Search results for ""MASP""

The debut monograph on the Brazilian fotoclubismo photographerThis is the first monograph dedicated to the work of the trailblazing German Brazilian photographer Gertrudes Altschul (190462). Featuring an elegant uncoated paper cover with stamped lettering, it reproduces all 70 of the artist's known vintage prints, exploring her main themes: modern Brazilian architecture, botanical motifs and still lifes. The volume includes a selection of the artist's archival material, such as contact sheets.Of Jewish origin, Altschul migrated in 1939 from her hometown, Berlin, to Brazil with her husband, fleeing the Nazi regime. She settled in São Paulo, where she divided her time between photography and the production of flowers for hats in a factory run by the couple. Altschul was one of the few women to be part of the well-known Foto Cine Clube Bandeirante (FCCB) in São Paulo, an important group that brought together photographers aligned with modernist photog

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Performative interventions in everyday lifeThis is the first major monograph for Brazilian conceptual artist Cinthia Marcelle (born 1974), accompanying her solo show at MASP. Through photographs, videos, installations and interventions that make use of everyday elements, Marcelle performs displacements and operations that momentarily destabilize the order of things.

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Reassessing the legacy of a Brazilian Modernist exponent and his debated sexualityThis richly illustrated catalog envisions an image of Mário de Andrade (18931945) that goes beyond the renowned writer by spotlighting his personal collection of Brazilian art and his amateur travel photographs, viewed anew through a queer gaze.

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Articulating the ideas, colors and forms of the Pan-Africanist movement within a Latin-Amefrican imaginaryThis catalog documents the paintings of African-Brazilian scholar, artist, poet, dramatist and activist Abdias Nascimento (19142011), compiling around 70 works from his wide-ranging career.

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A long-needed appraisal of the abstractions, mail art and conceptual work of Anna Bella Geiger, one of postwar Brazil’s unsung pioneers Brazilian artist Anna Bella Geiger (born 1933) was one of the first artists to engage in abstract art in Brazil, participating in the historic exhibition of Brazilian abstract art held in Rio de Janeiro in 1953. Since the 1970s she has also worked with video, conceptual art and mail art. Native Brazil/Alien Brazil, named after her provocative political postcard series from 1976, covers the artist’s entire seven-decade career from the 1950s to the present, providing an overview of the extraordinary scope and diversity of Geiger’s work and themes, including informal abstraction, self-portraits, maps, landscapes and equations, as well as the artist’s interest in the interior of the human body, and her critiques of art systems and analyses of political and historical issues of Brazil.

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Using the painter's queer identity as a framework to understand his visceral approach to figurationFrancis Bacon is considered one of the most important artists of the 20th century, best known for his distinctive way of portraying human figures. Especially in his male portraits and nudes, the physicality of the bodyskin, flesh, musclesis translated by the artist into thick, oily textures, giving the figures almost abstract shapes. Flashes of teeth, torsos and rib cages underscore Bacon's visceral philosophy regarding the human form. As the artist famously said: We are meat, we are potential carcasses. If I go into a butcher's shop I always think it is surprising that I wasn't there instead of the animal.Beyond their carnal overtones, these paintings unite a wide variety of influences, revisiting canonical themes and combining references to the great masters of painting with Bacon's own perceptions of the male body. Both his biography and oeuvre were perme

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A long-overdue introduction to the Brazilian Concrete art protagonist and Grupo Ruptura member Brazilian painter and printmaker Judith Lauand (born 1922) is regarded as a key figure of Concrete art. Lauand is the only woman to have participated in Grupo Ruptura, a collective of artists that pioneered Concretism in Brazil, which counted such luminaries as Waldemar Cordeiro, Luiz Sacilotto, Geraldo de Barros, Lotar Charoux and Anatol Wladyslaw among its ranks. Lauand, initially self-taught, moved to São Paulo in the 1950s and encountered Concrete art while working at the 2nd Bienal Internacional. She then quickly delved into the movement, holding a solo show within the same year. This survey follows Lauand’s tremendous oeuvre across five decades, paying particular attention to her engagement with the Concrete movement. The catalog cover is rendered in striking Concrete style, lined with squares and enclosed within a black slipcase dotted with geometric cutouts.

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“Paula’s beautiful, ambitious project illuminates forgotten histories, honoring the overlooked.” –Andrea K. Scott, The New Yorker The Brazilian artist Dalton Paula (born 1982) works across painting, installation, photography and sculpture. Drawing on rigorous visual research, he seeks to critically interpret historical events, particularly as they have affected Black people in Brazil—a country that, after Nigeria, contains the second-largest population of African descent. Dalton Paula: Brazilian Portraits showcases a sampling from the portrait series Paula embarked on in 2018, a tribute to the Black Brazilian men and women who fought for freedom and justice over the course of several centuries but have been systematically erased from the country’s dominant historical narrative. Through his portraits (one of which—a gripping rendering of the Brazilian slave rebellion leader Zeferina—appears on the cover of the much-acclaimed 2021 volume Afro-Atlantic Histories), Paula provides much-needed dignity, visibility and recognition to these valorous figures.

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A fresh view of the acclaimed Brazilian modernist painter through the lens of arte popular Italian-Brazilian artist Alfredo Volpi (1896–1988) was a central figure of Brazilian art in the 20th century. His painting is influenced by both modern and customary traditions, including handcraft, popular parties, religious themes and the facades of Brazilian colonial and vernacular architecture.

