Search results for ""Oldcastle Books Ltd""

Rejected by the Freemasons? Not bright enough for the Illuminati? Burnt by the Hell Fire Club? No friends in high places to get you into the Bilderberg or the Bohemian Grove? Feeling isolated and powerless? Fear not. There is an answer... Why not start your own secret society to add an air of mystery to your life and instantly alter the way you are perceived by family, friends and society at large. Learn the secrets of how to really influence people in business and politics by creating your own elitist fraternity. Discover the basic requirements for creating a clandestine sister or brotherhood with the ability to control, govern and influence events at the local or global level. Develop your own secret knowledge and hidden agenda while you plot to overthrow the powers that be through revolution and political or religious intrigue. Pierre Plantard and the Priory of Sion failed but you can avoid making the same mistakes they did by understanding what it really takes to maintain and develop a secret society. This book will show you all the requirements needed from choosing regalia to setting up a lodge, from electing a grand master to illustrating basic initiation ceremonies. It will also guide you on how to take historical events, great works of art and famous names to mould them into your desires for global domination. Don\'t feel left out again... Start a secret society and be part of the conspiracy...

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So what's so significant about the Byzantine Empire? It is now recognised as having had a considerable influence on the Renaissance and a significant impact in the shaping modern Europe and modern historians are increasingly acknowledging the role the Byzantine Empire played in the development of both Islam and Christianity, and the relationship between the two. The term 'Byzantine' derives from the ancient Greek city of Byzantium founded in 667 BC by colonists from Megara. It was named in honour of their leader Byzas. It later became better known as Constantinople, that gateway between West and East and played a crucial role in the transmission of Christianity to the West. Constantine is now generally known as the first Christian Emperor, and in recent years interest in him has grown, with his role in the development of Christianity being questioned by Dan Brown, author of The Da Vinci Code, amongst others. A closer examination of this formative period in the history of the church reveals a struggle to gain a coherent and cohesive religious identity. Christianity would emerge as the major religion of the Byzantine Empire in a departure from the pagan worship of the Roman Empire. The Byzantine Empire was often at the centre of profound geopolitical, cultural and religious forces that threatened to pull it apart. When Byzantine forces suffered a terrible defeat at the hands of the Seljuk Turks at the Battle of Manzikert for example, appeals to the West precipitated the First Crusade. In 1204 during the Fourth Crusade, Constantinople was conquered by the Crusader army. The dramatic siege and subsequent fall of Constantinople to the Ottoman Empire is often seen as marking the end of the medieval period. The Byzantine Empire lasted for over a thousand years, created remarkable art and architecture and created a lasting cultural and religious legacy - even its decline and fall was to have ramifications that reached far beyond its borders. The fall of Constantinople which had been a key city on the ancient Silk Road, linking East and West led many to consider the prospect of opening up new lines of trade, sea exploration that would eventually lead to major new discoveries, new routes and new worlds...

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The Holy Grail is a subject that fascinates and intrigues. Through its various guises as magic cauldron, cornucopia, horn of plenty and chalice cup it has remained at the centre of popular culture from antiquity right up to the present day. An object of marvel and mystery it inhabits a place in mythology that has its roots in historical facts. The Grail has been a major inspiration and catalyst for literature and the arts in Western Culture. From Celtic mythology to the flowering of the medieval romances it has in many ways fulfilled its mythical role as a nurturing and regenerative vessel by providing such a rich and seemingly perpetual source of interest to writers and artists. Charting the emergence of the story of the Grail offers a revealing insight into the cultural shift from Celtic paganism to the emergence and domination of Christianity in Western Europe. The influence of Eastern mysticism emerges in the Grail romances as a result of the medieval crusades with its clash of cultures and subsequent cross-pollination of ideas. The Grail has come to symbolise the ultimate achievement in the modern mind and it became an object of fascination for the psychologist Carl Jung and the poet TS Eliot. Wagner, William Blake and the Pre-Raphaelites are just some of the artists to have fallen under its enduring spell.

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After The Beatles stormed America, every Hollywood and European production company descended on London to be part of the new swinging scene... and they didn't leave until they'd signed up every able-bodied pop group or singer to appear in one of their films. A unique and carefully researched cultural history of UK film, TV and music in the swinging 60s. A time when no film or TV programme was without a group, singer or fantastic soundtrack - and London was briefly the film capital of the world. Containing individual summaries of over 120 films, covering everything from John Barry to Pink Floyd via Blow Up, the Electric Banana, Serge Gainsbourg, Magical Mystery Tour, David hemmings, Kubrick, Godard, Jodorowsdky and the London cast of Hair. With comprehensive listings of over 500 related features, documentaries, TV programmes and shorts, an unforgettable trip through the swinging 60s.

