Search results for ""Skira""

A fully-fledged Skira Architecture house organ which presents the Skira’s point of view on world architecture. Published annually, only in English, with a very heavy emphasis on the graphic side: from June to June (summer solstice); on sale date: October. The Yearbook includes: Wall paper: a number of double-page spreads featuring about a hundred of the most interesting projects built or designed during the year. Editorial: an essay with a systematic presentation of all news items, problems and key characters. Projects: a selection of 25/30 projects, themes, outstanding people or towns which have displayed significant content or results over the year. Each project is sumptuously illustrated and includes a critique by a well-known figure or an interview with the designers. Tools: Index of the Index: a selection of the world’s top architectural journals’ annual indexes; of international exhibitions and events; of interesting websites; details about the designers and the institutions mentioned. Work in progress: a few pictures of major, ongoing projects as a “teaser” for the next issue.

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The complete works of one of the most interesting and eclectic contemporary Italian architects, in a new volume from the Skira architecture series. Gae Aulenti is one of the world's most celebrated architects. Her internationally renowned works encompass industrial design, urban planning, graphic, set design and architecture. This well-documented publication illustrates Aulenti's complete oeuvre and includes world-famous projects such as the Musee d'Orsay and the National Museum of Modern Art of the Centre Pompidou in Paris, the remodeling of the Palazzo Grassi in Venice and the New Asian Art Museum in San Francisco as well as lesser known but equally interesting works such as set designs for the theatre, exhibition designs, private houses. The book also dedicates a section to Aulenti's furniture design and includes her notable lamps produced by Artemide and chairs produced by Zanotta and Kartell. Fifty years of ideas and projects are examined in this richly illustrated monograph.

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The first title of the Skira Contemporary Arab Artists series, directed by Brahim Alaoui, previous director of the Museum of the Institute of the Arab World in Paris. Bahraini-born Saudi national Faisal Samra graduated from the Ecole Nationale Supérieure des Beaux-Arts in Paris. He worked as an art and graphic design consultant for the Institut du Monde Arabe (Paris), and later a stage designer for Saudi television. In 2004 he taught in the Fine Arts department of the Amman University in Jordan and obtained his first artist residency in Paris, at the Cite International des Arts, in 2005, which he continues to be a part of today. Faisal Samra has taken part in numerous group shows, including “Word Into Art” at the British Museum (London and Dubai), “Languages of the Desert: Contemporary Arab Art from the Gulf States” (Abu Dhabi, Paris and Kunstmuseum, Bonn), and “Traversée”, (Paris, Cairo, Rabat). He has had solo exhibitions in Middle-Eastern and European institutions alike, and is in the collections of The British Museum (London) National Museum (Mexico City), Modern Art Museum (Cairo), Enrico Navarra (Paris), Saeb Eigner (London), Sheikha Paula Al Sabah (Kuwait), among others.

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The second volume in the Skira “Photography” series serving as a major reference in the field. The 50 years of artistic and mass photography taken into consideration in this volume are unquestionably the most important in the twentieth century. The acceleration of technological progress, the advent of the era of the machine and the metropolis, the epoch-making economic crisis, the dramatic aftermath of the collapse of the old nineteenth-century order in Europe with political upheavals, wars, revolutions and dictatorships, the first appearance of a mass society capable of expressing cultures and systems of communication in line with its needs: these are the most obvious stages of a history that was also recorded as it happened, in various forms and media. Among these, key importance certainly attaches to photography. It is evident that mankind had never before been in possession of an instrument capable of supplying such an enormous number of images of such universal accessibility as regards both visibility and creation. The Kodak camera, a device anyone could use, and the popular illustrated press are the two cornerstones of this aspect of the photographic history of the twentieth century. This richly illustrated book – complete with synoptic tables and a summary glossary – offers a wide-ranging survey of this era that will delight and inform a constantly growing audience.

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Skira Mini ARTbooks is a pocket-sized series, conveniently priced, very practical and with lots of images dedicated to single international artists, artistic movements and painting genres. The genius of Italian painting, symbol of grace and beauty, is considered one of the greatest and most popular artists of all time. An introduction to the life of the artist, with his masterpieces.

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The Bally Shoe company was founded as "Bally & Co" in 1851 by Carl Franz Bally (1821-1899) and his brother Fritz in the basement of their family home in Switzerland. In 1854, a shoe factory was set up in the village but Fritz Bally left the fledgling business and Carl Franz Bally carried on under the corporate name "C.F. Bally." After more than 150 years Bally has come to represent quality and design in shoes. This book illustrates the history of Bally from 1851 to the early 1960s, a period which embraces the birth and development of a footwear design style that introduced an evolution in comfort, lifestyle and elegance. Through a vast array of colour photographs, period illustrations and vintage posters, the book presents Bally and the shoes that have intrigued and enchanted us for over a century. The pictures illustrate the evolution of shoe models from the end of the 19th century, when Bally stepped boldly into the international market, to the early 1960s. Bally Since 1851 presents the unfolding of a key period, when the firm’s design skills joined forces with a strong business flair, thus distinguishing the brand internationally. This fascinating account of the development of Bally shoes features the fabrics, embroidery, colours, weaves and different versions of one hundred shoes— carefully selected from the Bally Shoe Museum of Zurich. The book will appeal to fashionistas, shoe lovers and design aficionados.

