Search results for ""Los Angeles Review of Books""

Launched in 2011 as online magazine to revive the great American tradition of the long-form literary and cultural arts review, the Los Angeles Review of Books has established itself as a new institution for writers and readers unlike anything else. A nonprofit, multimedia literary and cultural arts magazine, LARB combines serious book review with the evolving technologies of the web. The LARB Quarterly Journal reflects the best that this institution has to bring to readers all over the world. Cultivating a stable of regular contributors, both eminent (Jane Smiley, Mike Davis, Jonathan Lethem) and emerging (Jenny Hendrix, Colin Dickey, Rachel Kaadzi Ghansah), LARB achieves a certain tone that readers expect and enjoy: looser and more eclectic than other journals, grounded in literature but open to all varieties of cultural experience, far from the New York publishing hothouse atmosphere but not myopically focused on Los Angeles either. The LARB Quarterly Journal builds on the best aspects of the online magazine and proves that long-form literary and cultural arts review is alive and well.

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The Los Angeles Review of Books launched in April of 2011 as a humble Tumblr, with a 2600-word essay by Ben Ehrenreich entitled "The Death of the Book." The gesture was meant to be provocative, and to ask a genuine question: Was the book dying? Was the internet killing it? Or were we simply entering a new era, a new publishing ecosystem, where different media could coexist? The LARB website currently publishes a minimum of two rigorously edited pieces a day, and we've cultivated a stable of regular contributors, both eminent (Jane Smiley, Mike Davis, Jonathan Lethem) and emerging (Jenny Hendrix, Colin Dickey, Rachel Kaadzi Ghansah). We've found our way to a certain tone that readers expect and enjoy: looser and more eclectic than our namesakes the New York and London Review of Books, grounded in literature but open to all varieties of cultural experience, far from the New York publishing hothouse atmosphere but not myopically focused on L.A. either. The new LARB print quarterly builds on the best aspects of our flagship online magazine. The long form literary and cultural arts review is alive and well, and now, has a new home in Los Angeles.

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The forthcoming spring issue of the Los Angeles Review of Books Quarterly Journal features work by emerging, established, and award winning writers, including creative non-fiction, and poetry. This issue also features an original translation of work by short fiction writer Hisham Bustani, who has won accolades for bringing "a new wave of surrealism to [Arabic] literary culture." Essays range over the following topics: How did oranges become California's iconic fruit? Tom Zoellner dives into the untold story of the Golden State's early citrus industry in his essay "The Orange Industrial Complex." "If you've had sex, you have stories to tell about the people you've had sex with." Starting from this truism, journalist Amanda Fortini draws connections between stories by (and feminist storytelling techniques of) Susan Minot, Louise Wareham Leonard, and Debra Monro. What was America's impact on famed South African novelist J.M. Coetzee's fiction? Martin Woessner follows in Coetzee's footsteps to UT Austin's special collections (where Coetzee himself once studied) and looks for answers in Coetzee's personal papers. Occasioned by the death of influential historian and political scientist Benedict Anderson, Goenawan Mohamad writes a tribute to his friend and former teacher. Mohamad is the founder and editor of Tempo magazine, Indonesia's most-respected newsmagazine.

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The Los Angeles Review of Books Quarterly Journal "No Crisis" issue considers the state of critical thinking and writing -- literary interpretation, art history, and cultural studies -- in the 21st century. The last several years have been an era of crisis for the academic humanities, traditionally the home of the interpretive disciplines. Across the system of education in the United States there are, in fact, many crises. For our part, we see the crisis as the effect of economic and administrative decisions, not a failure of ideas. So, we asked a group of eminent critics to choose a recent critical text and to write about why it matters: not to coolly evaluate it but to stand and think with a critic whose writing they value. The essays produced are works of criticism in themselves; in them, and with "No Crisis," we hope to show that the art of criticism is flourishing, rich with intellectual power and sustaining beauty, in hard times.

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The Los Angeles Review of Books launched online in April 2011 to revive the great American tradition of the long-form literary and cultural arts review. LARB has quickly established itself as an institution unlike anything else on the web or in print, and has become a serious contributor to national conversations about literature, politics, and the arts. The LARB Quarterly Journal is the signature print edition of LARB, specifically curated for the bookstore / independent bookseller marketplace, featuring all exclusive, previously unpublished content including reviews, essays, original poetry and fiction, artist profiles and interviews, and original art.With a stable of regular and ongoing contributors, both eminent and emerging, LARB covers all topics and genres in the literary and cultural arts. The Quarterly Journal, like LARB’s online magazine, specializes in a looser and more eclectic approach than other journals: grounded in literature but open to all varieties of cultural experience; headquartered in Los Angeles, but home to writers and artists from all over the world.LARB’s long-form reviews are making waves nationally and internationally, while tapping into a vibrant West Coast arts scene that has truly come of age. The Quarterly Journal curates provocative criticism alongside new literary works, focusing on the ideas and topics that matter most now, from poetry to politics, from architecture to film, from science to comics. Independent and open to dialogue with its readers, LARB is shaping the current literary cultural landscape.Readers of the Quarterly Journal join a community of writers, critics, journalists, artists, filmmakers, and scholars dedicated to promoting the best that is thought and written, with an enduring commitment to the intellectual rigor, the incisiveness, and the power of the written word.

