Search results for ""Lavalette""

Anaïs Barbeau-Lavalette never knew her mother’s mother. Curious to understand why her grandmother, Suzanne, a sometime painter and poet associated with Les Automatistes, a movement of dissident artists that included Paul-Émile Borduas, abandoned her husband and young family, Barbeau-Lavalette hired a private detective to piece together Suzanne’s life.Suzanne, winner of the Prix des libraires du Québec and a bestseller in French, is a fictionalized account of Suzanne’s life over eighty-five years, from Montreal to New York to Brussels, from lover to lover, through an abortion, alcoholism, Buddhism, and an asylum. It takes readers through the Great Depression, Québec's Quiet Revolution, women’s liberation, and the American civil rights movement, offering a portrait of a volatile, fascinating woman on the margins of history. And it’s a granddaughter’s search for a past for herself, for understanding and forgiveness.‘It’s about a nameless despair, an unbearable sadness. But it’s also a reflection on what it means to be a mother, and an artist. Most of all, it’s a magnificent novel.’– Les MéconnusAnaïs Barbeau-Lavalette is a Montreal-based author and director. She was named the 2012 Artist for Peace by the social justice organization Les Artistes Pour la Paix.Rhonda Mullins is a writer and translator living in Montréal. She received the 2015 Governor General's Literary Award for Twenty-One Cardinals, her translation of Jocelyne Saucier's Les héritiers de la mine.

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Adult social care in Britain has been at the centre of much media and public attention in recent years. Revelations of horrific abuse in learning disability settings, the collapse of major private care home providers, abject failures of inspection and regulation, and uncertainty over how long-term care of older people should be funded have all given rise to serious public concern. In this short form book, part of the Critical and Radical Debates in Social Work series, Iain Ferguson and Michael Lavalette give an historical overview of adult social care. The roots of the current crisis are located in the under-valuing of older people and adults with disabilities and in the marketisation of social care over the past two decades. The authors critically examine recent developments in social work with adults, including the personalisation agenda, and the prospects for adult social care and social work in a context of seemingly never-ending austerity.

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Without a doubt, structural and institutionalised racism is still present in Britain and Europe, a factor that social work education and training has been slow to acknowledge. In this timely new book, Lavalette and Penketh reveal that racism towards Britain’s minority ethnic groups has undergone a process of change. They affirm the importance of social work to address issues of ‘race’ and racism in education and training by presenting a critical review of a this demanding aspect of social work practice. Original in its approach, and with diverse perspectives from key practitioners in the field, the authors examine contemporary anti-racism, including racism towards Eastern European migrants, Roma people and asylum seekers. It also considers the implications of contemporary racism for current practice. This is essential reading for anyone academically or professionally interested in social work, and the developments in this field of study post 9/11.

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The lives of three families intersect in the hallways of an apartment block in a Montreal neighborhood. Mélissa, Roxane, and Kevin have never had it easy. As their parents face their own struggles – with addiction, unemployment, and abuse – they must learn to fend for themselves. Though their lives converge at school, on the street, at the corner store, or when they can hear each other through their apartments’ thin walls, they each feel deeply alone. Neighbourhood Watch tells their coming-of-age stories with a cinematic ease, moving between despair and the unalterable hope of childhood. With her characteristic poetic flair and generosity, Anaïs Barbeau-Lavalette, author of the acclaimed Suzanne, has painted, in brief strokes, an unforgettable and moving portrait of a fictional apartment block in Montreal. This translation of her 2010 debut novel is presented with an afterword interview with a woman who, as a child, was the inspiration behind the character of Roxane. ‘This is prose to lose yourself in. Never complicated, it’s gentle like a love song, comforting and enveloping like a black-and-white film, full of tones and textures. These sentences can destroy us. Not for their simplicity, but for the powerful beauty within the simplicity.’ —Peter McCambridge, ‘Best Translated Book Award: Why This Book Should Win,’ on Suzanne

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Basketball 2.0 takes a riveting and inspirational look inside the rise of 3x3 basketball, which made its Olympic debut at Tokyo 2020, just a decade after launching as the official truncated version of arguably the world's second most popular sport. For generations, three-on-three was a popular form of pickup basketball but seen as a novelty until the governing body, FIBA, hatched an ambitious plan to broaden the sport's worldwide footprint and extend its fan base through a distinctive brand. But to achieve legitimacy, 3x3 needed to accomplish the improbable and go from the streets to the Olympics. Despite scepticism, FIBA created a professional tour and international competitions before its dream was realised when 3x3 became an Olympic sport for the Tokyo Games. FIBA is betting big on its new game, but even after 3x3's memorable Olympic debut, the question remains: will it truly succeed? Basketball 2.0 is the first in-depth exploration of this fascinating and quirky new global game.

