Search results for ""Public Space""

Taking a critical perspective, this book rethinks public space in the context of contemporary global health and economic crises, as well as technological, political and cultural change. In order to do so, Ali Madanipour brings together two often unrelated discourses: public space and social inclusion, interrogating the potential for public spaces to contribute to inclusive social practices.Organized in two parts, the book first highlights various common meanings and philosophical concepts of public space, examining them in their constitution and application. Madanipour runs these concepts past the test of social practice, through the economic, political and cultural dimensions of social exclusion and inclusion. Chapters further analyse public space in its different forms: physical, institutional and technological, offering a wide-ranging and thought-provoking take on the concept.Timely and innovative, this book will be an invigorating read for urban studies, planning and human geography scholars, particularly those focusing on public space, social inclusion and urban processes.

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Drawing from decades of research, Setha Low shows how public space contributes to a flourishing society through promoting social justice and democratic practices. Thriving public spaces also enhance creativity, health, urban resilience, and environmental sustainability. Yet more than ever, public spaces across the world are threatened by urban development, privatization and neglect. Public spaces -- where people from all walks of life play, work, meet, talk, read, think, debate, and protest -- are vital to a healthy civic life. And, as the eminent scholar of public space Setha Low argues in Why Public Space Matters, even fleeting moments of visibility and encounter in these spaces tend to foster a broader worldview and our willingness to accept difference. Such experiences also enhance flexible thinking, problem solving, creativity, and inclusiveness. There are many such spaces, but they all enhance social life. Sidewalks and plazas offer business opportunities for small-scale entrepreneurs who cannot afford store space. Public parks have long provided major cultural attractions, from plays to concerts, at little or no cost to the public. Central squares have a storied tradition as arenas for demonstrations and political protests. Parks and waterways create sustainable greenways, and during disasters, all manner of public spaces become centers for food delivery and shelter. To illustrate their value, Low draws from decades of research in public spaces across the Americas, from New York to Costa Rica. Yet we are losing public spaces to accelerated urban development and the belief that public spaces are expendable. Just as important is the broad-scale and ongoing privatization of public space by corporate actors. Low explores why public spaces matter today, how they are at risk, and what we can do about protecting these essential places that support our everyday lives. Finally, she shows how we can work to promote public space protection and expansion at both the grassroots and global levels. Throughout, she focuses on real public spaces and the people who use them in cities and regions across the Americas, from New Jersey to Costa Rica. A powerful, defining statement on a foundational contributor to healthy civic life, Low's book not only details what we are at risk of losing, but shows us how we can not only stop the losses, but work to expand the number of spaces available to the public.

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The first Danish language version of this book, published in 1971, was very much a protest against the functionalistic principles for planning cities and residential areas that prevailed during that period. The book carried an appeal to show concern for the people who were to move about between buildings, and it urged an understanding of the subtle, almost indefinable - but definite - qualities, which have always related to the interaction of people in public spaces, and it pointed to the life between buildings as a dimension of architecture that needs to be carefully treated. Now 40 years later, many architectural trends and ideologies have passed by over the years. These intervening years have also shown that the liveliness and liveability of cities and residential areas continues to be a important issue. The intensity in which fine public spaces are used at this point in time, as well as the greatly increased general interest in the quality of cities and their public spaces emphasises this point. The character of life between buildings changes with changes in any given social context, but the essential principles and quality criteria to be employed when working with life between buildings has proven to be remarkably constant. Though this work over the years has been updated and revised several times, this version bears little resemblance with the very early versions, however there was no reason to change the basic message: Take good care of the life between your buildings.

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In both the UK and the US there is a sense of dissatisfaction and pessimism about the state of urban environments, particularly with the quality of everyday public spaces. Explanations for this have emphasized the poor quality of design that characterizes many new public spaces; spaces that are dominated by parking, roads infrastructure, introspective buildings, a lack of enclosure and a poor sense of place, and which in different ways for different groups are too often exclusionary.Yet many well designed public spaces have also experienced decline and neglect, as the services and activities upon which the continuing quality of those spaces have been subject to the same constraints and pressures for change as public services in general. These issues touch upon the daily management of public space, that is, the coordination of the many different activities that constantly define and redefine the characteristics and quality of public space.This book draws on three empirical projects to examine the questions of public space management on an international stage. They are set within a context of theoretical debates about public space, its history, contemporary patterns of use and changing nature in western society, and about the new management approaches that are increasingly being adopted.