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The result of painstaking research by Lea Vergine, this volume explores the meaning of the “trash” phenomenon in contemporary art from the early 20th century (Boccioni, Carrà, Depero, Picabia, Schwitters), through the Sixties and Seventies (Burri, Kounellis, Fontana, Vautier, Rotella, César, Arman, Manzoni, Pistoletto, Beuys, Spoerri), and up to the present (Cragg, Parmiggiani, Boltanski, Sherman, Bourgeois, Serrano, Cattelan). It examines the challenge launched by these artists, who use waste as a material for creating art. In an era marked by great concern about the environment, the artistic use of the discarded object expresses the alienation and distress that appear to be eroding the wantonly consumeristic social model represented by the West. Recovering and preserving refuse is a means of trying to hold on to it, of making it survive by saving it from a void, from being nothing, from the dissolution to which it is destined; it is about the desire to leave a mark, a trace, a clue for those who remain, hence touching a dimension that is psychological as well as political.

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Walter Chappell (1925–2000) is considered one of the foremost figures in twentieth-century American photography. His thinking and vision of the world were closely connected with the intimistic, spiritual explorations undertaken between the 1950s and the 1970s by artists like Minor White and Paul Caponigro. While Chappell photographed various subjects, his inner eye was stimulated in particular by the form of the human body and landscapes as well as the combination of both, through which he endeavoured to perceive the creative flow, the energy that runs through and connects all things. Produced to accompany the first major European retrospective of Walter Chappell’s work, this catalogue presents over 130 photographs, all originals, as well as the unfinished and previously unpublished album World of Flesh, which the photographer intended as the primary publication on his work.

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A complete survey of Indonesian contemporary art. Indonesian Eye presents the most exciting works by emerging Indonesian artists in the most exhaustive way and comprehensively discusses their distinguishing characteristics differentiated from other contemporary art in Asia and the Western world. As an illustrated study, the book features seventy five up and coming artists and five essays to explain vibrant and dynamic art scene in Indonesia as an undiscovered jewel of Asian contemporary arts. Four pages will be given to each artist to allow the audience to experience more diverse spectrum of young artists’ works never introduced before outside Indonesia. Each artist’s section will have a brief descriptive text on the artist and his/her work and detailed captions.

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A book about the 800 million people around the world who live with hunger daily. Not the emergency cases, but the people whose lives are made up of nothing more than the search for their next meal.

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Multi-disciplined artist Mihail Chemiakin's exquisitely drawn costume sketches, stage sets and production design come to life in this extraordinary record of the two-act ballet premiered in St. Petersburg's Mariinsky Theater in 2005. Based on "The Story of a Hard Nut" from the Nutcracker and the Mouse King by E.T.A. Hoffmann, "The Magic Nut" is a ballet conceived by artist Mihail Chemiakin as a prologue to "The Nutcracker" in which we learn how the Nutcracker comes to be. Here Chemiakin tells the story of The Nutcracker's origins creating a fairy tale with a cast of bird-people, sea monsters, satyrs, cats, jellyfish, and, of course, a whole society of rats. In this phantasmagorical interpretation of Hoffman's tale the audience discovers the kind and heroic qualities of young Drosselmeyer, fated to be turned into a Nutcracker for his virtuous deeds. The story contains many of the elements of the classic fairy tale but the anticipated happy ending is ultimately postponed - until the story continues in the Tchaikovsky ballet. The book leads the reader through the ballet, scene by scene, with detailed sketches of the sets, costumes, masks and props created for the production. A virtuoso of invention, of expression through color and unexpected interpretation, the work of Chemiakin could not be better fitted to fairytales. Humorous and engaging, the colorful drawings featured here will delight ballet fans, costume designers, students of theater and art lovers alike.

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Post-Impressionism is a movement in France that represented both an extension of Impressionism and a rejection of that style’s inherent limitations. The term Post-Impressionism was coined by the English art critic Roger Fry for the work of such late 19th-century painters as Paul Cézanne, Georges Seurat, Paul Gauguin, Vincent van Gogh, Henri de Toulouse-Lautrec, and others. Most of these painters began as Impressionists; each of them abandoned the style, however, to form his own highly personal art. Impressionism was based, in its strictest sense, on the objective recording of nature in terms of the fugitive effects of colour and light. The Post-Impressionists rejected this limited aim in favour of more ambitious expression, admitting their debt, however, to the pure, brilliant colours of Impressionism, its freedom from traditional subject matter, and its technique of defining form with short brushstrokes of broken colour. The work of these painters formed a basis for several contemporary trends and for early 20th-century modernism.

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50 Moons of Saturn is the catalog of the exhibition curated by Daniel Birnbaum for T2 - the second Torino Triennale. It brings together works by fifty young international artists and presents two special projects by Paul Chan and Olafur Eliasson. “The Saturnine mind is gloomy and depressed, yet inspired and radiant; passive and fundamentally negative, yet rebellious and magnificently productive. Traditionally linked to the artist’s temperament, melancholy is the state of mind of inspiration” (Daniel Birnbaum).

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A new title of the 5-volume series covering the fundamental events and pivotal works of international art in the 20th century. With the third volume, this history of art goes past the halfway mark of the 20th century to enter the contemporary sphere. The book relates how artists reacted to the greatest tragedy of the 20th century and responded to the advent of the society of mass communication and consumption, to the moulding of the world in which we find ourselves ever more deeply immersed today. The collapse and rebirth of Europe, the years of the Cold War and the evolution leading to the upheavals of 1968 are fundamental themes of this third volume.

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