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Barry Forshaw is acknowledged as a leading expert on crime fiction and film. Following his books on Nordic Noir, Brit Noir and Euro Noir he now tackles the largest and, some might argue, most impressive body of crime fiction from a single country, the United States, to produce the perfect reader's guide to modern American crime fiction. The word 'Noir' is used in its loosest sense: every major living American writer is considered (including the giants Harlan Coben, Patricia Cornwell, James Lee Burke, James Ellroy and Sara Paretsky, as well as non-crime writers such as Stephen King who stray into the genre), often through a concentration on one or two key books. Many exciting new talents are highlighted, and Barry Forshaw's knowledge of - and personal acquaintance with - many of the writers, grants valuable insight into this massively popular field. But the crime genre is as much about films and TV as it is about books, and American Noir is a celebration of the former as well as the latter. US television crime drama in particular is enjoying a golden age, and all of the important current series are covered here, as well as key contemporary films.

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Running a Creative Company in the Digital Age helps you navigate the landscape and learn from seasoned professionals, understanding the mistakes they made so you don't have to make them too! Running a Creative Company in the Digital Age helps you navigate the landscape and learn from seasoned professionals, understanding the mistakes they made so you don't have to make them too! In the modern media industry digital content production is cheaper, more democratic and accessible and it's becoming more attractive - and easier - to do things your own way. So what if you want to set up on your own? This book will guide you through the joys and pitfalls of running your own creative company in today's diverse media climate. This is a nuts and bolts guide to company set up, structure, management and content production for digital platforms, TV, festivals, charities, education, brands and businesses. Full of tips for creating innovative business models and platforms, handling tricky people and situations, funding and networking, these pages are your touchstone for making that bold first move into founder/managing director status. Featuring interviews with industry experts including digital agency and production company CEOs, creative entrepreneurs, crowd funding platforms, investors, film makers, media lawyers and accountants.

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Picasso apparently said, "when critics get together, they talk about theory. When painters get together, they talk about turpentine.' That has been my experience, as far as film and film studies are concerned. Critics, academics, and theoreticians talk theory. That is what they know. Artists talk about their processes in making art. This is my attempt to apply what I know to a beginning study of film. Emerging filmmakers need to know the basics of their art form: the language of the camera, and lenses, the different crew roles, the formats, the aspect ratios. They also need to know some bare-bones theory: what an auteur is, what montage is, what genres are. Words like these are our currency: they must be known. But, even more urgently, young filmmakers need answers to their questions -- what lens was used? how did they do that effect? who paid for that picture? how did they get it past the censor? Most important, all filmmakers require serious grounding in film. You cannot be a great artist if you aren't versed in great art. And this doesn't just apply to the cinema. I believe 100% that a reasonably educated and intelligent person in any country of the world should be able to have a conversation about Luis Buñuel, about Akira Kurosawa, about Stanley Kubrick, about Fellini or Bergman, and talk knowledgeably about at least one of their films. Read this book, watch the films, and you can!

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Dreaming of escape from his remote village in the Himalayan foothills, Rabindra entreats the gods to send him an English bride. When a saucy English dance troupe arrives on the run from a Bombay crime boss, Rabindra believes that his prayers have been answered. Except that they have no interest in marrying anyone. As the village begins to unravel in the presence of these scandalous foreigners, surprising secrets emerge from the depths of its past. A story of true love, coincidence, causality and sacrifice. In some ways it is a love-poem to a glorious, intriguing and sometimes frustrating culture still alive in the far corners of a great continent, but slowly fading to the onslaught of the technological age.

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Often alchemy is seen as an example of medieval gullibility and the alchemists as a collection of eccentrics and superstitious fools. Sean Martin shows that nothing could be further from the truth. It is important to see the search for the philosopher's stone and the attempts to turn base metal into gold as metaphors for the relation of man to nature and man to God as much as seriously held beliefs. Alchemy had a self-consistent outlook on the natural world and man's place in it. Alchemists like Paracelsus and Albertus Magnus were amongst the greatest minds of their time and the history of alchemy is both the history of a spiritual search and the history of a slowly developing scientific method. Sir Isaac Newton devoted as much time to his alchemical studies as he did to his mathematical ones. This book traces the history of alchemy from ancient times to the 20th century, highlighting the interest of modern thinkers like Jung in the subject, and in the process covers a major, if neglected area of Western thought.