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Acetate film, an exhaust fan, lollipops, a bicycle, paper and pens-in Group Efforts: Changing Public Space, vital voices in art and design use everyday objects to transform surroundings in remarkable ways. An illustrated chronicle of projects organized by the Graduate School of Architecture, Planning and Preservation at Columbia University in collaboration with Elastic City, this volume contains interviews with Todd Shalom and Hayal Pozanti, who assemble new shapes from Manhattan's West Village streetscape; Greta Hansen, Kyung Jae Kim, and Adam Koogler, who host spontaneous political forums in a pavilion built with plastic and blown air; and Karen Finley, who detourns Columbus Circle into an urban-scale mandala of resistance, reparation, and discovery. An incisive essay by designer and cultural historian Mabel O. Wilson positions these creative occupations alongside recent acts of protest.

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Over the past few decades, rapid urbanisation has threatened to erode public space, especially in emerging economies. Market forces that prioritise profit generation are allowed to construct venues of consumption in its place. Though their physical appearance may resemble traditional public space, in reality, they are greatly restrictive and diminished in affordability, accessibility and social meaning. It is in this context that William SW Lim, chairman of Asian Urban Lab, has brought together architects, designers, historians, sociologists and urbanists from the region to discuss public space in selected Asian cities.Part One contains essays from participants from Chongqing, Hong Kong, Jakarta, Kuala Lumpur, Singapore and Taipei and observations from commentators. Several essays by William SW Lim on the subject round off the discussion in Part Two. The thoughtful essays in Public Space in Urban Asia emphasise how engaging with the present actuality of cities and public awareness of spatial justice in cities are crucial — for it is the achievement of spatial justice that will help create a greater level of happiness across societies in our increasingly urbanised world.

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Please Don't Brand My Public Space is a critical investigation of the visual strategies employed to identify and brand political territories. Isn't it about time to look at their often banal images as part of a crisis of political representation? In the context of a revival of xenophobic propaganda on the one hand and the degradation of places into pure marketing products on the other, it is possible to recognize an increasingly theatrical, unquestioned production of public signs and symbols. Essays on the theme by political scientists, designers, and sociologists make reference to the three visual essays that are at the heart of the book: "The Noticeable Absence of a Flag of the Earth" by Ruedi Baur, "Depictions of Federalism and Nationalism: Comparing the Former Yugoslavia, Switzerland, and Belgium" by Irena Bockaj, and "European Capitals in Competition" by Maria Roskowska. The publication is released in collaboration with Civic City (HEAD Geneve) and the research program A"Ecrire la villeA" (Ensadlab, Paris).

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This new book by Labics, one of Italy’s leading architectural firms, is devoted to the country’s architecture of public space. Squares, galleries, loggias, porticoes, and courtyards are the elements that characterise Italy's historic towns and cities — and that make the experience of these public spaces intense and attractive. Labics sets out to explore these enchanting spaces, to analyse their history and typologies, and to document and describe them through newly produced photographs, plans, and diagrams. They offer a taxonomy of solutions that, as a whole, forms a timeless theory for the design of public spaces. The Architecture of Public Space features a captivating collection of image material that visually decodes these characteristic core elements of Italian architecture and specifies their role in the definition of public space. The volume highlights the architectural solutions from the 13th to the 20th centuries that produce the particular spatial quality of these urban structures and sets out how they were originally established for and are continuing to be used by the people.

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Although we tend to think of television primarily as a household fixture, TV monitors outside the home are widespread: in bars, laundromats, and stores; conveying flight arrival and departure times in airports; uniting crowds at sports events and allaying boredom in waiting rooms; and helping to pass the time in workplaces of all kinds. In Ambient Television Anna McCarthy explores the significance of this pervasive phenomenon, tracing the forms of conflict, commerce, and community that television generates outside the home.Discussing the roles television has played in different institutions from 1945 to the present day, McCarthy draws on a wide array of sources. These include retail merchandising literature, TV industry trade journals, and journalistic discussions of public viewing, as well as the work of cultural geographers, architectural theorists, media scholars, and anthropologists. She also uses photography as a research tool, documenting the uses and meanings of television sets in the built environment, and focuses on such locations as the tavern and the department store to show how television is used to support very different ideas about gender, class, and consumption. Turning to contemporary examples, McCarthy discusses practices such as Turner Private Networks’ efforts to transform waiting room populations into advertising audiences and the use of point-of-sale video that influences brand visibility and consumer behavior. Finally, she inquires into the activist potential of out-of-home television through a discussion of the video practices of two contemporary artists in everyday public settings.Scholars and students of cultural, visual, urban, American, film, and television studies will be interested in this thought-provoking, interdisciplinary book.