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Los Angeles Review of Books is an independent, nonprofit, multimedia literary and cultural arts magazine that combines the great American tradition of the serious book review with the evolving technologies of online publishing. LARB has quickly established itself as a thriving institution for writers and readers. The LARB Quarterly Journal, a signature print edition, reflects the best that this institution brings to a national and international readership. The magazine cultivates a stable of regular and ongoing contributors, both eminent and emerging, to cover all topics and genres, from politics to fiction, from television to poetry, and much more. LARB specializes in a looser and more eclectic approach than other journals: grounded in literature but open to all varieties of cultural experience; headquartered in Los Angeles, but home to writers and artists from all over the world, the LARB Quarterly Journal brings the pioneering spirit of the online magazine into print and proves that long-form literary and cultural arts review is alive and well.

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Los Angeles Review of Books is an independent, nonprofit, multimedia literary and cultural arts magazine that combines the great American tradition of the serious book review with the evolving technologies of online publishing. LARB has quickly established itself as a thriving institution for writers and readers. The LARB Quarterly Journal, a signature print edition, reflects the best that this institution brings to a national and international readership. The magazine cultivates a stable of regular and ongoing contributors, both eminent and emerging, to cover all topics and genres, from politics to fiction, from television to poetry, and much more. LARB specializes in a looser and more eclectic approach than other journals: grounded in literature but open to all varieties of cultural experience; headquartered in Los Angeles, but home to writers and artists from all over the world, the LARB Quarterly Journal brings the pioneering spirit of the online magazine into print and proves that longform literary and cultural arts review is alive and well.

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The Los Angeles Review of Books launched in April of 2011 as a humble Tumblr, with a 2600-word essay by Ben Ehrenreich entitled "The Death of the Book." The gesture was a bit tongue-in-cheek, but we meant it to be provocative, and to ask a genuine question: Was the book dying? Was the internet killing it? Or were we simply entering a new era, a new publishing ecosystem, where different media could coexist? Since then, we've been enormously gratified by the response that LARB has generated from readers, writers, academics, editors, publishers. We are a community of writers, critics, journalists, artists, filmmakers, and scholars dedicated to promoting and disseminating the best that is thought and written, with an enduring commitment to the intellectual rigor, the incisiveness, and the power of the written word.Today, we've created a new institution for writers and readers that is unlike anything else on the web. Our new LARB Quarterly Journal reflects the best that this institution has to bring to readers all over the world. One question these people have continually asked us, though, is: When are you going to put out a print edition? Even though we've been (and remain) committed to the internet as both a space of conversation and a place of commerce, we've always wanted to have something physical, tangible, to be able to show for our work. We never really believed that books would die, or magazines either. The LARB website currently publishes a minimum of two rigorously edited pieces a day, and we've cultivated a stable of regular contributors, both eminent (Jane Smiley, Mike Davis, Jonathan Lethem) and emerging (Jenny Hendrix, Colin Dickey, Rachel Kaadzi Ghansah). We've found our way to a certain tone that readers expect and enjoy: looser and more eclectic than our namesakes the New York and London Review of Books, grounded in literature but open to all varieties of cultural experience, far from the New York publishing hothouse atmosphere but not myopically focused on L.A. either. The new LARB print quarterly will build on the best aspects of the current website. As we do now, we'll publish book reviews that strive to do something more than recommend or discourage a purchase; we're most interested in pieces that push the form of the book review into other genres, such as memoir, polemic, or short story. We are excited to explore the possibilities of this new format, and feel confident that the audience we've attracted over the past two years on the web will follow us. We know that our peers at Harper's, Bookforum, n+1, The Believer, and the New York and London Review of Books -- all of whom have expressed support and goodwill for this latest venture -- welcome a new voice from the West, as will subscribers. The long form literary and cultural arts review is alive and well, and now, has a new home in Los Angeles.

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The LARB Quarterly Journal fiction issue features short fiction from award-winning writers, including Peter Gadol and John Rechy. It also includes new work from novelist Rebecca Chace and short story writer Paul Mandelbaum. This issue also includes non-fiction from award-winning essayist Ingrid Rojas Contreras. The LARB Quarterly Journal is a testament to the fact that print is thriving, as readers continue to have a profound appetite for curated, edited, smart and fun opinion, written by the best writers and thinkers of our time. These carefully selected articles, poems, interviews and essays appeal to readers with wide-ranging interests and a love for the literary. The new issue of the LARB Quarterly Journal includes: * Feature essays by Rebecca Chace, Ellen Collett, Ingrid Rojas Contreras, Liska Jacobs, Max Nelson, Jeremy N. Smith, and Angela Woodward * Original poetry by Josh Bell, Traci Brimhall, Willa Carroll, Nathalie Handal, Morgan Parker, and Diane Seuss * Short-takes by Sally Ashton, Karen E. Bender, Sven Birkerts, Dionisia Morales, Ben Pack, Robert Anthony Siegel, Ira Sukrungruang, Kim Young The journal also includes an Artist Portfolio and profile of Miljohn Ruperto and Rini Yun Keagy.