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The First World War, lasting just four years, from 1914 to 1918, was without parallel, the first true global conflict in which all of the earth's great powers participated. A Short History of the First World War tells the story of this cataclysmic event describing the background to war, the international rivalries and conflicts of the previous decades that led to the nations of Europe forming virtual armed camps, the relentless build-up of military and naval hardware that characterized the early years of the 20th century and the great figures that tried to prevent conflict or enthusiastically pushed for it. A Short History of the First World War provides a superb introduction to the events of this epochal conflict.

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NEW EDITION A sports agent. In its simplest form, a sports agent is an individual or company who represents a sportsperson. They try to get them a better contract, a better endorsement, a better sponsorship, a better deal. Nothing wrong with that, is there? Or is there? The problem, inevitably, is money. So much money now sloshing around in professional sport today. And human greed - which can lead to conflicts of interest...So How to be a Sports Agent is a practical and down-to-earth book that reveals the secrets behind the art of being not just a good sports agent, but a good, honest sports agent. It includes: Analysis of what it is to be an agent and how to ensure a watertight legal contract between the agent and his client. The regulation of agents in various sports, and how to comply. The difference between a good agent and a bad agent. Creation of playing contracts, particularly in regard to soccer, cricket and rugby and covers the most common pitfalls. Marketing, merchandising, licensing and sponsorship deals. How to negotiate them and how to draft them. The art of negotiation, and the balance between on and off pitch activities. The role of the lawyer as agent and adviser. Keeping the clients happy, getting new clients and keeping the clients happy when you have new clients.

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In his most innovative and technically challenging film, The Birds, Alfred Hitchcock follows the success of Psycho with a modernist, avant garde horror-thriller, which has spawned many imitators and triggered the cycle for disaster and man versus nature films. Now to mark The Birds 50th anniversary in 2013 and the digitally restored Blu-Ray release, The Making of Hitchcock's The Birds is the first book-length treatment on the production of this modernist masterpiece. Featuring new interviews with stars Rod Taylor, Tippi Hedren and Veronica Cartwright, as well as sketches and storyboards from Hitchcock's A-List technical team, Robert Boyle, Albert Whitlock and Harold Michelson, the book charts every aspect of the film's production all set against the tumultuous backdrop of the 1962 Cuban missile crisis and JFK's presidency. Using unpublished material from the Alfred Hitchcock Collection, Evan Hunter files, Peggy Robertson papers and Robert Boyle's artwork, this book will be the ultimate guide to Hitchcock's most ambitious film. The Making of Hitchcock's The Birds analyses the film's modernist underpinnings, from art director Robert Boyle's initial sketches influenced by Munch's The Scream, to the groundbreaking electronic score by pioneering German composers Remi Gassmann and Oskar Sala. The entire production process is analysed in detail, illustrated with rare behind the scenes production stills and storyboards. There is also a timeline detailing the film's production to its release at MOMA in New York, and the 1963 Cannes Film Festival.

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Africa. The cradle of civilisation. From the dawn of human time in prehistoric Africa right through to the so-called 'Arab Spring' of 2011, Gordon Kerr offers a comprehensive introduction to the sprawling history of this enormous continent. He begins with the origins of the human race and the development of stone age technology, through ancient and medieval times and the significance of the Arab presence, the Muslim states and the trans-Saharan trade. Kerr continues with the rise and fall of nation states and kingdoms prior to the arrival of Europeans , Ghana, the Kingdoms of the Forest and Savanna, Yoruba, Oyo, Benin, Asante, Luba, Lunda, Lozi and many others, on to the beginning of the slave trade, and the European conquest and colonization of sub-Saharan Africa, the 'Scramble for Africa'. Finally moving onto the often bitter struggles for independence from that period of colonization and exploitation, Kerr concludes with an assessment of Africa in the 21st century.

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During his long and extraordinary life, Winston Churchill was a central figure in almost all of the tumultuous events of the first half of the twentieth century. He was a soldier, writer and politician and, after the Second World War, he became one of the world's greatest statesmen. But his reputation rests on his role as a war leader and, in particular, on the period between May 1940 and July 1941, when Britain stood alone against Nazi Germany. Since his death in 1965, a few dissenting voices have cast him as, amongst other things, an opportunist and war-monger. But, as flawed as he undoubtedly was, most modern historians and politicians still hold him in the highest regard. In order to gain a better understanding of this remarkable man, this book looks at some of the key moments in Churchill's life, including his role in the British Army's last cavalry charge in the Battle of Omdurman and his escape from a prisoner of war camp during the Boer War. It then focuses on those momentous times when Churchill's courage and force of character almost single-handedly dragged Britain back from the brink of defeat in the Second World War and onwards towards an eventual Allied victory, making him, in the eyes of many people, one of the greatest of all Great Britons...