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In the rapidly expanding public space debate of the past few years, a recurring theme is the ’loss of publicness’ of contemporary urban public places. This book takes up the challenge to find an objective way to prove or disprove this phenomenon. By taking the reader through a systematic and multi-disciplinary literature review it asks the deceptively simple question: ’What is publicness?’ It answers this by first developing a new theoretical approach - ’The dual nature of public space’, and secondly a new analytical tool for measuring it - ’The Star Model of Publicness’. This pragmatic approach to analysing public space is tested then on three new public places recently created on the post-industrial waterfront of the River Clyde, in the city of Glasgow, UK. By seeing where and why certain public places fail, direct and informed interventions can be made to improve them, and through this contribute to the building of more attractive and sustainable cities. By adopting a multi-disciplinary approach to shed light on this ’slippery’ concept, this book shows how urban design can complement other disciplines when tackling the complex task of understanding and improving the built environment’s public realm. It also bridges the gap between theory and practice as it draws from empirical research to suggest more quantitative approaches towards auditing and improving public places.

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COVID-19 is an invisible threat that has hugely impacted cities and their inhabitants. Yet its impact is very visible, perhaps most so in urban public spaces and spaces of mobility. This international volume explores the transformations of public space and public transport in response to COVID-19 across the world, both those resulting from official governmental regulations and from everyday practices of urban citizens. The contributors discuss how the virus made urban inequalities sharper and clearer, and redefined public spaces in the ‘new normal’. Offering crucial insights for reforming cities to be more resilient to future crises, this is an invaluable resource for scholars and policy makers alike.

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Teheran-ro in Seoul and Mediaspree area in Berlin are pristine examples for public spaces with a history of rapid change in the context of broader political and economic transitions. Dahae Lee shows that in such a transitional context, the public sector alone is incapable to provide and manage public space. Hence, it engages private sector entities in the form of privately owned public space/s (POPS). By analysing the planning instruments used for POPS in both cases, their uniqueness as well as strengths and weaknesses are revealed. Based on the results this study offers a number of policy recommendations for cities that encounter similar problems.

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Public spaces have long been the focus of urban social activity, but investigations of how public space works often adopt only one of several possible perspectives, which restricts the questions that can be asked and the answers that can be considered. In this volume, Anthony Orum and Zachary Neal explore how public space can be a facilitator of civil order, a site for power and resistance, and a stage for art, theatre, and performance. They bring together these frequently unconnected models for understanding public space, collecting classic and contemporary readings that illustrate each, and synthesizing them in a series of original essays. Throughout, they offer questions to provoke discussion, and conclude with thoughts on how these models can be combined by future scholars of public space to yield more comprehensive understanding of how public space works.

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Pussy grabbing; hot mommas; topless protest; nasty women. Whether hypersexualised, desexualised, venerated or maligned, women’s bodies in public space continue to be framed as a problem. A problem that is discursively ‘solved’ by the continued proliferation of rape culture in everyday life. Indeed, despite the rise in research and public awareness about rape culture and sexism in contemporary debates, gendered violence continues to be normalised. Using case studies from the US and UK – the de/sexualised pregnancy, the troublesome naked protest, the errant BDSM player – Fanghanel interrogates how the female body is figured through, and revolts against, gendered violence. Rape culture currently thrives. This book demonstrates how it happens, the politics that are mobilised to sustain it, and how we might act to contest it.

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Pussy grabbing; hot mommas; topless protest; nasty women. Whether hypersexualised, desexualised, venerated or maligned, women’s bodies in public space continue to be framed as a problem. A problem that is discursively ‘solved’ by the continued proliferation of rape culture in everyday life. Indeed, despite the rise in research and public awareness about rape culture and sexism in contemporary debates, gendered violence continues to be normalised. Using case studies from the US and UK – the de/sexualised pregnancy, the troublesome naked protest, the errant BDSM player – Fanghanel interrogates how the female body is figured through, and revolts against, gendered violence. Rape culture currently thrives. This book demonstrates how it happens, the politics that are mobilised to sustain it, and how we might act to contest it.