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Los Angeles Review of Books is an independent, nonprofit, multimedia literary and cultural arts magazine that combines the great American tradition of the serious book review with the evolving technologies of online publishing. Los Angeles Review of Books has quickly established itself as a thriving institution for writers and readers. The Los Angeles Review of Books Quarterly Journal, a signature print edition, reflects the best that this institution brings to a national and international readership. The magazine cultivates a stable of regular and ongoing contributors, both eminent and emerging, to cover all topics and genres, from politics to fiction, from television to poetry, and much more. Los Angeles Review of Books specializes in a looser and more eclectic approach than other journals: grounded in literature but open to all varieties of cultural experience; headquartered in Los Angeles, but home to writers and artists from all over the world, the Los Angeles Review of Books Quarterly Journal brings the pioneering spirit of the online magazine into print and proves that long-form literary and cultural arts review is alive and well.

Read more less

The Los Angeles Review of Books launched as online-only magazine in April 2011 to revive the great American tradition of the long form literary and cultural arts review. Today, we've created a new institution for writers and readers unlike anything else on the web. The LARB Quarterly Journal is our flagship print edition of the magazine, reflecting the best that this institution has to bring to readers all over the world. We've cultivated a stable of regular contributors, both eminent (Jane Smiley, Mike Davis, Jonathan Lethem) and emerging (Jenny Hendrix, Colin Dickey, Rachel Kaadzi Ghansah). We've found our way to a certain tone that readers expect and enjoy: looser and more eclectic than other journals, grounded in literature but open to all varieties of cultural experience, far from the New York publishing hothouse atmosphere but not myopically focused on L.A. either. The LARB Quarterly Journal builds on the best aspects of our flagship online magazine. The long form literary and cultural arts review is alive and well, and now, has a new home in Los Angeles.

Read more less

Los Angeles Review of Books is a nonprofit organization dedicated to promoting and disseminating rigorous, incisive, and engaging writing on every aspect of literature, culture, and the arts. Since its founding in 2011, LARB has quickly established itself as a thriving institution for writers and readers. The LARB Quarterly Journal, a signature print edition, reflects the best that this institution brings to a national and international readership. The print magazine cultivates a stable of regular and ongoing contributors, both eminent and emerging, to cover all topics and genres, from politics to fiction, film to poetry, and much more. LARB specializes in a looser and more eclectic approach than other journals: grounded in literature but open to all varieties of cultural experience. Headquartered in Los Angeles, but home to writers and artists from all over the world, the LARB Quarterly Journal brings the pioneering spirit of the online magazine into print and and remains committed to covering and representing today’s diverse literary and cultural landscape.

Read more less

Los Angeles Review of Books is a nonprofit organization dedicated to promoting and disseminating rigorous, incisive, and engaging writing on every aspect of literature, culture, and the arts. Since its founding in 2011, LARB has quickly established itself as a thriving institution for writers and readers. TheLARB Quarterly Journal, a signature print edition, reflects the best that this institution brings to a national and international readership. The print magazine cultivates a stable of regular and ongoing contributors, both eminent and emerging, to cover all topics and genres, from politics to fiction, film to poetry, and much more.LARB specializes in a looser and more eclectic approach than other journals: grounded in literature but open to all varieties of cultural experience. Headquartered in Los Angeles, but home to writers and artists from all over the world, theLARB Quarterly Journal brings the pioneering spirit of the online magazine into print and and remains committed to covering and representing today’s diverse literary and cultural landscape.

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Los Angeles Review of Books is a nonprofit organization dedicated to promoting and disseminating rigorous, incisive, and engaging writing on every aspect of literature, culture, and the arts. Since its founding in 2011, LARB has quickly established itself as a thriving institution for writers and readers. TheLARB Quarterly Journal, a signature print edition, reflects the best that this institution brings to a national and international readership. The print magazine cultivates a stable of regular and ongoing contributors, both eminent and emerging, to cover all topics and genres, from politics to fiction, film to poetry, and much more.LARB specializes in a looser and more eclectic approach than other journals: grounded in literature but open to all varieties of cultural experience. Headquartered in Los Angeles, but home to writers and artists from all over the world, theLARB Quarterly Journal brings the pioneering spirit of the online magazine into print and remains committed to covering and representing today’s diverse literary and cultural landscape.

Read more less

Los Angeles Review of Books is a nonprofit organization dedicated to promoting and disseminating rigorous, incisive, and engaging writing on every aspect of literature, culture, and the arts. Since its founding in 2011, LARB has quickly established itself as a thriving institution for writers and readers. TheLARB Quarterly Journal, a signature print edition, reflects the best that this institution brings to a national and international readership. The print magazine cultivates a stable of regular and ongoing contributors, both eminent and emerging, to cover all topics and genres, from politics to fiction, film to poetry, and much more.LARB specializes in a looser and more eclectic approach than other journals: grounded in literature but open to all varieties of cultural experience. Headquartered in Los Angeles, but home to writers and artists from all over the world, theLARB Quarterly Journal brings the pioneering spirit of the online magazine into print and and remains committed to covering and representing today’s diverse literary and cultural landscape.

Read more less

Los Angeles Review of Books is a nonprofit organization dedicated to promoting and disseminating rigorous, incisive, and engaging writing on every aspect of literature, culture, and the arts. Since its founding in 2011, LARB has quickly established itself as a thriving institution for writers and readers. TheLARB Quarterly Journal, a signature print edition, reflects the best that this institution brings to a national and international readership. The print magazine cultivates a stable of regular and ongoing contributors, both eminent and emerging, to cover all topics and genres, from politics to fiction, film to poetry, and much more.LARB specializes in a looser and more eclectic approach than other journals: grounded in literature but open to all varieties of cultural experience. Headquartered in Los Angeles, but home to writers and artists from all over the world, theLARB Quarterly Journal brings the pioneering spirit of the online magazine into print and and remains committed to covering and representing today’s diverse literary and cultural landscape.