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Not all who confess are guilty... The death of millionaire businessman Charles Parsons seems like a straightforward suicide. There's no sign of forced entry or struggle in his lavish New Jersey mansion - just a single gunshot wound from his own weapon. But days later, a different story emerges. Computer techs pick up a voice recording that incriminates Parsons's adoptive daughter, Ann, who duly confesses and pleads guilty. After the case is brought to her attention by an unlikely source, Erin McCabe and her law partner, Duane Swisher, soon realise that pieces of Ann's story don't fit together. Ann clearly knows more than she's willing to share, even if it means a life sentence. Who is she protecting, and why? As their investigation deepens, Erin and Swish find themselves caught in a web of human exploitation, unchecked greed, and murder - before learning the horrifying truth...

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Doors open at 7. The sacrifice is at 9. The dress code is, as usual, black tie. It's the winter solstice in a Philadelphia that has been eroded by extreme weather, economic collapse, and disease-carrying mosquitoes. The Saturnalia carnival is about to begin, an evening on which reality is suspended, and troubles forgotten. For tarot reader Nina, Saturnalia is simply a cruel reminder of the night that changed everything for her - the night she walked away from the elite Saturn Club, with its genteel debauchery, arcane pecking order, and winking interest in alchemy and the occult. But when she gets a chance call from Max, her last remaining friend from the Saturn Club, Nina will put on a dress of blackest black and attend the Club's wild solstice masquerade, the biggest party of the year, on a mysterious errand she can't refuse. Before the night is over, she will become the custodian of a horrifying secret - and prey to a mysterious hunter.

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Mallika is a painfully shy young woman growing up in the heart of a close-knit, sometimes stifling New Delhi colony. Though she is surrounded by love, her life is complicated by secrets that she, her mother and her aunt work hard to keep. After suffering a trauma aged nineteen, Mallika loses three days of her memory and slowly spirals into a deep depression. She must find a way out of this abyss, back to herself and those she cares about. But she must also hide her mental illness from her community. In a narrative that unfolds elliptically from the perspectives of Mallika and the seven people closest to her, the astonishing story of these characters' lives emerges. For Mallika's family, childhood friends and the two men she loves are also hiding truths. As each gives voice to contending with their own struggles, secrets and silences shatter. As irreverent and funny as it is serious and anguished, Fear and Lovely is a tender, character-driven story of love, longing, terror and healing that will keep you turning pages, and won't let you go.

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Ruby Mills is ruthlessly ambitious, strikingly beautiful - and one of the Forty Thieves' most talented members. Harriet Littlemore is an aspiring journalist from a 'good' family, engaged to a rising star of the Tory party - but she wants a successful career of her own. After witnessing Ruby fleeing the scene of a robbery, Harriet develops a fascination with the young thief that extends beyond journalistic interest, one which Ruby can use to her advantage. But both the Forties and London society have strict rules - and the fallout from Ruby and Harriet's unlikely acquaintance may be more than either woman is prepared for. The Dazzle of the Light tells a compulsive, cinematic story, fraught with envy and desire, about class, morality and the cost of being an independent woman in 1920.

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Telling a story is simple, right? You take a 'hero' and send them on a 'journey'. There's a beginning, middle and an end. But what if your story doesn't fit into that basic structure? In Beyond the Hero's Journey, BAFTA award-winning screenwriter Anthony Mullins champions one of the most powerful, yet most misunderstood, tools in a writer's toolkit - character arcs. Looking at celebrated films from around the world - including Moonlight, Lady Bird, The Social Network, The Godfather, A Fantastic Woman, Mulholland Drive, Shoplifters, Amour, Inside Llewyn Davis, Call Me By Your Name, Midsommar and The Father - he shows how character arcs not only create the 'emotional shape' of a story, but also offer writers of all levels an incredible variety of narratives that go far beyond the traditional, three-act Hero's Journey. For every writer who has ever felt frustrated by the neat confines of 'how to' guides, the book will teach you how to excel in telling more complex, original and authentic stories, and how to share your own distinctive voice with the world.

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From 1865 to 1950, the multi-faceted world of the American West, its rich, colorful characters, and its many faces - historical, mythic, and cinematic - are captured in the story of a reclusive, elderly photographer and her friend, a writer of Western comic books. Two characters dominate the novel's foreground: a Georgia O'Keeffe-like figure, photographer Susan Garth, shrewd, cantankerous, reclusive, and still self-reliant at 80, and her longtime friend Bark Blaylock, a western writer/filmmaker who may be Wyatt Earp's son. A subplot involves James Averill, a wealthy Easterner who sees his philandering as a frontiersman's quest for knowledge. As the time frame shuttles between 1950 and the late 1800s, we meet Susan's father, a gentlemanly cattle rancher who reads Thomas Hardy, and serves as a springboard to the Old West of Bat Masterson, Geronimo and Billy the Kid. The cast includes Willa Cather, Montgomery Clift, Charles Ives, Judge Roy Bean and numerous characters smuggled in from such movies as The Man Who Shot Liberty Valance and McCabe and Mrs. Miller. Silver Light artfully juxtaposes the brimming frontier of legend against a construct of the West as a constricted wilderness of the soul.

