Search results for ""Michigan State University Press""

Behind James Baldwin’s uncanny ability to evoke a nation’s crisis and potential hope lies his use of religious language to describe social and sexual transformation. The first study of its kind, James Baldwin and the Heavenly City shows that Baldwin’s novels use biblical ideas in partly - but not fully - secularized ways to express the possible human attainment of a new life embodying a real but undefinable holiness.Focusing on Baldwin’s six novels, along with essays, stories, and drama, the book first shows Baldwin’s method of recasting biblical and African American prophetic traditions to reveal their liberating core. It then examines several key themes: the prophet’s selection, seen in Baldwin’s debut novel, Go Tell It on the Mountain; the three linked ideas of prophetic art, the “apocalyptic body”, and the “apocalyptic city", as presented in all his novels; and the polarity between prophecy and doubt, the subject of his last novel, Just Above My Head.This important work provides new readings of Baldwin’s novels, reassesses his once-neglected later fiction, and shows Gospel music’s centrality (with blues) in his fictional imagination.

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Like many American urban waterways, Ken-O-Sha has been in decline for nearly two hundred years. Once life-supporting, the waterway now known as Plaster Creek is life-threatening. This provocative book explores the watershed's ecological, social, spiritual, and economic history to determine what caused the damage, and describes efforts to repair it.

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On August 4, 1983, Captain Thomas Sankara led a coalition of radical military officers, communist activists, labor leaders, and militant students to overtake the government of the Republic of Upper Volta. Almost immediately following the coup’s success, the small West African country—renamed Burkina Faso, or Land of the Dignified People—gained international attention as it charted a new path toward social, economic, cultural, and political development based on its people’s needs rather than external pressures and Cold War politics. James E. Genova’s Making New People: Politics, Cinema, and Liberation in Burkina Faso, 1983–1987 recounts in detail the revolutionary government’s rise and fall, demonstrating how it embodied the critical transition period in modern African history between the era of decolonization and the dawning of neoliberal capitalism. It also uncovers one of the revolution’s most enduring and significant aspects: its promotion of film as a vehicle for raising the people’s consciousness, inspiring their efforts at social transformation, and articulating a new self-generated image of Africa and Africans. Foregrounding film and drawing evocative connections between Sankara’s political philosophy and Frantz Fanon, Making New People provides a deeply nuanced explanation for the revolution’s lasting influence throughout Africa and the world.

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Are religions intrinsically violent (as is strenuously argued by the ‘new atheists’)? Or, as Girard argues, have they been functionally rational instruments developed to manage and cope with the intrinsically violent runaway dynamic that characterizes human social organization in all periods of human history? Is violence decreasing in this time of secular modernity post-Christendom (as argued by Steven Pinker and others)? Or are we, rather, at increased and even apocalyptic risk from our enhanced powers of action and our decreased socio-symbolic protections?Rene Girard’s mimetic theory has been slowly but progressively recognized as one of the most striking breakthrough contributions to twentieth-century critical thinking in fundamental anthropology: in particular for its power to model and explain violent sacralities, ancient and modern. The present volume sets this power of explanation in an evolutionary and Darwinian frame.It asks: How far do cultural mechanisms of controlling violence, which allowed humankind to cross the threshold of hominization - i.e., to survive and develop in its evolutionary emergence - still represent today a default setting that threatens to destroy us? Can we transcend them and escape their field of gravity? Should we look to - or should we look beyond - Darwinian survival? What - and where (if anywhere) - is salvation?

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Ferber is a fourth-generation French patissiere whose speciality is her unusual, delicious jams and jellies, which have gained an international following among chefs and other gourmands. This book, a best-seller in France, presents dozens of recipes, organised by season, for preserves from Black Cherry with Pinot Noir to Greengage and Mirabelle Plum with Mint; a number of them include chocolate, not a standard addition. Few of the recipes include headnotes, although translator's notes identify the more exotic ingredients; instructions are on the brief side. However, any jam maker will find Ferber's book fascinating. Recommended for all canning and preserving collections.

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A collaboration between award-winning poet Anita Skeen and renowned printmaker Laura DeLind. Seeking to navigate the isolation and uncertainty of the covid-19 pandemic, they challenged each other's ability to see the small things often neglected and unnoticed. The result is a thoughtful and often joyful collection of poetry and prints.

