Search results for ""The White Review""

The White Review Anthology of Writing in Translation will bring the most innovative and exciting international writers working today to an Anglophone audience. The anthology will place the work of celebrated authors and translators alongside emerging voices. It will include excerpts from novels, full-length short stories and narrative non-fiction previously unpublished in English. Part of the content will be selected from a global open call to translators', which closes in September 2023. Confirmed contributions to the anthology include: Butterflies', a short story by Geetanjali Shree, translated from Hindi by Daisy Rockwell; Peach', a short story by Sema Kaygusuz, translated from Turkish by Maureen Freely; 'Red (Hunger)', an extract from a novel by Senthuran Varatharajah, translated from German by Vijay Khurana; Alegría', a story by Colombian writer Margarita García Robayo, translated from Spanish by Carolina Orloff; Mulberry Season' an excerpt from the novel Darkness

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Camilla Grudova lives in Edinburgh. Her fiction has appeared in The White Review and Granta. She is the critically-acclaimed author of The Doll's Alphabet (2017) and Children of Paradise (2022).

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Anna Glendenning is a writer from Leeds. She was formerly an editor at And Other Stories, where books under her wing made the 2018 Man Booker International and Goldsmiths Prize shortlists. In 2017 she was shortlisted for the White Review Short Story Prize. She was born in 1991, is based in London and works in the engagement team at Kew Gardens.

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Pouran Jinchi’s monograph offers the first expansive reading into the nearly 25-year-long practice of the Iranian-born American artist. Helping to reimagine the engagement of Persian calligraphy within a contemporary art discourse, this title follows a prolific career, examining work that has been exhibited across the world in solo and group presentations and produced across varied media. Co-published by Akkadia Press and Works on Paper, the book includes critical commentary and essays from such noted experts as Dr Maryam Ekhtiar (Associate Curator, the Metropolitan Museum of Art); Dr Shiva Balaghi (independent scholar based in LA); and Ben Eastham (Associate Editor of ArtReview and founder of The White Review).

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WINNER OF THE JAMES TAIT BLACK PRIZE FOR FICTION 2022‘Remarkable' - Colm Tóibín, author of Brooklyn'Like Finnegans Wake, only readable' - The TimesIn A Shock, a clutch of more or less loosely connected characters appear, disappear and reappear. They are all of them on the fringes of London life, often clinging on – to sanity, solvency or a story – by their fingertips. With this deftly conjured high-wire act, Ridgway achieves a fine balance between drama and fidelity to his characters. The result is pin-sharp and breathtaking.Book of the Year Selection in the Guardian, New York Times, Spectator, Hot Press and The White ReviewShortlisted for The Goldsmiths Prize

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Kaya Genç is a novelist and essayist from Istanbul whose writing has appeared in The New York Times, The Paris Review, The Guardian, The Financial Times, The London Review of Books, Salon, Guernica Magazine, Sight & Sound, The Millions, The White Review and TIME Magazine, among others. His first novel, L Avventura was published in 2008. Kaya has a PhD in English literature and is the Istanbul correspondent of The LA Review of Books as well as a contributing editor at Index on Censorship. He has written a history of Turkish literature for Harvard University Press, and is the author of Under the Shadow (I.B.Tauris, 2017), an account of the Gezi Park uprisings and the coup attempt of December, 2016. He is a regular contributor to the New York Review of Books.

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'A response - finally - to the new norms of femininity' Rachel CuskHaving reached an age when most of her peers are asking themselves when they will become mothers, Heti's narrator considers, with the same urgency, whether she will do so at all. Over the course of several years, under the influence of her partner, body, family, friends, mysticism and chance, she struggles to make a moral and meaningful choice.In a compellingly direct mode that straddles the forms of the novel and the essay, Motherhood raises radical and essential questions about womanhood, parenthood, and how - and for whom - to live.'Likely to become the defining literary work on the subject' Guardian 'Courageous, necessary, visionary' Elif Batuman'Quietly affecting... As concerned with art as it is with mothering' Sally Rooney'Groundbreaking in its fluidity' Spectator **A Daily Telegraph, Financial Times, Irish Times, Refinery29, TLS and The White Review Book of the Year **

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SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 'What a phenomenal ear she has, and how remorselessly funny she is - My Phantoms is unmissably good' Kevin Barry, author of Night Boat to Tangier Helen Grant has always been a mystery to her daughter. A twice-divorced mother-of-two she has sought intimacy in all the wrong places. Her daughter Bridget sees her once a year and considers the problem contained. But as she looks back over their fractious relationship, she is forced to confront cruelties inflicted on both sides. My Phantoms is an insightful and painfully funny account of a family strained to breaking point, and a reckoning with the damage we do over the course of a life. My Phantoms was a Book of the Year in the Observer, the Daily Telegraph, the Irish Times, the Guardian, The White Review, the Evening Standard, the Big Issue, the TLS, the Week and the New Statesman.

