Search results for ""Nordic Academic Press""

Contemporary media history is a rapidly growing field that extends far beyond traditional studies of technology or institutions such as radio, film, and television. This volume expands the scope further still to analyse ephemeral, mundane phenomena long overlooked by media historiography. In eight original essays, the volume demonstrates the strengths of a broad concept of the media. The first part centres on media systems and media events, with studies of spiritist séances, Gallup polls, the mediated persona of Kaiser Wilhelm II, and the burial of a Swedish elder statesman in 1915. The second part focuses on media materialities and infrastructure such as art replicas, ring binders, tourist guidebooks, and media technology in the IKEA home. Aimed at students and academics alike, Expanding Media Histories offers new empirical research, which engages critically with key concepts in media history today.

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Historical actors are as central to the history of knowledge as to all historical scholarship. Every country, every era has its biographies of eminent scientists, intellectuals, and educational reformers. Yet the theoretical currents that have left their mark on the historical and sociological studies of knowledge since the 1960s have emphasized structures over actors, collectives over individuals. By contrast, Knowledge Actors stresses the importance of historical actors and re-engages with their actions from fresh perspectives. The objective of this volume is thus to foster a larger discussion among historians of knowledge about the role of knowledge actors. Do we want individuals and networks to take centre stage in our research narratives? And if so, which ones do we want to highlight and how are we to conduct our research? What are the potential pitfalls of pursuing that actor-centric trajectory? This the third volume in a trilogy about the history of knowledge from the Lund Centre for the History of Knowledge (LUCK).

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Introduction sur l’histoire du monastère. Édition de soixante-deux documents, allant de 1037 à 1496, dont quarante et un inédits, plus cinq documents en appendice. Index général de 49 p. Huit cartes.

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To describe women in film history as "invisible" may seem strange as throughout film history, women on the silver screen have given audiences their version of what it is to be a woman. And as film stars they have always been associated with the glamour of the film industry - the living embodiment of female attraction and pleasure. In Making the invisible visible, however, a group of researchers dissect the underrepresentation of women in areas of film culture often overlooked. Despite some significant differences - between countries, between eras, between kinds of job - production teams and film crews have almost always been men. Still today, many film professions are dominated by men. The authors explore womens scope for action in a variety of professional roles, based for example on discussions of LGBTQ+ identities in the film industry. The texts also present fresh perspectives on women actors and the nature of celebrity. Contributors: Elisabet Björklund, Senior Lecturer in Film Studies at Linnaeus University, Sweden. Dagmar Brunow, Associate Professor in Film Studies at Linnaeus University, Sweden. Eirik Frisvold Hanssen, Head of the Film and Broadcasting Section at the National Library of Norway. Christopher Natzén, Research coordinator at the National Library of Sweden. Ingrid Ryberg, filmmaker and Senior Lecturer in Culture, Aesthetics and Media - University of Gothenburg. Tytti Soila, Professor Emeritus in Cinema Studies at Stockholm University.

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In Afterlives, the literary scholar Camilla Storskog investigates how classics with Scandinavian orgin have been reinterpreted as comics. She sets out how literary works, plays, and films have crossed and recrossed the boundaries of language and media, speaking to new times and new contexts. Comic art adaptations have long been neglected by academics, so in this book the author considers them as unique visual media with their own aesthetic, technical, and narrative qualities.

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When Vasa was raised in 1961 a lost world was revealed in astonishing detail. Among the most remarkable finds were the remains of the rigging. Normally shipwrecks offer only a few clues to the structure above the waterline, but on Vasa the lower masts, a myriad of blocks and deadeyes, hundreds of metres of rope and cable and – most astonishingly – nine sails from the ship and its boat survive. The unique finds provide an unparalleled opportunity to reconstruct the rigging in detail and to form an understanding of how ships were sailed in the seventeenth century. With a sail plan, rigging, and steering gear that are substantially different to the classical full-rigged ship of the nineteenth century, the evidence from Vasa paints a vivid picture of ship-handling in the Age of Sail. Vasa II Part 1 presents more than a thousand finds of wood, metal, and cloth from the most complete rig to survive from before 1800, which form the basis for a complete reconstruction of the rig and sailing performance of a large warship of the 1620s.

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Historians have long been interested in knowledge - its nature and origin, and the circumstances under which it was createdbut it has only been in recent years that the history of knowledge has emerged as an academic field in its own right. In Circulation of Knowledge, a group of Nordic scholars explore a range of theoretical and methodological approaches to this new and exciting area of historical research. The question of knowledge in motion is central to their investigations, and especially how knowledge is transformed when it circulates between different societal arenas, literary genres, or forms of media. Reflecting on twelve empirical studies, from sixteenth-century cartography to sexology in the 1970s, the authors make a significant contribution to the growing international research on the history of knowledge.

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