Search results for ""Pomona""

I think I’d sleep a lot easier if I knew none of us would wake up tomorrow. Ollie’s sister is missing. Searching Manchester in desperation, she finds all roads lead to Pomona - an abandoned concrete island at the heart of the city. Here at the centre of everything, journeys end and nightmares are born. Pomona premiered in 2014 and has subsequently become a much-produced and widely studied drama text. It is published here as a Student Edition alongside commentary and notes by Dan Rebellato. The ancillary material is geared at students and includes: - an introduction outlining the play's plot, character, themes context and performance history - the full text of the play - a chronology of the playwright's life and work - extensive textual notes - questions for further study This play includes some strong language.

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This book is the first museum publication in English on Italian artist Mirella Bentivoglio (born 1922). It includes critical essays by art historians Frances K. Pohl, Leslie Cozzi and Franca Zoccoli, and interviews with Bentivoglio and John David O'Brien, plus a bibliography. The book highlights work from the recent exhibition at the Pomona College Museum of Art, which surveyed nearly 50 years of the artist's work as an internationally renowned member of the Concrete and visual poetry movements. Including works in paper, stone, metal, wood, cloth, plastic and Plexiglass and with numerous previously unpublished images, it reveals the ways in which Bentivoglio engaged with many of the most significant formal and theoretical issues of postwar art--for example, the relationship between image and text, the impact of mass media and consumer culture, feminist critiques of patriarchy and artistic interventions in public spaces.

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Creating a discourse between Eastern "otherness” and Western concepts of beauty Los Angeles–based artist Hayv Kahraman (born 1981) creates exquisite paintings and other wall works that address diasporic cultural memory, feminine collectivity and gender identity through her personal history as an Iraqi émigré first to Europe, then to the US. This artist's book explores how her visual language merges her biography as an immigrant in a multiplicity of styles—including Persian miniatures, Japanese illustrations and Italian Renaissance paintings—creating a discourse between Eastern “otherness” and Western concepts of beauty. The key figure in the paintings represents Kahraman as a colonized woman; the repetitive nature of her work and the act of shredding and mending presents a history of displacement, loss and trauma. The book includes never-before-published images of the artist's work and her performance texts, plus new essays and poetry.

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Photographic critiques of colonialism’s legacies, from a leading interrogator of cultural iconography This is the most comprehensive publication to date of the multimedia works of American artist Todd Gray (born 1954). Superbly produced, with a two-piece foil-stamped cover, beautiful endpapers and an insert documenting a yearlong series of events inspired by Gray’s work, Euclidean Gris Gris features a selection of recent photographic works derived from his exploration of the legacies of colonialism in Africa and several other seminal works. Based in Los Angeles and Ghana, Gray is best known for photography, performance and sculpture that address histories of power in relationship to the African Diaspora. In the new works featured in the catalog, Gray combines photographs from his archive, which he has assembled over decades, including his pictures of individuals and rural scenes in South Africa and Ghana, formal gardens of imperial Europe, constellations and galaxies, and images of musicians, such as Michael Jackson and Stevie Wonder. The volume also includes a conversation between Gray and the artist Carrie Mae Weems.

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Flora und Pomona, die Göttinnen der Blumen und der Früchte, begleiten Familien mit Kindern ab sechs Jahren durch den Park Babelsberg. Sie erzählen viele amüsante und spannende Geschichten über Babelsberg sowie seine königlichen Gärtner Lenné und Fürst Pückler, die das zur Havel abfallende, hügelige Gelände in eine weitläufige Parklandschaft verwandelten. Mit Flora und Pomona entdecken Kinder den Flatowturm, den liebsten Rückzugsort des Königs, erklimmen die Gerichtslaube, die eine wunderschöne Aussicht auf die Havel und Potsdam erlaubt, und gelangen über die Rosentreppe auf einem verwunschenen Weg direkt ans Wasser. Die Göttinnen der Blumen und Früchte stellen das Schloss Babelsberg und seine Bewohner, Wilhelm I., seine Frau Augusta und die beiden Kinder Friedrich und Luise, auf unterhaltsame Weise vor. Der SPSG-Kinderführer ist interaktiv gestaltet und lässt mit zahlreichen Rätseln und kleinen Aufgaben jeden Familienspaziergang kurzweilig werden.

