canadians who fought during the Great War around Hooge, near Ypres at the Battle of Mont Sorrel in 1916. The Battle of Mount Sorrel lasted for almost two weeks and cost the Canadians over 8,000 casualties. Having lost the first two phases of the battle, the Canadians achieved victory in the final operation. Careful planning and concentrated artillery bombardments had begun to tip the balance on the First World War battlefields in favour of attackers over entrenched defenders.

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British fishermen, crusaders, Explorers, smugglers, traders, Inventors, convicts, settlers in the hold. Pirates, shipwrights, whalers, And our navies’ trusted sailors: Presented here, in verse, their histories told. Since before Great Britain became an island, through the age when supremacy at sea established the largest empire the world has known, and moving right up to the present day, the nation’s maritime history is told in a unique way, in this celebratory gift book – Britannia’s Glory. Written in memorable verse, with narrative side notes, quotations and a number of original drawings, it is designed to be easily digested and dipped into, (rather than swallowed whole). Offering comprehensive coverage, its topics include piracy, privateering, disappearing villages, smuggling, seaside resorts, the iniquitous slave trade and why the seas round our coast afford limitless potential for the production of renewable energy. The reader will discover elements such as wars, battles and (sometimes unconventional) naval tactics, alongside ship development, fishing, trade, ports, dockyards, lighthouses, maps and navigation. There are tales of settlers, mutineers, heroic explorers and daring saboteurs, as well as ingenious inventors and other land-based folk earning their livings manufacturing rope or gutting herring. All contributed to a history that looks so very different when viewed from the sea. As a country, we may not know where we’re going, but we certainly know where we’ve come from.

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In 1930 pioneering female gallerist Lucy Wertheim opened The Wertheim Gallery in London. Wertheim challenged the established art scene conventions; she was a woman without formal art training, driven by intuition and a belief that young British artists should have the same opportunities as their European counterparts. Adventure in Art is Lucy's 1947 autobiography, telling the story of her career in the British Modernist era. Republished by Unicorn to coincide with the forthcoming Towner Eastbourne exhibition, A Life in Art: Lucy Wertheim & Reuniting the Twenties Group (Summer 2022), this book brings to a contemporary audience the trials and tribulations of a key participant in the male-dominated art world in the first half of the twentieth century. Lucy Wertheim's discerning eye and business acumen helped to propel big names such as Christopher Wood, Alfred Wallis, Cedric Morris, Henry Moore and Frances Hodgkins into the mainstream. With three commissioned essays - the first by Frances Spalding (Lucy Wertheim - Her Gallery in Context); the second by Ariane Banks (Lucy Wertheim - A Pioneering Woman and Her Contemporaries); the third by Towner's Collections & Exhibitions Curator, Karen Taylor (Lucy Wertheim - Her 'Forty-One Year Experiment' [1930-71]) - this new edition not only brings Lucy Carrington Wertheim's words and deeds back into our conscience, but it also publishes over 70 artworks, many of which are featured in the Towner exhibition, as well as newly photographed ephemera from the Estate's extensive archive. Together, this exhibition and book will significantly reset the accepted narrative, and shine a light on a neglected corner of mid-twentieth century art history.