Read more less

Los Angeles Review of Books is a nonprofit organization dedicated to promoting and disseminating rigorous, incisive, and engaging writing on every aspect of literature, culture, and the arts. Since its founding in 2011, LARB has quickly established itself as a thriving institution for writers and readers. TheLARB Quarterly Journal, a signature print edition, reflects the best that this institution brings to a national and international readership. The print magazine cultivates a stable of regular and ongoing contributors, both eminent and emerging, to cover all topics and genres, from politics to fiction, film to poetry, and much more.LARB specializes in a looser and more eclectic approach than other journals: grounded in literature but open to all varieties of cultural experience. Headquartered in Los Angeles, but home to writers and artists from all over the world, theLARB Quarterly Journal brings the pioneering spirit of the online magazine into print and and remains committed to covering and representing today’s diverse literary and cultural landscape.

Read more less

The Los Angeles Review of Books launched as online-only magazine in April 2011 to revive the great American tradition of the long form literary and cultural arts review. Today, we've created a new institution for writers and readers, unlike anything else on the web. The LARB Quarterly Journal is our flagship print edition of the magazine, reflecting the best that this institution has to bring to readers all over the world.We've cultivated a stable of regular contributors, both eminent (Jane Smiley, Mike Davis, Jonathan Lethem) and emerging (Jenny Hendrix, Colin Dickey, Rachel Kaadzi Ghansah). We’ve found our way to a certain tone that readers expect and enjoy: looser and more eclectic than other journals, grounded in literature but open to all varieties of cultural experience, far from the New York publishing hothouse atmosphere but not myopically focused on L.A. either.The LARB Quarterly Journal builds on the best aspects of our flagship online magazine. The long form literary and cultural arts review is alive and well, and now, has a new home in Los Angeles.

Read more less

The Los Angeles Review of Books has quickly established itself as an institution unlike anything else on the web or in print, and has become a serious contributor to national conversations about literature, politics, and the arts. The LARB Quarterly Journal is the signature print edition of LARB, specifically curated for the bookstore / independent bookseller marketplace, featuring all exclusive, previously unpublished content including reviews, essays, original poetry and fiction, artist profiles and interviews, and original art. With a stable of regular and ongoing contributors, both eminent and emerging, LARB covers all topics and genres in the literary and cultural arts. The Quarterly Journal, like LARB’s online magazine, specializes in a looser and more eclectic approach than other journals: grounded in literature but open to all varieties of cultural experience; headquartered in Los Angeles, but home to writers and artists from all over the world.LARB’s long-form reviews are making waves nationally and internationally, while tapping into a vibrant West Coast arts scene that has truly come of age. The Quarterly Journal curates provocative criticism alongside new literary works, focusing on the ideas and topics that matter most now, from poetry to politics, from architecture to film, from science to comics. Independent and open to dialogue with its readers, LARB is shaping the current literary cultural landscape.Readers of the Quarterly Journal join a community of writers, critics, journalists, artists, filmmakers, and scholars dedicated to promoting the best that is thought and written, with an enduring commitment to the intellectual rigor, the incisiveness, and the power of the written word.

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The Spring 2020 issue of the Los Angeles Review of Books Quarterly Journal is dedicated to Pop, a term as disputable as it is ubiquitous. The parameters of pop depend on what they exclude: pop culture may be popular, but it is also what high culture and subcultures are not. This issue will examine the pop category as a product of artistic elitism and as a site of social construction. Who is pop for? What is a general audience and what makes for widespread appeal? What happens when a product of popular culture is embraced ironically or elevated as a so-bad-it’s-good guilty pleasure? This issue will ask what it means to be a member of this vast audience, to personally identify with art that asks millions of others to do the same — or to reject pop, question it, and stay in the margins. Whatever our relationship to it, pop permeates nearly every facet of our lives, including, and of particular significance to this issue, our own creative output. But just how passive is our consumption? This issue will reevaluate pop for the streaming age, the social media age, and the age of a reality star president.

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Los Angeles Review of Books is a nonprofit organization dedicated to promoting and disseminating rigorous, incisive, and engaging writing on every aspect of literature, culture, and the arts. Since its founding in 2011, LARB has quickly established itself as a thriving institution for writers and readers. TheLARB Quarterly Journal, a signature print edition, reflects the best that this institution brings to a national and international readership. The print magazine cultivates a stable of regular and ongoing contributors, both eminent and emerging, to cover all topics and genres, from politics to fiction, film to poetry, and much more.LARB specializes in a looser and more eclectic approach than other journals: grounded in literature but open to all varieties of cultural experience. Headquartered in Los Angeles, but home to writers and artists from all over the world, theLARB Quarterly Journal brings the pioneering spirit of the online magazine into print and remains committed to covering and representing today’s diverse literary and cultural landscape.