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The Mathematica Technology Resource Manual, authored by Jennifer Switkes of California Polytechnic State University, Pomona, consists of tutorials that deal directly with the Mathematica computing situations that students may encounter as they work on homework problems from the text.

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Ai Weiwei is one of the world's most important living artists. Born in 1957, he lives in Cambridge, UK.Allan H. Barr is the author of a study in Chinese of a literary inquisition in the early Qing dynasty, Jiangnan yijie: Qing ren bixia de Zhuangshi shi'an, and the translator of several books by contemporary Chinese authors, including Yu Hua's China in Ten Words and Han Han's This Generation. He teaches Chinese at Pomona College in California.

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What would a greengrocer say if you were to ask for half a dozen Grenadiers and a couple of Catsheads? In the course of the past century we have lost much of our rich heritage of orchard fruits, but with taste once again triumphing over shelf-life and a renewed interest in local varieties, we are rediscovering the delights of that most delicious and adaptable fruit: the apple. This book features apples from the Herefordshire Pomona that are still cultivated today. The Pomona – an exquisitely illustrated book of apples and pears – was published at the height of the Victorian era by a small rural naturalists’ club. Its beautiful illustrations and authoritative text are treasured by book collectors and apple experts alike. From the familiar Blenheim Orange and Worcester Pearmain to the less fêted yet scrumptious Ribston Pippin, Margil and Pitmaston Pine Apple, Heritage Apples is illustrated with the Pomona’s stunning paintings and tells the intriguing stories behind each variety, how they acquired their names, and their merits for eating, cooking or making cider. Also including practical advice on how to choose and grow your own trees, this is the perfect book for apple-lovers and growers.

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Alistair McDowall grew up in the North East of England. Plays include: The Glow (Royal Court Theatre 2022); all of it (Royal Court Theatre 2020); Zero for the Young Dudes! (National Theatre Connections 2017); X (Royal Court Theatre 2016); Pomona (RWCMD/Gate 2014; Orange Tree Theatre/Royal Exchange/National Theatre 2014/5); Talk Show (Royal Court Theatre 2013); Brilliant Adventures (Royal Court Young Writers' Festival 2012; Royal Exchange, Manchester and Live Theatre, Newcastle 2013) and Captain Amazing (Live Theatre, Newcastle and Edinburgh Fringe 2013; UK tour 2014). He is a MacDowell fellow, and a recipient of the Harold Pinter Commission. His work has been translated and produced internationally.

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Committed to exploring the role of poetry and poets in our culture, Stephen Dunn provides new, expanded versions of the essays originally published by W. W. Norton in 1993, now out of print. In Walking Light, Dunn discusses the relationship between art and sport, the role of imagination in writing poetry, and the necessity for surprise and discovery when writing a poem. Humorous, intelligent and accessible, Walking Light is a book that will appeal to writers, readers, and teachers of poetry. Stephen Dunn is the author of eleven collection of poetry. He teaches writing and literature at the Richard Stockton College in Pomona, New Jersey, and lives in Port Republic, New Jersey.

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La historia de la fundación de Roma a través de sus mitos más hermosos y fascinantes.Este libro se despliega a lo largo de un hilo narrativo que une las aventuras de los personajes mitológicos que contribuyeron a la existencia de Roma: Eneas y su viaje en busca de una ciudad que fundar, la guerra para conquistar el Lacio, los dioses ?Marte, Venus y Saturno? que la apadrinaron, los seres agrestes que poblaban los bosques en los que se alzaría ?Fauno, Pomona, Hércules y Vertumno? y los personajes reales que realmente la fundaron, como Rómulo, el primer rey, y Numa, el rey sabio.Una mezcla de historia, leyenda, mitos, fábulas y aventuras en un cuento largo que nos lleva de la destrucción de Troya a la fundación de la ciudad más grande del mundo.