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The only book of its kind to provide an overview of sustainable street design Today, society is moving toward a more sustainable way of life, with cities everywhere aspiring to become high-quality places to live, work, and play. Streets are fundamental to this shift. They define our system of movement, create connections between places, and offer opportunities to reconnect to natural systems. There is an increasing realization that the right-of-way is a critical and under-recognized resource for transformation, with new models being tested to create a better public realm, support balanced transportation options, and provide sustainable solutions for stormwater and landscaping. Living Streets provides practical guidance on the complete street approach to sustainable and community-minded street use and design. Written by an interdisciplinary team of authors, the book brings insights and experience from urban planning, transportation planning, and civil engineering perspectives. It includes examples from many completed street design projects from around the world, an overview of the design and policy tools that have been successful, and guidance to help get past the predictable obstacles to implementation: Who makes decisions in the right-of-way? Who takes responsibility? How can regulations be changed to allow better use of the right-of-way? Living Streets informs you of the benefits of creating streets that are healthier, more pleasant parts of life: Thoughtful planning of the location, uses, and textures of the spaces in which we live encourages people to use public space more often, be more active, and possibly live healthier lives. A walkable community makes life easier and more pleasant for everyone, especially for vulnerable populations within the larger community whose transportation limitations reduce access to jobs, healthy food, health care, recreation, and social interaction. Streets present opportunities to improve the natural environment while adding to neighborhood character, offering beauty, providing shade, and improving air quality. If you're an urban planner, designer, transportation engineer, or civil engineer, Living Streets is the ultimate guide for the creation of more humane streetscapes that connect neighborhoods and inspire people.

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The claim once made by philosophers of unique knowledge of the essence of humanity and society has fallen into disrepute. Neither Platonic forms, divine revelation nor metaphysical truth can serve as the ground for legitimating social and political norms. On the political level many seem to agree that democracy doesn’t need foundations. Nor are its citizens expected to discuss the worth of their comprehensive conceptions of the good life. According to Rawls, for example, we have to accept that “politics in a democratic society can never be guided by what we see as the whole truth (…)”. (1993: 243) And yet we still call upon truth when we participate in defining the basic structure our society and argue why our opinions, beliefs and preferences need to be taken seriously. We do not think that our views need to be taken into account by others because they are our views, but because we think they are true. If in a democratic society citizens have to deal with the challenge of affirming their claims as true, we need to analyse the precise relationship between truth and democracy. Does truth matter to democracy and if so, what is the place of truth in democratic politics? How can citizens affirm the truth of their claims and accept - at the same time - that their truth is just one amongst many? Our book centers on the role of the public sphere in these pressing questions. It tries to give a comprehensive answer to these questions from the perspective of the main approaches of contemporary democratic theory: deliberative democracy, political pragmatism and liberalism. A confrontation of these approaches, will result in a more encompassing philosophical understanding of our plural democracy, which – in this era of globalization – is more complex than ever before. Because a good understanding of the function, meaning and shortcomings of the public sphere is essential to answering these questions, a good deal of the book addresses these issues. Historically, after all, the idea that citizens have to engage each other in discussion in order to determine the structure and goals of society, is connected to the rational ideal of a public sphere where conflicting views can be expressed, formed, and transformed. But hasn’t the collective decision making in which everyone participates on an equal footing turned out to be a deceptive ideal or a simple illusion? Not every individual in society has equal access to the podium. Furthermore, power, being an inevitable feature of the public sphere, seems to permanently endanger its democratic value. Moreover, the existence of this sphere depends on a specific ethos and particular public spaces where citizens are called upon to present themselves as citizens, as people taking responsibility for their society. It is not clear whether this ethos and these spaces exist at all, and if so, if they preserved their ascribed capacity for constituting ‘democratic’ truth? By answering these questions we expect to deepen our understanding of the relation between truth and democracy.

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An essential archive of a progressive public art program, spotlighting over 50 artworks commissioned for one of New York City's most iconic parksThis publication chronicles the vibrant history of public art in Madison Square Park, presenting two decades' worth of celebrated artworks that have reimagined the park for its more than 50,000 visitors each day.Sumptuously illustrated with photography of every major project since 2004, alongside statements from each artist, Public Art in Public Space contains significant new texts from curators and cultural leaders that address the intersections of community and public art in New York City and beyond. This book is a critical historical documentation of a vanguard art program that has spent 20 years advancing the way that artists engage with actual, conceptual and physical publicness.Artists include: Diana Al-Hadid, Leonardo Drew, Teresita Fernández, Antony Gormley, Hugh Hayden, Cristina Iglesia

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Religion in the public sphere is one of the most debated issues in the field of law and religion. This volume brings together articles which address some of the more prominent recent cases relating to religion and education, religion and the workplace, family law and religious symbols. The essays discuss the meaning of secularism today and the difficult issue of religion in the public sphere and reflect a wide variety of viewpoints. This volume maps the key elements of this multi-faceted problem, offers essential material and provides an important starting point for an understanding of the issues in this century old debate.