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Papers of the Algonquian Conference is a collection of peer-reviewed scholarship from an annual international forum that focuses on topics related to the languages and cultures of Algonquian peoples.

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Never before translated in English, this 1973 discussion between RenÉ Girard (1923–2015) and other prominent scholars represents one of the most significant breakthroughs in mimetic theory. Organized by the French journal Esprit, the conversation was an opportunity for Girard to debate with his interlocutors the theories he expounded in Violence and the Sacred (1972). These scholars prompted him to reconsider the book’s strictly sociological interpretation of religion, highlighting the misrecognition of violent scapegoating at its origins and in its myths and ritual practices, by addressing the relation between his critique of primitive or archaic religion and the role of Judeo-Christianity. The ensuing discussion opened up an entirely new and admittedly startling phase of his thinking, where he deployed an epistemology rooted in Biblical revelation, which he viewed as an ongoing deconstruction of sacrificial practices. In this text, he vindicates for the very first time the anthropological relevance of Judeo-Christian scriptures. The 1973 discussion thus marks a new and decisive step in Girard’s intellectual journey, making this volume a critical document for understanding the transition period between Violence and the Sacred and Things Hidden Since the Foundation of the World (1978).

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In The Luck of the Fall, characters get lost; they fall, but the falls shape their lives in ways that might even be called “lucky”—if luck is defined as survival, despite the scars left behind. They take consolation in their lack of prizes, in the clarity of their failures, while approaching the future with gallows humor and faith in cynicism. Some stories read like dramatic monologues in the longer play of lives along Eight Mile Road on the edge of Detroit, a landmark location throughout Daniels’s six other fiction collections. Among the looming hulks of abandoned factories, near-nihilistic lives struggle in the absence of the comforting shadows those factories provided. Some keep score, some don’t, as they search for validation, however brief, before the curtain comes down and anonymity returns. COVID shows up with its masked consequences, along with addiction, divorce, unwanted pregnancy, and mental illness. None of these characters fit in, but all are trying to keep from being squeezed out entirely. In The Luck of the Fall, the logic of the heart wins out, even as the characters are picking up the pieces of their broken lives, looking for something shiny called hope.

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Exciting to those unfamiliar with Rumi’s verse as well as to the veteran scholar, this volume, following on from Love Is My Savior, offers more of the little-known Arabic poems of Mawlana Rumi. These poems take the reader on a journey of spiritual search, ecstatic union, universal salvation, and mystic reconciliation, in which Rumi reveals his soul and welcomes everyone to his spiritual feast.This dual-language volume, with its informative introduction, is one of the first to bring Rumi’s Arabic poems into English, and it opens a treasury of Rumi’s mystic thought and electrifying poetry. The poems pulsate with desire and longing, with erotic meaning, and with ecstatic celebration. Rumi found in his mystic poetry a vehicle for the expression of the endless spiritual bounties of love. The reader will find, at the center of his faith and doctrine, love and a strong belief in universal salvation and unlimited generosity.

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Why do police officers turn against the people they are hired to protect? This question seems all the more urgent in the wake of recent global protests against police brutality. Historical criminologist Paul Bleakley addresses this by examining a series of intersecting cases of police corruption in Queensland, Australia. The protection and extortion of illegal gambling operators and sex workers were only the most visible features of a decades-long, pervasive culture of corruption in the state’s law enforcement agency. Even more dangerous—and far harder to prosecute—was the corrupt bargain between the police and the state’s conservative government, which gave law enforcement free rein to profit from criminalized vice in return for supporting the government’s repression and persecution of its political enemies, from punk music fans to gay men to left-wing protestors. While intimidating members of the political opposition, the police also protected friends and allies from criminal prosecution, even for offenses as serious as child sex abuse. When journalists and investigators revealed this corrupt bargain in 1987, the premier was forced from office and the police commissioner went to prison. But untangling politics from policing proved—and continues to prove—far more difficult in societies around the world. This true crime story goes beyond the everyday violations of law and ethics to underscore how central honest, equitable policing is to a truly democratic society.