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Jose Clemente Orozco's 1930 mural, Prometheus, created for the Pomona College campus, is a dramatic and gripping examination of heroism. This thoughtful exhibition catalogue examines the multiple ways Orozco's vision resonates with four artists working in Mexico today. Isa Carrillo, Adela Goldbard, Rita Ponce de Leo n, and Naomi Rinco n-Gallardo share Orozco's interest in history, justice, social protest, storytelling, and power, yet approach these topics from their own twenty-first- century sensibilities. These artists activate Orozco's mural by reinvigorating Prometheus for a contemporary audience.This gorgeous volume presents substantial new scholarship connecting Mexican muralism with contemporary art practices. Three new essays address different aspects of Orozco, Prometheus, and the connections between Los Angeles and Mexico. The contributors take on a broad range of topics, from murals as public art to how Orozco's work fits into contemporary frameworks of aesthetic theory. The book also includes a chronology, vibrant reproductions, and critical essays focused on the contemporary artists.

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About our authors Neil A. Campbell (19462004) earned his M.A. from the University of California, Los Angeles, and his Ph.D. from the University of California, Riverside. His research focused on desert and coastal plants. Neil's 30 years of teaching included introductory biology courses at Cornell University, Pomona College, and San Bernardino Valley College, where he received the college's first Outstanding Professor Award in 1986. For many years he was also a visiting scholar at UC Riverside. Neil was the founding author of Biology: A Global Approach. Lisa A. Urry is Professor of Biology and Co-Chair of the Biology Department at Mills College at Northeastern University in Oakland, California. After earning a B.A. at Tufts University, she completed her Ph.D. at the Massachusetts Institute of Technology (MIT). Lisa has conducted research on gene expression during embryonic and larval development in sea urchins. Deeply committed to p

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Bursting with beautiful illustrations to color, Harry Potter: The Official Hufflepuff Coloring Book is a must-have coloring book for members of this house and fans of the magical film series. Grab your colored pencils—it's time for coloring wizardry! Show your house pride with intricate all-new artwork of characters, iconic objects, and magical places from the Harry Potter films, all themed to house Hufflepuff. Featuring important house moments from the Triwizard Tournament, Yule Ball, feasts, and so much more, this coloring book is jam-packed with special designs and scenes every loyal Hufflepuff will love. GORGEOUSLY INTRICATE: 64 pages of intricate designs, perfect for hours of coloring relaxation and creativity BELOVED CHARACTERS: Includes all-new artwork of beloved Hufflepuffs, including Cedric Diggory, Nymphadora Tonks, Pomona Sprout, and more COLLECT ALL HOGWARTS HOUSES: Collect all four official Harry Potter Coloring Books: Gryffindor, Slytherin, Ravenclaw, and Hufflepuff OFFICIAL WIZARDING WORLD COLORING BOOK: Created in collaboration with the studio behind the Harry Potter films 20th ANNIVERSARY: Released to coincide with the 20th anniversary celebration of the first Harry Potter film.

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Mischief, Magic, Love and War.It is the Year of Our Lord 1601. The Tuscan War rages across the world, and every lord from Navarre to Illyria is embroiled in the fray. Cannon roar, pikemen clash, and witches stalk the night; even the fairy courts stand on the verge of chaos.Five stories come together at the end of the war: that of bold Miranda and sly Puck; of wise Pomona and her prisoner Vertumnus; of gentle Lucia and the shade of Prospero; of noble Don Pedro and powerful Helena; and of Anne, a glovemaker’s wife. On these lovers and heroes the world itself may depend.These are the stories Shakespeare never told. Five of the most exciting names in genre fiction today – Jonathan Barnes, Adrian Tchaikovsky, Emma Newman, Foz Meadows and Kate Heartfield – delve into the world the poet created to weave together a story of courage, transformation and magic.Including an afterword by Dr. John Lavagnino, The London Shakespeare Centre, King's College London.