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This book is the result of intensive and continued discussions about the social role of language and its conceptualisations in societies other than Northern (European-American) ones. Language as a means of expressing as well as evoking both interiority and community has been in the focus of these discussions, led among linguists, anthropologists, and Egyptologists, and leading to a collection of essays that provide studies that transcend previously considered approaches. Its contributions are in particular interested in understanding how the attitude of the individual towards societal processes and strategies of norming is negotiated emotionally, and how individual interests and attitudes can be articulated. Discourses on public spaces are in the focus, in order to analyse those strategies that are employed to articulate dissent (for example, in the sense of face-threatening acts). This raises a number of questions on the spatial and public situatedness of emotions and language: How is the public space dealt with and reflected in language as property, heritage, and as a part of ascribed identities? Which role do emotions play in this space? How is emotion employed there as part of place making in relation to identity constructions? What is the connection between emotion, performance and emblematic spaces and places? Which opportunities of the violation of norms and transgression do such public spaces offer to actors and speakers? These questions intend to address the communicative representation of core cultural processes and concepts.

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Contested Histories in Public Space brings multiple perspectives to bear on historical narratives presented to the public in museums, monuments, texts, and festivals around the world, from Paris to Kathmandu, from the Mexican state of Oaxaca to the waterfront of Wellington, New Zealand. Paying particular attention to how race and empire are implicated in the creation and display of national narratives, the contributing historians, anthropologists, and other scholars delve into representations of contested histories at such “sites” as a British Library exhibition on the East India Company, a Rio de Janeiro shantytown known as “the cradle of samba,” the Ellis Island immigration museum, and high-school history textbooks in Ecuador.Several contributors examine how the experiences of indigenous groups and the imperial past are incorporated into public histories in British Commonwealth nations: in Te Papa, New Zealand’s national museum; in the First Peoples’ Hall at the Canadian Museum of Civilization; and, more broadly, in late-twentieth-century Australian culture. Still others focus on the role of governments in mediating contested racialized histories: for example, the post-apartheid history of South Africa’s Voortrekker Monument, originally designed as a tribute to the Voortrekkers who colonized the country’s interior. Among several essays describing how national narratives have been challenged are pieces on a dispute over how to represent Nepali history and identity, on representations of Afrocuban religions in contemporary Cuba, and on the installation in the French Pantheon in Paris of a plaque honoring Louis Delgrès, a leader of Guadeloupean resistance to French colonialism.Contributors. Paul Amar, Paul Ashton, O. Hugo Benavides, Laurent Dubois, Richard Flores, Durba Ghosh, Albert Grundlingh, Paula Hamilton, Lisa Maya Knauer, Charlotte Macdonald, Mark Salber Phillips, Ruth B. Phillips, Deborah Poole, Anne M. Rademacher, Daniel J. Walkowitz

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DEMO:POLIS is a sociological and urbanist research undertaking comprehensively examining what 'public space' means today. After two decades of appropriation of the internet's anonymous, virtual public space, people are once again taking to streets and squares for their concern. Public space today is no longer merely a large square in the heart of town: it is traffic hub, advertising medium, multi-functional space, or simply a place to hang out. It can be a combat zone for various interest groups at one time and a place for individual self-projection and collective experience at another, but also a strong manifestation of social segregation and neglect. The DEMO:POLIS project has resulted in this new book. It features a vast range of exemplary public spaces and presents controversial artistic and urban design interventions that demonstrate protests against and criticisms of the status quo. Richly illustrated, it also presents various artistic and scientific approaches and working principles, offering manifold design options for the public space. The book is published to coincide with an exhibition at Berlin's Akademie der Kunste in spring 2016.

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This collection of twenty-one essays, written by colleagues and former students of the architectural historian Spiro Kostof (1936-1991), presents case studies on Kostof's model of urban forms and fabrics. The essays are remarkably diverse: the range includes pre-Columbian Inca settlements, fourteenth-century Cairo, nineteenth-century New Orleans, and twentieth-century Tokyo. Focusing on individual streets around the world and from different historical periods, the collection is an inviting overview of the street as an urban institution. The theme of the volume is that the street presents itself as the basic structuring device of a city's form and also as the locus of its civilization. Each essay is a detailed investigation of a single urban street with unique historical conditions. The authors' shared concern regarding anthropological, political, and technical aspects of street making coalesce into a critical discourse on urban space. A fitting tribute to Spiro Kostof, this collection will be greatly admired by scholars and general readers alike.