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People have been gambling, in one form or another, for as long as history itself. Why? Money, entertainment, escape and a desire to win are all traditional explanations. Arguably, however, these are secondary considerations to a higher order purpose: a craving for control. Gambling offers a means of gaining authority over the unknown, granting us a sense of control over uncertainty. Almost always that sense is illusory - gambling, including betting and investing, is essentially random - yet for many it is nonetheless profoundly rewarding. This book attempts to explore the reasons why. Along the way, it examines: The science of probability and uncertainty Why gambling is often condemned The difference between expectation and utility The irrationality of human beings Evolutionary perspectives on gambling Luck and skill Market efficiency and the wisdom of crowds Why winners take all Cheating Why the process matters more than the outcome

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Few fictional characters have proven to be as enduringly popular as the legendary Count Dracula. First published in 1897, Bram Stoker's gothic masterpiece thrilled and disturbed Victorian society with its dark and compelling themes of violence, lust, cruelty and death. For many, the elegant but threatening figure of Dracula has come to epitomise the concept of the vampire. It is thought that Stoker took the name Dracula from the real-life historical figure of Vlad the Impaler, a medieval Romanian prince with a dark and sinister reputation. However, Stoker was also influenced by European literary creations such as The Vampyre, written in 1819 by John Polidori, the personal physician of Lord Byron. Polidori based his central character on the personality of the infamous poet and in doing so did much to crystalise the modern concept of the vampire as a sophisticated and sensual aristocrat. It is arguably within the medium of film, however, that the figure of Dracula has achieved its greatest fame within popular culture. In Dracula: The Origins and Influence of the Legendary Vampire Count, author Giles Morgan examines the roots of the vampire myth and the creation of Bram Stoker's masterpiece of horror.

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This no-nonsense guide to one of our most enduring mysteries presents a short history of the strangest encounters, looks carefully at explanations from the blunt to the truly bizarre, offers insights into the strongest evidence that we are being visited by beings from another world and sources the best sceptical arguments that it can all be explained rationally. Concise, balanced and - occasionally - hilarious this is a story that has as much to tell you about the human race as it does about aliens.

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Having conquered the world's taste buds and established itself as a staple in our daily lives, coffee has mirrored the moods and movements of society for centuries - yet, how much do we know about its history? In his riveting new book, A Short History of Coffee, Gordon Kerr investigates the fascinating history behind the global obsession with coffee, from its Ethiopian origins, the legends, myths, geographical locations and somewhat eccentric characters that have helped make it the staple that it is today. Proliferating in high streets, towns and cities across Europe, coffee has become increasingly popular in recent years, and has succeeded in creating new and exciting hubs of commerce, news and debate, where deals could be done and revolution could be incited. Yet, despite coffee's very modern role, its origins stretch back to the days of intrepid travellers and merchants, who told tales of this new and exotic beverage that uplifted and enlivened the drinker. Following the growth in popularity through to the 21st century explosion of coffee shop culture, A Short History of Coffee lifts the Vegware lid on both the business of coffee, as well as the pleasures that it brings its drinkers. Gordon Kerr masterfully balances an exploration of the history of this iconic beverage, whilst also delving into the frothy brew of business, politics, and money that accompanies it.

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The legendary Georges Simenon was the most successful and influential writer of crime fiction in a language other than English; André Gide called him 'the greatest French novelist of our times'. Celebrated crime fiction expert Barry Forshaw's informed and lively study draws together Simenon's extraordinary life and his work on both page and screen. By the time of Simenon's death in 1989, his French detective Maigret had become an institution, rivalled only by Sherlock Holmes. The pipe-smoking Inspector of Police is a quietly spoken observer of human nature who uses the techniques of psychology on those he encounters (both the guilty and the innocent) - with no rush to moral condemnation. Simenon's non-Maigret standalone books are among the most commanding in the genre, and, as a trenchant picture of French society, his concise novels collectively offer up a fascinating analysis. And his influence on an army of later crime writers is incalculable. Alongside his own considerable insights, Barry Forshaw has interviewed people who worked either with Simenon or on his books: publishers, editors, translators, and other specialist writers. He has created a literary prism through which to appreciate one of the most distinctive achievements in the whole of crime fiction.