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For centuries handcrafted tile has been a predominant decorative surface in tropical climes from Middle East through the Gulf of Mexico to California. California tile makers excelled in their craft during the first half of the twentieth century, producing richly patterned designs for building facades, interiors, garden ornamentation, furniture, and even serving pieces. "Old California" art tile is rich in tradition and innovation. Over 1700 color images in two volumes, comprise this comprehensive collection, with essays on early California tile companies. Arranged alphabetically by company, this volume includes hundreds of tiles from: Hispano-Moresque, Kraftile, Helen Greenleaf Lane, L.A. Pressed Brick, Malibu, Markoff, Muresque, Pacific, Pomona, Poxon, Rhead, S & S, Taylor, Tropico, Tudor, Walrich, West Coast, Woolenius, and tile furnishings and crafts from Cellini-Craft, Hillside Pottery, and Monterey Furniture. A companion volume covers potteries from Acme to Handcraft. Both volumes are enriched by rarely seen archival photographs including historical site installations and have useful guides to tile terminology and techniques. This landmark publication, designed to broaden appreciation of this colorful and varied aspect of American decorative arts, will serve to inspire and guide architects, designers, collectors, and historians alike

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For centuries handcrafted tile has been a predominant decorative surface in tropical climes from Middle East through the Gulf of Mexico to California. California tile makers excelled in their craft during the first half of the twentieth century, producing richly patterned designs for building facades, interiors, garden ornamentation, furniture, and even serving pieces. "Old California" art tile is rich in tradition and innovation. Over 1700 color images in two volumes, comprise this comprehensive collection, with essays on early California tile companies. Arranged alphabetically by company, this volume includes hundreds of tiles from: Hispano-Moresque, Kraftile, Helen Greenleaf Lane, L.A. Pressed Brick, Malibu, Markoff, Muresque, Pacific, Pomona, Poxon, Rhead, S & S, Taylor, Tropico, Tudor, Walrich, West Coast, Woolenius, and tile furnishings and crafts from Cellini-Craft, Hillside Pottery, and Monterey Furniture. A companion volume covers potteries from Acme to Handcraft. Both volumes are enriched by rarely seen archival photographs including historical site installations and have useful guides to tile terminology and techniques. This landmark publication, designed to broaden appreciation of this colorful and varied aspect of American decorative arts, will serve to inspire and guide architects, designers, collectors, and historians alike

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Blending myth with interviews and first-person narrative, California-based writer Amarnath Ravva’s American Canyon uses prose, documentary footage and still photos to recount the fragmented and ever-evolving story of one person’s apprehension of the ghosts of history. Written from a series of video notes taken over a period of ten years, this narrative of a son’s love for his mother and the ritual he performs for her takes us from California to Rameswaram, the southern tip of the Indian peninsula. It is a meditation on the moments in history that placed him in front of a small bright fire, a lament for the continual loss of those who, by remembering, let us know who we are. Ravva’s American Canyon has been described by poet and author Kevin Killian as “a complex reworking of memoir form, using the tools of poetry remelted, as in Vulcan’s forge, to slash away at the ghosts and ghouls of conventional prose usage. The new journalism, Ravva-style, stimulates the nerve endings with its alternately lush and spare renditions of some spectacular settings...” Ravva has given readings and performed at LACMA, Machine Project, the MAK Center at the Schindler House, New Langton Arts, the Hammer Museum, USC, Pomona, CalArts and the Sorbonne.

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Iconoclasm – the alteration, destruction, or displacement of icons – is usually considered taboo or profane. But, on occasion, the act of destroying the sacred unintentionally bestows iconic status on the desecrated object. Iconoclasm examines the reciprocity between the building and the breaking of images, paying special attention to the constructive power of destructive acts. Although iconoclasm carries with it inherently religious connotations, this volume examines the shattering of images beyond the spiritual and the sacred. Presenting responses to renowned cultural anthropologist and theorist Michael Taussig, these essays centre on conceptual iconoclasm and explore the sacrality of objects and belief systems from historical, cultural, and disciplinary perspectives. From Milton and Nietzsche to Paul Newman and Banksy, through such diverse media and genres as photography, the popular romance novel, pornography, graffiti, cinema, advertising, and the dictionary, this book questions how icons and iconoclasms are represented, the language used to describe them, and the manner in which objects signify once they are shattered. An interdisciplinary, disconnected, and non-linear consideration of the historical and contemporary relationship between the sacred and the profane, Iconoclasm disrupts entrenched views about the revered or reviled idols present in most aspects of daily life. Contributors include T. Nikki Cesare Schotzko (Toronto), Christopher van Ginhoven Rey (Pomona College), Helen Hester (West London), Emily Hoffman (Arkansas Tech), Natalie B. Pendergast (Yukon College), Beth Saunders (Maryland), Adam Swann (Glasgow), Michael Taussig (Columbia), Angela Toscano (Iowa), Brendon Wocke (Perpignan).