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Centuries of art celebrating a global panorama of Indigenous culturesContinuing the work of the acclaimed Afro-Atlantic Histories, this publication from the Museu de Arte de São Paulo (MASP) compiles the collective curatorship and research carried out by artists and scholars from various territories and Indigenous groups in Australia, North America, South America and Scandinavia. For the traveling exhibition, MASP, in collaboration with Kode Bergen Art Museum, invited guest curators from Indigenous nations including Inuit, Maori and Sámi. With over 150 artists included, the featured artworks range from the historical to the contemporaryfrom 17th-century colonial religious paintings to modern film and video installationsin order to trace the impact of European colonization on Indigenous visual culture. Despite its scope, the aim of Indigenous Histories is not to fully represent the vast and complex histories of each region, but rather to provide

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How Hélio Oiticica led Brazilian art''s transition from abstract art to performable sculptureOne of the most radical and joyful artists of the 20th century, Hélio Oiticica (1937-80) helped lead the charge in Brazilian art's unique transition from abstract concrete art to performative objects and collective performance.As MoMA's 2019 exhibition Sur Moderno demonstrated, one of Oiticica's most revolutionary projects was the Parangolé, wearable sculptures made from fabric, plastic or paper. The Parangolé is meant to be worn, inhabited and danced by a participant, lending a physical spontaneity to the piece that entirely blurs the boundaries between the art object and those who experience it.Dance in My Experience traces the genealogy of this theme within the artist's oeuvre, identifying rhythmic, choreographic and dance elements throughout his trajectory, from his first Metaesquemas through the Spatial Relief

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The first monograph for an influential indigenous Brazilian painterCarmézia Emiliano (born 1960) is a Macuxi painter and pioneering Indigenous figure on the contemporary Brazilian art scene. This volume accompanies her first solo exhibition, featuring recent canvases depicting landscapes, objects of material culture and the daily life of her community.

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Eroticism and Amazonian mythologies in the sculpture of an overlooked Brazilian SurrealistA leading figure in New York's Surrealist circles and in Latin American modernism, the Brazilian artist Maria Martins (18941973) was known for her bronze sculptures of hybrid and mythological figures. Through her marriage to a Brazilian diplomat, Martins built a large part of her career outside Brazil, having lived in New York in the 1940s, when she was part of the city's expat Surrealist community. This survey examines Martins' central and active role in Surrealism (in a counterpart to the narratives about her romantic involvement with Duchamp), her interpretation of Amazonian mythologies and iconography from the outset of her career, and her female perspective on themes of desire and eroticism.

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A colossal panorama of Brazilian visual culture across five centuries Published for the bicentennial of Brazil’s independence, Brazilian Histories brings together a selection of more than 300 works and documents from different mediums, typologies and regions of the country, spanning the 16th to 21st centuries.

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Since the end of the 1990s, through her videos, sculptures, photographs, art installations, and performances, the internationally acclaimed Brazilian artist Cinthia Marcelle (b. 1974) has been critically examining the established and hierarchical social structures upon which our daily lives are built. Marcelle uses collective action as the medium through which to break down rigid mechanisms and organisational forms and to renegotiate new ones. This publication is the first comprehensive monograph of Marcelle’s work and provides multidimensional and analytical insight into her work, reflecting the complex societal discourse it explores. It was created through the artist’s close cooperation with the Museum Marta Herford and the Museu de Arte de São Paulo Assis Chateaubriand (MASP). Text by Anna Roberta Goetz, Eungie Joo, Leandro Muniz, Adriano Pedrosa, Kathleen Rahn, Ana Raylander Mártis dos Anjos, Isabella Rjeille Text in English and German.

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A compendious celebration of the exuberant, multilayered paintings and prints of Beatriz Milhazes This is the most comprehensive book to date on Beatriz Milhazes, featuring many previously unpublished paintings and prints. Milhazes, a pivotal figure in contemporary art and the history of abstraction, works with a complex repertoire of images associated with different motifs, origins and sources. She works mainly in painting, printmaking and collage, but also in drawing, sculpture, artist’s books and textiles, among other mediums. Oscillating between abstraction and figuration, geometry and free form, her compositions are intricate, dense, multicolored and literally full of layers—of colors, paints, papers and meanings. Milhazes’ sources are diverse and varied: from modernism to the Baroque, from folk art or "arte popular" to pop culture, from fashion to jewelry, from architecture to abstraction, from the history of art to nature. Her work encompasses multiple references, including the artists Hilma af Klint, Sonia Delaunay, Bridget Riley, Henri Matisse, Tarsila do Amaral and Piet Mondrian. Beatriz Milhazes: Avenida Paulista includes more than 170 works made since 1989, a turning point in Milhazes’ career. It was in that year that she developed the technique she calls “monotransfer,” in which she paints on a sheet of transparent plastic and then decals or transfers the painted and dry element to the canvas. The book provides a unique opportunity to discover her diverse, complex, multifaceted and singular work. Beatriz Milhazes was born in Rio de Janeiro in 1960. Her works can be found in the collections of the Guggenheim, MASP, the Metropolitan Museum of Art, MoMA, Tate and the Centre Pompidou, among others. Milhazes lives and works in Rio de Janeiro.

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