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A recently-discovered, long-lost novel and short stories from the 90s featuring private eye Nick Sharman Follow Sharman as he patrols his seedily glamorous South London beat, with its cast of villains, eccentrics, misfits and losers. A magnet for trouble, even when he is on holiday in the country, he has a habit of inadvertently ending up on the wrong side of the law and at the wrong end of a shotgun. In this high-risk world, people are seldom what they seem and nothing can be taken for granted.

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Shanghai in 1935 is a 20th century Babylon, an expatriate playground where fortunes are made and lost, where East and West collide, and the stakes include life itself. Into this cultural melting pot, Rowland Sinclair arrives from Sydney to represent his brother at international wool negotiations. The black sheep of the family, Rowland is under strict instructions to commit to nothing - but a brutal murder makes that impossible. As suspicion falls on him, Rowland enters a desperate bid to find answers in a city ruled by taipans and tycoons, where politics and vice are entwined with commerce, and where the only people he can truly trust are his long-term friends, an artist, a poet and a free-spirited sculptresss.

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A recently-discovered, long-lost novel and short stories from the 90s featuring private eye Nick Sharman Follow Sharman as he patrols his seedily glamorous South London beat, with its cast of villains, eccentrics, misfits and losers. A magnet for trouble, even when he is on holiday in the country, he has a habit of inadvertently ending up on the wrong side of the law and at the wrong end of a shotgun. In this high-risk world, people are seldom what they seem and nothing can be taken for granted.

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When Rowland Sinclair is invited to take his yellow Mercedes onto the Marouba Speedway, popularly known as the Killer Track, he agrees without caution or reserve. But then people start to die... The body of a journalist covering the race is found in a House of Horrors, an English blueblood with Blackshirt affiliations is killed on the race track... and it seems that someone has Rowland in their sights... With danger presenting at every turn, and the brakes long since disengaged, Rowland Sinclair hurtles towards disaster with an artist, a poet and brazen sculptress along for the ride.

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After narrowly escaping the terror of Nazi Germany, Rowland Sinclair and his companions land in London, believing they are safe ... but they are wrong. A bizzare murder plunges the hapless Australian into a queer world of British aristocracy, fascist Blackshirts, illicit love, scandal and spies. A world where gentlemen are not always what they are dressed up to be ...

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Crowdfunding is a major source of funding for independent films and over $250 million has been raised for films just on Kickstarter alone. This book will guide you through every stage of planning, creating and running your film crowdfunding campaign. This book is based on extensive data research and interviews which include: Data research on over 50,000 film crowdfunding campaigns Interviews with over 50 filmmakers who have run crowdfunding campaigns Interviews with some of the top people at major crowdfunding platforms and services

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The enormously puzzling TV series The Prisoner has developed a rapt cult following, and has often been described as 'surreal' or 'Kafkaesque.' Alex Cox watched all the episodes of The Prisoner on their first broadcast, at the ripe old age of thirteen. In I Am (Not) a Number, Cox believes he provides the answers to all the questions which have engrossed and confounded viewers including: Who is Number 6? Who runs The Village? Who - or what - is Number 1? According to Cox, the key to understanding The Prisoner is to view the series in the order in which the episodes were made - and not in the re-arranged order of the UK or US television screenings. In this book he provides an innovative and controversial 'explanation' for what is perhaps the best, the most original, and certainly the most perplexing, TV series of all time.

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We're living in a time of unprecedented diversity in produced media content, with more characters appearing who are Black, Asian and Minority Ethnic (BAME), Lesbian, Gay, Bisexual and Transgender (LGBT), disabled, or from other religions or classes. What's more, these characters are appearing more and more in genre pieces, accessible to the mainstream, instead of being hidden away in so-called 'worthier' pieces, as in the past. How to Write Diverse Characters discusses issues of all identities with specific reference to characterisation, not only in movies and TV, but also novel writing. It explores: How character role function really works What is the difference between stereotype and archetype? Why 'trope' does not mean what Twitter and Tumblr think it means How the burden of casting affects both box office and audience perception Why diversity is not about agendas, buzzwords or being 'politically correct' What authenticity truly means and why research is so important Why variety is key in ensuring true diversity in characterisation Writers have to catch up. Knowing not only what makes a 'good' diverse character doesn't always cut it; they need to know what publishers, producers and filmmakers and other creatives are looking for - and why. This book gives writers the tools to create three dimensional, authentic characters... Who just happen to be diverse.