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Originally published in 1893 and 1901, Simon Pokagon’s birch bark stories were printed on thinly peeled and elegantly bound birch bark. In this edition, these rare booklets are reprinted with new essays that set the stories in cultural, linguistic, historical, and even geological context. Experts in Native literary traditions, history, Algonquian languages, the Michigan landscape, and materials conservation illuminate the thousands of years of Indigenous knowledge that Pokagon elevated in his stories. This is an essential resource for teachers and scholars of Native literature, NeshnabÉ pasts and futures, Algonquian linguistics, and book history.

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Pewabic Pottery is a significant manifestation of the international Arts and Crafts movement in Michigan. As ceramic expert Martin Eidelberg points out in his introductory essay, it was also a striking example of the coterie of talented American female ceramists who broke with traditional norms, seeking to excel both as artists and as entrepreneurs. Founded by Mary Chase Perry and Horace James Caulkins in Detroit at the turn of the twentieth century, Pewabic produced simple objects with unique glazes rooted in ceramic history, yet freshly made their own. This chronological history of Pewabic work-the most extensive study published to date-focuses primarily on the pottery as operated by Perry and Caulkins, and then goes up through the beginning of the Pewabic Society Inc. in 1979. It offers a fascinating, in-depth exploration of the various aspects of the history of Pewabic Pottery, from the personal lives of its founders and prominent potters to discussions of tiles and glazes and finally to Pewabic Pottery's place at Michigan State University. Authored by the most recognized scholar on Pewabic Pottery, this study relies heavily on archival sources to achieve a comprehensive history of one of Michigan's most interesting art studios.

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Great Women of Mackinac, 1800–1950 tells the dramatic history of thirteen women leaders on Mackinac Island in the nineteenth and early twentieth centuries. Their linked visions of family and community define this beautiful island in the western Great Lakes. In this collective biography, author and Mackinac Island resident Melissa Croghan reveals how central they were to the history and literature of Mackinac. Elizabeth Bertrand Mitchell, Madeline Marcot LaFramboise, Therese Marcot Schindler, Elizabeth Therese Baird, Agatha Biddle, and Jane Johnston Schoolcraft were Anishinaabe fur traders, farmers, memoirists, and poets who established the nineteenth-century island community. Among the women of Mackinac, there were also those who sang the island’s praises and recorded the lively relationships of the English, French, and American inhabitants. These writers included Juliette Magill Kinzie, Anna Brownell Jameson, Margaret Fuller, and Constance Fenimore Woolson. There were also community builders who founded key institutions and midwifed generations of island children: Rosa Truscott Webb, Daisy Peck Blodgett, and Stella King. Readers interested in American literature, women’s lives, and Mackinac Island’s storied history will find this book a fascinating read.

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Facilitates a fuller understanding of the historical complexities that surrounded migration and movement in the colonial world, which in turn will help lead to a more constructive consideration of the ways in which Irish and Native American Studies might be drawn together today.

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A systematic introduction into the mimetic theory of the French- American literary theorist and philosophical anthropologist René Girard, this essential text explains its three main pillars (mimetic desire, the scapegoat mechanism, and the Biblical “difference”) with the help of examples from literature and philosophy. This book also offers an overview of René Girard’s life and work, showing how much mimetic theory results from existential and spiritual insights into one’s own mimetic entanglements. Furthermore it examines the broader implications of Girard’s theories, from the mimetic aspect of sovereignty and wars to the relationship between the scapegoat mechanism and the question of capital punishment. Mimetic theory is placed within the context of current cultural and political debates like the relationship between religion and modernity, terrorism, the death penalty, and gender issues. Drawing textual examples from European literature (Cervantes, Shakespeare, Goethe, Kleist, Stendhal, Storm, Flaubert, Dostoevsky, Proust) and philosophy (Plato, Camus, Sartre, Lévi-Strauss, Derrida, Vattimo), Palaver uses mimetic theory to explore the themes they present. A highly accessible book, this text is complemented by bibliographical references to Girard’s widespread work and secondary literature on mimetic theory and its applications, comprising a valuable bibliographical archive that provides the reader with an overview of the development and discussion of mimetic theory until the present day.