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CBC BOOKS WORKS OF CANADIAN FICTION TO READ IN THE FIRST HALF OF 202349th SHELF EDITORS' PICK FOR JUNE 2023When a family is forced to return to the mother’s childhood home, she seeks meaning in her ancestral roots and the violent beauty of the natural world.Fleeing the city at the beginning of the pandemic, two families are cramped together in a small century-old country house. Winter seeps through the walls, the wallpaper is peeling, and mice make their nest in the piano. Without phones or internet, they turn to the outdoors, where a new language unfolds, a language of fireflies and clover. The five children explore nature and its treasures, while our narrator, Anaïs, turns to the eccentric neighbours and her own family history to find peace and meaning in the middle of her life.To the Forest is a field guide to a quieter life, a call to return to the places where we can reweave the threads of memory, where existence waltzes with death, where we can recapture what it means to be alive.

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How is social work shaped by global issues and international problems and how should it address them? This book employs a radical perspective to examine international social work. Globalisation had opened up many issues for social work, including how to address global inequalities, the impact of global economic problems and trends towards neoliberalism. By examining the origins of modern social work, problematising its definition and addressing the care/control dichotomy the book reveals what we can learn from different approaches and projects across the globe. Case studies from the UK, the US, Canada, Spain, Latin America, Australia, Hungary and Greece bring the text to life and allow both students and practitioners to apply theory to practice.

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How is social work shaped by global issues and international problems and how should it address them? This book employs a radical perspective to examine international social work. Globalisation had opened up many issues for social work, including how to address global inequalities, the impact of global economic problems and trends towards neoliberalism. By examining the origins of modern social work, problematising its definition and addressing the care/control dichotomy the book reveals what we can learn from different approaches and projects across the globe. Case studies from the UK, the US, Canada, Spain, Latin America, Australia, Hungary and Greece bring the text to life and allow both students and practitioners to apply theory to practice.

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Switzerland's image has been significantly shaped by photographs dedicated to tourism. Through spectacular mountain panoramas, snapshots of rural idylls, or portraits of local people, the country could be successfully marketed, and these photographs also made an important contribution to- ward national identity. Another consequence, however, was that the respective pictorial repertoire became inflated and stereotyped. For this publication and for an exhibition of the same name opening in 2017, five internationally renowned photographers were invited to scrutinize Switzerland in their capacity as independent, subjective, and sensitive observers-unrestricted by any advertising commission. What Alinka Echeverri a (Mexiko/UK), Shane Lavalette (USA), Eva Leitolf (Germany), Simon Roberts (UK), and Zhang Xiao (China) discovered on their travels around the country or along its borders is both inspiring and revealing. Their exciting, poetic, or mysterious-enigmatic im- ages invite viewers to see the familiar with the eyes of an outsider.6 booklets in a slipcase

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The year is 1996, and small-town life for 14-year-old Catherine is made up of punk rock, skaters, shoplifting, and the ghost of Kurt Cobain. Her parents are too busy divorcing to pay her headful of unspent angst much attention. But after she tries mess – a PCP variant – for the first time, her budding rebellion begins to spiral out of control. Universally acclaimed as the modern-day coming-of-age story for a generation of QuÉbÉcois youth growing up in the 1990s, GeneviÈve Pettersen’s award-winning debut novel both shocked and titillated readers in its original French, who quickly ordained it a contemporary classic and a runaway bestseller. AnaÏs Barbeau-Lavalette, the hotly tipped QuÉbÉcois director behind Inch-Allah, is currently adapting the story to film. Now Esplanade Books is honored to present The Goddess of Fireflies to English readers for the first time in a powerful translation from award-winning novelist Neil Smith.

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Photographs Not Taken is a collection of photographers’ essays about failed attempts to make a picture. Editor Will Steacy asked each photographer to abandon the conventional tools needed to make a photograph—camera, lens, film—and instead make a photograph using words, to capture the image (and its attendant memories) that never made it through the lens. In each essay, the photograph has been stripped down to its barest and most primitive form: the idea behind it. This collection provides a unique and original interpretation of the experience of photographing, and allows the reader into a world rarely seen: the image making process itself. Photographs Not Taken features contributions by: Peter Van Agtmael, Dave Anderson, Timothy Archibald, Roger Ballen, Thomas Bangsted, Juliana Beasley, Nina Berman, Elinor Carucci, Kelli Connell, Paul D’Amato, Tim Davis, KayLynn Deveney, Doug Dubois, Rian Dundon, Amy Elkins, Jim Goldberg, Emmet Gowin, Gregory Halpern, Tim Hetherington, Todd Hido, Rob Hornstra, Eirik Johnson, Chris Jordan, Nadav Kander, Ed Kashi, Misty Keasler, Lisa Kereszi, Erika Larsen, Shane Lavalette, Deana Lawson, Joshua Lutz, David Maisel, Mary Ellen Mark, Laura McPhee, Michael Meads, Andrew Moore, Richard Mosse, Zwelethu Mthethwa, Laurel Nakadate, Ed Panar, Christian Patterson, Andrew Phelps, Sylvia Plachy, Mark Power, Peter Riesett, Simon Roberts, Joseph Rodriguez, Stefan Ruiz, Matt Salacuse, Alessandra Sanguinetti, Aaron Schuman, Jamel Shabazz, Alec Soth, Amy Stein, and others.

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