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'Wickedly clever prose and a sense of humour that seems to loom up like a character in itself' – M John Harrison, GuardianIn her brilliantly inventive and haunting debut collection of stories, Julia Armfield explores the body, mapping the skin and bones of her characters through their experiences of isolation, obsession, love and revenge.Teenagers develop ungodly appetites, a city becomes insomniac overnight, and bodies are diligently picked apart to make up better ones. The mundane worlds of schools and sleepy sea-side towns are invaded and transformed, creating a landscape which is constantly shifting to hold on to its inhabitants. Blurring the mythic and the gothic with the everyday, Salt Slow considers characters in motion – turning away, turning back or simply turning into something new entirely.Winner of The White Review Short Story Prize 2018, Armfield is a writer of sharp, lyrical prose and tilting dark humour – Salt Slow marks the arrival of an ambitious and singular new voice.'Salt Slow is exemplary. A distinct new gothic, melancholy, powerful and poised.' – China Miéville, author of The City & The City'Armfield is an enormous, gut-wrenching talent.' – Daisy Johnson, author of Everything Under

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"A novel par excellence that is destined to become a classic' of almost byzantine splendour . . . At its best worthy of comparison with Gabriel García Márquez" Catherine Taylor, Irish Times"Afonso Cruz is one of the strongest voices in contemporary Portuguese literature" Antonio Saez Delgado, El PaisAt the age of forty-two, Bonifaz Vogel begins to hear a voice.But it doesn't belong to the mice or the woodworm, as he first imagines. Nor is it the voice of God, as he comes to believe. It belongs to young Isaac Dresner, who takes refuge in the cellar of Vogel's bird shop on the run from the soldier who shot his best friend. Soon Vogel comes to rely on it for advice: he cannot make a sale without first bending down to confer with the floorboards. Thus begins the story of two Dresden families, fractured and displaced by the devastating bombing of the city 1945, their fates not only intertwined, but bound also to that of a life-sized doll commissioned by the artist Oskar Kokoschka in the image of his lost lover.Based on a curious true story, Kokoschka's Doll is an imaginative and playful novel that transports the reader to Dresden, Paris, Lagos and Marrakesh, introducing them to an unforgettable cast of characters along the way.Translated from the Portuguese by Rahul BeryRahul Bery's translations from Portuguese and Spanish have been published in Granta, The White Review, Words Without Borders and the T.L.S. His first full-length translation, Rolling Fields by David Trueba, was published in 2020. From 2018 to 2019 he was translator-in-residence at the British Library.With the support of the Creative Europe Programme of the European Union

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An Indie Next Pick for July 2017 "7 Best Books of July," Men's Journal "10 Titles to Pick Up Now," O, The Oprah Magazine "Most Anticipated Books of 2017," The Millions "A unique, poetic critical appreciation of Marcel Marceau.... A fascinating book.... Readers will marvel not only at Marceau, but at the book itself, which displays such command of the material and such perfect pitch." —Kirkus Reviews, starred review As a fledgling radio producer, Shawn Wen became fascinated by the one subject who seemed impossible to put on air: French mime Marcel Marceau, the internationally acclaimed “artist of silence.” At the height of his fame, Marceau was synonymous with Bip, the red-lipped, white-faced mute in a sailor suit who conjured scenes, stories, and sweeping emotion through the gestures of his body alone. Influenced by Charlie Chaplin’s Little Tramp, credited with inspiring Michael Jackson’s Moonwalk, Marceau attempted in his performances to “reveal the fundamental essences of humanity.” Beyond Bip, Marceau was a Jewish Holocaust survivor and member of the French resistance; a bombastic iconoclast; a collector of failed marriages, masks, antique knives and doting fans; an impassioned workaholic who performed into his eighties and died deeply in debt soon after leaving the stage. In precise, jewel-like scenes and vignettes, A Twenty Minute Silence Followed by Applause pays homage to the singular genius of a mostly-forgotten art form. Drawing on interviews, archival research, and meticulously observed performances, Wen translates the gestural language of mime into a lyric written portrait by turns whimsical, melancholic, and haunting.Shawn Wen is a writer, radio producer, and multimedia artist. Her writing has appeared in The New Inquiry, The Seneca Review, The Iowa Review, The White Review, and the anthology City by City: Dispatches from the American Metropolis (Faber and Faber, 2015). Her radio work has been broadcast on This American Life, Freakonomics Radio, and Marketplace. She is the recipient of numerous fellowships, including the Ford Foundation Professional Journalism Training Fellowship and the Royce Fellowship.

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“SPRAWL in fact does not sprawl at all; rather, it radiates with control and fresh, strange reflection.” —Bookforum“Reads as if Gertrude Stein channeled Alice B. Toklas writing an Arcades Project set in contemporary suburbia.” —The BelieverWhen Danielle Dutton’s SPRAWL first broke upon the world in 2010, critics likened it to collage, a poetics of the suburbs, a literal unpacking of et cetera. This updated edition, with a new afterword by Renee Gladman, reopens the space of SPRAWL’s “fierce, careful composition”—as Bookforum wrote—“which changes the ordinary into the wonderful and odd.”Today I fell asleep in the tall grass near the old train station. It was a complete picture. A fashionable park. Yet the picture had its sordid and selfish aspect. I can’t seem to say what I mean, Mrs. Barbauld, but with some urgency I mean to inform you what a triumph the big city has become. I am a secular individual but even I can feel the shift in the horizon utterly alien to the constitution of things, the habitual. Sincerely, etc. I move in shade on the edge of a parking lot under walnut trees in the early morning around the edge of a curve in an accidental manner. I walk the sidewalk and ripple the surface of it. From this condition I have a view of the world.Danielle Dutton is the author of Margaret the First, SPRAWL, and Attempts at a Life. Her writing has also appeared or is forthcoming in The Paris Review, Harper’s, The White Review, Fence, BOMB, and others. She is on the faculty of the writing program at Washington University in St. Louis and is co-founder and editor of the feminist press Dorothy, a publishing project.

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