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Beverage Basics presents a new approach to understanding wine and other alcoholic beverages. The book includes an introduction to alcoholic beverages, information on important issues such as purchasing beverages, healthy drinking, and alcohol and the law, and an introduction to wine including viticulture, viniculture, and the sensory evaluation of wine. The authors teach readers about wines by varietal as opposed to appellation, which is a much simpler entry point for beginners to the world of wine. In addition to all the major wine varietals (Chardonnay, Sauvignon Blanc, Cabernet Sauvignon, Merlot, etc.), the book also covers hybrid and Native American varieties, sparkling wines, and dessert and fortified wines. Chapters on beer and distilled spirits include information on making, purchasing, and evaluating beer and spirits. The appendices include map-filled sections on The Old World and The New World of wine, as well as a thorough examination of the TTB requirements for alcoholic beverage labels, and a complete glossary of terms. Author Robert Small is former Dean and Emeritus Professor of The Collins College of Hospitality Management at California State Polytechnic University, Pomona, where he still teaches courses on wine, spirits, and beer and on beverage marketing and food and beverage management, and is the Chairman of the Los Angeles International Wine competition, one of the largest and most prestigious wine competitions in the United States.

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New perspectives on Christopher Isherwood as a searching and transnational writer “Perhaps I had traveled too much, left my heart in too many places,” muses the narrator of Christopher Isherwood’s novel Prater Violet (1945), which he wrote in his adopted home of Los Angeles after years of dislocation and desperation. In Isherwood in Transit, James J.Berg and Chris Freeman bring together diverse Isherwood scholars to understand the challenges this writer faced as a consequence of his travel. Based on a conference at the Huntington Library, where Isherwood’s recently opened papers are held, Isherwood in Transit considers the writer not as an English, continental, or American writer but as a transnational one, whose identity, politics, and beliefs were constantly transformed by global connections and engagements arising from journeys to Germany, Japan, China, and Argentina; his migration to the United States; and his conversion to Vedanta Hinduism in the 1940s.Approaching Isherwood’s rootlessness and restlessness from various perspectives, these essays show that long after he made a new home in California and became an American citizen, Christopher Isherwood remained unsettled, although his wanderings became spiritual and personal rather than geographic.Contributors: Barrie Jean Borich, DePaul U; Jamie Carr, Niagara U; Robert L. Caserio, Penn State U, University Park; Lisa Colletta, American U of Rome; Lois Cucullu, U of Minnesota; Jaime Harker, U of Mississippi; Carola M. Kaplan, California State U, Pomona; Calvin W. Keogh, Central European U, Budapest; Victor Marsh; Wendy Moffat, Dickinson College; Xenobe Purvis; Bidhan Roy, California State U, Los Angeles; Katharine Stevenson, U of Texas at Austin; Edmund White.