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The invasion of Normandy was the most significant victory of the Allies in the Second World War. By 1944, over 2 million troops from over 12 countries were in Britain in preparation for the invasion. These forces consisted primarily of American, British and Canadian troops but also included Australian, Belgian, Czech, Dutch, French, Greek, New Zealand, Norwegian, Rhodesian and Polish naval, air or ground support. The operation was codenamed "Overlord" which saw the largest invasion fleet ever assembled, before or since, landing 156,000 Allied troops on five beach-heads on D-Day 6 June 1944. These forces established a foothold on the shores of Northern France, and broke out into the French interior to begin a headlong advance. D-Day was originally set for June 5 but had to be postponed for 24 hours because of bad weather. The forecast was so bad that the German commander in Normandy, Erwin Rommel, went home to give his wife a pair of shoes on her birthday. He was in Germany when the news came. British factories increased production and in the first half of 1944 approximately 9 million tonnes of supplies and equipment crossed the Atlantic from North America to Britain. Bagpiper, Bill Millin struck up ‘Hieland Laddie’ as soon as he jumped into the shallows and then walked up and down the beach playing the pipes. German prisoners later admitted that they had not attempted to shoot him because they thought he had lost his mind. The British infantryman was paid £3 15s a month, the Americans got £12. A naval bombardment from seven battleships, 18 cruisers, and 43 destroyers began at 5am and went on until 6.25am. On the night of the invasion only around 15% of paratroopers landed in the right place. New gadgets designed for D-Day included a “swimming tank” and a flame throwing tank called “the crocodile”. There were even collapsible motorbikes. The morning after D-day the police raided a brothel, which French women had set up in a wrecked landing craft. 1,900 Allied bombers attacked German lines before the invasion began. Seven million pounds of bombs were dropped that day. A total of 10,521 combat aircraft flew a total of 15,000 sorties on D-Day. All this and much more is uncovered in a range of informative and detailed events spanning this most significant event in military history; biographies, fun facts, myth busters and illustrated throughout with infographics and contemporary photographs.

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Exotic lair, freezing garret or convivial rendezvous, artists’ studios reflect their personalities, the way they work, their dreams and obsessions. Some are battlegrounds where hopes are dashed and original concepts fail dismally in their execution. A few artists became celebrities and flaunted their success by furnishing huge studios with exotic objects, while others lived in a haze of opium in squalid tenements in Montmartre. Spanning 500 years of Western art history from 1400 to 1900, and accompanied by glorious images, Caroline Chapman describes the skilful techniques employed in a Renaissance workshop; Michelangelo’s agony and ecstasy while painting the Sistine Chapel; the murky world of the artist’s model; the looting by Napoleon of Veronese’s masterpiece; Van Gogh’s wretched first studio; how Géricault painted his Raft of the Medusa; the way Rodin worked in his plaster-spattered environment and the ateliers of the Impressionists in Paris.

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Michael Coveney has been writing theatrical obituaries alongside reviews for several decades and makes a telling, sometimes surprising, selection of the best performers of our time, from Laurence Olivier to Alan Rickman, Peggy Ashcroft to Helen McCrory, Richard Briers to Ken Dodd. Most of these obits appeared in the Guardian, several in the Observer, the Financial Times and the Evening Standard. The fifty articles are arranged in chronological order of each actor’s demise and constitute a vivid history of postwar theatre through the lives of the actors, ‘the abstract and brief chronicles of the time’ as Hamlet called them. There are happy/sad juxtapositions of shooting stars Robert Stephens and Alan Bates; tragic niece and aunt, Natasha Richardson and Lynn Redgrave; classical queens Diana Rigg and Barbara Jefford; and versatile showtime hoofers Una Stubbs and Lionel Blair.

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Publius Ovidius Naso (43BC – 17/18AD), known as Ovid, was known as much for his disgrace as for his poetry. By pleasing his contemporaries, befriending patricians and subtly mocking the emperor Augustus, he was transformed from a provincial outsider to Rome’s darling – and, for some, its corrupter. Banished without trial to a remote port on the Black Sea, he continued to write. It is fortunate that most of his work has not been lost. The transformation stories of his masterpiece – The Metamorphoses – inspired not just Shakespeare, Chaucer and Milton, but have been a major influence on European culture. His handbooks of erotic love taught men and women the art of dealing with the opposite sex. They brought him instant literary glory and notable adversaries. His works were banned by the emperor Augustus, by Savonarola, by the Bishop’s Ban, by the Vatican and eventually by the US Custom Office; this latter only lifted in 1930. To discover who was Ovid the man, Michael Solomon travelled in his footsteps, seeking the same landscapes today that Ovid found two thousand years ago.

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Elstree School celebrates its 175th anniversary in 2023 and to commemorate the anniversary new book Elstree 175 tells iconic story of the school from 1848 to today, celebrating every aspect of such a famous academic institution. This revised history gives a lively account of the extraordinary Sanderson family who ran it for 100 years, the other teachers who made it special as well as celebrating some of its distinguished old boys and alumni. Elstree School was a feeder for Harrow School, and in its early days, had a strong intellectual background with figures such as Joseph Conrad and John Galsworthy who were frequent visitors to the school. The book explains the ethos of study, Christian faith, high sporting achievement and good manners that have long given the school its special quality, and brings the story right up to the present day.