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Public protests are a vital tool for asserting grievances and creating temporary, yet tangible, communities as the world becomes more democratic and urban in the twenty-first century. While the political and social aspects of protest have been extensively studied, little attention has been paid to the physical spaces in which protests happen. Yet place is a crucial aspect of protests, influencing the dynamics and engagement patterns among participants. In The Design of Protest, Tali Hatuka offers the first extensive discussion of the act of protest as a design: that is, a planned event in a space whose physical geometry and symbolic meaning are used and appropriated by its organizers, who aim to challenge socio-spatial distance between political institutions and the people they should serve.Presenting case studies from around the world, including Tiananmen Square in Beijing; the National Mall in Washington, DC; Rabin Square in Tel Aviv; and the Plaza de Mayo in Buenos Aires, Hatuka identifies three major dimensions of public protests: the process of planning the protest in a particular place; the choice of spatial choreography of the event, including the value and meaning of specific tactics; and the challenges of performing contemporary protests in public space in a fragmented, complex, and conflicted world. Numerous photographs, detailed diagrams, and plans complement the case studies, which draw upon interviews with city officials, urban planners, and protesters themselves.

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The future of public space is uncertain. Although public spaces have become increasingly shabby and crowded, novel alternatives have appeared in the form of fantastic, semi-public pleasure grounds, developed by well-heeled, crowd-pleasing entrepreneurs and devoted to profit, consumption, and self-indulgence. Philosophers and geographers have converged on the topic of public space, fascinated and in many ways alarmed by fundamental changes in the way post-industrial societies produce space for public use, and in the way citizens of these same societies perceive and constitute themselves as a public. The contributors to this volume advance this inquiry, making extensive use of political and social theory. Philosophy and Geography II: The Production of Public Space gives readers an enhanced appreciation of the intimate connections between political principles, social processes, and the commonplaces of our everyday environments.

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Geomedia offers critical analysis of the new possibilities and power relations emerging in the public space of contemporary cities. As ubiquitous digital networks enable embedded and mobile devices to integrate place-specific data with real-time feedback circuits, everyday experience of public space has become subject to new demands. Looking beyond debates framed by the dominance of surveillance and spectacle, McQuire asks: how might the kind of collaborative practices that have flourished in art and online cultures be translated into urban space? In the urban crisis of the 1960s, Henri Lefebvre argued that the capacity for a city’s inhabitants to actively appropriate the time and space of their surroundings was a critical dimension of modern democracy. What does it mean to speak of ‘the right to the city’ in the context of the networked city? Addressing this question through a series of case studies, this cutting-edge text highlights the tensions between citizen and consumer, communication and surveillance, participation and control, which define contemporary struggles over public space.

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The term ephemeral is faithfully illustrative of our times. However, constructions with a limited lifespan have been a constant in the history of architecture. Research of materials and, above all, the evolution of design; have made this discipline an essential area of study for scholars and authorities alike. Ephemeral Architecture offers a wide and also rigorous selection of the best contemporary projects by some of the most daring and innovative architecture studios. The spectacular projects contained in these pages are profusely illustrated and thoroughly documented with drafts, scale and layout drawings, illustrations, renderings and photographs. The book is divided into content blocks that will allow the reader to enjoy the most innovative interventions, be they pavilions, art installations, interactive constructions, stands and finally, award winning projects within the field of temporary architecture. The projects include Anna Prats, Joan Valls (ES); Anupama Kundoo Architects, Iaac (IN/ES); Atelier Zündel Cristea (FR); Ball-Nogues Studio (USA/CA); Barkow Leibinger Architects (DE); Benedetta Tagiabue + Embt, Alex Olle + Institut Del Teatre (ES); Brut Deluxe (ES); Bureau A (CH); Coda-Office (ES); Dondecabentres (ES); Dus Architects (NL); Eth Zurich, Urban-Think Tank, Esarq / Uic (CH/ES); Grafton Architects, Elisava / Upf (UK/ES); Heri&Salli (AT); Hollwich Kushner (US/NY); J. Mayer H. Und Partner Architekten (DE); Jakob + Macfarlane (FR); Jakob + Macfarlane (FR); Likearchitects (PT); Marina Fernandez Ramos, Asociacion Cultural Y Juvenil La Chorrera (ES); Odile Decq,- Recetas Colectivas (FR/ES); Studio Myerscough (UK); Studio Myerscough (UK); Urbanus, La Salle / Url (CN/ES); Variable Projects (US/CA); Xevi Bayona (ES); Yael Reisner, Peter Cook, Straddle 3 (IS/UK/ES). AUTHOR: Alex Sanchez Vidiella obtained a Masters degree in Art History, specialising in contemporary art and entertainment (cinema) from the University of Barcelona. He has taught art history, and has worked as a guide for various museums in Barcelona and as an amateur cinema director. He is the author of more than 50 titles published by various publishers specialised in architecture, interior design, art and education, among them didactic and scientific encyclopedias and atlas. SELLING POINTS: . Ephemeral Architecture offers a wide and also rigorous selection of the best contemporary projects by some of the most daring and innovative architecture studios. . Thoroughly documented projects with photographs and renderings, drafts, scale layout and drawings. . Examples from all over the world.