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Laughing Whitefish is an engrossing trail drama of ethnic hostility and the legal defence of Indian treaties. Young Lawyer William (Willy) Poe puts out a shingle in Marquette, Michigan, in 1873, hoping to meet a woman who will take him seriously. His first client, the alluring Charlotte Kawbawgam, known as Laughing Whitefish, offers an enticing challenge - a compelling case of injustice at the hands of powerful mining interests. Years earlier, Charlotte's father led the Jackson Mining Company to a lucrative iron ore strike, and he was then granted a small share in the mine, which the new owners refuse to honour. Willy is now Charlotte's sole recourse for justice. Laughing Whitefish is a gripping account of barriers between Indian people and their legal rights. These poignant conflicts are delicately wrought by the pre-eminent master of the trial thriller, the best-selling author of Anatomy of a Murder. This new edition includes a foreword by Matthew L.M. Fletcher, Director of the Indigenous Law and Policy Center at Michigan State University, that contextualises the novel and actual decisions of the Michigan Supreme Court ruling in favour of Charlotte.

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Weaving together memories from her life in the upper Midwest with nearly fifty years of environmental policy advocacy work, Elder provides a uniquely moving insider's perspective into the quest to protect the Great Lakes and surrounding public lands.

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In 1924, an orphan train passes through the Midwest, and two teenagers, seeking a new life, find nothing but hardship when taken in to live on a farm in Michigan. Mercy, a teenage girl of mixed race, and a boy nicknamed Rope, who lost fingers in a factory accident, become virtual prisoners of Harlan and Estelle Nau, whose children died during the Spanish flu epidemic. After facing abuse, Mercy and Rope flee, making an arduous journey into sparsely populated northern Michigan, where Mercy believes she will find her aunt. After Harlan is found murdered on his farm, police captain Jim Kincaid pursues Mercy and Rope to the cold, barren villages on the Mackinac Straits, but his efforts are complicated by the reemergent Ku Klux Klan, which has formed a coalition with the police deputy Milt Waters and the Dingley brothers, who run a local bootleg operation. Resolute and intrepid, Mercy and Rope develop a bond of mutual trust that helps them navigate a stark American landscape shaped by prejudice, hypocrisy, and fear.

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The protagonist of Marcel Proust’s In Search of Lost Time observes with wonder the comings and goings of the crows that roost in the belfry of the village church in Combray, his childhood home. For RenÉ Girard, one of Proust’s great interpreters, their mysterious flight, first departing from and then returning to the vertical axis of the steeple, suggests the movement of modern history—the crisis of aristocratic models, the growing servitude of individuals possessed by mimetic desire, and the final irruption of authentic transcendence. In this rich exploration of Girard’s insights, his French editor and longtime collaborator BenoÎt Chantre brings Saint Paul’s Letter to the Romans into dialogue with both Proust and Girard in order to push to its logical endpoint the idea of a back-and-forth movement from chaos to order. History, Chantre argues, has been driven mad by the revelation of its sacrificial engine. The only way out lies in a transformation internal to the crisis itself—only that faith which is capable of hearing the One who speaks in the Law makes it possible to avoid the perpetual ups and downs of rivalry. Acting and revealing Himself at the heart of history, an intimate model “hidden since the foundation of the world” deals a fatal blow to the circle of sin. Authentic transcendence coincides with the eschaton, the moment when—according to Saint Paul—historical time implodes into eternity.

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This definitive assessment of Cormac McCarthy’s novels captures the interactions among the literary and mythic elements, the social dynamics of violence, and the natural world in The Orchard Keeper, Child of God, Outer Dark, Blood Meridian, and The Road. Elegantly written and deeply engaged with previous scholarship as well as interviews with the novelist, this study provides a comprehensive introduction to McCarthy’s work while offering an insightful new analysis. Drawing on RenÉ Girard’s mimetic theory, mythography, thermodynamics, and information science, Markus Wierschem identifies a literary apocalypse at the center of McCarthy’s work, one that unveils another buried deep within the history, religion, and myths of American and Western culture.