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Mathematics for Social Justice offers a collection of resources for mathematics faculty interested in incorporating questions of social justice into their classrooms. The book begins with a series of essays from instructors experienced in integrating social justice themes into their pedagogy; these essays contain political and pedagogical motivations as well as nuts-and-bolts teaching advice. The heart of the book is a collection of fourteen classroom-tested modules featuring ready-to-use activities and investigations for the college mathematics classroom. The mathematical tools and techniques used are relevant to a wide variety of courses including college algebra, math for the liberal arts, calculus, differential equations, discrete mathematics, geometry, financial mathematics, and combinatorics. The social justice themes include human trafficking, income inequality, environmental justice, gerrymandering, voting methods, and access to education. The volume editors are leaders of the national movement to include social justice material into mathematics teaching. Gizem Karaali is Associate Professor of Mathematics at Pomona College. She is one of the founding editors of The Journal of Humanistic Mathematics, and an associate editor for The Mathematical Intelligencer and Numeracy; she also serves on the editorial board of the MAA's Carus Mathematical Monographs. Lily Khadjavi is Associate Professor of Mathematics at Loyola Marymount University and is a past co-chair of the Infinite Possibilities Conference. She has served on the boards of Building Diversity in Science, the Barbara Jordan-Bayard Rustin Coalition, and the Harvard Gender and Sexuality Caucus.

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New perspectives on Christopher Isherwood as a searching and transnational writer “Perhaps I had traveled too much, left my heart in too many places,” muses the narrator of Christopher Isherwood’s novel Prater Violet (1945), which he wrote in his adopted home of Los Angeles after years of dislocation and desperation. In Isherwood in Transit, James J.Berg and Chris Freeman bring together diverse Isherwood scholars to understand the challenges this writer faced as a consequence of his travel. Based on a conference at the Huntington Library, where Isherwood’s recently opened papers are held, Isherwood in Transit considers the writer not as an English, continental, or American writer but as a transnational one, whose identity, politics, and beliefs were constantly transformed by global connections and engagements arising from journeys to Germany, Japan, China, and Argentina; his migration to the United States; and his conversion to Vedanta Hinduism in the 1940s.Approaching Isherwood’s rootlessness and restlessness from various perspectives, these essays show that long after he made a new home in California and became an American citizen, Christopher Isherwood remained unsettled, although his wanderings became spiritual and personal rather than geographic.Contributors: Barrie Jean Borich, DePaul U; Jamie Carr, Niagara U; Robert L. Caserio, Penn State U, University Park; Lisa Colletta, American U of Rome; Lois Cucullu, U of Minnesota; Jaime Harker, U of Mississippi; Carola M. Kaplan, California State U, Pomona; Calvin W. Keogh, Central European U, Budapest; Victor Marsh; Wendy Moffat, Dickinson College; Xenobe Purvis; Bidhan Roy, California State U, Los Angeles; Katharine Stevenson, U of Texas at Austin; Edmund White.

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Just what is the “participatory condition”? It is the situation in which taking part in something with others has become both environmental and normative. The fact that we have always participated does not mean we have always lived under the participatory condition. What is distinctive about the present is the extent to which the everyday social, economic, cultural, and political activities that comprise simply being in the world have been thematized and organized around the priority of participation. Structured along four axes investigating the relations between participation and politics, surveillance, openness, and aesthetics, The Participatory Condition in the Digital Age comprises fifteen essays that explore the promises, possibilities, and failures of contemporary participatory media practices as related to power, Occupy Wall Street, the Arab Spring uprisings, worker-owned cooperatives for the post-Internet age; paradoxes of participation, media activism, open source projects; participatory civic life; commercial surveillance; contemporary art and design; and education. This book represents the most comprehensive and transdisciplinary endeavor to date to examine the nature, place, and value of participation in the digital age. Just as in 1979, when Jean-François Lyotard proposed that “the postmodern condition” was characterized by the questioning of historical grand narratives, The Participatory Condition in the Digital Age investigates how participation has become a central preoccupation of our time. Contributors: Mark Andrejevic, Pomona College; Bart Cammaerts, London School of Economics and Political Science (LSE); Nico Carpentier, Vrije Universiteit Brussel (VUB – Free University of Brussels) and Charles University in Prague; Julie E. Cohen, Georgetown University; Kate Crawford, MIT; Alessandro Delfanti, University of Toronto; Christina Dunbar-Hester, University of Southern California; Rudolf Frieling, California College of Arts and the San Francisco Art Institute; Salvatore Iaconesi, La Sapienza University of Rome and ISIA Design Florence; Jason Edward Lewis, Concordia University; Rafael Lozano-Hemmer; Graham Pullin, University of Dundee; Trebor Scholz, The New School in New York City; Cayley Sorochan, McGill University; Bernard Stiegler, Institute for Research and Innovation in Paris; Krzysztof Wodiczko, Harvard Graduate School of Design; Jillian C. York.