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Charles and Kate are summoned to Scotland on a mysterious errand for the Crown. Upon their arrival, they discover they will be staying at Glamis Castle, the most historic castle in Scotland, a place haunted by shadows and dark secrets. They learn that Prince Eddy, who had been heir to the throne until his supposed death in 1892, is still alive, ten years later. Only now the prince has gone missing - on the very morning that the body of one of his servants was found, her throat slashed. Now, Charles and his clever Kate must find Eddy and clear him from suspicion of murder, while keeping his true identity a secret.

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Lord and Lady Sheridan (Charles is now Baron of Somersworth) have taken a house for a few quiet weeks in the late summer of 1897, in the sea-coast village of Rottingdean. Long known as Smugglers' Village, the hamlet sits on a labyrinth of ancient tunnels. When the body of a coast guard is pulled out of the Channel, Kate and Charles suspect that the town is still plying the illicit trades of its past. With the help of Rudyard Kipling (who is just beginning his novel Kim), they discover that something is rotten in Rottingdean...

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Kathryn Ardleigh is becoming accustomed to the high-society circles of her husband, Lord Charles Sheridan. She has found a kindred spirit in Jennie Jerome Churchill, an American who married the second son of the Duke of Marlborough. But Jennie faces a serious scandal that threatens the political future of her 23-year-old son Winston. She is being blackmailed by someone who claims to have proof that Winston's father was the notorious Jack the Ripper...

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In Death at Bishop's Keep, Kathryn Ardleigh captured the interest of amateur detective Sir Charles Sheridan as they solved their first case together. Now the death of a local constable and the disappearance of a child have Kate and Charles once again on the trail of deadly greed and criminal mischief. They team up with the shy, uncertain (but tactful and deeply perceptive) Miss Beatrix Potter to discover who killed the constable in Mr McGregor's garden and kidnapped the constable's daughter. Helping with this urgent task or blundering clumsily into the way are Miss Potter's animal companions, Mrs Tiggywinkle and Jemima Puddleduck, as well as the beastly Mr Tod and Mr Brock.

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The first title in The Victorian Mysteries series, sure to delight fans of Sherlock Holmes and Agatha Christie Kathryn Ardleigh is everything the Victorian English gentlewoman is not: outspoken, free-thinking, Irish-American, and a writer of penny-dreadfuls, sensational tales of adventure, romance, and crime-and-detection. When she takes possession of Bishop's Keep, the Ardleigh estate in Essex England that she has inherited, she shocks the household and captures the attention of amateur detective Sir Charles Sheridan. Sir Charles is interested in the developing forensic sciences: toxicology, ballistics, fingerprints, X-ray, and crime scene photography. Soon there is something to interest both Kate and Sir Charles: a recently-dead body just uncovered at a nearby archaeological dig. The investigation provides the perfect research background for Kate's next novel. But the inquisitive writer may be digging too deep-especially when the trail leads her into a secret occult society known as the Order of the Golden Dawn.

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East End landlady Mrs Drabdump is alarmed when she cannot rouse her lodger Arthur Constant. She summons the assistance of her neighbour, retired Scotland Yard detective George Grodman. He breaks down the door to Constant's room, only to find the man lying dead on his bed, with a deep cut to his throat. No-one, it seems, could have got in or out of the locked room and there is no sign of the murder weapon. Who was the killer and how will he be identified? A man is condemned to death for the seemingly impossible crime but Grodman is unconvinced that he is guilty. With its sardonic style and vivid, Dickensian characters, Zangwill's short novel remains a cleverly plotted and ingenious murder mystery which will still appeal to readers today.

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The First in the Mr & Mrs Darcy Mystery Series When Caroline Bingley marries a rich, charismatic American, her future should be secure. But strange incidents soon follow: nocturnal wanderings, spooked horses, carriage accidents, an apparent suicide attempt. Soon the whole Bingley family seems to be the target of a sinister plot, with only their friends the Darcys recognizing the danger. A jilted lover, an estranged business partner, a financially desperate in-law, an eccentric supernaturalist - who is behind these events? Perhaps it is Caroline herself, who appears to be slowly sinking into madness... Pride and Prescience is the first novel in a series of romantic mysteries featuring Elizabeth Bennet and Mr Darcy from Jane Austen's Pride and Prejudice as reluctant sleuths who become embroiled in intrigues surrounding their friends and family. The newlywed Darcys' courtship hasn't ended, and their adventures have just begun...

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Jersey fishing captain, Jean Cotterell is rescued by a French frigate - The Hortense - off the Grand Banks of Nova Scotia in May 1794. His fishing vessel has foundered and he is the sole survivor. The Hortense is part of Republican Admiral Jan Van Stabel's great fleet of over 100 ships bringing corn to France. Lord Howe's Channel Fleet is off Brest, hoping to intercept them. Life on The Hortense is like France under the Terror; chaotic, ungovernable, obsessed with savage, radical political theories. Separated from the French fleet in the Western Approaches she is intercepted by two British frigates and battle is joined... The Antigallican is the first in a series of novels set at the end of the 18th century at sea, in Britain, in the Channel Islands and in Revolutionary France. In Jean Cotterell we find a character that bears comparison with Bernard Cornwell's Sharpe, in a narrative that will delight fans of Patrick O'Brian.