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The spring issue of the LA Review of Books Journal is dedicated to the concept of Genius — how do we know what it is? How do we define it? How do we understand it and what role does it play in our culture? We have asked writers, scholars, critics, and artists to weigh in on the complicated concept. This issue is meant to challenge the idea of Genius — who after all, decides what genius is? — but also engage with it and try to unravel its complexities. We have grants that carry the title; we have people widely acknowledged as geniuses; we have organizations that can bestow that term to its members, and yet it’s still a mysterious, impenetrable concept, that we both suspect and revere. The issue is looking to tackle that straight on, while also including work by the writers and artists we consider worthy of the name, in all of its variations. The issue will also include a series of definitions of “Genius”, formatted like the dictionary, where artists, playwrights, poets and critics try to define the slippery term and tell us what the word means to them.

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Los Angeles Review of Books is a nonprofit organization dedicated to promoting and disseminating rigorous, incisive, and engaging writing on every aspect of literature, culture, and the arts. Since its founding in 2011, LARB has quickly established itself as a thriving institution for writers and readers. TheLARB Quarterly Journal, a signature print edition, reflects the best that this institution brings to a national and international readership. The print magazine cultivates a stable of regular and ongoing contributors, both eminent and emerging, to cover all topics and genres, from politics to fiction, film to poetry, and much more.LARB specializes in a looser and more eclectic approach than other journals: grounded in literature but open to all varieties of cultural experience. Headquartered in Los Angeles, but home to writers and artists from all over the world, theLARB Quarterly Journal brings the pioneering spirit of the online magazine into print and and remains committed to covering and representing today’s diverse literary and cultural landscape.

Read more less

Los Angeles Review of Books is a nonprofit organization dedicated to promoting and disseminating rigorous, incisive, and engaging writing on every aspect of literature, culture, and the arts. Since its founding in 2011, LARB has quickly established itself as a thriving institution for writers and readers. TheLARB Quarterly Journal, a signature print edition, reflects the best that this institution brings to a national and international readership. The print magazine cultivates a stable of regular and ongoing contributors, both eminent and emerging, to cover all topics and genres, from politics to fiction, film to poetry, and much more.LARB specializes in a looser and more eclectic approach than other journals: grounded in literature but open to all varieties of cultural experience. Headquartered in Los Angeles, but home to writers and artists from all over the world, theLARB Quarterly Journal brings the pioneering spirit of the online magazine into print and and remains committed to covering and representing today’s diverse literary and cultural landscape.

Read more less

Los Angeles Review of Books is a nonprofit organization dedicated to promoting and disseminating rigorous, incisive, and engaging writing on every aspect of literature, culture, and the arts. Since its founding in 2011, LARB has quickly established itself as a thriving institution for writers and readers. TheLARB Quarterly Journal, a signature print edition, reflects the best that this institution brings to a national and international readership. The print magazine cultivates a stable of regular and ongoing contributors, both eminent and emerging, to cover all topics and genres, from politics to fiction, film to poetry, and much more.LARB specializes in a looser and more eclectic approach than other journals: grounded in literature but open to all varieties of cultural experience. Headquartered in Los Angeles, but home to writers and artists from all over the world, theLARB Quarterly Journal brings the pioneering spirit of the online magazine into print and remains committed to covering and representing today’s diverse literary and cultural landscape.

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A collection of writings, reflections, and interviews from political philosopher and critical theorist Brad Evans, written between 2010 and 2017. Evans collaborates with and interviews Simon Critchley, Julian Reid, Adrian Parr, Henry Giroux, Grace Pollock, Tyler Pollard, and Victoria Harper in his considerations of our era of violence and confusion. Brad Evans has studied and written about the history of violence for years and has been collaborating with and interviewing the world’s greatest artists, humanists, and philosophers about the human propensity for violence.

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Facundo Bernal's A Stab in the Dark (Palos de ciego) is a poetic chronicle of the struggles and joys of the Spanish-speaking community in Los Angeles and in the burgeoning border town of Mexicali during the early 1920s. Sharply satirical yet deeply empathetic, Bernal’s poems are both a landmark of Chicano literature and a captivating read. Anthony Seidman's energetic translation — the first into English — preserves the prickly feel of Bernal’s classic, down to the last stab. This edition also features the original Spanish text, an introduction by the prominent Mexicali writer Gabriel Trujillo Muñoz, an additional introduction by critic Josh Kun, and a foreword by writer and lawyer Yxta Maya Murray.

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In J. L. Torres’s second story collection Migrations, the inaugural winner of the Tomás Rivera Book Prize, a “sucio” goes to an underground clinic for therapy to end his machista ways and is accidentally transitioned. Ex-gangbangers gone straight deal with a troubled, gifted son drawn to the gangsta lifestyle promoted by an emerging music called hip-hop. Dead and stuck “between somewhere and nowhere,” Roberto Clemente, the great Puerto Rican baseball icon, soon confronts the reason for his predicament. These stories take us inside the lives of self-exiles, unhomed and unhinged people, estranged from loved ones, family, culture, and collective history. Despite the effects of colonization of the body and mind, Puerto Ricans have survived beyond geography and form an integral part of the American mosaic.