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An in-depth look at Black food and the challenges it faces today For Black Americans, the food system is broken. When it comes to nutrition, Black consumers experience an unjust and inequitable distribution of resources. Black Food Matters examines these issues through in-depth essays that analyze how Blackness is contested through food, differing ideas of what makes our sustenance “healthy,” and Black individuals’ own beliefs about what their cuisine should be. Primarily written by nonwhite scholars, and framed through a focus on Black agency instead of deprivation, the essays here showcase Black communities fighting for the survival of their food culture. The book takes readers into the real world of Black sustenance, examining animal husbandry practices in South Carolina, the work done by the Black Panthers to ensure food equality, and Black women who are pioneering urban agriculture. These essays also explore individual and community values, the influence of history, and the ongoing struggle to meet needs and affirm Black life. A comprehensive look at Black food culture and the various forms of violence that threaten the future of this cuisine, Black Food Matters centers Blackness in a field that has too often framed Black issues through a white-centric lens, offering new ways to think about access, privilege, equity, and justice. Contributors: Adam Bledsoe, U of Minnesota; Billy Hall; Analena Hope Hassberg, California State Polytechnic U, Pomona; Yuson Jung, Wayne State U; Kimberly Kasper, Rhodes College; Tyler McCreary, Florida State U; Andrew Newman, Wayne State U; Gillian Richards-Greaves, Coastal Carolina U; Monica M. White, U of Wisconsin–Madison; Brian Williams, Mississippi State U; Judith Williams, Florida International U; Psyche Williams-Forson, U of Maryland, College Park; Willie J. Wright, Rutgers U.

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In the architecture world, sustainability has evolved from an optional feature into an urgent necessity. Now in paperback, this publication presents 25 building projects from around the world that range from a nursery to an office skyscraper, from a medical centre to an artist’s residence, public buildings and private homes. Sustainability no longer refers just to the economy, resources, recyclable materials, renewable energy and eco-friendliness; its definition now extends to informed design at every turn, leveraging the characteristics of the location, local history and local traditions, fostering short supply chains and assessing the long-term impact that new constructions will have. In doing so, this book illustrates environmentally-friendly construction projects and the current social and economic impact of this industry, considering not only the health of our planet but also the impact of architecture on people and the way we live. Featuring large-scale high-quality photographs and images of construction details plus drawings, sections, sketches and exploded isometrics, this volume includes a meticulous selection of contemporary buildings by innovative international architecture firms. Included projects: Brazil: STUDIO MK27, Private House Casa Na Mata - In Harmony With Nature (Guarujá, Brazil). Chile: CAZÚ ZEGERS ARQUITECTURA, Tierra Patagonia Hotel (Torres Del Paine, Chile). China: AMATEUR ARCHITECTURE, Guesthouse Wa Shan (Hangzhou, China); TAO (Trace Architecture Office), Rockview Teahouse (Weihai, China) and Split Courtyard House (Beijing, China). France: LIPSKY + ROLLET ARCHITECTES, Student Residence Maison De L’inde (Paris, France). Germany: MBA/S, Villa H36 - Private House (Stuttgart, Germany). India: VIR.MUELLER ARCHITECTS, Ahmedabad University’s Institute Of Engineering And Technology (Ahmedabad, India). Italy: ENZO EUSEBI+PARTNERS. Opificio Salpi (Preci, Italy); MCA - MARIO CUCINELLA ARCHITECTS, Municipal Nursery School (Reggio Emilia, Italy). Mexico: TALLER DE ARQUITECTURA X, Office Skyscraper Torre 41 - A Blend Of Nature and Structure (Mexico City, Mexico). Netherlands /USA MECANOO ARCHITECTEN | SASAKI ASSOCIATES, Bruce C. Bolling Municipal Building - Facility Complex (Boston, USA); Portugal: MENOS É MAIS ARQUITECTOS ASSOCIADOS | JOÃO MENDES RIBEIRO ARQUITECTO, Arquipélago Center for The Contemporary Arts (São Miguel, Portugal). USA: MASS DESIGN GROUP, Cholera Treatment Centre (Port-Au-Prince, Haiti) and Ludwig Pavilion Tuberculosis Hospital (Port-Au-Prince, Haiti); MICHAEL MALTZAN ARCHITECTURE, Star Apartments - Social Housing Complex (Los Angeles, USA); OLSON KUNDIG ARCHITECTS, Pieso Poagen House - Rooted in the Wilderness (Spokane, USA); TOSHIKO MORI ARCHITECT, Thread - Artist Residency and Cultural Center (Sinthian, Senegal); WEISS- MANFREDI, Visitor Reception Building (East Hanover, USA) and Kent State Center for Architecture & Environmental Design (Kent, USA); WHY, Pomona College (Claremont, USA).