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Robin Hood is England's greatest folk hero. Everyone knows the story of the outlaw who robbed from the rich and gave to the poor. Nick Rennison's highly entertaining book begins with the search for the historical Robin. Was there ever a real Robin Hood? Rennison looks at the candidates who have been proposed over the years, from petty thieves to Knights Templar, before moving on to examine the many ways in which Robin Hood has been portrayed in literature and on the screen. He began as the hero of dozens of late medieval ballads. He appeared in plays by contemporaries of Shakespeare. In the Romantic era Robin was reinvented by Walter Scott as a Saxon champion in the struggle against the Normans. During the nineteenth century, he emerged as a hero in children's literature. More recently he has been portrayed as everything from proto-socialist man of the people to anarchist thug. In the cinema he put in an appearance as early as 1908 and Douglas Fairbanks and then Errol Flynn turned him into the typical hero of Hollywood swashbucklers. In the last twenty years, Kevin Costner and Russell Crowe have provided their own very different interpretations of the character. On the small screen, Robin has been the hero of half-a-dozen TV shows from the 1950s series starring Richard Greene, which used many writers blacklisted by Hollywood, via the well-remembered Robin of Sherwood in the 1980s to the recent BBC series. As the twenty-first century nears the end of its second decade, Robin Hood is still very much with us. He is the subject of graphic novels and computer games and films, including the new Lionsgate release in November 2018.

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From popular fiction such as The Hobbit and Game of Thrones to the universality of the English language, the continuing influence of the Anglo-Saxons can be found throughout the world. But who were the Anglo-Saxons and where did they come from? A Short History of the Anglo-Saxons traces the fascinating 600 year history of the Anglo-Saxons, starting from the early European migrants in 410 A.D. and stretching through until the dramatic end at the Battle of Hastings in 1066. As well as their many victories, the Anglo-Saxons faced numerous attacks on the prosperity and the successes of its people, facing off challenges from the Danish and the Vikings, before meeting defeat at the hand of William the Conqueror. Remnants of these people can still be seen in modern day with hoards of Anglo-Saxon gold and silverwork being discovered throughout the country and popular fiction taking inspiration from this thrilling era. A Short History of the Anglo-Saxons provides an indispensable introduction to everything you need to know about the Anglo-Saxon period.

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The Triumphs of Eugene Valmont (1906) is a collection of lively, enjoyable stories about a French detective resident in London. Whether dealing with a gang of anarchists in 'The Siamese Twin of a Bomb-Thrower' or flirting with the supernatural in 'The Ghost with the Club-Foot', the resourceful M. Valmont rarely loses his sang-froid and self-confidence. He may not always catch the criminal but his sense of style and Poirot-like conceit remain intact.

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Kamera.co.uk, the self-styled 'intelligent film website' goes offline with the first issue of its new bi-monthly incarnation. Each issue leads with a themed section and also includes an extensive article on a major film-maker, regular columns on film festivals, documentary and short films, and a comprehensive reviews section featuring all the latest books, videos and DVDs...making kamera the essential companion to world cinema today.

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From the unbridled sensuality of silent Italian films, to the neorealist classic Bitter Rice, to the astonishing imagination of Fellini and the more cerebral and fascinating movies of Antonioni, Italy has a filmic legacy unlike that of any other nation. And then there are the popular movies: the lively sword and sandal epics of the peplum era through to the inextricable mix of sexuality and violence in the gialli of such directors as Mario Bava and Dario Argento. All the glory of Italian cinema is celebrated here in comprehensive essays, along with every key film in an easy-to-use reference format. This new and greatly expanded edition takes in major modern hits such as The Great Beauty/La Grande Bellezza. The new generation of Italian film and TV successes, important directors and movements of the past are are all given fresh and incisive evaluations, with every kind of film examined, from arthouse classics to the Spaghetti Westerns of Sergio Leone and co., and the stylish, blood-drenched thrillers and horror films that redefined their respective genres.

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Whoops! Apocalypse... The Horror! The Horror! Kurtz might be the apple of every brutish imperialist's eye, but his God complex is getting wildly out of hand in the depths of the jungle. What on earth will Marlow find when he finally gets downriver? Devil worship? Savages? Heads on sticks? Or just another nutty white man with his knickers in a twist?

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