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"A MUST-READ FOR ANYONE INTERESTED IN UNDERSTANDING AND DISMANTLING MASS INCARCERATION." —Chesa Boudin, District Attorney of San Francisco America's criminal justice system is among the deadliest and most racist in the world and it disproportionately targets Black Americans, who are also disproportionately poor, hungry, houseless, jobless, sick, and poorly educated. By every metric of misery, this nation does not act like Black Lives Matter. In order to break out of the trap of racialized mass incarceration and relentless racial oppression, we, as a society, need to rethink our basic assumptions about blame and punishment, words and symbols, social perceptions and judgments, morality, politics, and the power of the performing arts. N*gga Theory interrogates conventional assumptions and frames a transformational new way of thinking about law, language, moral judgments, politics, and transgressive art—especially profane genres like gangsta rap—and exposes where racial bias lives in the administration of justice and everyday life. Professor Jody Armour (Negrophobia and Reasonable Racism) calls for bold action: electing progressive prosecutors, defunding or dismantling the police, abolition of the prison industrial complex. But only after eradicating the anti-black bias buried in the hearts and minds of millions of Americans and baked into our legal system will we be able to say that Black Lives Matter in America.

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In a searing takedown of the populist authoritarian vision of America, The Terror of the Unforeseen tackles the resurgence of fascism in the age of Donald Trump’s presidency. Through the mendacious exchange of facts for “fake news,” Henry A. Giroux examines the language of hatred that activates neoliberal fascism, complete with state-sanctioned racism, casino capitalism, and fear-mongering at federal and local levels. In this “age of disposability,” Trump’s rhetoric eschews reason and democratic principles in favor of impetuous politics rooted in bigotry, all to injuriously catastrophic effect. Through protests, strikes, and education, Giroux proposes an international social movement that joins together various modes of resistance to illuminate a democratic renewal, and proves himself once again as one of the great public intellectuals of our time.

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The Girl from Hollywood is a 1923 novel by acclaimed science fiction writer Edgar Rice Burroughs. The story revolves around a California ranching family and a young woman with aspirations to be a Hollywood star who comes to stay with them. A captivating tale of bootlegging, drug addiction, manipulation, and sordid Hollywood secrets, The Girl from Hollywood is more timely today than ever before.

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Colin Dayan meditates on the connection between her personal and family history and her relationship with animals in this lyrical memoir about her upbringing in the South. Unraveling memories alongside family documents and photographs, Animal Quintet takes a raw look at racial tensions and relations in a region struggling to change while providing a disquieting picture of a childhood accessible only through accounts of the non-human, ranging from famed Southern war horses led by Civil War generals and doomed Spanish fighting bulls to the lowly possum hunted by generations of Southerners. Placing the reader in the mind’s eye of a writer still grappling with her own mixed identity and unsettled past, the book is uniquely capable of transporting one’s imagination across time and place, mirroring the natural behavior of remembrances with its feeling of dislocation and non-linear movement. Regional folk songs about old gray mares and possums hiding in trees intermingle with stories and confidences shared by the household’s African-American nanny, enclosing the reader in a chorus composed of otherwise lost voices. Presented in a such a way that it simultaneously longs for the past and attempts to keep it at arm’s length, Animal Quintet achieves a haunting, nostalgic quality rare to memoirs focused on ancestral and personal identity.

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On her wedding night, Remember “Mem” Steddon, daughter of a small-town conservative preacher, has a sudden change of heart. Abandoning her groom, she impulsively sneaks off their Los Angeles-bound honeymooner train in the middle of the desert. When she recuperates from dehydration, she finds herself on a film set and is cast as an extra. As Mem’s masterful art of deception drives her to fame, the left-behind husband returns, raging with jealousy and murderous revenge. First published 1922 and adapted to screen the following year by Rupert Hughes himself, this “insider” story of Hollywood filmmaking traces every Hollywood trope from slapstick comedy to theatrical melodrama with love and deceit at every page turn. Hazing the lines between truth and fiction, Souls for Sale is a snapshot of Hollywood’s Golden Age, hailed by three-time Pulitzer Prize winner Carl Sandburg as “the heart of moviedom by anyone who believes in it.”

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On September 27, 2018, the Senate Judiciary Committee held hearings concerning Dr. Christine Blasey Ford's allegations that then-Supreme Court Justice nominee Judge Brett Kavanaugh had sexually assaulted her in the mid-1980s. Advice and Consent is a play formed of interviews, found text, and transcripts, re-arranged, selected, and edited for poetic and provocative effect. The drama is designed as a thought experiment about power, pathos, tragedy, politics, gender, race, and truth. Accompanied by a score written by law professor and violinist Kathleen Kim, it may be either read or performed.