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Of all the ceramic processes, Maiolica truly requires a painter’s touch. Combining a confident sensitivity of brushwork and a vision of what might be once the subtle blends of oxides fuse with the tin glaze in the firing, it is both a rewarding and unforgiving art form. A Journey Painted in Clay celebrates the ceramic work of Agalis Manessi through its various forms of expression over a career spanning fifty years. Inspired by many historical and contemporary sources, her work is a fusion of her Mediterranean heritage and annual travels across Europe between Greece and London. Ideas are drawn from the experience of viewing subjects in churches, museums and galleries and observations directly from life. Animated vessels express a gentle humour that is offset by the suggestive poise of their condensed forms, camouflaged within the painted surface. Following in the tradition of English Delft, portrait dishes are softly coiled, with painted images built up of composite features worked up from notebook sketches. Modelled animals and figures take on a more enigmatic nature, communicating a silent yet eloquent poise. With a foreword from Jenni Lomax, curator and former director of Camden Arts Centre, and contributions from Megan Brooks, Tanya Harrod, Mina Holland, Marina Papasotiriou, Michael Petry and Liz Rideal.

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The name Farsons is as synonymous with Malta as Guinness is with Ireland. Louis Farrugia’s visionary decision to conduct a European architectural competition has resulted in a stunningly beautiful and brilliant transformation of the 1951 Art Deco Farsons Old Brewhouse buildings. The gardens-courtyards-campus masterplan and architecture has been designed by the internationally renowned architects - ritchie*studio – led by Ian Ritchie, and realised in collaboration with Alex Torpiano’s engineering-focused Maltese practice TBA Periti, and environmental physicist Doug King. Inspired by Maltese palace gardens and the coloured architectural elements of the island’s vernacular buildings, and designed with respect for the force of the Mediterranean sun, this utterly contemporary mixed-use commercial architecture is a masterpiece of form, light and shade, sustainability and environmental engineering. Richard England, the celebrated Maltese architect wrote: “It is perhaps the finest building our island has seen over many a decade. It proves that real estate development can be produced enriched with what Vitruvius termed ‘Venustas’. Rarely has Malta seen architecture of this excellence.”

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Why does global media feel a need to denigrate China? Why does discussion and analysis fall back on obvious tropes and polemics, when in reality China is raising living standards, developing its economy and introducing human rights. In this book, Maxime Vivas draws a picture of China from the perspective of the French media and France’s political class. He will also explore the ramifications of journalists who dare to stand out from the anti-China movement.

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A remarkable figure of British politics between the late Victorian and interwar years, Lord Lansdowne was among the last hereditary aristocrats to wield power by birth. Over the course of a distinguished fifty year career he served as Governor-General of Canada, Viceroy of India, Secretary of State for War, Foreign Secretary and Leader of the House of Lords. It was Lansdowne who engineered the crucial changes in British foreign policy and the burden of Britain's imperial commitments, led the House of Lords through one of the most divisive periods of modern times and at the end of the First World War became a figure of notoriety greater than any of the popular leaders of the day. Descended from one the Great Whig families, he was a moderate progressive incapable of discourtesy or of any dishonesty. He was trusted by everyone. His life illustrates the challenges that his class had to face at this time and acts as a prism through which to view the transition of Britain from a global force to a much reduced power. This authoritative text, based on the first full examination of Lansdowne's extensive archive, draws this great man out of the shadows and presents him in the context of his own time, offering a fascinating insight into the leading personalities and political events of his day. Simon Kerry's biography shows that many of the issues Lansdowne faced are still important today and that his career profoundly affected the course of modern history.

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This book tells the story of two directors of the State Hermitage Museum, who (for over five decades between them) have presided over what has become one of the greatest museums of the world.Saved from the Bolshevik revolution in 1917, the Hermitage was run from 1964 until his death in 1990 by Boris Borisovich Piotrovsky. His son, Mikhail Borisovich Piotrovsky, took over the reins in 1992; his tenure has recently been extended until at least 2020.

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