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The National Mall in Washington, D.C. is one of the most important and highly visible urban public spaces in the U.S. It is considered by many Americans to be "the nation's front yard." Yet few have written about the role of this public space in the twenty-first century. In The National Mall, Lisa Benton-Short explores the critical issues that are redefining and reshaping this extraordinary public space. Her work focuses on three contemporary and interrelated debates about public space: the management challenges faced by federal authorities, increased demands for access and security post 9/11, and the role of the public in the Mall's long-term planning and development plans. By taking a holistic view of the National Mall and analyzing the unique twenty-first century challenges it faces, Lisa Benton-Short provides a fluid, cohesive, and timely narrative that is as extraordinary as the Mall itself.

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Street food vendors are both a symbol and a scourge of Mumbai: cheap roadside snacks are enjoyed by all, but the people who make them dance on a razor's edge of legality. While neighborhood associations want the vendors off cluttered sidewalks, many Mumbaikers appreciate the convenient bargains they offer. In The Slow Boil, Jonathan Shapiro Anjaria draws on his long-term fieldwork with these vendors to make sense of the paradoxes within the city and, thus, to create a better understanding of urban space in general. Much urban studies literature paints street vendors either as oppressed and marginalized victims or as inventive premoderns. In contrast, Anjaria acknowledges that diverse political, economic, historic, and symbolic processes create contradictions in the vendors' everday lives, like their illegality and proximity to the state, and their insecurity and permanence. Mumbai's disorderly sidewalks reflect the simmering tensions over livelihood, democracy, and rights that are central to the city but have long been overlooked. In The Slow Boil, these issues are not subsumed into a larger framework, but are explored on their own terms.

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Urban interventions establish strong links between the social and spatial spheres of cities, giving place to interactions by which art and architecture make use of public spaces. Urban Interventions presents a rigorous selection of projects that have transformed streets, parks and derelict areas of cities all over the world into extraordinary public spaces, seeking people’s involvement through a wide variety of interactive and collaborative activities. Fully illustrated in colour, the book includes installations, events and art works and offers a global and comprehensive vision of 21st century cities, as they become meeting places full of creative possibilities.

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Robert B. Textor Prize for Excellence in Anticipatory Anthropology, American Anthropological Association, 2000 Honorable Mention, Victor Turner Award, Society for Humanistic Anthropology, 2001 Leeds Prize, Society of Urban, National, and Transnational/Global Anthropology, 2001 Friendly gossip, political rallies, outdoor concerts, drugs, shoeshines, and sex-for-sale—almost every aspect of Latin American life has its place and time in the public plaza. In this wide-ranging, multi-disciplinary study, Setha M. Low explores the interplay of space and culture in the plaza, showing how culture acts to shape public spaces and how the physical form of the plaza encodes the social and economic relations within its city. Low centers her study on two plazas in San José, Costa Rica, with comparisons to public plazas in the United States, Europe, and elsewhere. She interweaves ethnography, history, literature, and personal narrative to capture the ambiance and meaning of the plaza. She also uncovers the contradictory ethnohistories of the European and indigenous origins of the Latin American plaza and explains why the plaza is often a politically contested space.

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In the late 1990s, Vancouver’s Downtown Eastside became the setting for three monuments – Crab Park Boulder, Marker of Change, and Standing with Courage, Strength and Pride. The monuments were grassroots initiatives that challenged the norms of civic art by claiming a place in public space for society’s most vulnerable groups, and each figured in debates about many kinds of violence.This vivid account of the creation of memory-scapes in a marginalized community offers unique insights into the links between power, public space, and social memory and asks us to reconsider what constitutes public art that will “speak for a long time.” Emphasizing the resilience and agency of artists, activists, and residents, Adrienne Burk shows that grassroots activism can give the socially marginalized a visible presence in our urban landscapes.