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Colin Dayan has one of the most original minds in America and also one of the fiercest. Here for the first time she turns her rigorous intellect toward her own life, onto her vexed relationship with her mother and subsequent suffering -- and she does so with her usual uncompromising clarity. It's rare for such a tormented work to be so masterful. In the Belly of her Ghost is not exactly an easy read, but it's also very hard to put down. -Madison Smartt Bell Colin Dayan's searing personal narrative is as much a Southern Gothic story as a haunting family portrait. A tale of love and resentment, In the Belly of Her Ghost is a memoir and meditation on the author's dead mother -- a Haitian woman attempting to assimilate into white Southern belle high society during the Civil Rights era. Dayan's mother grows austere with her newfound glamour and dismissive of her daughter, whose darker skin foments a loving connection with Lucille, her African American nanny. Capturing the bitter struggle of mother and daughter -- from her childhood unto death and beyond into the disconcerting present--In the Belly of Her Ghost is a lyrical journey through memory and loss. Dayan reflects on her complicated origins as she grows into a woman, uncertain if she's "black" or "white"; we see a gritty, nuanced view of the Jim Crow South. A literary ghost story, In the Belly of Her Ghost grapples with our complicated notions of race, identity, and femininity. In times such as ours, and the times from which they spawned, ages of violence against all forms of "other" -- genders, bodies, skins, ideas -- how can we lay to rest the ghosts that haunt us, and invite to the table those that help us live? Writing from the headlands far into the interior, threading the personal with the public, an elegy with a covert manifesto of hope, Colin Dayan understands what it is to be haunted: by history, by race, by family, by what presses on the definitions of one's life. In pages at once strikingly evocative, allusive, and embodied, rigorously sensory in their hard-won wisdoms, Dayan argues for the co-existence of species, variants of identity and belonging, a commonwealth of the living and the dead. In the Belly of Her Ghost imbues profound remembering with a democracy of looking and listening, where all that matters -- objects, animals, people and place -- is properly attended. It is a volume appearing undeniably in its necessary moment, and it is precisely necessary because the truths it speaks are as old as our troubles, as required as our joys. -Andrea Luka Zimmerman This subtle, ambivalent, deeply thoughtful book makes nothing easy -- difficult moments are imbued with grace and familiar parades of ghosts. "It is not easy to tell a ghost story that is not meant to frighten," Colin Dayan writes, and we hear a series of conversations with the past, with selves old and new, with memories of Haiti and the American South, with a black woman who effectively mothered the writer, with an actual mother both dead and alive. How many of us could so lucidly say of a disappointed and disappointing parent, "I did not want to love her as much as I did"? At the center of this haunting narrative is an unforgettable ghost story, which, ultimately, is not quite a ghost story at all. -Michael Wood With "In the Belly of Her Ghost," Colin Dayan delivers a haunted and haunting memoir of her mother, from a childhood in Haiti to a clipped life as a Southern belle. This is no ordinary family story: it is a lyrical telling of how racial terror and patriarchy reverberate in our most intimate relationships; it is about love aborted and love forged in violence and repression. As rejection, loss, and self-loathing simmer on the surface, this beautiful and desolate work recounts social harms and personal grievances. But it also bears witness to the persistent longing for connection that we carry with us and reminds us of what remains: an abiding faith that love can make you whole, even in death. -Deborah Chasman

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Merton of the Movies, which Gertrude Stein called “the best book about 20th century American youth,” follows midwestern bumpkin Merton Gill’s unlikely journey from a Kansas stockroom to the star-studded set of a silent film. Unfortunately, the actors he’s idolized from afar lose their luster up close, which fuels his desire to become a dramatic leading man — not some slapstick fool. By a stroke of luck, Merton lands a gig as an extra. His natural oafishness catches the eye of stuntwoman Flips Montague, and before long he’s a comic star — the only problem is, it’s all a spoof, and he doesn’t know it.First published in 1919 in the Saturday Evening Post, and adapted three times to film and once as a Broadway musical, Harry Leon Wilson’s cartoonish tale has earned its place as an essential California classic. This freewheeling romp gets to the heart of any Angeleno’s worst nightmare: what if I’m not in on the joke?

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A monumental celebration of one of the most significant poets writing today (David Baker,The Los Angeles Review of Books)

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Ferris Jabr is a contributing writer for The New York Times magazine and Scientific American. He has also written for The New Yorker, The Atlantic, Harper's, Foreign Policy, National Geographic, Wired, Outside, McSweeney's, and the Los Angeles Review of Books, among other publications. He lives in Portland, Oregon with his husband, Ryan, their dog, Jack, and more plants than they can count. Becoming Earth is his first book.

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'A kind of magical realism for science fiction ... Quite, quite brilliant' TorPart pulp adventure, part otherworldly meditation, this is the story of Trafalgar Medrano: intergalactic trader and lover of bitter coffee and black cigarettes. In the bars and cafés of Rosario, Argentina, he recounts tall tales of his space escapades - involving, among other things, time travel and dancing troglodytes.'A unique brand of science fiction ... unlike anything I've ever read' Los Angeles Review of Books

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Stylish, witty and insightful -The Wall Street JournalMakes us look at ourselves and the human mind in a series of fascinating ways - New ScientistHouse is a pleasure to read. Like Oliver Sacks ... - Los Angeles Review of BooksA concise, elegant, and thought-provoking exploration of the mystery of consciousness and the functioning of the brain.Despite decades of research, remarkable imagery, and insights from a range of scientific and medical disciplines, the human brain remains largely unexplored. Consciousness has eluded explanation.Nineteen Ways of Looking at Consciousness offers a brilliant overview of the state of modern consciousness research in twenty brief, revealing chapters. Neuroscientist and author Patrick House describes complex concepts in accessible terms, weaving brain science, technology, gaming, analogy, and philosophy into a tapestry that illuminates how t

