Search results for ""Piano Nobile Publications""

First published to accompany the exhibition at Piano Nobile, John Armstrong: Paintings 1938-1958; An Enchanted Distance is a fully illustrated catalogue re-establishing John Armstrong A.R.A. as a pre-eminent Surrealist. Propelled to the forefront of British Modernism as a member of Unit One, Armstrong later rejected the confinement of artistic groups yet was at the heart of inter-war and post-war British art. Consistently producing prophetic, dreamlike paintings of emotional and political insight, Armstrong’s works speak of the universal through his own individual language. The most significant exhibition of Armstrong's works in over thirty years, the catalogue focuses on two decades of immense productivity, creativity and innovation.

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First published to accompany a group exhibition at Piano Nobile, Aspects of Post-War Abstraction 1952-2002, this fully colour illustrated catalogue showcases seminal works of abstract art produced in Britain over the course of five decades. The publication features the work of internationally renowned artists including Terry Frost, William Scott, William Turnbull, Joe Tilson, William Crozier, Jack Smith, John Golding, William Pye, Anthony Caro, John Hoyland, Bridget Riley, and Anish Kapoor. Lavishly illustrated throughout, the catalogue presents exceptional paintings and sculptures, created by artists in dialogue with contemporaries and predecessors in Britain, and diverse international centres of abstraction. Highlighting pivotal artistic moments of transition and transformation in abstraction over the course of a half century, the catalogue presents an innovative vision of the international contribution of post-war British abstract art.

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Peter Coker: Mind and Matter is a fully-illustrated catalogue presenting a selection of exceptional works by Peter Coker (1926-2004), bringing together pieces spanning the early 1950s through to the mid-1980s. The first publication focusing on Coker’s works in over a decade, the catalogue will seek to reassess Coker’s contribution to post-war figurative British art. Situating Coker within his contemporary British zeitgeist, Peter Coker: Mind and Matter will also focus on the significance of international artists to Coker’s work, particularly Gustave Courbet and Nicolas de Staël. Undertaking modern day pilgrimages across France, Coker toured the sites favoured by the artists he revered, filtering their influence through the specificity of place. Coker was too talented an artist to mimic, but with acute sensitivity and perception, his vision of the world was constantly altered by the art that touched him. Correspondingly, his mode of depiction was subject to an ever-persistent evolution but with the materiality of paint and the primacy of process always at the heart of his practice. In Coker’s words: “I think when you see exhibitions…you challenge your own thoughts, you refurbish the mind and eye, you are remoulded.” The publication includes an introductory essay, a catalogue of carefully selected works with accompanying descriptions, a chronology, a bibliography, and numerous colour illustrations.

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First published to accompany Piano Nobile's exhibiton at Piano Nobile Kings Place, Thomas Newbolt: Drama Paintings - A Modern Baroque, this fully colour illustrated book presents a substantial publication on contemporary artist Thomas Newbolt. Newbolt's dedication to the figure in art, and the vitality of his work have gained him international recognition. An artist of talent and intellectual integrity, he was Harkness Fellow at the University of Virginia and the University of Wisconsin, and a Fellow-Commoner at Trinity College, Cambridge, as well as a respected teacher at Camberwell, Anglia Ruskin and The Royal Drawing School, London. Recent exhibitions include Ely Cathedral, the Estorick Collection, and a group show, Vital Signs, at Clifford Chance in 2015. His work is held in major international public collections. With essays by Mark Hudson, arts critic at the Telegraph, Professor Maurice Biriotti, and Martin Gayford, critic at the Spectator, this catalogue provides fresh insight into the work of this most enigmati and powerful of artists. Lavishly illustrated and beautifully designed as a work of art in its own right, Thomas Newbolt: Paintings is a reflection on Newbolt's career thus far, and a testament to the significance of his work. The publication includes three essays, a catalogue of works selected by Thomas Newbolt, a chronologyof the artist's career and an index.

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For the first time, Craigie Aitchison and the Beaux Arts Generation tells the story of Craigie Aitchison’s role amongst the bright young figurative painters of post-war London. Along with Michael Andrews, Frank Auerbach, Leon Kossoff and Euan Uglow, Aitchison belonged to ‘the Beaux Arts generation’: a set of highly talented painters first shown at the Beaux Arts Gallery by Helen Lessore. Under her discerning gaze, the early careers of these five artists were launched and close friendships formed, even as a wild divergence of artistic styles took place. By the time of its closure in 1965, Lessore’s gallery had laid the foundations for the next five decades of British art.The book accompanies Piano Nobile’s exhibition of the same title. A memoir by Susan Campbell provides a first-hand insight into the student days of Aitchison, Andrews and Uglow. Herself a student at the Slade School of Fine Art and an erstwhile visitor to the Beaux Arts Gallery, Campbell contributes a vivid account of these artists and their early careers. The book further includes three definitive texts by Aitchison, Andrews and Auerbach. First published in 1959 and 1960 by the literary arts magazine X: A Quarterly Review, these short essays provide a cogent insight into the three artists’ thinking.The book also comprises a fully-illustrated catalogue of forty-eight works. A first section presents a significant group of works by Aitchison, followed by a second section with paintings, watercolours and drawings by Andrews, Auerbach, Kossoff and Uglow. Many works are drawn from private collections and have not previously been published.

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First published to accompany the exhibition, John Golding: Pure Colour Sensation at Piano Nobile gallery, this fully colour illustrated catalogue showcases fifteen years of exceptional paintings by John Golding. Although an acclaimed art historian, Golding considered himself, first and foremost, a painter. His work features in prominent institutions such as the Tate, MoMA, the Scottish National Gallery, the British Council, and the Yale Center for British Art. Golding had numerous one-man shows in the UK and abroad, and also participated in many group exhibitions, including international shows with his close friend Bridget Riley. He was appointed a CBE in 1992 and elected a Fellow of the British Academy in 1994. The publication presents a survey of works from the 1970s and 1980s, ranging from large scale canvases to both small and large pastels. Golding's work, although abstract, repeatedly returns to the human body. The monumental canvases and the tactile handling of paint through expressive layering of pigment demand a visceral physical reaction from the viewer. Speaking in an interview for Artists' Lives, Golding recollected that his turn to abstraction was in "recognition of what was happening in America in the 1950s…the most important thing going on in painting [of the day]". In his abstract paintings, both intimate and large in scale, Golding sought unadulterated formal brilliance, letting colour and composition take prominence, "so that there is nothing getting between you and the pure colour sensation." Dr David Anfam's introductory essay explores the roots of Golding's abstract work in the early figurative painting he produced whilst living in Mexico. Analysing the influence of the great Mexican muralists during Golding's formative years, Anfam charts the progression of Golding's vision that culminated in the exceptionally accomplished and joyful body of the work produced in the 1970s and 1980s and reproduced in this publication.

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