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Michigan’s Upper Peninsula is known for its natural beauty and severe winters, as well as the mines and forests where men labored to feed industrial factories elsewhere in the nineteenth and twentieth centuries. But there were factories in the Upper Peninsula, too, and women who worked in them. Phyllis Michael Wong tells the stories of the Gossard Girls, women who sewed corsets and bras at factories in Ishpeming and Gwinn from the early twentieth century to the 1970s. As the Upper Peninsula’s mines became increasingly exhausted and its stands of timber further depleted, the Gossard Girls’ income sustained both their families and the local economy. During this time the workers showed their political and economic strength, including a successful four-month strike in the 1940s that capped an eight-year struggle to unionize. Drawing on dozens of interviews with the surviving workers and their families, this book highlights the daily challenges and joys of these mostly first- and second-generation immigrant women. It also illuminates the way the Gossard Girls navigated shifting ideas of what single and married women could and should do as workers and citizens. From cutting cloth and distributing materials to getting paid and having fun, Wong gives us a rare ground-level view of piecework in a clothing factory from the women on the sewing room floor.

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For several years, the armies of Napoleon III deployed some 450 Muslim Sudanese slave soldiers in Veracruz, the port of Mexico City. The Sudanese were imported from Africa in the hopes that they would better survive the tropical diseases that so terribly afflicted European soldiers. The authors provide a thorough account of this exotic interlude.

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The summer before going into high school, Fiona receives a mysterious box in the mail, one that she hopes will answer her questions about her Anishinaabe Indian heritage. It contains stories written by the grandfather she never knew, an Anishinaabe man her mother refuses to talk about.As she reads his stories about blackbirds and bigfoot, as well as tales about Indians in space and homeless Native men camping by the river in Minneapolis, Fiona finds other questions arising - questions about her grandfather and the experiences that shaped his stories, questions about her mother’s silence regarding the grandfather she never knew.Fiona’s desire to know more and her mother’s reluctance to share stir up bitter feelings of anger and disappointment that slowly transform as she reads the stories into a warmer understanding of the difficulties of family, love, and the weight of the past.

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If trees had personalities, the northern white-cedar would be an introvert. It is unassuming, tending to be small in stature with narrow crowns. It is patient, growing slowly beneath the canopy of larger trees. It is fragile, with weak wood prone to decay when living. But just as people have hidden depths, so too does the northern white-cedar. It is persistent, growing quickly to take advantage of canopy openings when they occur. It is tenacious, living for centuries or even a millennium. It is resilient, thriving even with a high proportion of rotten wood, and resourceful, finding places to live where other trees don’t prosper. It is constantly reinventing itself with branches that grow roots when resting on the moist ground. And people have long valued the tree. Native Americans used its lightweight, rot-resistant wood to make woven bags, floor coverings, arrow shafts, and canoe ribs. They extracted medicine from the leaves and bark to treat a variety of illnesses. A Haudenosaunee decoction of northern white-cedar is credited with saving the French explorer Jacques Cartier’s crew from scurvy, and the French dubbed it l’arbre de vie: the tree of life. This tree similarly gives life to many creatures in North American forests, while providing fence posts, log homes, and shingles to people. But the northern white-cedar’s future is uncertain. Here scientists Gerald L. Storm and Laura S. Kenefic describe the threats to this modest yet essential member of its ecosystem and call on all of us to unite to help it to thrive.

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In Coffin Honey, his seventh book of poems, celebrated poet Todd Davis explores the many forms of violence we do to each other and to the other living beings with whom we share the planet. Here racism, climate collapse, and pandemic, as well as the very real threat of extinction—both personal and across ecosystems—are dramatized in intimate portraits of Rust-Belt Appalachia: a young boy who has been sexually assaulted struggles with dreams of revenge and the possible solace that nature might provide; a girl whose boyfriend has enlisted in the military faces pregnancy alone; and a bear named Ursus navigates the fecundity of the forest after his own mother’s death, literally crashing into the encroaching human world. Each poem in Coffin Honey seeks to illuminate beauty and suffering, the harrowing precipice we find ourselves walking nearer to in the twenty-first century. As with his past prize-winning volumes, Davis, whose work Orion Magazine likens to that of Wendell Berry and Mary Oliver, names the world with love and care, demonstrating what one reviewer describes as his knowledge of “Latin names, common names, habitats, and habits . . . steeped in the exactness of the earth and the science that unfolds in wildness.”

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