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The final major work by one of the most influential thinkers of the twentieth centuryIn the fourth and final volume of his far-reaching and influential study of human sexuality, Foucault turns his attention to early Christianity, exploring how ancient ideas of pleasure were modified into the notion of the 'flesh'. Ranging over marriage, procreation and the concept of virginity as a divine state, Foucault brilliantly shows how a fledgling religion altered and defined the Western history of desire. Confessions of the Flesh brings to a conclusion one of the twentieth century's seminal works.'A thinker of immense power ... posing questions that still perplex us' The Times Literary Supplement'Required reading ... The appearance of the fourth volume is the most significant event in the world of Foucault scholarship in 20 years ... Essential' Los Angeles Review of Books

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Valentin and Molina seemingly share little other than a cell in this queer classic ahead of its time.'Dazzling... a triumph' ObserverSometimes they talk all night long. In the still darkness of their Buenos Aires prison cell, Molina re-weaves the glittering and fragile stories of the film he loves, and the cynical Valentin listens. Valentin believes in the just cause that makes all suffering bearable; Molina believes in the magic of love that makes all else endurable. Though they seemingly share little other than a cell, the two form a bond so intimate - and a relationship so profoundly affecting - that only the other could understand.'A visionary work that breathed life into certain dimensions of human possibility long before society at large was prepared to imagine them.' Carolina de Robertis, Los Angeles Review of Books

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'A subversive debut' GUARDIAN'Prose that dances with charge and potency' LOS ANGELES REVIEW OF BOOKS*WINNER of a 2023 ASIAN/PACIFIC AMERICAN AWARD FOR LITERATURE and a 2023 SOUTH ASIA BOOK AWARD*On a year-long exchange programme, sixteen-year-old Hira must swap the bustle of urban Pakistan for church and volleyball practice in rural Oregon. Stuck between two worlds, her experience of America is sometimes freeing, sometimes painful, often quite painful. And while she faces racism and Islamophobia, she also makes new friends and has her first kiss.But when her new life is blown apart by a shocking health crisis, Hira's sense of belonging is overturned once again - forcing her to consider her place in the world.'Marks the debut of a thrilling new global voice' Peter Ho Davies, author of The Fortunes

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?El Capital de la era digital? The Times Como otra obra maestra reciente del análisis económico, El capital en el siglo XXI, de Thomas Piketty, este libro cuestiona ideas asumidas, plantea interrogantes incómodos sobre el presente y el futuro, y acota el terreno para un debate muy necesario y pendiente desde hace ya un tiempo.Nicholas Carr, autor de Superficiales, Los Angeles Review of BooksEn esta obra magistral por la originalidad de las ideas y las investigaciones en ella expuestas, Shoshana Zuboff nos revela el alarmante fenómeno que ella misma ha denominado capitalismo de la vigilancia. Está en juego algo de la máxima importancia: toda una arquitectura global de modificación de la conducta amenaza con transfigurar la naturaleza humana misma en el siglo XXI de igual modo a como el capitalismo industrial desfiguró el mundo natural en el siglo XX.Gracias al análisis de Zuboff, cobran gráficamente vida para nosotros las consecuenci

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''The first biography of Thom Gunn, and likely the definitive one. [...] Nott''s book is one of the best versions of a gay relationship conducted over this half century.'' Colm TóibínMichael Nott's brilliant and necessary new biography Thom Gunn: A Cool Queer Life is a comprehensive study of a major poet's investigations of the paradoxical liberation and constraint of queer desire.' Los Angeles Review of Books''[Nott] has set out here to produce a work sturdy enough to support decades of future commentary on Gunn. He's succeededthis book is everything you ever wanted to know about Thom Gunn but had not even thought about asking.'' New York Times Book ReviewThe virtues of Thom Gunn: A Cool Queer Life are many: a total command of Gunn's life; a clear, though hardly idolatrous, affection for its subject; and a true critic's touch.' The BafflerThe eagerly awaited, no-holds-ba

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A masterpiece from one of Yiddish literature's true virtuosi, Moyshe Kulbak's satiric poem from 1933, Childe Harold of Dysna, appears here for the first time in a complete English translation. At once an exuberant celebration of Yiddish language and a searing indictment of capitalist excess, Kulbak's long poem follows the journey of its protagonist from small town Eastern Europe to the metropolis of Weimar Berlin. Drawing on his own experiences in Berlin in the early 1920s, Kulbak offers us a fresh perspective on life in interwar Berlin, and does so in one of the truly great pyrotechnic displays in Yiddish poetry. Robert Adler Peckerar's stunning translation conveys simultaneously Kulbak's verbal brilliance and his searing critique. This beautiful volume includes an introduction by Boris Dralyuk, the executive editor of the Los Angeles Review of Books, and stunning illustrations by Beynish.

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In this impassioned plea for human dignity (Kirkus Reviews) Jonathan Simoncalled one of the outstanding criminologists of his generation by Nikolas Rose of the London School of Economicscharts a surprising path to end mass incarceration in America. Using the landmark Supreme Court ruling in Brown v. Plata on overcrowding in California prisons as his starting point, Simon suggests that incarcerating people on a mass scale simply cannot be accomplished in comportment with the Eighth Amendment''s prohibition on cruel and unusual punishment.In an argument that the Los Angeles Review of Books calls unique, Simon contends that because we cannot offer meaningful health care, mental health care, or safe and reasonable prison conditions when prisons are run at many times their maximum capacity, mass incarceration is fundamentally incompatible with humane treatment.Todd Clear, former dean of Rutgers School of Criminal Justice, calls Mass Incarceration

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