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A close-up history of the Yugoslav artists who broke down the boundaries between public and private In the decades leading up to the dissolution of socialist Yugoslavia, a collective of young artists based in Zagreb took to using the city’s public spaces as a platform for radical individual expression. This Is Not My World presents a detailed account of the Group of Six Authors and their circle in the prolific and experimental period from 1975 to 1985, highlighting the friction between public and private that underlied their innovative practices. Looking to circumvent the rigid bureaucracy of official art institutions, this freewheeling group of conceptual artists and their peers brought artistic activities directly to an unwitting public by staging provocative performances, exhibiting artworks, and interacting with passersby on the streets. Exploring artworks such as Vlasta Delimar’s act of tying herself to a tree in a busy pedestrian area, Željko Jerman’s production of a giant banner declaring “Intimate Inscription” in the city’s central square, and Vlado Martek’s creation of an artwork on a seaside beach using women’s underwear, Adair Rounthwaite examines the work of these artists as a site of tension between the intimacy of artistic expression and the political structure of the public sphere under state socialism. Whereas many histories of modern and contemporary art in formerly socialist countries tend to be dominated by discussions of ideology and resistance, This Is Not My World focuses its attention on the affective aspects of the group’s activities, using artist interviews and extensive documentation to bring the reader closer to the felt experience of their public interventions. Situating the group’s work within the context of broader developments in conceptualism and theories of the avant-garde, Rounthwaite provides a fresh consideration and newly detailed account of this marginalized episode in global art history.

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In Women and the Everyday City, Jessica Ellen Sewell explores the lives of women in turn-of-the-century San Francisco. A period of transformation of both gender roles and American cities, she shows how changes in the city affected women's ability to negotiate shifting gender norms as well as how women's increasing use of the city played a critical role in the campaign for women's suffrage.Focusing on women's everyday use of streetcars, shops, restaurants, and theaters, Sewell reveals the impact of women on these public places-what women did there, which women went there, and how these places were changed in response to women's presence. Using the diaries of three women in San Francisco-Annie Haskell, Ella Lees Leigh, and Mary Eugenia Pierce, who wrote extensively on their everyday experiences-Sewell studies their accounts of day trips to the city and combines them with memoirs, newspapers, maps, photographs, and her own observations of the buildings that exist today to build a sense of life in San Francisco at this pivotal point in history. Working at the nexus of urban history, architectural history, and cultural geography, Women and the Everyday City offers a revealing portrait of both a major American city during its early years and the women who shaped it-and the country-for generations to come.

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'A most welcome book on the most neglected of topics by a pioneering team of interdisciplinary scholars. The volume illuminates the rendering asunder of the borders that previously protected personal information, even when the individual was in ''public'' and helps us see the muddying of the simple distinction between public and private. The book asks what public and private mean (and should mean) today as smart phones, embedded sensors and related devices overwhelm the barriers of space, time, physicality, and inefficiency that previously protected information. This collection offers a needed foundation for future conceptualization and research on privacy in literal and virtual public spaces. It should be in the library of anyone interested in the social, policy and ethical implications of information technologies.'- Gary T. Marx, Massachusetts Institute of Technology'How we should think about privacy in public spaces in a world of artificial intelligence and ubiquitous sensors is among the most interesting and pressing questions in all of privacy studies. This edited volume brings together some of Europe and America's finest minds to shed theoretic and practical light on a critical issue of our time.'- Ryan Calo, University of Washington'The deepest conundrum in the privacy world-especially, in light of the internet of other people's things-is perhaps the notion of privacy in public. Unraveling this practically Kantian antinomy is the ambitious aim of this important new collection. Together and apart, this intriguing assemblage of scientists, social scientists, philosophers and lawyers interrogate subjects ranging from conceptual distinctions between ''space'' and ''place'' and the social practice of ''hiding in plain sight'', to compelling ideas such as ''privacy pollution'' and the problem of ''out-of-body DNA''. With this edited volume, the team from TILT has curated a convincing account of the importance of preserving privacy in increasingly public spaces.'- Ian Kerr, University of Ottawa, CanadaWith ongoing technological innovations such as mobile cameras, WiFi tracking, drones, and augmented reality, aspects of citizens' lives are becoming increasingly vulnerable to intrusion. This book brings together authors from a variety of disciplines (philosophy, law, political science, economics, and media studies) to examine privacy in public space from both legal and regulatory perspectives. The contributors explore the contemporary challenges to achieving privacy and anonymity in physical public space at a time when legal protection remains limited in comparison to `private' space. To address this problem, the book clearly demonstrates why privacy in public space needs defending. Different ways of conceptualizing and shaping such protection are explored, for example through `privacy bubbles', obfuscation and surveillance transparency, as well as by revising the assumptions underlying current privacy laws. Scholars and students who teach and study issues of privacy, autonomy, technology, urban geography and the law and politics of public spaces will be interested in this book.Contributors include: M. Brincker, A. Daly, A.M. Froomkin, M. Galic, J.M. Hildebrand, B.-J. Koops, M. Leta, K. Mause, M. Nagenborg, B.C Newell, A.E. Scherr, T. Timan, S.B. Zhao

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