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Encompassing new technologies, research methods, and opportunities for collaborative scholarship and open-source peer review, as well as innovative ways of sharing knowledge and teaching, the digital humanities promises to transform the liberal arts—and perhaps the university itself. Indeed, at a time when many academic institutions are facing austerity budgets, digital humanities programs have been able to hire new faculty, establish new centers and initiatives, and attract multimillion-dollar grants. Clearly the digital humanities has reached a significant moment in its brief history. But what sort of moment is it? Debates in the Digital Humanities brings together leading figures in the field to explore its theories, methods, and practices and to clarify its multiple possibilities and tensions. From defining what a digital humanist is and determining whether the field has (or needs) theoretical grounding, to discussions of coding as scholarship and trends in data-driven research, this cutting-edge volume delineates the current state of the digital humanities and envisions potential futures and challenges. At the same time, several essays aim pointed critiques at the field for its lack of attention to race, gender, class, and sexuality; the inadequate level of diversity among its practitioners; its absence of political commitment; and its preference for research over teaching.Together, the essays in Debates in the Digital Humanities—which will be published both as a printed book and later as an ongoing, open-access website—suggest that the digital humanities is uniquely positioned to contribute to the revival of the humanities and academic life.Contributors: Bryan Alexander, National Institute for Technology in Liberal Education; Rafael Alvarado, U of Virginia; Jamie “Skye” Bianco, U of Pittsburgh; Ian Bogost, Georgia Institute of Technology; Stephen Brier, CUNY Graduate Center; Daniel J. Cohen, George Mason U; Cathy N. Davidson, Duke U; Rebecca Frost Davis, National Institute for Technology in Liberal Education; Johanna Drucker, U of California, Los Angeles; Amy E. Earhart, Texas A&M U; Charlie Edwards; Kathleen Fitzpatrick, Pomona College; Julia Flanders, Brown U; Neil Fraistat, U of Maryland; Paul Fyfe, Florida State U; Michael Gavin, Rice U; David Greetham, CUNY Graduate Center; Jim Groom, U of Mary Washington; Gary Hall, Coventry U, UK; Mills Kelly, George Mason U; Matthew Kirschenbaum, U of Maryland; Alan Liu, U of California, Santa Barbara; Elizabeth Losh, U of California, San Diego; Lev Manovich, U of California, San Diego; Willard McCarty, King’s College London; Tara McPherson, U of Southern California; Bethany Nowviskie, U of Virginia; Trevor Owens, Library of Congress; William Pannapacker, Hope College; Dave Parry, U of Texas at Dallas; Stephen Ramsay, U of Nebraska, Lincoln; Alexander Reid, SUNY at Buffalo; Geoffrey Rockwell, Canadian Institute for Research Computing in the Arts; Mark L. Sample, George Mason U; Tom Scheinfeldt, George Mason U; Kathleen Marie Smith; Lisa Spiro, National Institute for Technology in Liberal Education; Patrik Svensson, Umeå U; Luke Waltzer, Baruch College; Matthew Wilkens, U of Notre Dame; George H. Williams, U of South Carolina Upstate; Michael Witmore, Folger Shakespeare Library.

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