Search results for ""Marquette University Press""

In Milwaukee, Wisconsin, in the fall of 1980, two Franciscan Sisters teamed up with a Muslim professor of a local university to begin a journey of dialogue, friendship, and activism that had a lasting effect on their group and the community. They launched one of the first “Islamic Christian” dialogues in the country, which soon became internationally known. This book brings together their stories of encounter and collaboration alongside those of other interfaith actors. The initial Christian-Muslim dialogue inspired the next generation of leaders to continue the work of building trust and mutual understanding through educational programs and social activism. The narratives presented here are based on qualitative data and scholarly research. They are accompanied by representative examples of the efforts aimed at cultivating spaces for interfaith dialogue and interaction between and among people from different faith traditions and backgrounds. This book offers an overview and history of those interfaith efforts and relationships.

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This study provides a new critical assessment of Jean Daniélou's classic rendition of the theme of "spiritual sensation" in the work of Gregory of Nyssa, arguing that it has surprising wider relevance for such pressing contemporary cultural problems as racism, sexism and addiction to pornography.

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Milwaukee Rock and Roll, 1950-2000: A Reflective History surveys and celebrates a rich musical heritage. It does not claim to be a definitive account of Milwaukee rock, but it offers an important narrative—a foundation for further study and appreciation. This book is an anthology of written, vocal, and visual reflections, which will inform readers and evoke memories for those who experienced this music and era. It includes, among so many other performers, Milwaukee rock pioneers Sam McCue, Artie Herrera, and Larry Lynne; truck driver folk great Larry Penn; impresario Nick Topping; rhythm and blues standout Junior Brantley and soul man Harvey Scales; 60s bands like the Ricochettes, Shag, and the Corporation; bluesmen Jim Liban and Jon Paris; “girl rockers” epitomized by the G.T.O.’s and Ruby Starr; punks like the Haskels, the Oil Tasters, and Die Kreuzen; the internationally renowned punk/indie Violent Femmes; and prog rocker (among his other impressive musical talents) Sigmund Snopek III. Others are also referenced including Buddy Holly; Pete Seeger; Jean Ritchie, Bob Dylan; the Dave Clark Five; the Beatles; Cream; Led Zeppelin; the Grateful Dead; Chuck Berry; Muddy Waters; Lou Reed; Bruce Springsteen; and Patti Smith. The editors present a multifaceted cultural history of Milwaukee and rock music highlighted by a multiplicity of voices—musicians, promoters, DJs, photographers, artists, and audience members—collectively committed to the sounds of a great city.

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Perception as a Capacity for Knowledge is the 2011 Aquinas Lecture delivered by John McDowell on February 27, 2011 at Marquette University. Professor McDowells Lecture is the 75th in this esteemed series hosted by the Philosophy Department at Marquette. Past lecturers include Mortimer Adler, Anton. C. Pegis, Yves Simon, Jacques Maritain, Etienne Gilson, Bernard Lonergan, S.J., John N. Findlay, Alvin Plantinga, Paul Ricoeur, Alasdair MacIntyre, Louis Dupre, Myles Burnyeat, and Margaret Urban Walker.A central theme in much of Professor McDowells work is the harmful effects, in modern philosophy and in the modern reception of premodern philosophy, of a conception of nature that reflects an understanding, in itself perfectly correct, of the proper goals of the natural sciences. In a number of contexts, he has argued that we can free ourselves from the characteristic sorts of philosophical anxiety by recalling the possibility of a less restrictive conception of what it takes for something to be natural.

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Agon in Nietzsche is a comprehensive study of Nietzsche’s relationship to the agonistic culture of ancient Greece. The book examines not only the overt elements of Greek agonism in Nietzsche’s early works, but also shows how his later works embody its spirit as it is manifest in such notions as the will to power, the overhuman and “active justice.” While bringing Nietzsche scholarship together with recent studies on Greek agonism and the Olympic tradition, the book explores, in Nietzsche’s works, the culture of competition in such areas as mythology, sacrifice, suffering, transfiguration, feeling, justice, training and education, rhetoric, spectacle and power.

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